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activity of folk music collectors of the 20th century. Komitas created a new style of composition, which synthesized authentic folk and
Christian church music with Western means of composition. His work has been a guide for many composers and his music is performed by famous world musicians independent of nationality or geographic location. The significance of this collection is therefore evident in not just the Armenian, but the regional, Middle Eastern, and universal music culture. The collection includes the survived original copies and manuscripts of (a) folk music collections, (b) compositional works, and (c) scientific research on music.
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561:(celibate priest) and became thereafter known as Komitas Vardapet. In the same year, his first collection of transcribed folk music, "The Songs of Agn" (Շար Ակնա ժողովրդական երգերի), which included 25 pieces of love songs, wedding tunes, lullabies and dances was completed. It was disapproved by a reactionary and ultraconservative faction of the Etchmiadzin clergy, who harassed and sarcastically referred to Komitas as "the love-singing priest". Rumors of alleged sexual misconduct were spread, leading Komitas into experiencing an
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801:"Komitas always remained committed to his assertion that Armenians have their own unique music." Komitas's own work is an example of the classical style in Armenian professional music and has become a permanent part of the national heritage. Although the major part of it was lost during the genocide of 1915, the works that were found and preserved later (about 1,200 records of folk songs ) influenced the subsequent development of Armenian music and demonstrated the value of this music to the world.
625:. With little left of Mantashev's money after paying for rent and supplies, Komitas cut on food, having one or no meal each day. However, this did not distract him from education and he effectively absorbed the erudition of highly accomplished German teachers. Among them were 18th-19th century folk music specialist Henrich Bellermann, Max Friedlander, Osgar Fleischer. Fleischer in May 1899 established the Berlin chapter of the International Musical Society (
821:"In the 19th and 20th centuries, Armenian priest, composer, and ethnomusicologist Komitas Vardapet arranged the Divine Liturgy and many sharakans for four voices. His aim was twofold: to carry Armenian liturgical music into its next stage of spiritual significance through the addition of harmony and to cleanse the music of inappropriate fashionable embellishments through careful research of church modes and the old notation systems (Komitas 1897:159)."
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research papers that earned him his place among the pioneers of ethnomusicology." Komitas spent summers in
Armenian countryside, developing a unique relationship with villagers. He thus took the scholarly task of transcribing and preserving rural Armenian songs. In the fall of 1903 after three years of collection and transcription, Komitas published a collection of 50 folks songs titled "One Thousand and One Songs" (Հազար ու մի խաղ). Lyricist
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543:, who taught at the seminary only one year, in 1892. Kara-Murza composed and organized performances of European music for schoolchildren throughout Armenian-populated areas for educational purposes. And although Komitas criticized his works as not authentically Armenian, Kara-Murza was the person who taught Komitas polyphonic choral structure around which he built his musical achievements.
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909:...one of the noblest figures of contemporary Armenia, a skillful musician and a great artist, who has collected some thousands of popular songs and has harmonised them. He has also sifted out from our old musical liturgy the Arabian, Byzantine, or Turkish infiltrations, and has brought to the light of day in all its purity the true Armenian musical style.
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Il faut dire pourtant qu'il y a en Orient une brillante exception a l'etat du chant liturgique tel que nous venons de l'exposer: ce sont les executions qu'on peut etendre et que nous avons nous-meme entendues dans la metropole religieuse de l'Armenia, a
Etchmiadzine. Le moine qui les dirige, Komitas,
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According to McCollum and
Nercessian "Komitas is universally regarded as the 'founding father' of Armenian music, musicology, folk music, and so on. He is recognized as the figure most responsible for substantiating the very notion of an Armenian music and is without doubt the figure who has actually
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work was after all the musical soul of
Armenia, and its destruction by the Turks is easily equated with the Turkish attempts to destroy Armenia and its culture. it is clear that Komitas's story was at least as responsible for his fame and position in Armenian musicological thought (as outside it) as
809:"Although he composed for the piano, the string quarter, and a capella church music, Komitas's principal contribution to Armenian music, and music in general, came from his lifelong devotion to collecting and transcribing Armenian folksongs. He was the first person to do so, and he gathered more than
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to continue his education. He possibly stayed with his maternal grandparents who lived in the city. He was sent back to Kütahya four months later, following his father's death who had became an alcoholic. Although
Soghomon was adopted by his paternal uncle Harutyun, his "familiar and social structure
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Met Egon
Wellesz in Vienna, who admired his harmony and counterpoint. Left for Constantinople in 1910, where he founded a choir of 300 voices named Kusan ('Minstrel'). Encountered some opposition from conservative religious circles for his use of religious melodies. Arrested 24 April 1915; deported
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The article, which was titled "Ferents Liszt", was published in one of the numbers / N 19 / of "Taraz" weekly in
Tbilisi, in 1904. This article was preceded by Komitas Vardapet's short but meaningful studies devoted to Richard Wagner and Giuseppe Verdi1, distinguished representatives of the western
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The patriarch had, moreover, helped organize a network to distribute aid to the deportees who had reached Syria. In this connection, he affirms that the
American embassy’s legal advisor, Arshag Shemavonian, played a crucial role in obtaining Gomidas’s release, which others had also sought, and that
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In the cases of
Gomidas or Torkomian, for example, it is said that diplomatic circles in Istanbul or court circles interceded on their behalf. It is also possible that after CUP bodies or the interior minister examined the matter it was concluded that this or that individual had been rather hastily
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in December 1910. The concert was a success and was well received by the press and the public. Despite the negative stance of the church, his popularity continued to rise among Armenians. In June 1911 by invitation of the Armenian community he traveled to Egypt where he performed with a large choir
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In his years of field work Gomidas observed the spontaneous process of song creation in Armenian villages; his meticulous documentation anticipated the work of Bela Bartok and later ethnomusicologists. He analyzed the use of particular song forms for celebrations, religious events, chores, laments
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At the end of the book there is a reprint of komitas' transcriptions of Kurdish melodies published in 1903. Komitas Vardapet, an Armenian musician and ethnomusicologist who studied the music of West Asia and Asia Minor, had collected approximately 4,000 tunes of Armenian, Turkish and Kurdish folk
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and was sixteen at the time of his birth. People who knew her described her as melancholic, while his father was a cheerful person; but both were interested in music. She died in March 1870, just six months after giving birth to him. Her death left deep scars on him, whose his earliest poems were
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in Berlin. He thereafter "used his Western training to build a national tradition". He collected and transcribed over 3,000 pieces of Armenian folk music, more than half of which were subsequently lost and only around 1,200 are now extant. Besides Armenian folk songs, he also showed interested in
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In the decade before World War I he traveled throughout Anatolia and the Caucasus gathering songs from Armenian villages, transcribing them in European notation, studying and categorizing them. His manuscripts and analytical essays constitute the Armenian folk and classical music canon almost on
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Over the years, numerous statues of Komitas have been erected in Armenia and other countries. In 1955, a statue by Ara Harutyunyan was put in his grave at the Yerevan Pantheon. In 1988, a bronze-covered granite statue by Harutyunyan was erected in the small park near the Yerevan Conservatory. In
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Komitas (1869-1935) is a musicologist and composer who was one of the pioneers in the world to invent folkmusic as phenomenon. His activity outlined new paths in collecting and analyzing traditional music and involving them in music composition. In this regard, he had a significant impact on the
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Komitas’ research greatly increased the awareness of Armenian music throughout Europe. In addition to his musicological endeavors, Komitas organized and directed many choirs in his homeland and abroad. His arrangements of Armenian folk, sacred, and dance music aroused great enthusiasm among his
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Upon his return to Etchmiadzin in September 1899, Komitas resumed teaching and composing. He assembled and trained a large polyphonic choir based on his acquired knowledge. Until 1906, he directed the Gevorgian Seminary choir. It was in this period when he completed "most of the theoretical and
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A little-known contributor to that struggle was the composer Komitas (1869-1935), who collected thousands of folksongs from Armenia and her neighbours at the end of the 19th century- a kind of Armenian Bartók. These three 7" discs contain a dozen or so songs, one of which, The Homeless, moved
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compared Komitas with 5th century genius Mesrop Mashtots the founder of the Armenian alphabet. He had good reason. Both contributed to securing for the future a defining dimension of Armenian cultural identity. Mesrop Mashtots set the foundations for the flourishing of a written culture. Some
882:, the noted Hungarian musicologist, who did similar work by "turning simple material into bewitchingly sophisticated polyphony." "Not everyone has a Bela Bartok or a Komitas to be their ears and to transcribe and preserve oral traditions in songs and poems," wrote French musicologist
374:(PTSD). The widespread hostile environment in Constantinople and reports of mass-scale Armenian death marches and massacres that reached him further worsened his fragile mental state. He was first placed in a Turkish military-operated hospital until 1919 and then transferred to
601:, where he could stay. The six months Komitas spent with Yekmalyan deepened his understanding of European harmony principles and laid the groundwork for his further education in European conservatories. As Komitas prepared for entrance exams, the wealthy Armenian oil explorer
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Gevorg IV, who was disappointed with his lack of knowledge of Armenian, but was so impressed with his singing talent that he often asked Komitas to sing for visitors. After an unfortunate childhood, Komitas found "emotional and intellectual stability" in the seminary.
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magazine (the Holy See's official newspaper) published his "National Anthem" (Ազգային Օրհներգ, lyrics by seminary student A. Tashjian) for polyphonic choirs. He finished the seminary in 1893 and became a music teacher and was appointed the choirmaster of the
597:, whose polyphonic rendering of Armenian liturgy is the most widely used and who became one of Komitas's most influential teachers. At the time, Tiflis was the most suitable option for Komitas as it was both relatively close to the Armenian lands and had a
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Robert Atayan, a scholar of Gomidas’s life and work, has argued that the composer’s three years spent studying music theory in Berlin led him not to make Armenian music sound European but to try to produce a comparable body of work on behalf of his own
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Ordained celibate priest. attended the Friedrich Wilhelm university studying philosophy of music. Appointed choirmaster and head of music department at Echmiadzin seminary in 1899; became first non-European member of the International Musical Society.
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in early June 1896 without having been accepted by any university. A group of Armenian friends helped him to find an apartment. He initially took private lessons with Richard Schmidt for a few months. Afterwards, he was accepted into the prestigious
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In September 1910 Komitas left Etchmiadzin for Constantinople. The main reason for the departure was the harassment he received from ultra-conservative clergymen for "synthesis of ecclesiastical and folk elements". Especially after the death of
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347:, among others. Komitas settled in Constantinople in 1910 to escape mistreatment by ultra-conservative clergymen at Etchmiadzin and to introduce Armenian folk music to wider audiences. He was widely embraced by Armenian communities, while
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music. That reprinted piece, which includes thirteen Kurdish tunes, is the first collection of Kurdish musical notations and it is still considered a valuable source for the study of the relationship between Armenian and Kurdish music.
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Between 1881 and 1910, Komitas was mainly based in Etchmiadzin, although he did spent a significant time elsewhere. During his first year at the seminary, Komitas learned the Armenian music notation (khaz) system based on ancient
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Komitas Vardapet wrote the last official version of the Badarak arranging and harmonizing the mass in a four-voiced contrapuntal style for male voices. It was published in 1933 in Paris, by the Komitas COmmittee under the title
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and his students. He gradually discovered a great passion for music and started writing down songs sang by Armenian villagers near Etchmiadzin, who affectionately called him "Notaji Vardapet", meaning "the note-taking priest".
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had collapsed." A childhood friend described him as "virtually homeless." He was completely deprived of paternal care and was "placed in circumstances that made him vulnerable to the mental illness he suffered later in life".
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used the "raw material" made available by Komitas. Khachaturian acknowledged that he "singlehandedly laid the foundations for Armenia's classical tradition." In reference to their role in Armenian music
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In his years of field work Gomidas observed the spontaneous process of song creation in Armenian villages; his meticulous documentation anticipated the work of Bela Bartok and later ethnomusicologists.
914:"While harmonizing the songs," writes musicologist Robert Atayan, Komitas "paid special attention to preserve the authentic character and pure national color, style and spirit of Armenian folk songs."
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638:), an active member of which became Komitas. He there lectured on Armenian folk music and suggested that it dates back to pre-Christian, pagan times. His studies at the university ended in July 1899.
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In 1906, feeling pressured and not appreciated in Etchmiadzin, Komitas traveled to Europe. In Paris he held a successful concert of a choir of Armenian and French opera singers. He gave a lecture at
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His life took a radical turn in the fall of 1881. In September, the twelve-year-old Soghomon was taken to Etchmiadzin by Kevork Vartabed Tertsagian, the local Armenian bishop, who was asked by the
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and other activities. He devotes several pages of his treatise on the plowmen’s songs of the Lori region to an obsessively detailed typology of syllables of exclamation: ho! hey! ay! and the like.
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in Paris, where he spent the last years of his life in agony. Komitas is widely seen as a martyr of the genocide and has been depicted as one of the main symbols of the Armenian Genocide in art.
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707:, his beloved head of the Armenian Church, Komitas felt unwanted there. Additionally, he sought to bring appreciation of Armenian music to a wider audience. He settled in an apartment in the
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List of the 64 new items of documentary heritage inscribed on the Memory of the World International Register in 2023. Collection of Works of the Composer Komitas Vardapet Submitter: Armenia
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Komitas Vardapet (1869–1935),whose version of the liturgy is one of two in use today. Komitas Vardapet is highly regarded for his musicological studies and his collection,
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folk songs – Armenian, Kurdish, Arabic, Turkish and Persian (most subsequently lost). Gave concerts in Paris, Geneva, Berne, Venice, Constantinople, Cairo and Alexandria.
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in April 1915 by the Ottoman government. He was soon released under unclear circumstances and experienced a mental breakdown and developed a severe case of what has been
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Komitas Vardapet, considered a pioneer in ethnomusicology, turned his attention to the anthropological, sociological, and historical aspects of comparative musicology.
817:"In addition to collecting popular songs, Komitas developed the scholarship that identified the ethnological characteristics specific to Armenian folk composition."
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Komitas influenced the subsequent course of Armenian music. Armenian composers "recognized his central role in the creation of a modern Armenian musical culture".
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Komitas. He is the Mashtots of the Armenian song and music. There is no Armenian identity and self-consciousness without Mashtots and Komitas, and it’s a fact.
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Concerning his composing, Claude Debussy has said, "If Komitas had written only his Antoone that would be sufficient to list him among the great composers."
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https://en.armradio.am/2020/09/06/statue-of-komitas-unveiled-in-montreal/#:~:text=A%20statue%20of%20Komitas%20Vartabed,into%20emotional%20trauma%20by%20it
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due to restrictions by the Ottoman government. Soghomon was their only child. He was baptized three days after his birth. His mother was originally from
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devoted to her. Thereafter, according to different sources, either his father's sister-in-law or his paternal grandmother, Mariam, looked after him.
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https://armenianweekly.com/2021/02/03/songs-of-solomon-and-the-oscar-goes-to/?fbclid=IwAR1kBG0XuyF_xPfwmBr3FrXGvY5PauhdcPDiFih47GM0xUit99zyqBgjs9o
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Komitas Vardapet greatest contribution to Armenian music was as a collector of secular and sacred music as well as being its first musicologist.
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Komitas held concerts with the choir of the Gevorgian Seminary throughout the Caucasus: in Etchmiadzin, Yerevan, Tiflis (1905) and Baku (1908).
1161:Документальный фильм. Голос Комитаса. 1969г., Кинообъединение "Ереван" Ер.СТ, 29мин. (800м), цвет. Авт.сцен./реж. Р.Марухян, опер. С.Мартиросян
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in Western Armenian. In the early 1900s, and as late as 1908, he signed his name as Soghomon Gevorgian (Kevorkian or Keworkian), after the
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The first major influences on young Hovhaness were the study of astronomy and the music of the Armenian composer-priest, Gomidas Vartabed.
682:("School of Advanced Social Studies") in 1907. In the same year he performed in Geneva and at the Armenian Catholic monastery in Venice's
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He is the Mashtots of the Armenian song and music. There is no Armenian identity and self-consciousness without Mashtots and Komitas...
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Put in an asylum in Constantinople in 1916; taken to Paris in 1919, where he died in 1935. His body was transferred to Yerevan in 1937.
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helped him to compile the folk pieces. The same collection was reprinted in 1904, while in 1905 a further of 50 songs were published.
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https://armenianweekly.com/2020/12/15/songs-of-solomon-being-considered-for-the-93rd-academy-awards-international-feature-film-category/
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1164:Документальный фильм. Комитас (Песнь вечности). 1970г., ЕСХДФ, 10мин. (277м), ч/б. Авт.сцен./реж. Л.Исаакян, опер.: Г.Санамян, О.Есаян
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719:. He quickly gained popularity in the Armenian community. In Constantinople he was banned from performing a concert by the deputy
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Komitas saved the Armenian peasant song from oblivion. His efforts in this field are comparable with the deed of Mesrop Mashtots.
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After a brief stay in Çangırı, eight people were authorized to return to Istanbul on 11 May: the musicologist Gomidas Vartabed
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The eight prisoners of this group were notified on Sunday, 9 May 1915, about their release and left Çankırı on 11 May 1915.
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1167:Документальный фильм. Комитас. 1982г., ТОДФ “Арменфильм”, 19мин. (540м), ч/б. Авт.сцен. Ю.Арутюнян, реж./опер. Б.Овсепян
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2803:"President Serzh Sargsyan's remarks at the official ceremony of the public presentation of the Komitas Museum-Institute"
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3464:...Debussy congratulated the composer for his "Andouni," saying that this song alone would rank him as a great artist.
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suggested: "Komitas is the wellspring of Armenian music; Khachaturian is the musical ambassador of Armenian culture."
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set the basis for our understanding of the Armenian folk musical traditions." Komitas has often been compared to
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was his roommate. He began to amass a new circle of friends, organized a large, three-hundred member folk choir
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3539:Կոմիտաս. Երկերի ժողովածու, առաջին հատոր՝ Մեներգեր [Komitas: Collected Works, First Volume: Solo Songs]
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Komitas was the first to systematically catalog Armenian national music and publish a volume of folk songs.
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The collection of works of Komitas registered in the UNESCO International Register of Memory of the World
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1644:Կոմիտաս վարդապետ եւ Մանուկ Աբեղեան. Հազար ու մի խաղ. Ժողովրդական երգարան, առաջին յիսնեակ. Վաղարշապատ 1903
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48:Կոմիտաս Վարդապետի ստեղծագործությունները գրանցվել են ՅՈՒՆԵՍԿՕ-ի Աշխարհի հիշողության միջազգային ռեգիստրում
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Astronomy and the music of the Armenian composer-priest, Gomidas Vartabed, were his earliest influences.
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Representative Secular Choral Works of Gomidas: An Analytical Study and Evaluation of His Musical Style
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he spent more than a decade traveling throughout the Ottoman Empire collecting and transcribing nearly
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1981:: "He was among the pioneers in ethnomusicology, a younger contemporary of Carl Stumpf (1848-1936)."
1531:"Կոմիտասի երաժշտական-ազգագրական ժառանգությունը [The Musical-Ethnographic Legacy of Komitas]"
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In 1880, four years after he finished primary school in Kütahya, Soghomon was sent by his father to
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fifteen hundred years later Komitas played a similar role in the world of Armenian music and song.
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Le rythme tonique dans la poésie liturgique et dans le chant des églises chrétiennes au moyen âge
1992:
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1251:"Ferenc Liszt's Appraisal by Komitas Vardapet / Valoración de Ferenc Liszt por Komitas Vardapet"
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music world, which were also published in serial numbers of "Taraz" weekly / N8; N 23 / in 1904
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2523:""To Know Wisdom and Instruction": The Armenian Literary Tradition at the Library of Congress"
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to Chankiri; driven mad by the sight of the slaughter of fellow Armenians; saved from death.
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109:"Komitas and the Ways of Development of Armenian Music (to the 150th anniversary of Komitas)"
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1080:, founded 1921 as studio, became conservatory in 1923 and was named after Komitas in 1946.
3034:"Վերանորոգվում է Կոմիտաս Վարդապետի արձանը [Komitas Vardapet Statue Being Restored]"
2809:. The Office to the President of the Republic of Armenia. 19 September 2012. Archived from
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3264:(in French). Association Culturelle Arménienne de Marne-la-Vallée (France). Archived from
3242:(in French). Association Culturelle Arménienne de Marne-la-Vallée (France). Archived from
3220:(in French). Association Culturelle Arménienne de Marne-la-Vallée (France). Archived from
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audiences, and helped Armenians to become more familiar with their own musical heritage.
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https://www.facebook.com/permalink.php?story_fbid=700057910763078&id=233281094107431
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3110:"Monument to Komitas Vardapet Unveiled in Paris in Memory of Armenian Genocide Victims"
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he had, above all, persuaded the American Red Cross to send the deportees material aid.
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1993:"Music, Ritual, And Diasporic Identity: A Case Study Of The Armenian Apostolic Church"
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1960:"Հայ ազգային երաժշտության հիմնադիրը [The Founder of Armenian National Music]"
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3429:"Komitas Choral Society of Boston Sponsors Tenth Annual Armenian Folk Music Concert"
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In the early 1890s, Komitas made his first attempts to write music for the poems of
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folk songs and dance tunes, and investigating the Armenian neumatic (khaz) notation
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3836:"Կոմիտասի վերջին այցելությունը Հայաստան [Komitas's Last Visit to Armenia]"
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Spence, Keith (June 1970). "Armenian Songs by Komitas; Khatchik Pilikian Review".
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73:‘Songs of Solomon’ Review: A Clumsy Rendering of Key Chapter of Armenian History
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3303:"Կոմիտասի անվան պետական կոնսերվատորիան [The Komitas State Conservatory]"
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Musical instruments: craftsmanship and traditions from prehistory to the present
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1125:
490:
to find an orphan boy with good singing voice to be enrolled in the prestigious
3525:
http://serials.flib.sci.am/openreader/Hogevor%20st.%20-%201998/book/Binder1.pdf
3438:
3195:
1891:
Komitas created the basis for a distinctive national musical style in Armenia.
1372:
1062:
984:
977:
948:
894:
675:
660:
648:
344:
177:
3585:Կոմիտաս. Երկերի ժողովածու, վեցերորդ հատոր՝ Դաշնամուրային ստեղծագործություններ
3323:
1371:
During his visit to Paris in 1906, Komitas was praised by the French composer
1183:
412:
52:
3755:
1526:
1274:
898:
606:
340:
3608:
3036:(in Armenian). Official Website of the Municipality of Ejmiatsin. 2 May 2012
1174:
1046:(2015). At least three busts of Komitas have been placed in the Paris area:
3862:
3616:
2714:
1152:
1143:
1132:
988:
550:(կուսակրոն աբեղա) and given the name of the 7th-century poet and musician,
302:
251:
1790:
1639:Կոմիտասի «Շար Ակնա ժողովրդական երգերի» ժողովածուն պատմա-քննական լույսի տակ
1594:Կոմիտասի «Շար Ակնա ժողովրդական երգերի» ժողովածուն պատմա-քննական լույսի տակ
1464:
2706:
1070:
1039:
883:
793:
781:
750:
658:'s and Hovhannes Hovhannisian's works. Komitas initiated the creation of
306:
259:
71:
https://variety.com/2021/film/reviews/songs-of-solomon-review-1234891581/
3176:(in French). Commission de la capitale nationale du Québec. 20 July 2010
737:
With the aim to produce professional musicians, he taught musicology to
3603:. Vatche Barsoumian (translator). Pasadena, California: Drazark Press.
3011:
2581:"CD Review: "Officium Novum" by the Hilliard Ensemble and Jan Garbarek"
1711:
729:
363:
279:
3803:
2674:
2418:(in Turkish). State Archives of the Republic of Turkey. Archived from
1448:
http://serials.flib.sci.am/openreader/hay%20qnar/book/#page/1/mode/1up
1105:
1022:
There are at several statues and busts of Komitas outside Armenia: in
987:'s statue of Komitas was erected in the central square of the city of
708:
396:
173:
3771:
2309:
1781:"Հայ երգի Մեսրոպ Մաշտոցը [Mesrop Mashtots of Armenian Songs]"
1055:
1051:
547:
295:
227:
86:
81:
3813:"The Contributions of Armenian Composers to the Clarinet Repertoire"
3601:
Essays and Articles, The musicological treatises of Komitas Vardapet
2607:
2605:
2369:
2357:
2333:
2321:
2297:
2273:
2261:
2225:
2147:
2135:
2123:
1241:
1235:
1229:
1223:
1217:
1211:
1204:
91:
3795:
2666:
1939:
1740:
1484:
1047:
558:
408:
330:
255:
139:
108:
3353:"New Film About Komitas and the Armenian Genocide to Benifit SOAR"
3149:"Komitas Monument and Armenian Genocide Memorial in Paris, France"
2827:
Blum, Stephen; Bohlman, Philip V.; Neuman, Daniel M., ed. (1993).
2783:
2429:
339:
other cultures and in 1904 published the first-ever collection of
2863:
2602:
2381:
2345:
2285:
2249:
2237:
2176:
2048:
1023:
967:
749:
Permitted to return to Constantinople by special telegramme from
598:
590:
358:—along with hundreds of other Armenian intellectuals—Komitas was
324:, Armenia's religious center, where he received education at the
3765:(in Armenian). Yerevan: Armenian Encyclopedia. pp. 539–541.
3576:Կոմիտաս. Երկերի ժողովածու, հինգերորդ հատոր՝ Խմբերգեր և մեներգեր
3202:(in Russian). Administration of St. Petersburg. 6 November 2015.
3196:"В Камском саду открыт памятник армянскому композитору Комитасу"
2629:
1959:
1797:
1638:
1593:
1588:
1413:. London: Kahn and Averill for the Institute of Armenian Music.
1001:
File:Komitas bust, Melkonian Educational Institute, Nicosia.jpg
45:
3655:. Edward Gulbekian (translator). Surrey, England: Curzon Press.
2617:
2393:
2029:"Music Noted in Brief; Choir From Armenia At Avery Fisher Hall"
1599:Կոմիտասը և Ներսես Շնորհալու երաժշտաբանաստեղծական ժառանգությունը
1383:), Debussy said that the song alone made him a great composer.
665:
617:
586:
420:
298:
182:
148:
3567:Կոմիտաս. Երկերի ժողովածու, չորրորդ հատոր՝ Խմբերգեր և մեներգեր
2769:
The people of Armenia: their past, their culture, their future
3835:
1643:
1633:
1618:
1613:
1608:
1603:
1598:
1573:
1568:
1563:
1558:
1553:
1548:
1530:
1031:
829:
Chants of the Sacred Liturgy of the Armenian Apostolic Church
725:
504:
436:
428:
294:; 26 September 1869 – 22 October 1935) was an
201:
3697:
Archeology of Madness: Komitas, Portrait of an Armenian Icon
3662:
Armenian Music: A Comprehensive Bibliography and Discography
3302:
2646:
2644:
1628:
1623:
1578:
3621:
Gomidas Vartabed: His Life and Importance to Armenian Music
1583:
423:
province at the turn of the century. His family only spoke
128:
http://www.musicologytoday.ro/BackIssues/Nr.24/studies3.php
123:
http://www.musicologytoday.ro/BackIssues/Nr.24/studies2.php
3772:"Komitas Vardapet and His Contribution to Ethnomusicology"
3324:"The Salvaging of an Authentic Armenian Musical Tradition"
2166:
2164:
2162:
1480:
1157:
http://www.nytimes.com/movies/movie/119699/Komitas/details
40:
https://books.google.am/books?id=eiolDwAAQBAJ&pg=PA115
2641:
2085:
2083:
1579:Ֆրանսիական արվեստագետները Կոմիտասի ստեղծագործության մասին
3723:
Komitas ev hay Zhoghovoordi Erazhshtakan Zharanguty'yun
3397:
2081:
2079:
2077:
2075:
2073:
2071:
2069:
2067:
2065:
2063:
744:
609:
for his three-year tuition at the request of Catholicos
3877:
2969:
2159:
3409:
3385:
1604:Հայ գեղջուկ երգի վերլուծության կոմիտասյան մեթոդի մասին
3502:
3490:
3373:
2060:
1559:Կոմիտասի արխիվում պահվող մի քանի անտիպ նյութերի մասին
1361:
Published first ever collection of Kurdish folk songs
741:, Mihran Tumacan, Vagharshak Srvandztian and others.
3855:
2694:
1972:
1549:Կոմիտասը և հայ երաժշտական արվեստի զարգացման ուղիները
3725:(in Armenian). Pasadena, California: Drazark Press.
3694:
3549:Կոմիտաս. Երկերի ժողովածու, երկրորդ հատոր՝ Խմբերգեր
2869:
2789:
2435:
2399:
2387:
2375:
2363:
2351:
2339:
2327:
2315:
2303:
2291:
2279:
2267:
2255:
2243:
2231:
2182:
2153:
2141:
2129:
2054:
1945:
1803:
1614:Կոմիտասի ստեղծագործական ժառանգության մի քանի հարցեր
1473:Blair Johnston Assistant Professor of Music at the
1288:
1207:Կոմիտասի դերը հայ երաժշտության պատմության մեջ 1994
334:(celibate priest) in 1895, he studied music at the
58:
https://www.unesco.org/en/memory-world/register2023
3659:
3300:
2635:
2623:
2611:
2211:. Lanham, Maryland: Scarecrow Press. p. 391.
1291:"Gomidas Vartabed, Pioneer Of Armenian Folk Music"
641:
82:Կոմիտասը աքսորում. 1915 թվական (ժամանակագրություն)
3650:
2907:"The Piano Works of Alan Hovhaness Chakmakjian".
527:(his younger classmate) and others. In 1891, the
2999:1955 թ. դրվել է Կոմիտասի գերեզմանին՝ Պանթեոնում։
2101:
1677:The Voice of Komitas Vardapet (recorded in 1908)
1405:
568:
87:Կոմիտաս Վարդապետի թուրքերեն ստեղծագործություններ
2983:"Ոգու վերադարձը [Return of the Spirit]"
2884:"Virtuosos to sing works by Armenian musicians"
2460:. London: I. B. Tauris. pp. 528–529, 537.
1957:
1069:and a small road in Paris's Armenian-populated
1034:'s Jardin d'Erevan (2003), and a bust near the
494:. On 1 October 1881, Komitas was introduced to
403:, Ottoman Empire on 26 September (8 October in
3598:
3582:
3573:
3564:
3555:
3546:
3535:
1619:Կոմիտասը և հայկական խազերի վերծանության խնդիրը
1443:http://catalog.hathitrust.org/Record/005412762
585:In October 1895, Komitas left Etchmiadzin for
320:Orphaned at a young age, Komitas was taken to
3660:McCollum, Jonathan; Nercessian, Andy (2004).
1609:Կոմիտասի ծննդյան 100-ամյակի տոնակատարությունը
313:. He is recognized as one of the pioneers of
77:Impending Death as a Catalyst in Reconnection
3880:"Songs Lifted in Praise of an Armenian Hero"
3732:Կոմիտաս վարդապետ: Կեանքը եւ գործունէութիւնը
3107:
2855:: CS1 maint: multiple names: editors list (
2448:
2446:
2444:
1868:
1866:
978:http://www.komitas.am/eng/modern_armenia.htm
839:"A brief review of Kurdish music literature"
92:Հայ երգի Մաշտոցն ու նրա ճեմարանական տարիները
3729:
3627:
3321:
2980:
2023:
1574:Կոմիտասի գործունեությունը Կոստանդնուպոլսում
689:
351:called him the "savior of Armenian music".
53:https://armenpress.am/eng/news/1111253.html
2965:
2963:
2961:
2959:
2957:
2928:
2763:
2199:
2197:
2195:
2193:
2191:
3833:
3810:
3738:
3717:
3415:
3403:
3391:
3379:
3280:"Rue Komitas 94140 Alfortville, France "
3056:"Statue of Gomidas Vartabed, Detroit, MI"
2881:
2690:
2688:
2680:Debussy to call Komitas a great composer.
2661:(1528). Musical Times Publications: 616.
2485:
2483:
2481:
2479:
2477:
2458:The Armenian Genocide: A Complete History
2452:
2441:
2170:
1863:
1475:Indiana University Jacobs School of Music
889:As early as 1903 the French musicologist
864:
507:developed earlier in the 19th century by
3769:
3734:(in Armenian). Vienna: Mkhitarian Press.
3682:
3587:(in Armenian). Yerevan: Sovetakan grogh.
3578:(in Armenian). Yerevan: Sovetakan grogh.
2981:Shahverdyan, Karine (20 February 2013).
2829:Ethnomusicology and Modern Music History
1990:
1978:
1775:
1248:
1104:
966:
958:
843:University of Maryland, Baltimore County
764:added to the list of those to be banned.
693:
572:
443:
106:
3858:"Komitas Vardapet, forgotten folk hero"
3688:Կոմիտասի ստեղծագործությունների անալիզը
3014:. Yerevan Municipality Official Website
2954:
2882:Ziflioğlu, Vercihan (12 October 2012).
2745:(in French). Paris: H. Welter. p.
2578:
2203:
2188:
1650:
1634:Комитас и мировое музыкальное искусство
14:
3754:
3690:(in Armenian). Yerevan: Melikian Fund.
3615:
3508:
3496:
2775:(introduction). London: Dent. p.
2685:
2650:
2489:
2474:
2089:
1525:
1226:Կոմիտաս։ Երգ Կոմիտասին Գուրգեն Մահարի
1171:Music to Madness: The Story of Komitas
935:The renowned Soviet Armenian composer
386:
2737:
2705:
2589:University of California, Los Angeles
2497:(revised second ed.). New York:
1100:
745:Deportation and final years (1915–35)
664:opera, based on Tumanyan's same-name
3322:Arnavoudian, Eddie (21 April 2003).
1837:
1653:"Anthology of Armenian Music-CD Set"
1564:Կոմիտասի ստեղծագործական սկզբունքները
1289:Vagramian-Nishanian, Violet (1981).
557:. In February 1895, he was ordained
3878:Toumani, Meline (17 October 2008).
3630:Կոմիտաս՝ Հոգեբանական Վերլուծում Մը
3542:(in Armenian). Yerevan: Haypethrat.
3114:California State University, Fresno
2913:Music Teachers National Association
2550:Garland Encyclopedia of World Music
1661:California State University, Fresno
1519:
1232:Կոմիտասի անմահ հիշատակին Իսահակյան
309:, who is considered the founder of
27:
3695:Soulahian Kuyumjian, Rita (2001).
3632:(in Armenian). Antelias, Lebanon:
2931:"An Interview with Alan Hovhaness"
2771:. G. Marcar Gregory (translator);
2109:. Kahn & Averill. p. 13.
1267:10.3989/anuariomusical.2012.67.142
33:Music of the Soviet Era: 1917-1991
28:
3906:
3856:Church, Michael (21 April 2011).
3634:Armenian Catholicosate of Cilicia
3569:(in Armenian). Yerevan: Hayastan.
3560:(in Armenian). Yerevan: Hayastan.
3551:(in Armenian). Yerevan: Hayastan.
3332:University of Southern California
2945:Armenian General Benevolent Union
2929:Michaelyan, Julia (Winter 1971).
2579:Mathias, Alyssa (12 March 2013).
2495:Armenia: The Survival of a Nation
1624:Կոմիտասը և քրդական երաժշտությունը
1363:, 13 in number, Jurgensen, 1904.
1259:Spanish National Research Council
1242:http://echmiadzin.asj-oa.am/6606/
1236:http://echmiadzin.asj-oa.am/6579/
1230:http://echmiadzin.asj-oa.am/6601/
1224:http://echmiadzin.asj-oa.am/6577/
1218:http://echmiadzin.asj-oa.am/6586/
1212:http://echmiadzin.asj-oa.am/3191/
1205:http://echmiadzin.asj-oa.am/7653/
1184:dashnamuri mot nstats haytni nkar
1073:suburb are named after Komitas.
951:was inspired by Komitas's works.
836:
668:, though he never completed it.
636:Internationalen Musikgesellschaft
539:His earliest major influence was
311:Armenian national school of music
3437:. Chestnut Hill, Massachusetts:
2209:Historical Dictionary of Armenia
1554:Ռիխարդ Վագներ և Կոմիտաս Վարդապետ
680:Ecole des Hautes Etudes Sociales
468:
452:
147:
3811:Wolverton, Cynthia Kay (2002).
3519:
3448:
3421:
3345:
3315:
3301:Melik-Vertanessian, G. (1960).
3294:
3272:
3250:
3228:
3206:
3188:
3166:
3141:
3101:
3081:"Gomidas Vartabed, (sculpture)"
3073:
3048:
3026:
3004:
2974:
2922:
2900:
2875:
2820:
2795:
2757:
2752:est le dom Pothier de l'Orient.
2731:
2699:
2572:
2540:
2515:
2405:
2095:
2017:
1991:McCollum, Jonathan Ray (2004).
1984:
1965:Lraber Hasarakakan Gitutyunneri
1951:
1843:Armenia: Cradle of Civilization
1743:, is sometimes used alongside:
1629:Կոմիտասի գեղագիտական հայացքները
1589:Մանրաքանդաներ Կոմիտասի պատկերով
1003:Melkonian Educational Institute
947:The Armenian-American composer
698:Komitas's "Gusan" choir in 1910
642:Main period of work (1899–1910)
546:In 1894, Soghomon was ordained
3850:Journal and newspaper articles
3653:Armenian Sacred and Folk Music
3462:. Elemo Publishing: 36. 1971.
3328:Armenian News Network / Groong
2636:McCollum & Nercessian 2004
2624:McCollum & Nercessian 2004
2612:McCollum & Nercessian 2004
1896:
1831:
1809:
1769:
1721:
1696:
1456:Armenian Sacred and Folk Music
1386:
1220:Հուշեր Կոմիտասի մասին Աճառյան
1189:Գեղջուկ երգեր (շապկի էսքիզ) PD
328:. Following his ordination as
13:
1:
3133:: CS1 maint: date and year (
1789:(in Armenian). Archived from
1683:
569:Tiflis and Berlin (1895–1899)
372:Posttraumatic stress disorder
46:https://escs.am/am/news/20370
3784:University of Illinois Press
3761:Soviet Armenian Encyclopedia
3628:Karakashian, Meline (2011).
3599:Atayan, Robert, ed. (2001).
3583:Atayan, Robert, ed. (1982).
3574:Atayan, Robert, ed. (1979).
3565:Atayan, Robert, ed. (1976).
3556:Atayan, Robert, ed. (1969).
3547:Atayan, Robert, ed. (1969).
3536:Atayan, Robert, ed. (1960).
2970:Toumani, New York Times 2008
2833:University of Illinois Press
1651:Navoyan, Mher (March 2005).
922:
711:district, where the painter
623:Frederick William University
579:Frederick William University
401:Hüdavendigâr (Bursa) Vilayet
381:
336:Frederick William University
242:Frederick William University
7:
3788:Society for Ethnomusicology
3730:Terlemezian, Ruben (1924).
3311:(in Armenian) (4): 230–238.
3153:Armenian National Institute
3112:. Armenian Studies Program
3060:Armenian National Institute
1819:. Virtual Museum of Komitas
1731:Komitas (transliterated as
1659:. Armenian Studies Program
1085:Komitas Chamber Music House
1042:(2008), and Kamsky Park in
654:He also composed music for
536:, Armenia's mother church.
170:26 September] 1869
113:Journal of Armenian Studies
10:
3911:
3770:Poladian, Sirvart (1972).
3739:Vagramian, Violet (1973).
3651:Komitas, Vardapet (1998).
2909:The American Music Teacher
1904:The Monthly Musical Record
1706:and Սողոմոն Սողոմոնյան in
1569:Կոմիտասը Կոստանդնուպոլսում
1199:
3844:(in Armenian) (4): 61–69.
3820:University of North Texas
3699:. Princeton, New Jersey:
3623:. University of Michigan.
3108:Staff Report (May 2003).
2695:Church, The Guardian 2011
1539:(in Armenian) (2): 43–62.
1375:. After hearing his song
1249:Sahakyan, Lusine (2012).
954:
782:ORIGINAL WORKS BY KOMITAS
368:retrospectively diagnosed
291:
265:
247:
233:
223:
212:
190:
158:
146:
134:
3841:Patma-Banasirakan Handes
3308:Patma-Banasirakan Handes
2870:Soulahian Kuyumjian 2001
2790:Soulahian Kuyumjian 2001
2436:Soulahian Kuyumjian 2001
2400:Soulahian Kuyumjian 2001
2388:Soulahian Kuyumjian 2001
2376:Soulahian Kuyumjian 2001
2364:Soulahian Kuyumjian 2001
2352:Soulahian Kuyumjian 2001
2340:Soulahian Kuyumjian 2001
2328:Soulahian Kuyumjian 2001
2316:Soulahian Kuyumjian 2001
2304:Soulahian Kuyumjian 2001
2292:Soulahian Kuyumjian 2001
2280:Soulahian Kuyumjian 2001
2268:Soulahian Kuyumjian 2001
2256:Soulahian Kuyumjian 2001
2244:Soulahian Kuyumjian 2001
2232:Soulahian Kuyumjian 2001
2183:Soulahian Kuyumjian 2001
2154:Soulahian Kuyumjian 2001
2142:Soulahian Kuyumjian 2001
2130:Soulahian Kuyumjian 2001
2107:Essays on Armenian music
2055:Soulahian Kuyumjian 2001
1968:(in Armenian) (11): 3–6.
1958:Editorial Board (1969).
1946:Soulahian Kuyumjian 2001
1804:Soulahian Kuyumjian 2001
1584:Կոմիտասի անտիպ նամակները
1536:Patma-Banasirakan Handes
1411:Essays on Armenian Music
1194:Kurdish collection cover
775:
690:Constantinople (1910–15)
684:San Lazzaro degli Armeni
3530:Robert Atayan's volumes
3236:"Stèle du Père Komitas"
3214:"Stèle du Père Komitas"
3096:Dedicated June 21, 1981
3085:Smithsonian Institution
2413:"Kastamonu Vilâyeti'ne"
1879:Encyclopædia Britannica
1238:Կոմիտասին Սահյան, Համո
1214:Չարենցը Կոմիտասի մասին
796:of Armenian folk music.
488:Holy See of Etchmiadzin
153:Komitas in 1901 or 1902
107:Asatryan, Anna (2019).
3834:Mooradian, M. (1969).
3743:. University of Miami.
3258:"Buste du R P.Komitas"
3012:"Monuments of Yerevan"
2585:Ethnomusicology Review
2491:Walker, Christopher J.
2000:University of Maryland
1727:He is widely known as
1702:Սողոմոն Սողոմոնեան in
1113:
974:
964:
911:
874:
865:Legacy and recognition
699:
635:
582:
521:Hovhannes Hovhannisian
509:Hampartsoum Limondjian
282:and commonly known as
3174:"Le monument Komitas"
2558:. 2008. p. 848.
2454:Kévorkian, Raymond H.
1779:(26 September 2014).
1704:classical orthography
1126:WRITERS ABOUT KOMITAS
1108:
970:
962:
907:
869:
697:
576:
534:Etchmiadzin Cathedral
461:Etchmiadzin Cathedral
444:Etchmiadzin (1881–95)
376:psychiatric hospitals
360:arrested and deported
3758:(1979). "Կոմիտաս ".
3664:. Lanham, Maryland:
2896:on 14 November 2012.
2831:. Urbana, Illinois:
2556:Taylor & Francis
2501:. pp. 429–430.
2205:Adalian, Rouben Paul
1839:Lang, David Marshall
1747:(Կոմիտաս Վարդապետ),
1739:). His church rank,
1708:reformed orthography
1491:on 21 February 2014.
1355:Collected more than
1244:Կոմիտասի հետ Սարյան
1078:Yerevan Conservatory
893:called Komitas "the
605:agreed to pay 1,800
541:Kristapor Kara-Murza
393:Soghomon Soghomonian
276:Soghomon Soghomonian
166:8 October [
163:Soghomon Soghomonian
3719:Tahmizian, Nikoghos
2987:Republic of Armenia
2889:Hürriyet Daily News
2527:Library of Congress
1910:. London: Augener:
1817:"Etchmiadzin. 1902"
1135:Anlreli Zangakatun
1036:Parliament Building
949:Alan Hovhaness
616:Komitas arrived in
603:Alexander Mantashev
387:Childhood (1869–81)
3885:The New York Times
3684:Melikian, Spiridon
2765:Tchobanian, Archag
2499:St. Martin's Press
2318:, pp. 44, 46.
2034:The New York Times
2027:(5 October 1987).
1753:Gevorgian Seminary
1716:Solomon Solomonian
1114:
1101:In popular culture
1028:Renaissance Center
975:
965:
721:Armenian Patriarch
700:
656:Hovhannes Tumanyan
583:
492:Gevorgian Seminary
477:Gevorgian Seminary
341:Kurdish folk songs
326:Gevorgian Seminary
238:Gevorgian Seminary
219:, Yerevan, Armenia
42:Komitas 305, 318
3749:Academic articles
3701:Gomidas Institute
3478:Missing or empty
3361:. 14 October 2013
3268:on 18 March 2020.
3246:on 18 March 2020.
3224:on 18 March 2020.
2813:on 9 March 2021.
2654:The Musical Times
2508:978-0-312-04230-1
2378:, pp. 73–74.
2366:, pp. 71–72.
2342:, pp. 57–58.
2330:, pp. 47–49.
2306:, pp. 43–44.
2282:, pp. 39–40.
2270:, pp. 33–34.
2234:, pp. 29–30.
2218:978-0-8108-7450-3
2156:, pp. 21–24.
2144:, pp. 15–16.
2025:Crutchfield, Will
1948:, pp. 45–46.
1927:Missing or empty
1847:Allen & Unwin
1777:Badikyan, Khachik
1504:External link in
1110:Panos Terlemezian
937:Aram Khachaturian
905:described him as
739:Barsegh Kanachyan
713:Panos Terlemezian
517:Khachatur Abovian
391:Komitas was born
356:Armenian Genocide
273:
272:
266:Years active
3902:
3896:
3894:
3892:
3874:
3872:
3870:
3845:
3830:
3828:
3826:
3817:
3807:
3766:
3744:
3735:
3726:
3714:
3691:
3679:
3656:
3647:
3624:
3612:
3588:
3579:
3570:
3561:
3552:
3543:
3512:
3506:
3500:
3494:
3488:
3487:
3481:
3476:
3474:
3466:
3452:
3446:
3445:
3425:
3419:
3413:
3407:
3401:
3395:
3389:
3383:
3377:
3371:
3370:
3368:
3366:
3349:
3343:
3342:
3340:
3338:
3319:
3313:
3312:
3298:
3292:
3291:
3289:
3287:
3276:
3270:
3269:
3254:
3248:
3247:
3232:
3226:
3225:
3210:
3204:
3203:
3192:
3186:
3185:
3183:
3181:
3170:
3164:
3163:
3161:
3159:
3145:
3139:
3138:
3132:
3124:
3122:
3120:
3105:
3099:
3098:
3093:
3091:
3077:
3071:
3070:
3068:
3066:
3052:
3046:
3045:
3043:
3041:
3030:
3024:
3023:
3021:
3019:
3008:
3002:
3001:
2996:
2994:
2978:
2972:
2967:
2952:
2951:
2936:Ararat Quarterly
2926:
2920:
2919:
2904:
2898:
2897:
2892:. Archived from
2879:
2873:
2867:
2861:
2860:
2854:
2846:
2824:
2818:
2817:
2799:
2793:
2787:
2781:
2780:
2761:
2755:
2754:
2735:
2729:
2728:
2703:
2697:
2692:
2683:
2682:
2648:
2639:
2633:
2627:
2621:
2615:
2609:
2600:
2599:
2597:
2595:
2576:
2570:
2569:
2544:
2538:
2537:
2535:
2533:
2519:
2513:
2512:
2487:
2472:
2471:
2450:
2439:
2433:
2427:
2426:
2424:
2417:
2409:
2403:
2397:
2391:
2385:
2379:
2373:
2367:
2361:
2355:
2349:
2343:
2337:
2331:
2325:
2319:
2313:
2307:
2301:
2295:
2289:
2283:
2277:
2271:
2265:
2259:
2253:
2247:
2241:
2235:
2229:
2223:
2222:
2201:
2186:
2180:
2174:
2168:
2157:
2151:
2145:
2139:
2133:
2132:, p. 10-12.
2127:
2121:
2120:
2103:Nersessian, Vrej
2099:
2093:
2087:
2058:
2052:
2046:
2045:
2043:
2041:
2021:
2015:
2014:
2009:
2007:
1997:
1988:
1982:
1976:
1970:
1969:
1955:
1949:
1943:
1937:
1936:
1930:
1925:
1923:
1915:
1900:
1894:
1893:
1888:
1886:
1870:
1861:
1860:
1835:
1829:
1828:
1826:
1824:
1813:
1807:
1801:
1795:
1794:
1773:
1756:
1749:Gomidas Vartabed
1745:Komitas Vardapet
1737:Western Armenian
1725:
1719:
1700:
1679:released in 1995
1671:
1669:
1667:
1540:
1520:journal articles
1515:
1509:
1508:
1502:
1500:
1492:
1487:. Archived from
1437:Arshag Chobanian
1424:
1407:Nersessian, Vrej
1302:
1282:
1118:Arseny Tarkovsky
1095:Komitas Pantheon
1067:Arabkir district
1044:Saint Petersburg
1014:File:Komitas.png
1007:Akhurian statue
903:Arshag Chobanian
857:
851:
849:
753:on 7 May 1915.
705:Mkrtich Khrimian
630:
611:Mkrtich Khrimian
525:Avetik Isahakyan
472:
456:
349:Arshag Chobanian
293:
217:Komitas Pantheon
197:
151:
132:
131:
119:
31:Levon Hakobian,
3910:
3909:
3905:
3904:
3903:
3901:
3900:
3899:
3890:
3888:
3868:
3866:
3824:
3822:
3815:
3776:Ethnomusicology
3711:
3676:
3666:Scarecrow Press
3644:
3522:
3517:
3516:
3515:
3507:
3503:
3495:
3491:
3479:
3477:
3468:
3467:
3454:
3453:
3449:
3427:
3426:
3422:
3414:
3410:
3406:, pp. 6–7.
3402:
3398:
3390:
3386:
3378:
3374:
3364:
3362:
3351:
3350:
3346:
3336:
3334:
3320:
3316:
3299:
3295:
3285:
3283:
3278:
3277:
3273:
3262:acam-france.org
3256:
3255:
3251:
3240:acam-france.org
3234:
3233:
3229:
3218:acam-france.org
3212:
3211:
3207:
3194:
3193:
3189:
3179:
3177:
3172:
3171:
3167:
3157:
3155:
3147:
3146:
3142:
3126:
3125:
3118:
3116:
3106:
3102:
3089:
3087:
3079:
3078:
3074:
3064:
3062:
3054:
3053:
3049:
3039:
3037:
3032:
3031:
3027:
3017:
3015:
3010:
3009:
3005:
2992:
2990:
2979:
2975:
2968:
2955:
2943:(1). New York:
2927:
2923:
2906:
2905:
2901:
2880:
2876:
2868:
2864:
2848:
2847:
2843:
2825:
2821:
2801:
2800:
2796:
2788:
2784:
2762:
2758:
2736:
2732:
2725:
2715:Harry N. Abrams
2704:
2700:
2693:
2686:
2649:
2642:
2634:
2630:
2622:
2618:
2610:
2603:
2593:
2591:
2577:
2573:
2566:
2546:
2545:
2541:
2531:
2529:
2521:
2520:
2516:
2509:
2488:
2475:
2468:
2451:
2442:
2434:
2430:
2422:
2415:
2411:
2410:
2406:
2398:
2394:
2386:
2382:
2374:
2370:
2362:
2358:
2350:
2346:
2338:
2334:
2326:
2322:
2314:
2310:
2302:
2298:
2290:
2286:
2278:
2274:
2266:
2262:
2254:
2250:
2242:
2238:
2230:
2226:
2219:
2202:
2189:
2181:
2177:
2169:
2160:
2152:
2148:
2140:
2136:
2128:
2124:
2117:
2100:
2096:
2088:
2061:
2053:
2049:
2039:
2037:
2022:
2018:
2005:
2003:
1995:
1989:
1985:
1977:
1973:
1956:
1952:
1944:
1940:
1928:
1926:
1917:
1916:
1902:
1901:
1897:
1884:
1882:
1872:
1871:
1864:
1857:
1849:. p. 256.
1836:
1832:
1822:
1820:
1815:
1814:
1810:
1802:
1798:
1774:
1770:
1760:
1759:
1726:
1722:
1701:
1697:
1686:
1665:
1663:
1544:
1522:
1506:
1505:
1503:
1494:
1493:
1469:
1461:
1452:
1434:
1421:
1402:
1389:
1369:
1349:
1325:
1255:Anuario Musical
1247:
1210:
1202:
1179:
1103:
1090:Komitas Quartet
1018:Vardablur, Lori
991:(Etchmiadzin).
957:
925:
918:
910:
875:
867:
861:
847:
845:
837:Aksoy, Ozan E.
805:
778:
747:
692:
644:
626:
595:Makar Yekmalyan
593:under composer
571:
563:identity crisis
484:
483:
482:
481:
480:
473:
465:
464:
457:
446:
389:
384:
315:ethnomusicology
240:
208:
199:
195:
194:22 October 1935
186:
180:
171:
165:
164:
154:
142:
137:
67:
26:
25:
24:
18:User:Yerevantsi
12:
11:
5:
3908:
3898:
3897:
3875:
3852:
3851:
3847:
3846:
3831:
3808:
3796:10.2307/850444
3767:
3756:Atayan, Robert
3751:
3750:
3746:
3745:
3736:
3727:
3715:
3709:
3692:
3680:
3674:
3657:
3648:
3643:978-9953021638
3642:
3625:
3613:
3595:
3594:
3590:
3589:
3580:
3571:
3562:
3553:
3544:
3532:
3531:
3521:
3518:
3514:
3513:
3511:, p. 541.
3501:
3499:, p. 540.
3489:
3447:
3441:. 7 May 1965.
3439:Boston College
3420:
3416:Wolverton 2002
3408:
3404:Wolverton 2002
3396:
3392:Wolverton 2002
3384:
3380:Wolverton 2002
3372:
3344:
3314:
3293:
3271:
3249:
3227:
3205:
3187:
3165:
3140:
3100:
3072:
3047:
3025:
3003:
2973:
2953:
2921:
2899:
2874:
2862:
2841:
2819:
2794:
2792:, p. 207.
2782:
2773:Viscount Bryce
2756:
2730:
2723:
2717:. p. 79.
2698:
2684:
2667:10.2307/956845
2640:
2628:
2616:
2614:, p. 153.
2601:
2571:
2565:978-1136096020
2564:
2539:
2514:
2507:
2473:
2466:
2440:
2438:, p. 131.
2428:
2425:on 2008-02-27.
2404:
2392:
2380:
2368:
2356:
2344:
2332:
2320:
2308:
2296:
2284:
2272:
2260:
2248:
2236:
2224:
2217:
2187:
2175:
2171:Mooradian 1969
2158:
2146:
2134:
2122:
2115:
2105:, ed. (1978).
2094:
2092:, p. 539.
2059:
2047:
2016:
1983:
1971:
1950:
1938:
1895:
1862:
1855:
1830:
1808:
1796:
1793:on 2021-01-29.
1767:
1766:
1765:
1764:
1758:
1757:
1720:
1694:
1693:
1692:
1691:
1687:
1685:
1682:
1681:
1680:
1673:
1672:
1647:
1646:
1641:
1636:
1631:
1626:
1621:
1616:
1611:
1606:
1601:
1596:
1591:
1586:
1581:
1576:
1571:
1566:
1561:
1556:
1551:
1542:
1541:
1527:Atayan, Robert
1521:
1518:
1517:
1516:
1468:
1467:
1465:Virtual Museum
1460:
1459:
1451:
1450:
1445:
1433:
1432:
1426:
1425:
1419:
1409:, ed. (1978).
1388:
1385:
1373:Claude Debussy
1348:
1347:
1342:
1341:
1336:
1335:
1331:
1330:
1324:
1323:
1319:
1316:
1295:Choral Journal
1201:
1198:
1197:
1196:
1191:
1186:
1177:
1176:
1168:
1165:
1162:
1159:
1149:
1148:
1140:
1139:
1129:
1128:
1122:
1121:
1102:
1099:
1098:
1097:
1092:
1087:
1030:(1980/81), in
985:Yervand Kochar
956:
953:
930:
929:
924:
921:
916:
915:
908:
868:
866:
863:
859:
858:
833:
832:
823:
822:
815:
814:
803:
802:
798:
797:
785:
784:
777:
774:
770:
769:
765:
761:
746:
743:
691:
688:
676:Romain Rolland
649:Manuk Abeghian
643:
640:
570:
567:
474:
467:
466:
458:
451:
450:
449:
448:
447:
445:
442:
388:
385:
383:
380:
345:Claude Debussy
271:
270:
267:
263:
262:
249:
245:
244:
235:
231:
230:
225:
221:
220:
214:
210:
209:
200:
198:(aged 66)
192:
188:
187:
178:Ottoman Empire
172:
162:
160:
156:
155:
152:
144:
143:
138:
135:
37:
36:
15:
9:
6:
4:
3:
2:
3907:
3887:
3886:
3881:
3876:
3865:
3864:
3859:
3854:
3853:
3849:
3848:
3843:
3842:
3837:
3832:
3821:
3814:
3809:
3805:
3801:
3797:
3793:
3789:
3786:on behalf of
3785:
3781:
3777:
3773:
3768:
3764:
3762:
3757:
3753:
3752:
3748:
3747:
3742:
3737:
3733:
3728:
3724:
3720:
3716:
3712:
3710:1-903656-10-9
3706:
3702:
3698:
3693:
3689:
3685:
3681:
3677:
3675:9780810849679
3671:
3667:
3663:
3658:
3654:
3649:
3645:
3639:
3635:
3631:
3626:
3622:
3618:
3617:Begian, Harry
3614:
3610:
3606:
3602:
3597:
3596:
3592:
3591:
3586:
3581:
3577:
3572:
3568:
3563:
3559:
3554:
3550:
3545:
3541:
3540:
3534:
3533:
3529:
3528:
3527:
3526:
3510:
3505:
3498:
3493:
3485:
3472:
3465:
3461:
3457:
3456:Music Journal
3451:
3444:
3440:
3436:
3435:
3430:
3424:
3417:
3412:
3405:
3400:
3393:
3388:
3381:
3376:
3360:
3359:
3354:
3348:
3333:
3329:
3325:
3318:
3310:
3309:
3304:
3297:
3282:. Google Maps
3281:
3275:
3267:
3263:
3259:
3253:
3245:
3241:
3237:
3231:
3223:
3219:
3215:
3209:
3201:
3197:
3191:
3175:
3169:
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3150:
3144:
3136:
3130:
3115:
3111:
3104:
3097:
3086:
3082:
3076:
3061:
3057:
3051:
3035:
3029:
3013:
3007:
3000:
2989:(in Armenian)
2988:
2984:
2977:
2971:
2966:
2964:
2962:
2960:
2958:
2950:
2946:
2942:
2938:
2937:
2932:
2925:
2918:
2914:
2910:
2903:
2895:
2891:
2890:
2885:
2878:
2872:, p. 26.
2871:
2866:
2858:
2852:
2844:
2842:9780252063435
2838:
2835:. p. 3.
2834:
2830:
2823:
2816:
2812:
2808:
2804:
2798:
2791:
2786:
2778:
2774:
2770:
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2753:
2748:
2744:
2740:
2739:Aubry, Pierre
2734:
2726:
2724:9780810943841
2720:
2716:
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2708:
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2696:
2691:
2689:
2681:
2676:
2672:
2668:
2664:
2660:
2656:
2655:
2647:
2645:
2638:, p. 55.
2637:
2632:
2625:
2620:
2613:
2608:
2606:
2590:
2586:
2582:
2575:
2567:
2561:
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2524:
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2480:
2478:
2469:
2467:9781848855618
2463:
2459:
2455:
2449:
2447:
2445:
2437:
2432:
2421:
2414:
2408:
2401:
2396:
2390:, p. 79.
2389:
2384:
2377:
2372:
2365:
2360:
2354:, p. 73.
2353:
2348:
2341:
2336:
2329:
2324:
2317:
2312:
2305:
2300:
2294:, p. 41.
2293:
2288:
2281:
2276:
2269:
2264:
2258:, p. 33.
2257:
2252:
2246:, p. 32.
2245:
2240:
2233:
2228:
2220:
2214:
2210:
2206:
2200:
2198:
2196:
2194:
2192:
2185:, p. 28.
2184:
2179:
2173:, p. 61.
2172:
2167:
2165:
2163:
2155:
2150:
2143:
2138:
2131:
2126:
2118:
2116:0-900707-49-6
2112:
2108:
2104:
2098:
2091:
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2084:
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2080:
2078:
2076:
2074:
2072:
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2068:
2066:
2064:
2057:, p. 51.
2056:
2051:
2036:
2035:
2030:
2026:
2020:
2013:
2001:
1994:
1987:
1980:
1979:Poladian 1972
1975:
1967:
1966:
1961:
1954:
1947:
1942:
1934:
1921:
1913:
1909:
1905:
1899:
1892:
1881:
1880:
1875:
1869:
1867:
1858:
1856:9780049560079
1852:
1848:
1844:
1840:
1834:
1818:
1812:
1806:, p. 46.
1805:
1800:
1792:
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1658:
1657:Hye Sharzhoom
1654:
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1065:in Yerevan's
1064:
1059:
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942:Şahan Arzruni
938:
933:
927:
926:
920:
913:
912:
906:
904:
900:
896:
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800:
799:
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791:
790:transcription
787:
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780:
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733:
731:
727:
722:
718:
714:
710:
706:
696:
687:
685:
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672:
669:
667:
663:
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652:
650:
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629:
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619:
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612:
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253:
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248:Occupation(s)
246:
243:
239:
236:
232:
229:
226:
222:
218:
215:
213:Resting place
211:
207:
203:
193:
189:
184:
181:(present-day
179:
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133:
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49:
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43:
41:
34:
30:
29:
23:
19:
3889:. Retrieved
3883:
3867:. Retrieved
3863:The Guardian
3861:
3839:
3823:. Retrieved
3779:
3775:
3759:
3740:
3731:
3722:
3696:
3687:
3661:
3652:
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3620:
3600:
3584:
3575:
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3548:
3538:
3523:
3520:Bibliography
3504:
3492:
3480:|title=
3471:cite journal
3463:
3459:
3455:
3450:
3442:
3432:
3423:
3418:, p. 7.
3411:
3399:
3394:, p. 6.
3387:
3375:
3363:. Retrieved
3356:
3347:
3335:. Retrieved
3327:
3317:
3306:
3296:
3284:. Retrieved
3274:
3266:the original
3261:
3252:
3244:the original
3239:
3230:
3222:the original
3217:
3208:
3199:
3190:
3178:. Retrieved
3168:
3156:. Retrieved
3143:
3117:. Retrieved
3103:
3095:
3088:. Retrieved
3075:
3063:. Retrieved
3050:
3038:. Retrieved
3028:
3016:. Retrieved
3006:
2998:
2991:. Retrieved
2986:
2976:
2948:
2940:
2934:
2924:
2916:
2915:: 22. 1966.
2908:
2902:
2894:the original
2887:
2877:
2865:
2828:
2822:
2814:
2811:the original
2807:president.am
2806:
2797:
2785:
2768:
2759:
2750:
2742:
2733:
2713:. New York:
2710:
2707:Rault, Lucie
2701:
2678:
2658:
2652:
2631:
2626:, p. 8.
2619:
2592:. Retrieved
2584:
2574:
2554:. New York:
2548:The Concise
2547:
2542:
2530:. Retrieved
2517:
2494:
2457:
2431:
2420:the original
2407:
2395:
2383:
2371:
2359:
2347:
2335:
2323:
2311:
2299:
2287:
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2263:
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2178:
2149:
2137:
2125:
2106:
2097:
2050:
2038:. Retrieved
2032:
2019:
2011:
2004:. Retrieved
2002:. p. 11
1986:
1974:
1963:
1953:
1941:
1929:|title=
1920:cite journal
1907:
1903:
1898:
1890:
1883:. Retrieved
1877:
1842:
1833:
1821:. Retrieved
1811:
1799:
1791:the original
1784:
1771:
1748:
1744:
1732:
1723:
1715:
1710:. Sometimes
1698:
1664:. Retrieved
1656:
1543:
1534:
1489:the original
1435:
1410:
1398:
1394:
1390:
1380:
1377:The Homeless
1376:
1370:
1365:
1360:
1356:
1354:
1350:
1312:
1307:
1304:
1298:
1294:
1287:
1284:
1278:
1254:
1246:
1240:
1234:
1228:
1222:
1216:
1209:
1203:
1178:
1170:
1153:Don Askarian
1144:Paruyr Sevak
1133:Paruyr Sevak
1075:
1063:major avenue
1060:
1021:
1012:
1006:
1000:
993:
989:Vagharshapat
981:
976:
946:
934:
931:
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891:Pierre Aubry
888:
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870:
860:
853:
846:. Retrieved
828:
816:
810:
804:
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701:
679:
673:
670:
659:
653:
645:
615:
584:
545:
538:
528:
514:
501:
485:
434:
392:
390:
353:
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319:
303:musicologist
283:
275:
274:
252:Musicologist
196:(1935-10-22)
126:
121:
116:
112:
105:
100:
95:
90:
85:
80:
75:
69:
66:
62:
56:
50:
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38:
32:
3891:14 February
3825:14 February
3509:Atayan 1979
3497:Atayan 1979
3434:The Heights
3337:25 February
3286:14 February
3180:16 February
3065:17 February
3040:17 February
2993:17 February
2090:Atayan 1979
1823:21 February
1786:Grakan tert
1387:general bio
1329:their own.
1261:: 215–222.
1137:Hovannisian
1071:Alfortville
1040:Quebec City
1026:, near the
895:Dom Pothier
884:Lucie Rault
880:Béla Bartók
848:25 February
794:arrangement
751:Talat Pasha
417:Nakhichevan
415:village in
364:prison camp
354:During the
322:Etchmiadzin
307:choirmaster
260:choirmaster
224:Nationality
3869:26 January
3200:gov.spb.ru
3158:27 January
3119:26 January
3018:27 January
2594:26 January
2552:, Volume 2
2532:27 January
2040:26 January
2006:4 February
1885:26 January
1845:. London:
1712:anglicized
1684:References
1666:26 January
1155:1989 film
872:his work.
730:Alexandria
552:Catholicos
496:Catholicos
115:(2): 149.
3790:: 82–97.
3129:cite news
2947:: 19–31.
2911:. 16–18.
2851:cite book
1874:"Komitas"
1763:Citations
1481:"Komitas"
1379:(Անտունի
1275:0211-3538
1120:1959 poem
1056:Sarcelles
1052:Villejuif
994:Montreal
923:Influence
628:‹See Tfd›
589:to study
548:hieromonk
411:from the
405:New Style
382:Biography
269:1891–1915
234:Education
3763:Volume 5
3721:(1994).
3686:(1932).
3619:(1964).
3609:50203070
2767:(1914).
2741:(1903).
2709:(2000).
2493:(1990).
2456:(2011).
2207:(2010).
1841:(1980).
1741:Vardapet
1529:(1969).
1497:cite web
1485:AllMusic
1430:pp 13-24
1058:(2015).
1054:(1995),
1050:(1985),
1048:Chaville
899:the East
559:vardapet
409:Anatolia
331:vardapet
296:Armenian
288:Armenian
280:ordained
256:composer
228:Armenian
140:Vardapet
20: |
1914:. 1900.
1733:Gomidas
1346:people.
1301:(3): 5.
1200:sources
1173:(2013)
1024:Detroit
971:Quebec
963:Yerevan
813:songs."
599:rectory
591:harmony
581:c. 1900
555:Komitas
463:(1890s)
425:Turkish
397:Kütahya
292:Կոմիտաս
284:Komitas
174:Kütahya
136:Komitas
22:sandbox
3804:850444
3802:
3707:
3672:
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3365:6 July
3358:Massis
3090:2 July
2839:
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2675:956845
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2113:
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1729:simply
1417:
1381:Antuni
1273:
1257:(67).
1112:, 1913
983:1969,
955:Memory
792:, and
666:ballad
661:Anoush
632:German
618:Berlin
607:rubles
587:Tiflis
529:Ararat
505:neumes
479:(1910)
421:Goghtn
413:Tsghna
299:priest
206:France
183:Turkey
3816:(PDF)
3800:JSTOR
3782:(1).
3593:Books
2671:JSTOR
2423:(PDF)
2416:(PDF)
1996:(PDF)
1735:from
1690:Notes
1357:3,000
1313:3,000
1032:Paris
811:3,000
776:Works
726:Cairo
717:Gusan
437:Bursa
429:Bursa
362:to a
202:Paris
16:<
3893:2014
3871:2014
3827:2014
3705:ISBN
3670:ISBN
3638:ISBN
3605:OCLC
3484:help
3367:2014
3339:2014
3288:2014
3182:2014
3160:2014
3135:link
3121:2014
3092:2014
3067:2014
3042:2014
3020:2014
2995:2014
2857:link
2837:ISBN
2719:ISBN
2596:2014
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2534:2014
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2111:ISBN
2042:2014
2008:2014
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1825:2014
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1512:help
1458:1998
1415:ISBN
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475:The
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