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Urdhva Pundra

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This is called as angara. Those who are wearing this line have finished the Devara Puja (worship). Underneath the black line, red dot is added to indicate that one has finished eating their lunch. This dot is called as akshate. It is the ash of the banana tree flower petal mixed with turmeric paste. The shape of angara-akshate is like that of a gada. It is supposed to be Pranadeva Sannidhi (have the presence of Vayu Devaru). Those who did not perform daily worship to Narayana wear the simple two line tilaka only.
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it on gods reached a high position. Therefore, (the marks of) the weapons should be duly put on particularly by brāhmaṇas, especially by Viṣṇu’s devotees. The noble one of a pure heart, who having the Ūrdhvapuṇḍra (perpendicular marks of sandal on the forehead) and the mark of the disc, meditates on Viṣṇu’s position, by means of singing the hymn always reaches (god Viṣṇu) higher than the highest always remaining in his heart.
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Listen to the marks of the devotees attentively, O Mother. It is a secret, O Dharaṇī. They have permanent marks of conch and discus on the pair of arms. Their special characteristic is Ūrdhvapuṇḍra (sectarian mark in a vertical V-like form) with a gap in the middle. Others have twelve such Puṇḍras on
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May the Pāvamānya (hymns) purify me with the thousand-edged disc with which they always protect themselves. The disc of the Creator is bright with metal plates and golden. We knowing the hymn purify it (already) purified by it. The unaging disc with the felly is the eye of the noble one. Having put
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leaf. The slight difference arose due to the emphasis on direct devotional service such as hearing from the shastras and glorifying the Lord in accordance with Srimad-Bhagavatam. As such, the black line made from the ash of the fire sacrifice is not included. As per Sri Hari Bhakti Vilasa (4.211),
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mark two vertical lines with Gopichandana representing Vishnu's 'lotus feet'. In between a vertical black line is made from the daily coal of the dhupa (incense). In this sampradaya, worship is done to Narayana or Krishna daily. The coal left after offering incense is used to mark the black line.
1224:. A curvature upon the top bridge of the nose indicates that the wearer belongs to the Tenkalai denomination. Because the Sri Vaishnava tradition accords a high place to Lakshmi, and because they approach Narayana through Lakshmi, their tilaka reflects this process of surrender, known as 1337:. The Vadakalai namam is a U-shaped design that incorporates two curved lines upon the forehead. As in the Tenkalai namam, this is representative of the feet of Vishnu. A yellow line that is usually applied with a turmeric paste is worn in its midst as a representation of Lakshmi. 1085:
the forehead, heart, neck, belly, two sides, two elbows, two arms, back and back of the neck. When they apply the mark they recite the twelve names beginning with ‘Keśava’ and ending with ‘Vāsudeva’ and say ‘Obeisance to you’. When they apply it on the head, they say ‘Vāsudeva’.
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The Tenkalai namam is a Y-shaped design that incorporates two vertical white lines upon the forehead that intersect upon the bridge of the nose, where they are aligned by the wearer. This is representative of the feet of Vishnu. A red line that is usually applied with
1485:. This is said to represent God as Radha and Krishna together. This tilaka personifies the tenets of the Sampradaya, that God is Radha and Krishna together, none else. It is supposed to have been first given to Nimbarka at the time of his initiation by the sage, 1529:. The BAPS interpret the tilaka chandlo to indicate the bhakta-bhagavan mode of worshipping Paramatma along with his ideal devotee, the Gunatit Sadhu. Swaminarayan proclaimed that all devotees should wear the mark on 13 February 1821 during the 1524:
According to the Swaminarayan Gadis, the symbol represents Lakshmi, the goddess of wealth and fortune, living in the heart of Swaminarayan wherein the tilaka represents the lotus feet of Krishna, the supreme being, and the chandlo stands for
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community, wear a different tilaka from the men. The red line that represents Lakshmi is worn prominently upon the length of their forehead to highlight their femininity, adorned with a miniature white curvature at the base of the design.
1473:. It starts at the bridge of the nose and continues as two vertical lines to the top of the forehead. This is said to represent the temple of God. Within these lines, between the eyebrows is a black dot, made from the slate found in 1430:
the tilaka is a U that begins from the beginning of the nose which is technically 1/3rd the distance from the base to the tip. In due course of time, this original tilaka was modified to suit various divisions and sects.
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In Vaishnava tradition, the Urdhva Pundra is applied on different regions of an individual's body, and its application requires one to ritually invoke the various names of Vishnu. This is also referred to as
1517:, the urdhva pundra tilaka, also known as the tilaka chandlo, is composed of two elements: a U-shaped tilaka made of sandalwood paste and a chandlo (circle) made of 1956: 958:
of their particular lineage. The general tilaka design is of two or three vertical lines resembling the letter U or Y, which represent the lotus feet of
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sheds some light on this concept in the form of an order in which the mark is applied, correlating each with an epithet of the preserver deity:
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or the lineage to which the devotee belongs. The different Vaishnava sampradayas each have their own distinctive style of tilaka based on the
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AN INTERPRETATIVE PHENOMENOLOGICAL ANALYSIS OF 'BEING RELIGIOUS' IN EMERGING ADULTS WITHIN A TERTIARY EDUCATION SETTING
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practitioners with the Urdhva Pundra on various parts of the body - forehead, neck, arms, chest and stomach region.
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James Lochtefeld (2002), "Urdhvapundra", The Illustrated Encyclopedia of Hinduism, Vol. 2: N–Z, Rosen Publishing,
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worn is a double vertical red line which is rounded at the base. This "U" shape represents
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festival in Panchala, near Junagadh, Gujarat, after demonstrating the tilaka chandlo on
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The Skanda Purana Part 4: Ancient Indian Tradition And Mythology [Volume 52]
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The women of the Sri Vaishnava tradition, especially the ones who hail from the
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To be a reminder of the Vedic scriptures - Rigveda, Yajurveda, and Samaveda;
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tradition wear the tilaka with the two outer lines representing the feet of
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Layered Landscapes: Early Modern Religious Space Across Faiths and Cultures
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The Padma-Purana Part 9: Ancient Indian Tradition and Mythology Volume 47
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tilaka. Below the two lines, on the bridge of the nose is the shape of a
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leaf, while other Vaishnava groups may instead feature the shape of the
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There exist two components of this mark present in both denominations:
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Gautam Chatterjee (2003), Sacred Hindu Symbols, Abhinav Publications,
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community, there are two forms of tilakas present, referred to as the
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The three states of consciousness - awake, dream sleep, deep sleep;
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D Dennis Hudson (2008), The Body of God, Oxford University Press,
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Hindu Rites & Rituals (sentiments, sacraments & symbols)
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The Urdhava Pundra has historically been associated with the
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U-shaped mark usually worn on forehead by Vaishnava Hindus
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Faith in the neighborhood: Praying: The Rituals of Faith
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sampradaya, the tilaka is usually made out of mud from
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explains the theological significance of this symbol:
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is worn in its midst as a representation of Lakshmi.
923: 2038:. Victoria University of Wellington. pp. 48–49. 1841: 1839: 1489:. The tilaka is first given to an initiate by their 1692:Bhatt, Dr G. P.; Deshpande, Dr N. A. (2013-01-01). 1626: 1624: 1098: 1836: 2076: 1621: 1413:. The main tilaka is basically identical to the 1069:The three realities - Maya, Brahman, and Atman; 1072:The three bodies - Sthula, Sukshma, and Karana. 1053:Tilaka, offering a number of interpretations: 1691: 1668: 1576:Nelson, Eric; Wright, Jonathan (2017-06-26). 1365:lotus feet. The materials used to make their 1080:also offers some details regarding the mark: 885: 1755: 1641: 1575: 1461:-Chandana (the clay from Gopi Kunda lake in 1945:. Cambridge University Press. p. 241. 1877:. Cambridge University Press. p. 264. 943:as an indication of their affiliation with 1500: 892: 878: 52: 2033: 1789: 1654:. Motilal Banarsidass. pp. 789–790. 1234:). A variant to this is found within the 1186: 2013:. Swaminarayan Aksharpith. p. 236. 1942:An Introduction to Swaminarayan Hinduism 1938: 1870: 1847:"Vedic Encyclopedia - see Tilak section" 1437: 1316: 1295: 18: 1796:Brill's Encyclopedia of Hinduism Online 1729:, Sama Veda, SanskritDocuments Archives 1647: 1329:are among the two denominations of the 2077: 1939:Williams, Raymond Brady (2001-01-04). 1900: 1871:Williams, Raymond Brady (2018-11-08). 1433: 1393: 1340: 2004: 2002: 1896: 1894: 1874:Introduction to Swaminarayan Hinduism 1785: 1783: 1781: 1779: 1756:Shastri, J. L.; Bhatt, G. P. (1993). 1698:. Motilal Banarsidass. p. 3139. 1815: 1582:. Taylor & Francis. p. 74. 1372: 1261: 1063:The three phonemes of Om - A, U, M; 2008: 1822:. Cosmo Publications. p. 126. 1762:. Motilal Banarsidass. p. 35. 1060:The three worlds Bhu, Bhuva, Svar; 13: 1999: 1891: 1790:Narayanan, Vasudha (29 May 2018). 1776: 1504: 1397: 1376: 1369:are derived from saffron plants. 1353:In the Vallabha tradition, or the 1344: 1195: 1191: 999:Right: A Shaiva Hindu with Tilaka 14: 2106: 1792:"Tilaka and Other Forehead Marks" 1469:), as described in the Vasudeva 983: 974: 2060:from the original on 2016-10-01 2042: 2027: 1988:from the original on 2021-07-09 1970: 1959:from the original on 2021-08-03 1932: 1921:from the original on 2022-03-20 1864: 1853:from the original on 2008-05-09 1809: 1610:from the original on 2008-01-27 1442:The Nibarka tilaka between the 1099:Association with Vishnu's names 1901:Mosher, Lucinda (2005-11-01). 1819:The Sacred Books of the Hindus 1749: 1732: 1712: 1685: 1604:"britannica.com - Vaishnavism" 1596: 1569: 935:'elevated mark') is a 1: 1562: 1016:has been associated with the 993:Left: A Vaishnava Hindu with 965: 1651:Sixty Upanishads of the Veda 1312: 1204:The mark here is called the 7: 1540: 1481:, the sacred birthplace of 1291: 924: 10: 2111: 2034:DRAVITZKI, THOMAS (2015). 2009:Das, Mukundcharan (2007). 1907:. Church Publishing, Inc. 1718:Sunder Hattangadi (2000), 1509:Udharva Marka, illustrated 1140:- Right-section of stomach 2054:BAPS Swaminarayan Sanstha 1158:- Left-section of stomach 913: 1816:Basu, Baman Das (2007). 1457:, the tilaka is made of 1515:Swaminarayan Sampradaya 1501:Swaminarayan Sampradaya 1012:tradition, just as the 1648:Deussen, Paul (1997). 1510: 1450: 1402: 1382: 1350: 1322: 1301: 1201: 1187:Traditional variations 1146:- Middle of right hand 1096: 1074: 1043: 28: 1682:, pages 11, 42, 57-58 1508: 1441: 1401: 1380: 1348: 1320: 1299: 1199: 1082: 1055: 1029: 22: 1161:Sridhara - Left hand 1982:www.swaminarayan.nu 1455:Nimbarka Sampradaya 1434:Nimbarka sampradaya 1394:Gaudiya Vaishnavism 1341:Vallabha sampradaya 1230:(or sometimes also 1110:Chandogya Upanishad 660:Satyabhinava Tirtha 1725:2016-02-08 at the 1720:Vasudeva Upanishad 1535:Gunatitanand Swami 1511: 1451: 1403: 1383: 1351: 1323: 1302: 1202: 1047:Vasudeva Upanishad 758:Related traditions 675:Satyadhyana Tirtha 670:Satyadharma Tirtha 630:Raghavendra Tirtha 580:Manavala Mamunigal 503:Vaishnava-Sahajiya 29: 2020:978-81-7526-356-7 1952:978-0-521-65422-7 1914:978-1-59627-155-5 1884:978-1-108-42114-0 1829:978-81-307-0553-8 1769:978-81-208-1082-2 1705:978-81-208-3914-4 1661:978-81-208-1467-7 1589:978-1-317-10720-0 1407:Gaudiya Vaishnava 1387:Madhva Sampradaya 1373:Madhva sampradaya 1266:In South India's 1262:Iyengar tradition 1212:. 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Index


Sri Vaishnava
a series
Vaishnavism
Closeup of Vishnu, seated in the lotus position on a lotus. From depiction of the poet Jayadeva bowing to Vishnu, Gouache on paper Pahari, The very picture of devotion, bare-bodied, head bowed, legs crossed and hands folded, Jayadeva stands at left, with the implements of worship placed before the lotus-seat of Vishnu who sits there, blessing the poet.
Vishnu
Krishna
Rama
Dashavatara
Matsya
Kurma
Varaha
Narasimha
Vamana
Parasurama
Rama
Balarama
Krishna
Buddha
Kalki
Dhanvantari
Guruvayurappan
Hayagriva
Jagannath
Mohini
Nara-Narayana
Prithu
Shrinathji
Venkateshvara
Vithoba

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