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Wandjuk Marika

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209:, Bayngul, and Laklak (all sisters). He was a member of the Rirratjingu group of the Yolngu people. During childhood, he travelled throughout Arnhem Land by foot and by canoe. Through his parents, he learned to respect his country and inherited extensive rights to land through his father, who was a clan leader. His father also taught him how to paint. Wandjuk talked extensively about his father's teaching: "I'm the top man's son. Because my father is the most important man... We are the sons who know how to make, where to go, where to find the place" 248:. The expression of these stories was part of his responsibility as a clan leader, and the skills were passed on by his father, Mawalan 1. Marika painted the Djang'kawu story for the Dhuwa side of the Yirrkala Church Panels in 1963. He painted the bottom right most portion of the panel, and his painting serves as the start of the panel. This was a very important painting because the Djung'kawu story is the creation story for the entire Dhuwa moiety. 439:
His art is also featured in the Madayin exhibition which is on tour in the United States from 2022-2025 and encompasses eight decades of artistic production at Yirrkala, from 1935 to the present. His painting titled "The Birth of the Djan'kawu Children at Yalaŋbara" is represented in the exhibition.
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clan Dreaming and he was so distressed by this incident that he stopped painting for years; he said he lost his power to paint. It was then that he realized that Aboriginal artists needed some form of protection. In the Aboriginal News in 1976, Wandjuk wrote "It is not that we object to people
342:, understanding that this book was for a public audience and it was his responsibility to protect that sacred knowledge. Marika died in 1987, prior to the book being published, and Isaacs waited the appropriate amount of time (as determined by his community) to publish his work in 1995. 377:
of Indigenous Australians. The reproduction of these designs disrespected the sacred knowledge of his people and were being sold primarily for their aesthetic value, rather than a cultural one. Marika lobbied for the creation of the Aboriginal Artists th in 1973 to protect the
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reproducing our work, but it is essential that we be consulted first, for only we know if a particular painting is of special sacred significance, to be seen only by certain members of a tribe, and only we can give permission for our works of art to be reproduced."
263:(which had been manufactured in Holland) when on a trip there. He said at the time: “I was shocked when I walked into that shop, and when I saw it I was shocked and break my heart”. This painting expresses elements of his mother's 386:. In an article about him, the Canberra Times wrote that he considered land rights to be the most important aboriginal cause and that he believed the ownership of sacred land remained a significant issue to Aboriginal people. 283:
to understand Yolngu culture. He also used the skills of English to help translate the Bible into the Gumatj language. Furthermore, it allowed him to help with the creation of the Yirrkala Bark Petition in 1963.
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activities on Yolngu lands. In August 1963 he helped to send the first of several bark petitions to the Commonwealth government protesting the decision to grant mining leases on the
220:, which was established in 1935. By the age of 18, he had already been through extensive ceremonial training and had learned a large amount of knowledge about the land and culture. 1410: 295:
in 1973, and became chairman in 1976, a post he held until 1979. Marika also had a directorial role at Aboriginal Arts and Crafts Pty Ltd, as well as belonging to the
429: 1190: 1355: 1168: 1133: 433: 399: 1400: 395: 296: 1415: 17: 1405: 1220: 1110: 1048: 799: 683: 410: 456:. He thought it was very important to instruct his children about their roles and responsibilities in a bicultural world. 338:(1995). In this book, he intentionally did not include sacred information that could not be known by children, women, and 1053: 287:
Once he became an established artist, Marika was recognised as a member of the Aboriginal Arts Advisory Committee of the
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Following the appropriation of his sacred clan designs on a line of Dutch tea towels, Marika became concerned with the
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As he had been taught English at the mission school, he used his skills to assist anthropologists such as
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is the founding ancestor of the Rirratjingu in traditional stories, who gave birth to the clan at
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Law, Knowledge, Culture: The Production of Indigenous Knowledge in Intellectual Property Law
1395: 1390: 1342:(born c.1946), Wanyubi Marika (born 1967), Yalmay Gurrwun (Marika) Yunupingu (born 1956), 228:
His paintings expressed his people's traditional lore and spiritual beliefs, and included
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is also an artist, and his daughter is Rarriwuy Marika. Wandjuk Marika was the uncle of
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between the years 1970 and 1973. Immediately following that period, he co-founded the
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Wandjuk Djuwakan Marika, MBE, Eldest Son of Mawalan, Wondjuk, Wanjug, Wondjug, Djuakan
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From Gove to governance: reshaping Indigenous governance in the Northern Territory
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was the first Indigenous document to be officially recognised and accepted by the
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Lists publications credited to Marika, including stories told by him to others.
359: 1346:(born 1957), Jimmy Barrmula Yunupingu (born 1963) (son of Dhuwarrwarr Marika). 1019: 1384: 1335: 1005: 966: 334:. Marika also wrote an autobiography with co-author Jennifer Isaacs entitled 276: 237: 202: 194: 126: 174: 166: 651:, Canberra: National Centre of Biography, Australian National University 957: 940: 827: 771: 406: 315: 264: 241: 915: 251:
In a 1974 Marika was distressed to discover that an earlier painting,
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Intellectual and cultural property rights for indigenous Australians
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MBE (c. 1925–1993), Wandjuk Djuwakan Marika OBE (1929–1987),
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National Aboriginal & Torres Strait Islander Art Award
889:"Unspeakable behaviour? It's in the eye of the beholder" 607: 704:"Wandjuk Marika | AustLit: Discover Australian Stories" 620:
Australian Dreaming: 40,000 Years of Aboriginal History
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Australian Officers of the Order of the British Empire
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Marika wrote frequent but unsuccessful letters to the
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Wandjuk Djuakan Marika was born in 1927 (or 1930) on
1356:Office of the Registrar of Indigenous Corporations 982:"Intellectual Property and Cultural Appropriation" 618:MARIKA, Wandjuk, "Foreword", in ISAACS, Jennifer, 1361:Photo of Wandjuk with his father and four uncles. 1043: 1041: 730:Saltwater: Yirrkala Bark Paintings of Sea Country 1382: 1169:Museum and Art Gallery of the Northern Territory 434:Museum and Art Gallery of the Northern Territory 533:, Art Gallery of New South Wales, Sydney, 2014. 259:. He discovered the reproduction in a store in 212:Marika was educated and learned English at the 1306:"The Marika family [Exhibition notes from 1038: 939:Vincent, Eve; Neale, Timothy (21 March 2016). 886: 844:The Aboriginal Children's History of Australia 417:, and several of his paintings feature in the 332:The Aboriginal Children's History of Australia 234:Birth of the Djang'kawu Children of Yelangbara 818:, 1976/77 (Canberra: AGPS, 1978), pp 7 and 8. 938: 671: 531:Tradition today: Indigenous art in Australia 505: 755: 503: 501: 499: 497: 495: 493: 491: 489: 487: 485: 314:(1987). He also appeared in the television 672:Marika, Wandjuk; Isaacs, Jennifer (1995). 443: 396:Officer of the Order of the British Empire 389: 302:As an actor, Marika appeared in the films 297:Australian Institute of Aboriginal Studies 253:Sea life (Dreaming of the artist’s mother) 1057:. Dynasties. 4 March 2016. Archived from 956: 863: 375:intellectual and cultural property rights 1351:"Leaders in law, business and community" 787: 482: 727: 543: 541: 14: 1383: 979: 945:The Australian Journal of Anthropology 905: 783: 781: 590:"Marika, Wandjuk Djuakan (1927–1987)" 583: 581: 579: 577: 575: 573: 571: 569: 405:A photographic portrait of Marika by 149:1927 or 1930 – 16 June 1987), was an 788:Anderson, Jane E. (1 January 2009). 751: 749: 697: 695: 667: 665: 645:"Wandjuk Djuakan Marika (1927–1987)" 638: 636: 538: 323:. He was both actor and composer in 244:. He also painted the story of the 65:16 June 1987 (aged 56–57) 1208: 1054:Australian Broadcasting Corporation 701: 24: 1401:People from the Northern Territory 1265: 1140:. 27 November 2007. Archived from 1085:Australian Honours Search Facility 980:Berson, Josh (13 September 2010). 778: 649:Australian Dictionary of Biography 642: 594:Australian Dictionary of Biography 587: 566: 509: 25: 1427: 1365: 1308:Yalangbara: Art of the Djang'kawu 887:Brigid Delaney (24 August 2001). 864:Van Toorn, Penny (October 2009). 746: 692: 662: 633: 165:activist. He was a member of the 1416:20th-century Australian painters 428:, a category of the prestigious 426:Wandjuk Marika 3D Memorial Award 384:Indigenous intellectual property 74:Wandjuk Marika 3D Memorial Award 1236: 1183: 1156: 1126: 1098: 1073: 1012: 973: 932: 899: 880: 857: 836: 821: 808: 289:Australian Council for the Arts 1376:Art Gallery of New South Wales 1164:"35th Telstra NATSIAA Winners" 721: 419:Art Gallery of New South Wales 255:(1959) had been turned into a 13: 1: 1216:"Wandjuk Marika OBE, b. 1927" 678:. Univ. of Queensland Press. 475: 459:Marika died on 16 June 1987. 400:Queen's Birthday Honours list 352:Australian federal government 188: 181:of Australia, and the son of 146: 1406:Indigenous Australian actors 1314:National Museum of Australia 1081:"Mr Wandjuk Djuwakan Marika" 998:10.1080/00938157.2010.509026 394:In 1979 he was appointed an 7: 870:Australian Literary Studies 794:. Edward Elgar Publishing. 756:Smallacombe, Sonia (1998). 462: 345: 10: 1432: 1273:Wandjuk Marika: Life Story 1114:. Collection. 16 July 2021 675:Wandjuk Marika: Life Story 432:, awarded annually by the 424:His name was given to the 382:of Aboriginal artists and 336:Wandjuk Marika: Life Story 325:Where the Green Ants Dream 305:Where the Green Ants Dream 214:Methodist Overseas Mission 1271:Isaacs, Jennifer (1995). 1248:National Museum Australia 1221:National Portrait Gallery 1111:National Portrait Gallery 893:The Sydney Morning Herald 411:National Portrait Gallery 223: 122: 112: 101: 96:Indigenous Australian art 87: 79: 69: 61: 46: 34: 1277:University of Queensland 906:Smith, Diane E. (2004). 1049:"Marika:Wandjuk Marika" 986:Reviews in Anthropology 764:University of Melbourne 762:(Masters by research). 728:Dettman, Carol (1999). 444:Personal life and death 390:Recognition and honours 140:Wandjuk Djuwakan Marika 18:Wandjuk Djuwakan Marika 1224:. People. 16 July 2021 1106:"Wandjuk Marika, 1979" 1020:"Land 'is main issue'" 364:Yirrkala bark petition 299:' advisory committee. 163:Indigenous land rights 368:Australian Parliament 330:He was the author of 293:Aboriginal Arts Board 173:people of north-east 151:Aboriginal Australian 409:(1979) hangs in the 197:(Dhambaliya) in the 1332:Roy Dadaynga Marika 1244:"The Marika Family" 1195:Kluge-Ruhe: Madayin 1144:on 27 November 2007 814:Australia Council, 553:Sites and Trails NT 469:Roy Dadaynga Marika 354:to protest against 1340:Dhuwarrwarr Marika 958:10.1111/taja.12186 708:www.austlit.edu.au 643:Isaacs, Jennifer, 588:Isaacs, Jennifer, 517:Art Gallery of NSW 207:Dhuwarrwarr Marika 199:Northern Territory 179:Northern Territory 131:Dhuwarrwarr Marika 842:Marika, Wandjuk, 801:978-1-84844-719-6 685:978-0-7022-2564-2 273:Charles Mountford 137: 136: 16:(Redirected from 1423: 1360: 1344:Mawalan Marika 2 1330:(c. 1923–1983), 1328:Milirrpum Marika 1326:(c. 1920–1970), 1322:(c. 1908–1967), 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Index

Wandjuk Djuwakan Marika
OBE
Wandjuk Marika 3D Memorial Award
Painting
Indigenous Australian art
Mawalan 2 Marika
Mawalan 1 Marika
Banduk Marika
Dhuwarrwarr Marika
OBE
Aboriginal Australian
actor
composer
Indigenous land rights
Rirratjingu
Yolngu
Arnhem Land
Northern Territory
Mawalan 1 Marika
Bremer Island
Northern Territory
Banduk Marika
Dhuwarrwarr Marika
Methodist Overseas Mission
Yirrkala
Djang'kawu
Yalangbara
Wawilak sisters
tea towel
Cairns

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