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Vilhelm Kyhn

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Kyhn maintained a freshness of perspective. He portrayed a more naturalistic landscape than previously, one that was anchored in careful study and with an immediacy made possible through open-air painting. He chose to feature and glorify the landscapes of his native land, exploring especially the
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His son Svend Carl, born in 1862, was a promising landscape and interiors painter but died in 1890. His wife died in 1894. He received the bronze medallion at the Paris Exhibition of 1900. He died in Frederiksberg on May 11, 1903, at the age of 84.
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in 1876. The work was a defense of Danish national art and the Eckersberg school of painting. He traveled to Paris in 1878 where his work was exhibited at the World Exhibition. He resigned from the Academy in 1882 in protest against works by
387:, he began to seek out a travel stipend; he was awarded one in 1848. However, he delayed his travels until the spring of 1850 on account of the turbulent times around the European revolutions of 1848 which led to Denmark’s becoming a 525:
In reaction and opposition to the growing internationalism affecting young Danish artists who were choosing to travel to France as part of their education, and to the effect of this French training on Danish art, Kyhn sent a work to
643:. He was influenced by the times, and could show that influence in his paintings, while the national romanticism of his middle years was still an anchor in his large production of landscapes. He influenced many younger artists. 271:
to Carl Gottlieb Kyhn and his wife Sara Marie. His father was against his becoming an artist, and he was first put to train in a business office; then as a compromise he was allowed to train with
247:. Even though he outlived many of his artistic peers by several decades, he remained a traditionalist and expressed strong criticism of many of the new trends in the painting of his day. 410:
in September of the same year. The following year he received an extension to his stipend. He painted few landscapes of the countries he visited, and only during his travels abroad.
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He taught at both the School of Drawing and the School of Painting from the 1850s. He became a member of the Art Academy in 1870. He was a member of the Exhibition Committee at
1383: 333:. At about this time Danish landscapes started to become a serious domain for Danish artists. Kyhn became part of the movement and was able to exhibit his first landscape, 514:
As a nationalist artist, the "blond artists" as they were called, he was excluded from membership in the Academy, and could not sell his paintings to the influential
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of Jutland in this picture were not a popular subject at the time. He helped open the way for other artists to interpret this quintessential Danish landscape.
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bought from Kyhn show good development in his style. His landscape painting ability continued to improve over the years, as exemplified by the winter scene,
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Kyhn also played a role as an educator, establishing several alternative art schools, including a painting school for women which was attended by
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in 1836. He entered the School of Plaster Model Painting in 1840, and into the School of Model Painting in 1841, where he was influenced by the
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During the period 1871-1879, Kyhn’s studio became a gathering place for a group of young, dissatisfied artists and Academy students called the
800: 460:(Late Summer Evening near Himmelbjerget) painted in 1874. Both of these paintings are in the collection of the National Museum of Art. 341:), an area he had visited over a period of several years. This painting was purchased by the Danish Royal Painting Collection, now the 1519: 306:, another teacher at the Academy as well as an important art critic and art historian, who encouraged a unique Danish school of art. 1489: 1340: 1484: 1509: 89: 693: 1283: 452:
After 1863, he painted many scenes in the special light of Denmark’s late summer evenings. These include the atmospheric
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1873-1888, and of the Exhibition Committee for the World Exhibition in Paris 1877-1878. He traveled to
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Back in Denmark in June 1851, he returned to painting direct studies from nature. The paintings which
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He won the small silver medallion in 1843 for a figure drawing, but he was set on becoming a
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During this period, between 1865 and 1895, he also operated the Painting School for Women (
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He was one of the driving forces behind the establishment of The Danish Etchers Union (
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was also a source of inspiration in his turn towards national romanticism.
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His work was exhibited at the first international art exhibition in
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Opposition to internationalism and conflicts at the Academy
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After a few years of diligent work painting landscapes in
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He also got the opportunity to begin his training at the
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In 1845, Kyhn won a prize in the Neuhausen Competition (
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Other Danish landscape painters of his generation were
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Here he learned to make 131: 559:The Painter Vilhelm Kyhn Smoking his Pipe 454:Efter solnedgang i udkanten af en landsby 428:Udsigt over det flade Land ved Bjærgelide 109:Learn how and when to remove this message 1500:Royal Danish Academy of Fine Arts alumni 681: 553: 440: 367: 363: 312: 358:Landskab, hvori Foraaret karakteriseres 1452: 228:(March 30, 1819 – May 11, 1903) was a 782: 426:(View of the Coast near Taarbæk) and 458:Sildig Sommeraften ved Himmelbjærget 414:National romantic landscape painting 137:Vilhelm Kyhn portrayed by his pupil 47:adding citations to reliable sources 18: 1284:Christian Ditlev Frederik Reventlow 1167:Adolph Wilhelm Schack von Staffeldt 406:in the spring of 1850, and reached 13: 770:Danish Biographical Encyclopedia ( 565:, his best-known student from the 235:who belonged to the generation of 14: 1531: 758: 621:, and Margrethe Backer Welhaven. 284:Royal Danish Academy of Fine Arts 200:Royal Danish Academy of Fine Arts 1520:19th-century Danish male artists 646:He is featured in a portrait by 141:shortly before his death in 1903 23: 1490:19th-century Danish printmakers 1096:Christoph Ernst Friedrich Weyse 624: 478: 239:painters immediately after the 34:needs additional citations for 728: 707: 292:Christoffer Wilhelm Eckersberg 1: 1485:19th-century Danish engravers 674: 639:countryside near his home in 579:Kunstnernes Frie Studieskoler 296:Golden Age of Danish Painting 1510:19th-century Danish painters 1086:Johan Peter Emilius Hartmann 550:Alternative painting schools 302:. He was also influenced by 257: 7: 1314:Christian Jürgensen Thomsen 852:Michael Gottlieb Bindesbøll 664: 10: 1536: 1341:Royal Academy of Fine Arts 772:Dansk biografisk Leksikion 1425: 1364: 1333: 1326: 1260: 1219: 1185: 1157:Bernhard Severin Ingemann 1127: 1104: 1071: 1033: 885: 867:Christian Frederik Hansen 842: 835: 817: 634:The fruits of a long life 567:Painting School for Women 485:Den danske Radeerforening 335:Et bornholmsk Strandparti 213: 205: 195: 185: 167: 146: 130: 123: 16:Danish artist (1819–1903) 1495:Danish landscape artists 1480:Danish romantic painters 1384:C. A. Reitzel's Bookshop 337:(A View of the Beach on 263:Early life and education 1505:Artists from Copenhagen 1137:Hans Christian Andersen 872:Gustav Friedrich Hetsch 615:Elise Konstantin-Hansen 587:Tegneskolen for Kvinder 389:constitutional monarchy 343:Danish National Gallery 226:Peter Vilhelm Carl Kyhn 1475:20th-century engravers 1470:19th-century engravers 1411:Charlotte Schimmelmann 1304:Ernst von Schimmelmann 1242:Joakim Frederik Schouw 1025:Carl Frederik Sørensen 925:Frederik Theodor Kloss 736:"Anna Ancher & Co" 569: 449: 376: 345:, and later loaned to 326: 1252:Hans Christian Ørsted 1119:Johanne Luise Heiberg 1043:Herman Wilhelm Bissen 1020:Jørgen Valentin Sonne 930:Johan Vilhelm Gertner 827:Golden Age Copenhagen 557: 507:in 1873 and 1874, to 503:in 1866 and 1874, to 446:View over Vejle Fjord 444: 424:Kystparti ved Taarbæk 394:He traveled over the 371: 364:Student travel abroad 316: 1515:Danish male painters 1431:Age of Enlightenment 1346:Royal Danish Theatre 1247:Anders Sandøe Ørsted 1053:Hermann Ernst Freund 1048:Christen Christensen 655:Johan Thomas Lundbye 648:Peder Severin Krøyer 533:Peder Severin Krøyer 360:(Spring Landscape). 354:Neuhausenske Konkurs 273:copperplate engraver 43:improve this article 1438:Modern Breakthrough 1309:Just Mathias Thiele 1294:Niels Laurits Høyen 1162:Adam Oehlenschläger 1114:August Bournonville 1058:Jens Adolf Jerichau 717:. kulturforedrag.dk 420:Niels Lauritz Høyen 304:Niels Lauritz Høyen 245:Modern Breakthrough 1232:Peter Wilhelm Lund 1227:Adam Wilhelm Hauch 1206:Poul Martin Møller 1196:N. F. S. Grundtvig 1063:Bertel Thorvaldsen 995:Adam August Müller 940:Hans Jørgen Hammer 877:Johan Martin Quist 857:Jørgen Hansen Koch 570: 450: 377: 327: 308:N. F. S. Grundtvig 1447: 1446: 1421: 1420: 1322: 1321: 1201:Søren Kierkegaard 1172:Christian Winther 990:Wilhelm Marstrand 945:Constantin Hansen 862:Andreas Hallander 812:(1800–1850) 810:Danish Golden Age 537:Theodor Philipsen 391:on June 5, 1849. 383:and the north of 347:Aarhus Art Museum 331:landscape painter 321:and exhibited at 267:Kyhn was born in 241:Danish Golden Age 237:national romantic 233:landscape painter 223: 222: 218:Danish Golden Age 119: 118: 111: 93: 1527: 1440: 1433: 1331: 1330: 1299:Knud Lyne Rahbek 1091:Friedrich Kuhlau 920:C. W. 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Skovgaard 635: 632: 626: 623: 619:Nicoline Tuxen 561:, painting by 551: 548: 497:Charlottenborg 492: 489: 480: 477: 415: 412: 365: 362: 323:Charlottenborg 264: 261: 259: 256: 221: 220: 215: 211: 210: 207: 206:Known for 203: 202: 197: 193: 192: 187: 183: 182: 177: 175:(aged 84) 169: 165: 164: 159: 157:March 30, 1819 148: 144: 143: 136: 128: 127: 124: 117: 116: 58:"Vilhelm Kyhn" 31: 29: 22: 15: 9: 6: 4: 3: 2: 1532: 1521: 1518: 1516: 1513: 1511: 1508: 1506: 1503: 1501: 1498: 1496: 1493: 1491: 1488: 1486: 1483: 1481: 1478: 1476: 1473: 1471: 1468: 1466: 1463: 1461: 1458: 1457: 1455: 1441: »  1439: 1432: 1428: «  1424: 1413: 1412: 1407: 1404: 1401: 1400: 1395: 1392: 1390: 1387: 1385: 1382: 1379: 1378: 1373: 1370: 1369: 1367: 1363: 1357: 1354: 1352: 1349: 1347: 1344: 1342: 1339: 1338: 1336: 1332: 1329: 1325: 1315: 1312: 1310: 1307: 1305: 1302: 1300: 1297: 1295: 1292: 1290: 1287: 1285: 1282: 1280: 1277: 1275: 1272: 1271: 1269: 1267: 1263: 1259: 1253: 1250: 1248: 1245: 1243: 1240: 1238: 1235: 1233: 1230: 1228: 1225: 1224: 1222: 1218: 1212: 1209: 1207: 1204: 1202: 1199: 1197: 1194: 1193: 1191: 1188: 1184: 1178: 1175: 1173: 1170: 1168: 1165: 1163: 1160: 1158: 1155: 1153: 1150: 1148: 1145: 1143: 1142:Jens Baggesen 1140: 1138: 1135: 1134: 1132: 1130: 1126: 1120: 1117: 1115: 1112: 1111: 1109: 1107: 1103: 1097: 1094: 1092: 1089: 1087: 1084: 1082: 1079: 1078: 1076: 1074: 1070: 1064: 1061: 1059: 1056: 1054: 1051: 1049: 1046: 1044: 1041: 1040: 1038: 1036: 1032: 1026: 1023: 1021: 1018: 1016: 1013: 1011: 1008: 1006: 1003: 1001: 998: 996: 993: 991: 988: 986: 985:Johan Lundbye 983: 981: 978: 976: 973: 971: 968: 966: 963: 961: 958: 956: 955:H. 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Holm 953: 951: 948: 946: 943: 941: 938: 936: 935:Louis Gurlitt 933: 931: 928: 926: 923: 921: 918: 916: 913: 911: 908: 906: 903: 901: 900:Ditlev Blunck 898: 896: 895:Wilhelm Bendz 893: 892: 890: 888: 884: 878: 875: 873: 870: 868: 865: 863: 860: 858: 855: 853: 850: 849: 847: 845: 841: 838: 834: 828: 825: 824: 822: 820: 816: 811: 804: 799: 797: 792: 790: 785: 784: 781: 775: 773: 768: 766: 763: 762: 741: 737: 731: 716: 710: 695: 689: 687: 685: 680: 672: 671: 662: 660: 656: 651: 649: 644: 642: 631: 622: 620: 616: 612: 608: 604: 600: 599:Johanne Krebs 596: 592: 588: 583: 581: 580: 575: 574:Huleakademiet 568: 564: 560: 556: 547: 545: 540: 538: 534: 529: 523: 521: 520:Gammel Strand 517: 512: 510: 506: 502: 498: 488: 486: 476: 474: 470: 466: 461: 459: 455: 447: 443: 439: 437: 433: 429: 425: 421: 411: 409: 405: 401: 397: 392: 390: 386: 382: 374: 370: 361: 359: 355: 350: 348: 344: 340: 336: 332: 324: 320: 315: 311: 309: 305: 301: 297: 293: 289: 285: 280: 278: 274: 270: 255: 253: 248: 246: 242: 238: 234: 231: 227: 219: 216: 212: 208: 204: 201: 198: 194: 191: 188: 184: 180: 179:Frederiksberg 170: 166: 162: 149: 145: 140: 134: 129: 122: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 1409: 1397: 1377:Kamma Rahbek 1375: 1356:Sorø Academy 1334:Institutions 1289:Jonas Collin 1189:and theology 1152:Henrik Hertz 970:Vilhelm Kyhn 969: 960:C. A. Jensen 950:Georg Hilker 844:Architecture 771: 744:. Retrieved 739: 730: 719:. Retrieved 709: 698:. Retrieved 668: 652: 645: 637: 628: 625:Private life 611:Emmy Thornam 607:Marie Luplau 603:Emilie Mundt 586: 584: 577: 573: 571: 566: 558: 541: 524: 513: 494: 484: 482: 479:Graphic work 462: 457: 453: 451: 445: 427: 423: 417: 393: 378: 372: 357: 353: 351: 334: 328: 281: 266: 249: 225: 224: 173:(1903-05-11) 171:May 11, 1903 125:Vilhelm Kyhn 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 1465:1903 deaths 1460:1819 births 1394:Sophienholm 1274:Frederik VI 1237:Rasmus Rask 1005:Jørgen Roed 742:(in Danish) 740:Sophienholm 696:. Gyldendal 591:Anna Ancher 563:Anna Ancher 469:Himmelbjerg 434:. The flat 396:Netherlands 290:of teacher 252:Anna Ancher 186:Nationality 139:Anna Ancher 1454:Categories 1389:Nysø Manor 1372:Bakkehuset 1187:Philosophy 1129:Literature 1081:Niels Gade 721:2010-08-02 700:2010-08-02 675:References 595:Ville Bang 300:J. L. 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Anna Ancher
Copenhagen
Frederiksberg
Danish
Royal Danish Academy of Fine Arts
Danish Golden Age
Danish
landscape painter
national romantic
Danish Golden Age
Modern Breakthrough
Anna Ancher
Copenhagen
copperplate engraver
vignettes
Royal Danish Academy of Fine Arts
classicism
Christoffer Wilhelm Eckersberg

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