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William Humphrys

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95:. During his period of employment by Perkins Bacon he was responsible for the engraving of many of the classic stamps. At that time Perkins Bacon had the contract to produce stamps for the United Kingdom and for the many British possessions around the world. Humphrys engraved the head of Columbus for the first stamps of Chile. In 1854 he was given the task of re-engraving the Queen’s Head for the line-engraved 1d red-brown. The die he produced is known to philatelists as Die II or “Humphrys’s Retouch”. 209: 190: 171: 153: 85:
There are indications which lead me to the opinion that the engraver was no other than that gifted British artist William Humphrys .... in his obituary notice in The Art Journal (1865) it is stated that he engraved the portrait of Washington for United States stamps. This might have referred to the
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Humphrys was born in Dublin. At an early age he moved to the United States where he studied engraving techniques under George Murray in Philadelphia. He began his career as engraver in 1815 and was involved in the engraving of vignettes for bank notes and engravings for book illustrations. The
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Melville states that he did the engraving for the United States stamp with the portrait of Washington. The Art of the Print webpage seems to put the engraving of the stamp before 1823. In the book by Fielding there is an undated reference to a book illustration by Humphrys called
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He moved to England in 1823 where he worked on book illustrations for individual publishers. He then returned to the United States in 1843. Two years later he moved to Dublin to engrave "
138:, typographical music and general printers, of London. In ill-health Humphrys went to Italy to recuperate. He had been invited by Alfred Novello, son of the founder of the company 86:
first Government issue of 1847, but, if so, the same printers printed the 1845 New York stamps and the 1847 United States Government issue and may have employed the same engraver.
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Van Diemen's Land, Tasmania – he engraved their early stamps, including a new larger vignette, working from a Cousins engraving and a watercolour by Edward Henry Corbould.
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The line-engraved postage stamps of Great Britain printed by Perkins, Bacon & Co.; a history of their production during the forty years, 1840-1880,
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Queensland – reusing the large Chalon head from Van Diemen's Land, he engraved the dies for the first stamps used from 1860 to 1881
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New Zealand – he engraved the first stamps, known as the Full Face Queens or Chalons, including the central vignette.
375: 245: 440: 142:, to the Villa Novello in Genoa. On 21 January 1865, while he was still at the villa, he died aged seventy-one. 455: 435: 319: 445: 201: 450: 64:(c. 1794 – 21 January 1865) was an engraver of pictures, book illustrations and postage stamps. 420: 83:". In a report in The New York Times of 18 June 1922 A Hatfield Jr is quoted from his book " 425: 8: 305: 197: 127: 386: 289: 178: 160: 68:
illustrations in the books by poets Bryant and Longfellow were the work of Humphrys.
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in The Literary Souvenir annual for 1827, with a poetical illustration by
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Western Australia - he engraved the dies for the first stamps, the famous
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South Australia - he engraved the dies for the first stamps issued in 1855
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Some of the stamps that were engraved by William Humphrys are as follows:
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The Colonial and Foreign Dies of Perkins, Bacon & Co. 1847-85
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Stanley Gibbons Stamp Catalogue Part 1 British Commonwealth, 1999
88:" It should be remembered that Humphrys moved to Dublin in 1845. 163:
for The Literary Souvenir annual for 1825, with a poem by
366:, The London Philatelist, vol.100 no.1177-1178, 1991, p.8 181:
in The Literary Souvenir annual for 1826, with a poem by
105:– he engraved the die for the first issue (triangulars). 350:, The London Philatelist, vol.78 no.915, 1969, p.65 134:He gave up engraving and became an accountant to 412: 404:, in "Stamp Magazine", February 2015, pp 40-45. 219:for The Bijou annual for 1828 with a poem by 388:Bryan's Dictionary of Painters and Engravers 91:He then came to England and was employed by 267: 265: 263: 261: 259: 257: 255: 253: 241: 239: 237: 333: 331: 329: 327: 285: 283: 281: 307:American Engravers upon Copper and Steel 246:The Art of Print - The Reading Magdalene 39:21 January, 1865 (aged 70–71) 358: 356: 250: 234: 175:The Troubadour and Richard CĹ“ur de Lion 413: 324: 278: 376:First Stamp Issues of South Australia 353: 340: 364:The Origin of the Large Chalon Head 177:., an engraving of the painting by 13: 14: 467: 320:First N.Y. stamp sold for $ 1,000 145: 75:" for the Royal Irish Art Union. 207: 188: 169: 151: 431:Immigrants to the United States 394: 380: 369: 313: 298: 159:., engraving of a painting by 1: 275:, 1916, Stanley Gibbons, p.68 227: 273:Postage Stamps in the Making 7: 10: 472: 187:Engraving of the painting 51: 43: 35: 27: 20: 202:Letitia Elizabeth Landon 81:Early days of Washington 93:Perkins, Bacon & Co 441:19th-century engravers 456:Irish stamp designers 290:Bacon, Edward Denny, 213:The Child and Flowers 73:The Reading Magdalene 157:The Mother and Child 402:Lasting Impressions 198:William Edward West 436:American engravers 400:Winchester, John, 362:Smith, Victor F., 304:Fielding, Mantle, 271:Melville, Fred J, 179:John Masey Wright 161:William Brockedon 103:Cape of Good Hope 59: 58: 463: 405: 398: 392: 384: 378: 373: 367: 360: 351: 344: 338: 335: 322: 317: 311: 302: 296: 287: 276: 269: 248: 243: 211: 194:Cupid and Psyche 192: 173: 155: 136:Novello & Co 130:, issued in 1854 62:William Humphrys 22:William Humphrys 18: 17: 471: 470: 466: 465: 464: 462: 461: 460: 446:Irish engravers 411: 410: 409: 408: 399: 395: 385: 381: 374: 370: 361: 354: 346:Stone, J.W.M., 345: 341: 336: 325: 318: 314: 303: 299: 288: 279: 270: 251: 244: 235: 230: 217:Thomas Lawrence 148: 140:Vincent Novello 23: 12: 11: 5: 469: 459: 458: 453: 451:Postal history 448: 443: 438: 433: 428: 423: 407: 406: 393: 379: 368: 352: 339: 323: 312: 297: 294:(1920), p.140. 277: 249: 232: 231: 229: 226: 225: 224: 221:Felicia Hemans 204: 185: 183:Felicia Hemans 167: 165:Felicia Hemans 147: 146:External links 144: 132: 131: 124: 121: 118: 115: 112: 109: 106: 57: 56: 53: 49: 48: 45: 41: 40: 37: 33: 32: 29: 25: 24: 21: 9: 6: 4: 3: 2: 468: 457: 454: 452: 449: 447: 444: 442: 439: 437: 434: 432: 429: 427: 424: 422: 419: 418: 416: 403: 397: 390: 389: 383: 377: 372: 365: 359: 357: 349: 343: 334: 332: 330: 328: 321: 316: 309: 308: 301: 295: 293: 286: 284: 282: 274: 268: 266: 264: 262: 260: 258: 256: 254: 247: 242: 240: 238: 233: 222: 218: 214: 210: 206:Engraving of 205: 203: 199: 195: 191: 186: 184: 180: 176: 172: 168: 166: 162: 158: 154: 150: 149: 143: 141: 137: 129: 125: 122: 119: 116: 113: 110: 107: 104: 101: 100: 99: 96: 94: 89: 87: 82: 76: 74: 69: 65: 63: 54: 50: 46: 42: 38: 34: 30: 26: 19: 16: 421:1790s births 401: 396: 387: 382: 371: 363: 347: 342: 315: 306: 300: 291: 272: 133: 97: 90: 84: 80: 77: 72: 70: 66: 61: 60: 15: 426:1865 deaths 44:Nationality 415:Categories 228:References 128:Black Swan 120:St Helena. 52:Occupation 55:Engraver 108:Ceylon. 31:c. 1794 391:, 1904 310:, 1917 215:., by 196:. by 47:Irish 36:Died 28:Born 417:: 355:^ 326:^ 280:^ 252:^ 236:^ 223:. 79:"

Index

Perkins, Bacon & Co
Cape of Good Hope
Black Swan
Novello & Co
Vincent Novello

The Mother and Child
William Brockedon
Felicia Hemans

The Troubadour and Richard CĹ“ur de Lion
John Masey Wright
Felicia Hemans

Cupid and Psyche
William Edward West
Letitia Elizabeth Landon

The Child and Flowers
Thomas Lawrence
Felicia Hemans



The Art of Print - The Reading Magdalene




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