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Model 133, used a bi-amplification design with separate power amplifiers for the high and low frequencies. Some versions output through a pair of loudspeakers, an 8-inch and a 12-inch, while other, possibly third-party modifications, show a single 12-inch speaker, mounted in a modified baffle.
187:. The series of amplifiers including guitar and bass guitar models was noted for its high fidelity (unusual for the time), attention to detail, point-to-point wiring and unique ported and baffled enclosures, and unusual tube sections (with Sylvania 7591 power tubes often used in older
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Its singularity arises from the use of an almost high-fidelity amplification system that rendered good detail in live and recorded applications, its repute as a "secret weapon" among early and current session players, and its rarity in terms of volume of sales.
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during the 1960s and 1970s. Versatone amplifiers were owned, designed and produced by inventor G. Robert Hall and his wife
Loretta S.Hall. Versatone Amplifiers are still owned by Loretta Hall and the rights were never sold off to anyone.
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from San
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who played bass using Carol Kaye's
Versatone bass amp on such hits as
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Current users of Audio Guild equipment include producer
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53:. Unsourced material may be challenged and
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117:Learn how and when to remove this message
174:The best-known Versatone amplifier, the
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191:designs). Later efforts under the name
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16:Brand of musical instrument amplifiers
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