27:
303:
Highlights from the article include a brief history of the formation of The
Norwich Players and the Maddermarket theatre and the financial arrangements required to get the Elizabethan style playhouse off the ground. Also mentioned are details about the opening night 23 September 1921 presentation of
257:
On this stage, Monck and his company kept up a steady stream of performance. The repertory, which changed at a rate of one per month, included all of
Shakespeare's work, of course, as well as numerous other Renaissance plays and many modern works. By the early 1950s, he had produced over 200 plays.
299:
Additionally, Monck is posthumously credited with an article in the 1959 Shakespeare Survey, volume 12, about the
Maddermarket Theatre. The article was derived from a paper presented by Monck at the Shakespeare Conference, Stratford-upon-Avon, on 5 September 1957. His death is reported to have
295:
and restored some of the vital conditions of
Renaissance stagecraft. For the same reason, he aided scholars in exploring their own theories about Elizabethan practice; for example, his ruthlessly cut performances provided insight into the "two hours traffic" of the Renaissance stage.
250:) is a plant that since medieval times had been used to dye Norwich cloth. Originally seating 220, the theater was expanded in 1953 to seat 324. Audiences viewed plays staged on a replica of a Renaissance stage, the first such permanent stage since before the
304:"As You Like It" and many subsequent productions from the Shakespeare Canon. Production descriptions talk about specific staging requirements. He also states that he managed to deliver the entire Shakespeare cycle during his 56 years with the company.
290:
While generally considered less innovative and less imaginative than Poel, Monck was an influential director both for directors and for scholars. For directors, he continued Poel's destruction of the legacy of actor-managers such as
307:
These words adequately sum up his perspective, "These remarks are not those of a scholar, not of an original thinker, but of a man who has spent his life trying to put
Shakespeare simply on the stage."
258:
Despite his isolation from London, he was among the more influential mid-century producers. From the mid-30s on, he occasionally directed in London and
Stratford. These productions included a
243:
397:
330:
153:. In 1895, he abandoned his study of the violin in favour of acting. After some years with a regional touring company, he premiered in London in
392:
387:
95:
37:
67:
74:
287:
Monck retired from his positions in 1952, but he remained intermittently active with the company until his death in 1958.
367:
81:
372:
63:
52:
177:
176:, learning to direct in Poel's revolutionary manner. In 1909, he directed a series of historical tableaus at
186:
154:
275:
173:
145:, the son of George Gustavus Monck (1849–1920), vicar of Welshampton who later worked as a priest in
260:
235:
191:
88:
184:, although he occasionally returned to London, as he did in 1910 to manage Poel's production of
150:
207:
48:
382:
377:
212:
127:
8:
251:
172:, who would profoundly influence Monck's career. By 1902 Monck was stage manager for the
335:
123:
347:
162:
230:. Out of this troupe came the Shakespearean company that, a decade later (after
44:
339:
199:
361:
265:
239:
227:
216:
292:
223:
169:
238:), Monck housed in a renovated Catholic chapel which had once served as a
247:
231:
138:
215:; Yeats subsequently invited Monck to become temporary director of the
142:
280:
270:
146:
26:
222:
The same year, Monck formed a troupe of amateur players to produce
181:
131:
195:
219:
while Yeats and the main company toured the United States.
119:
244:
Church of Saint John the
Baptist, Maddermarket, Norwich
242:
factory. Monck named his theatre after the adjoining
359:
328:Salmon, Eric. "Monck, (Walter) Nugent Bligh".
205:In 1911, he directed an amateur production of
398:Commanders of the Order of the British Empire
334:(online ed.). Oxford University Press.
53:introducing citations to additional sources
149:. The son was educated there and at the
43:Relevant discussion may be found on the
331:Oxford Dictionary of National Biography
360:
323:
321:
180:. Thenceforth, his career centered on
393:British Army personnel of World War I
194:. From 1910, he produced a series of
246:. Madder (now known commercially as
20:
318:
13:
327:
14:
409:
388:Royal Army Medical Corps soldiers
36:relies largely or entirely on a
25:
1:
300:happened on 21 October 1958.
348:UK public library membership
276:Shakespeare Memorial Theatre
7:
187:The Two Gentlemen of Verona
122:(1878–1958) was an English
10:
414:
178:St. Andrew's Hall, Norwich
168:That same year, Monck met
368:English theatre directors
174:Elizabethan Stage Society
311:
261:Pericles, Prince of Tyre
236:Royal Army Medical Corps
16:English theatre director
373:People from Shropshire
340:10.1093/ref:odnb/57168
151:Royal Academy of Music
208:The Countess Cathleen
192:His Majesty's Theatre
155:Bjørnstjerne Bjørnson
64:"Walter Nugent Monck"
128:Maddermarket Theatre
49:improve this article
284:in London in 1953.
252:English Restoration
117:Walter Nugent Monck
211:which was seen by
159:Beyond Human Power
346:(Subscription or
114:
113:
99:
405:
352:
351:
343:
325:
124:theatre director
109:
106:
100:
98:
57:
29:
21:
413:
412:
408:
407:
406:
404:
403:
402:
358:
357:
356:
355:
345:
326:
319:
314:
234:service in the
163:Royalty Theatre
137:He was born in
126:and founder of
110:
104:
101:
58:
56:
42:
30:
17:
12:
11:
5:
411:
401:
400:
395:
390:
385:
380:
375:
370:
354:
353:
316:
315:
313:
310:
228:morality plays
200:Blickling Hall
112:
111:
47:. Please help
33:
31:
24:
15:
9:
6:
4:
3:
2:
410:
399:
396:
394:
391:
389:
386:
384:
381:
379:
376:
374:
371:
369:
366:
365:
363:
349:
341:
337:
333:
332:
324:
322:
317:
309:
305:
301:
297:
294:
288:
285:
283:
282:
278:in 1946; and
277:
273:
272:
267:
266:Paul Scofield
263:
262:
255:
253:
249:
245:
241:
240:baking powder
237:
233:
229:
225:
224:mystery plays
220:
218:
217:Abbey Theatre
214:
210:
209:
203:
201:
197:
193:
189:
188:
183:
179:
175:
171:
166:
164:
160:
156:
152:
148:
144:
140:
135:
133:
129:
125:
121:
118:
108:
97:
94:
90:
87:
83:
80:
76:
73:
69:
66: –
65:
61:
60:Find sources:
54:
50:
46:
40:
39:
38:single source
34:This article
32:
28:
23:
22:
19:
329:
306:
302:
298:
293:Charles Kean
289:
286:
279:
269:
259:
256:
221:
206:
204:
185:
170:William Poel
167:
158:
136:
116:
115:
102:
92:
85:
78:
71:
59:
35:
18:
383:1958 deaths
378:1878 births
248:rose madder
232:World War I
139:Welshampton
362:Categories
350:required.)
143:Shropshire
75:newspapers
281:King Lear
271:Cymbeline
268:in 1947;
165:in 1901.
147:Liverpool
105:July 2020
45:talk page
274:at the
196:masques
182:Norwich
161:at the
132:Norwich
89:scholar
344:
91:
84:
77:
70:
62:
312:Notes
264:with
213:Yeats
96:JSTOR
82:books
226:and
68:news
336:doi
198:at
190:at
157:'s
120:CBE
51:by
364::
320:^
254:.
202:.
141:,
134:.
130:,
342:.
338::
107:)
103:(
93:·
86:·
79:·
72:·
55:.
41:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.