695:
reflections, rather than visibly influencing the king. This has the effect of making
Richard more culpable for his own failings, and the Bolingbroke faction more duplicitous in their accusations: framing the blame as resting with Bushy, Bagot, and Green is merely a device to avoid having to admit to rebelling against a legitimate king, but their—Bolingbroke's in particular—actions demonstrate that their aim is, hypocritically, to seize the throne. Touches on Ross only in so far as it discusses his and Willoughby's separation from the court as an instance of a theme of separation and dissolution of allies and power around the king, and an agglomeration of the same around Bolingbroke.
956:—is the backdrop to the plot; but that Shakespeare deliberately leaves these things unaddressed and obscure for dramatic reasons. Irish points out Holinshed as the source for the complaints of tyranny that Northumberland, Ross, and Willoughby enumerate, and draws the connection to the Lords Appellant's uprising and Woodstock. The nobles fined for ancient quarrells are in fact nobles fined for having supported Gloucester (Woodstock), Arundell, and Warwick against Richard. That Richard has "basely yielded upon compromise / That which his ancestors achieved with blows" is the charge, according to Holinshed, that Woodstock made to Richard in 1597—referring to Richard's plan to cede
609:, and thus again that Shakespeare depended on his audience's familiarity with the older play. Discusses whether Shakespeare intends Richard II to be personally culpable for Gloucester's death, and Bolingbroke's true motivations for returning in rebellion. Mentions Ross mainly as one present at John of Gaunt's deathbed, and thus the quarrel scene between him and the king. But makes a point regarding the significance of Richard's confiscation of Gaunt's properties, which under feudal law makes Gaunt and Bolingbroke an "un-person", and York, Northumberland, Ross, and Willoughby's understanding of this significance immediately prior to the conspirators conversation.
1037:. Gaunt, Bolingbroke, the Duchess of Gloucester, and even York's actions are all explainable by reference to nostalgia for a mediaeval past where hospitality was an ingrained part of the social fabric; and the desire to reclaim that state. Richard, as a rapacious tyrant, that not only does not exhibit hospitality, even takes away the other character's ability to provide hospitality through his confiscation of Bolingbroke's inheritance from Gaunt, and the Duchess of Gloucester's from Thomas of Woodstock. Mentions Ross only in passing, and as an adjunct to Northumberland in listing Richard's sins.
762:
Argues that the history plays are really fiscal tragedies: the sovreign's sovreignity is dependent on his ability to levy taxes, but taxation foments discontent and gives rise to rebellions small and great. Glimp exemplifies the underlying financial motives with Ross' "The commons hath he pilled with
1319:
of blood and chaos (the civil war to come), a badly tended garden (Richard's mismanagement of
England), and generation and inheritance mirror God's curse upon man (original sin, Caine's immortality). Ross is mentioned only in passing, giving quotes from the conspiracy conversation as further fodder
1233:
Examines the development, under the Tudors, of "Treason by Words" as a crime, and its effects on the conception of treason. Richard's false accusations of treason, motivated by a desire for personal enrichment, becomes the reason for others' treason: banishing
Bolingbroke turns Gaunt againt him;
844:
Argues that the early tragedies, including the chronicle histories, are rightly «rhetorical tragedies»; where complicated high-rhetoric language is used to express grief or anger. As contrasted with Ryland’s view that «The more intense the emotion, the more the poet will abhor ornament: he will
694:
Argues that
Shakespeare does not depict Bushy, Bagot, and Green as the parasitic and self-interested sycophants they are accused as being by Gaunt, Bolingbroke, Northumberland, and the Gardener. Unlike in Hall and Holinshed, Shakespeare leaves the three of them essentially blank, or at most as
442:" and their inexplicable feud with Prof. Donald Foster. Touches Ross in that Bolingbroke's greeting to Ross in 2.3.65(ish) may be a lone example of Shakespeare using "thank" rather than "thanks" as a noun to express gratitude (p.195). Their detailed results may have more relevant details.
344:
Details
Northumberland's character in Shakespeare versus Holinshed. Can provide context for a discussion of the possible directorial or acting choices possible for the three conspirators. And provides a straightforward summary of the conspirators' conversation, including Ross' role in
1238:: even the king's person owes allegiance to the institution of the Crown, and the oath he swears on accession binds him to rule by law rather than selfish and capricious will. Has a slightly different perspective on Ross.
1234:
confiscating Gaunt's properties induces York to think of treason, and
Northumberland, Ross, and Willoughby to rebel. Richard claims the devine right of kings, while the rebels make the argument previously made in the
2063:
845:
counterfeit direct speech.» Argues tha Ross, Willoughby, and
Northumberland—and their conversation—fill the role of a Senecan Chorus, and compares it to the Gardeners scene.
1157:
1315:: Richard's murder of Woodstock (by way of Mowbray) and Bolingbroke's of Richard (by way of Exeter), mirror the sins of Adam and Caine; and the imagery in
1142:
972:
949:
1832:
1768:
861:
1153:
1161:
1250:
282:’s 1997 adaptation for BBC2. Lists casting and doubling for Ross. Mentions the different possible interpretations of the three conspirators.
704:
1408:
1602:
209:. Touches on a controversy over who actually played Ross, in light of conflicting evidence in the prompt book and the playbill.
1752:
1553:
351:
Elliott, Ward E. Y.; Valenza, Robert J. (1997). "Glass
Slippers and Seven-League Boots: C-Prompted Doubts about Ascribing
763:
grievous taxes, And quite lost their hearts. The nobles he hath fined For ancient quarrels, and quite lost their hearts."
1186:
477:
1545:
870:
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1164:
as
Willoughby gave little sense of rebels carefully testing the political water before they speak in II. i."
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116:
in the UK. Touches on Ross as omitted from a specific playbill, and thus possibly from the adaptation.
1178:
109:
17:
2257:
Zeeveld, W. Gordon (1936). "The
Influence of Hall on Shakespeare's English Historical Plays".
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s pre-history—going back to Richard II's early accession to the throne, his uncles' and the
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439:
1244:
Maveety, Stanley R. (1973). "A Second Fall of Cursed Man: The Bold Metaphor in
702:
Glimp, David (2018). "Sovereignty after Taxes in Shakespeare's History Plays".
483:
289:
Dodson, Sarah Clara (1939). "The Northumberland of Shakespeare and Holinshed".
279:
896:
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1989:
1962:
Shurgot, Michael W. (2015). "Seattle Shakespeare Company, 2013-14 Season".
1929:
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729:
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2012:
1977:
1917:
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717:
1672:
performed by the Royal Shakespeare Company (Barbican Theatre) (review)".
1174:
Treason by Words: Literature, Law, and Rebellion in Shakespeare's England
1124:
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to the French—leading up this arrest, murder, and the Revenge Parliament.
202:
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165:
72:
1043:
Kay, Carol McGinnis (1976). "The Alabama Shakespeare Festival, 1975".
1744:
2276:
2204:
1421:
1345:
1058:
1033:
and the hospitality laws of the 1590s is a useful critical lens for
784:
634:
615:
Gaudet, Paul (1982). "The 'Parasitical' Counselors in Shakespeare's
535:
374:
141:
48:
1406:
Meron, Theodor (1998). "Crimes and Accountability in Shakespeare".
879:
852:
1539:
1172:
2057:
Sprague, Arthur Colby (1944). "The First American Performance of
1997:
Shurgot, Michael W. (2017). "2016 Oregon Shakespeare Festival".
29:
Barker, Kathleen M. D. (1972). "Macready's Early Productions of
2296:
2224:
2088:
1865:
1793:
1627:
1600:
Riddell, James A. (1979). "The Admirable Character of York".
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662:
563:
402:
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76:
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performed by the Royal Shakespeare Company (RST) (review)".
434:
Thirty pages discussing the Claremont Shakespeare Clinic's
605:, underpins every part of the plot for the first third of
2259:
1664:
performed by the Royal Shakespeare Company (Swan), and:
1668:
performed by the Royal Shakespeare Company (RST), and:
769:
Hill, R. F. (1958). "Shakespeare's Early Tragic Mode".
2185:
Wilson, M. Glen (1967). "Charles Kean's Production of
1732:Sanchez, Melissa E. (2012). "Bodies that Matter in
966:Johanson, Kristine (2016). "In the Mean Season:
1743:. Shakespeare Criticism. Vol. 25. London:
952:, including the murder, on Mowbray's watch, of
205:’s late-19th-century productions in the US for
1826:Schuler, Robert M. (2004). "Magic Mirrors in
1251:The Journal of English and Germanic Philology
940:interference in his early reign, through the
970:and the Nostalgic Politics of Hospitality".
705:SEL: Studies in English Literature 1500-1900
112:’s early to mid-19th-century productions of
1409:The American Journal of International Law
878:
619:: A Problem in Dramatic Interpretation".
452:on the Screen". In Holland, Peter (ed.).
1603:Texas Studies in Literature and Language
215:Coursen, H. R. (2001). "The Warner/Shaw
122:Bryan, George B. (1973). "Edwin Booth's
1541:Crime and God's Judgment in Shakespeare
932:Responds to French (1971). Argues that
14:
853:"Writing Woodstock: The Prehistory of
2064:The Shakespeare Association Bulletin
1766:and Some Forms of Theatrical Time".
1307:Argues that the "bold metaphor" in
23:
857:and Shakespeare's Dramatic Method"
219:on Television: A Review Article".
24:
2336:
1474:Mosse, Ramona Franziska (2007). "
1546:The University Press of Kentucky
1538:Reed, Robert Rentoul Jr (2015).
871:The University of Chicago Press
2269:Johns Hopkins University Press
13:
1:
1898:Shurgot, Michael W. (2006). "
1326:McManaway, James G. (1964). "
470:10.1017/CCOL9780521898881.005
454:Shakespeare, Sound and Screen
1120:Alabama Shakespeare Festival
1029:Long rambling argument that
448:Forker, Charles R. (2008). "
7:
2192:Educational Theatre Journal
1736:". In Lopez, Jeremy (ed.).
520:and the Woodstock Murder".
460:. Vol. 61. Cambridge:
10:
2341:
851:Irish, Bradley J. (2013).
595:Argues that the murder of
462:Cambridge University Press
2121:Sullivan, Erin (2014). "
1179:Cornell University Press
110:William Charles Macready
18:User:Serial Number 54129
1762:Schell, Edgar (1990). "
1320:for Maveety's argument.
1171:Lemon, Rebecca (2006).
516:French, A. L. (1971). "
1660:Rogers, Jami (2014). "
2141:10.1353/shb.2014.0031
2013:10.1353/shb.2017.0035
1978:10.1353/shb.2015.0045
1918:10.1353/shb.2006.0042
1741:: New Critical Essays
1688:10.1353/shb.2014.0020
1494:10.1353/shb.2007.0036
1333:Shakespeare Quarterly
1158:Ronald Stanley Sopyla
1149:Ralph Roister Doister
1046:Shakespeare Quarterly
986:10.1353/pgn.2016.0075
772:Shakespeare Quarterly
718:10.1353/sel.2018.0001
622:Shakespeare Quarterly
523:Shakespeare Quarterly
362:Shakespeare Quarterly
129:Shakespeare Quarterly
36:Shakespeare Quarterly
2128:Shakespeare Bulletin
2000:Shakespeare Bulletin
1965:Shakespeare Bulletin
1905:Shakespeare Bulletin
1675:Shakespeare Bulletin
1662:Antony and Cleopatra
1481:Shakespeare Bulletin
946:Merciless Parliament
942:Wonderful Parliament
222:Shakespeare Bulletin
2314:|subscription=
2242:|subscription=
2170:|subscription=
2106:|subscription=
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1947:|subscription=
1883:|subscription=
1811:|subscription=
1747:. pp. 95–116.
1717:|subscription=
1670:Thomas of Woodstock
1645:|subscription=
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1459:|subscription=
1391:|subscription=
1330:at Covent Garden".
1293:|subscription=
1236:Declaration of 1308
1218:|subscription=
1156:as Northumberland,
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1015:|subscription=
954:Thomas of Woodstock
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830:|subscription=
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357:A Lover's Complaint
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187:|subscription=
94:|subscription=
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2240:Unknown parameter
2168:Unknown parameter
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1809:Unknown parameter
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1643:Unknown parameter
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1521:Unknown parameter
1457:Unknown parameter
1389:Unknown parameter
1291:Unknown parameter
1216:Unknown parameter
1143:Fitting for Ladies
1102:Unknown parameter
1013:Unknown parameter
950:Revenge Parliament
916:Unknown parameter
828:Unknown parameter
745:Unknown parameter
678:Unknown parameter
579:Unknown parameter
499:Unknown parameter
464:. pp. 57–73.
458:Shakespeare Survey
418:Unknown parameter
328:Unknown parameter
292:Studies in English
262:Unknown parameter
185:Unknown parameter
92:Unknown parameter
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1833:Comparative Drama
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1769:Comparative Drama
1754:978-0-203-13366-8
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359:to Shakespeare".
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1313:Book of Genesis
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353:A Funeral Elegy
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31:King Richard II
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2182:
2135:(2): 272–275.
2118:
2071:(3): 110–116.
2054:
2007:(3): 463–477.
1994:
1972:(3): 489–500.
1959:
1912:(2): 101–103.
1895:
1823:
1776:(3): 255–269.
1759:
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1729:
1682:(2): 310–319.
1657:
1610:(4): 492–502.
1597:
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1403:
1340:(2): 161–175.
1323:
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1258:(2): 175–193.
1241:
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1154:Lester Malizia
1118:Review of the
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880:10.1086/673905
848:
847:
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779:(4): 455–469.
766:
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698:
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696:
629:(2): 142–154.
612:
611:
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530:(4): 337–344.
513:
484:Cambridge Core
478:
445:
444:
443:
369:(2): 177–207.
348:
347:
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286:
285:
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280:Deborah Warner
212:
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136:(4): 383–389.
119:
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2:
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2074:
2070:
2066:
2065:
2060:
2055:
2051:
2034:
2026:
2022:
2018:
2014:
2010:
2006:
2002:
2001:
1995:
1991:
1987:
1983:
1979:
1975:
1971:
1967:
1966:
1960:
1956:
1939:
1931:
1927:
1923:
1919:
1915:
1911:
1907:
1906:
1901:
1896:
1892:
1875:
1867:
1863:
1859:
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1829:
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1435:
1431:
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1400:
1383:
1375:
1371:
1367:
1363:
1359:
1355:
1351:
1347:
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1339:
1335:
1334:
1329:
1324:
1318:
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1310:
1306:
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1285:
1277:
1273:
1269:
1265:
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1252:
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1190:
1188:9780801462269
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1160:as Ross, and
1159:
1155:
1151:
1150:
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1138:
1137:Twelfth Night
1133:
1132:
1127:
1126:
1121:
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1116:
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1096:
1088:
1084:
1080:
1076:
1072:
1068:
1064:
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1048:
1047:
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1036:
1032:
1028:
1027:
1024:
1007:
999:
995:
991:
987:
983:
979:
975:
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969:
964:
959:
955:
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939:
935:
931:
930:
927:
910:
902:
898:
894:
890:
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868:
864:
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664:
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640:
636:
632:
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618:
613:
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573:
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364:
363:
358:
354:
349:
343:
342:
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322:
314:
310:
306:
302:
298:
295:(19): 74–85.
294:
293:
287:
281:
277:
276:
273:
256:
248:
244:
240:
236:
232:
228:
224:
223:
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204:
200:
199:
196:
179:
171:
167:
163:
159:
155:
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135:
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111:
107:
106:
103:
86:
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70:
66:
62:
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54:
50:
46:
43:(1): 95–100.
42:
38:
37:
32:
27:
26:
19:
2320:suggested) (
2305:cite journal
2295:– via
2264:
2258:
2248:suggested) (
2233:cite journal
2223:– via
2199:(1): 41–51.
2196:
2190:
2186:
2176:suggested) (
2161:cite journal
2153:Project MUSE
2151:– via
2132:
2126:
2122:
2112:suggested) (
2097:cite journal
2087:– via
2068:
2062:
2058:
2048:suggested) (
2033:cite journal
2025:Project MUSE
2023:– via
2004:
1998:
1990:Project MUSE
1988:– via
1969:
1963:
1953:suggested) (
1938:cite journal
1930:Project MUSE
1928:– via
1909:
1903:
1899:
1889:suggested) (
1874:cite journal
1864:– via
1837:
1831:
1827:
1817:suggested) (
1802:cite journal
1792:– via
1773:
1767:
1763:
1740:
1737:
1733:
1723:suggested) (
1708:cite journal
1700:Project MUSE
1698:– via
1679:
1673:
1669:
1665:
1661:
1651:suggested) (
1636:cite journal
1626:– via
1607:
1601:
1591:suggested) (
1568:Project MUSE
1566:– via
1540:
1529:suggested) (
1514:cite journal
1506:Project MUSE
1504:– via
1488:(2): 73–77.
1485:
1479:
1475:
1465:suggested) (
1450:cite journal
1440:– via
1413:
1407:
1397:suggested) (
1382:cite journal
1372:– via
1337:
1331:
1327:
1316:
1308:
1299:suggested) (
1284:cite journal
1274:– via
1255:
1249:
1245:
1224:suggested) (
1201:Project MUSE
1199:– via
1173:
1162:Dickson Lane
1147:
1141:
1135:
1129:
1123:
1110:suggested) (
1095:cite journal
1085:– via
1053:(1): 66–71.
1050:
1044:
1034:
1030:
1021:suggested) (
1006:cite journal
998:Project MUSE
996:– via
980:(2): 57–78.
977:
971:
967:
933:
924:suggested) (
909:cite journal
899:– via
866:
860:
854:
836:suggested) (
821:cite journal
811:– via
776:
770:
753:suggested) (
738:cite journal
730:Project MUSE
728:– via
712:(1): 23–50.
709:
703:
686:suggested) (
671:cite journal
661:– via
626:
620:
616:
606:
600:
599:, and hence
587:suggested) (
572:cite journal
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438:testing of "
426:suggested) (
411:cite journal
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360:
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321:cite journal
311:– via
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255:cite journal
245:– via
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40:
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1902:(review)".
1478:(review)".
1416:(1): 1–40.
1125:The Tempest
1031:hospitality
934:Richard II'
873:: 131–149.
436:stylometric
203:Edwin Booth
2187:Richard II
2123:Richard II
2059:Richard II
1900:Richard II
1828:Richard II
1764:Richard II
1739:Richard II
1734:Richard II
1666:Richard II
1476:Richard II
1328:Richard II
1317:Richard II
1309:Richard II
1246:Richard II
1177:. Ithaca:
1131:Richard II
1035:Richard II
968:Richard II
855:Richard II
617:Richard II
607:Richard II
518:Richard II
450:Richard II
217:Richard II
124:Richard II
114:Richard II
108:Discusses
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