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his daily visits to the set, O'Brien, who had remained close to his two sons after his separation from his estranged wife, invited Willis Jr. and the now completely blind
William with him to handle the Kong and dinosaur models. A few weeks after this visit O'Brien's ex-wife, Hazel Ruth Collette, shot and killed William and Willis Jr. before turning the gun on herself. The suicide attempt failed and by draining her tubercular lung actually extended her life by another year. A publicity photo of O'Brien taken around this time shows the anguish on his face.
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559:(1918), for a budget of $ 3,000. The collaboration was not a happy one and Dawley cut the 45-minute film down to 11 minutes and claimed credit for O'Brien's pioneering effects work, which combined realistic stop-motion animated prehistoric models with live action. The film grossed over $ 100,000 and Dawley used the cut effects footage in a sequel
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474:. He first left home at the age of eleven to work on cattle ranches, and again at the age of thirteen when he took on a variety of jobs including farmhand, factory worker, fur trapper, cowboy, and bartender. During this time he also competed in rodeos and developed an interest in dinosaurs while working as a guide to
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King Kong vs. Frankenstein (1958–61): The descendants of Carl Denham and Victor
Frankenstein cross paths with Kong and Frankenstein. The two battle each other in San Francisco and fall from the Golden Gate Bridge. Eventually turned into King Kong vs. Godzilla (1962) by Toho Co,.LTD, who purchased the
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O'Brien married Hazel Ruth
Collette in 1925; they had two sons together, William and Willis, Jr., but the marriage was an unhappy one. O'Brien was reportedly forced into it, and rebelled with drinking, gambling, and extra-marital affairs. The couple had divorced by 1930 and the two boys remained with
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Valley of the Mist (1950): Originally titled Emilio and Guloso, then El Toro
Estrella (The Star Bull), the story tells of a boy and his pet bull who save their town from a Allosaurus called Lagarto Grande (the Great Lizard). In later drafts the story would have involved men vs. dinosaurs. This would
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The 8th Wonder (1952): A proposed remake of the original King Kong. After the original King Kong was successful re-released in
America in 1952, Merian C. Cooper began thinking about the viability of bringing Kong to the Cinerama process in some form. He brought in Willis O'Brien to help develop the
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led to the studio commissioning the hurried sequel, which O'Brien described as cheesy. With a limited budget and a short production schedule, O'Brien chose to leave the animation work to his animation assistant, Buzz Gibson, and asked the studio not to credit him on the project. While making one of
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but Willis insisted that each of his crew receive an Oscar statue also, which the AMPAS refused to do, so O'Brien refused to accept the Oscar award for himself. This act of refusing his Oscar hurt O'Brien's reputation as a player in the
Hollywood establishment, forever making him a semi-outsider in
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Frankenstein (1928): Originally considered in 1928, and the would be announced by Willis O'Brien himself in 1934, this would've bene an adaptation of the Marry Shelly novel of the same name. The idea of
Frankenstein would later be re-used for King Kong vs. Frankenstein after not much went through
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War Eagles (1939): A young WWII pilot crashes in a hidden valley in the Arctic inhabited by dinosaurs and the descendants of a Viking tribe who ride on giant eagles called Erns. He becomes a part of the tribe and helps them defeat a rampaging
Allosaurus heard. When he hears that New York City is
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The Last of the Oso Si-Papu (1950): An earthquake opens a fissure to the legendary Third World of the Hopi
Indians, Kuskurza. A world populated by prehistoric monsters. When the Oso Si Papu, a 20-foot monster bear with Gile Monster-like skin threatens a small town, a group of movie makers, some
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about a race of
Vikings riding on prehistoric eagles fighting with dinosaurs, but the project was cancelled when Cooper re-enlisted as a colonel in the U.S. Army Air Forces at the outset of World War II. O'Brien went on to do some special effects work, re-using one of the mattes from
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to create much more detailed stop-motion models (based on O'Brien's designs) with rubber skin built up over complex, articulated metal armatures. The models contained a bladder inside the skeleton model that could be inflated and deflated to give the illusion of breathing.
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The Vines of Ceres – A remote mining operation on the asteroid Ceres sends a deadly sample back to earth that may destroy all of mankind. A follow-up crewed mission discovers the truth behind the deadly attack on the Earth and why it was a planned extinction event all
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The Food of the Gods (1934): Based on the 1904 novel by H. G. Wells, Willis O'Brien planned on adapting the book into film form, but failed to gain interest. Ray Harryhausen would later try his hand in making it into a film in 1961, but the project was dropped
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under attack by Nazis, he convinces them to aid him in his fight against them. A battle between giant eagles, planes, and zeppelins occurs over the city. Would later be adapted into two novels made by Carl Macek and David Conover in 2008 and 2011 respectively.
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During this time he made models, including a dinosaur and a caveman, which he animated with the assistance of a local newsreel cameraman. San Francisco exhibitor Herman Wobber saw this 90-second test footage and commissioned O'Brien to make his first film,
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899:(1969), completed for Warner Brothers by Harryhausen seven years after O'Brien's death, was based on an idea the latter had spent years trying to bring to the screen. O'Brien wrote the script for an earlier version of the story which was released as
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archaeologists, and the local police must find a way to stop the ravaging monster. Special effects artist and author of "Willis O'Brien: Special Effects Genius" Steve Archer has attempted to make this film made in the 1990's, but to no avail.
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The New Adventures of King Kong (1933): Set during the events of the first King Kong (1933) when Kong was being transported to New York City on the Venture. But due to the underperformance of Son of Kong (1933), the project was
487:. During this time he also became a professional boxer, winning his first nine bouts but retiring after an unsuccessful tenth. He subsequently worked for the railroad, first as a brakeman and later a surveyor, as a professional
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Hazel Ruth Collette remained in the Los Angeles General Hospital prison ward until her death in 1934. On November 17 that same year O'Brien married his second wife, Darlyne Prenett, with whom he remained until his death.
1326:(1931) – Abandoned feature by RKO due to expense and pace. 20 minutes of completed sequences didn't show enough action to warrant a feature film. (Completed footage later released as an 11-minute short in 16mm rental)
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685:(also 1933), and who was a future Treasurer and President of the AMPAS and who revealed this story in private conversations with various visual effects associates years later, long after O'Brien's death.
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Umbah (1950s): Treatment by O'Brien about the Lovelock Cave. A second cave system is found behind the Lovelock Cave. When explored a hidden valley is found with lsrge animals, and two giants, Umbah and
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O'Brien's work was celebrated in March 1983 with the appearance of his wife, Darlene, at a 50th anniversary event commemorating the day of the first screening of the film at Graumann's (later Mann's)
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Creation (1930): A ship and a submarine crashes on an unknown island roaming with dinosaurs and other prehistoric creatures. Much of the idea's for this project would be used for King Kong (1933).
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Sr., with O'Brien and Harryhausen on board to do special effects, before falling through. O'Brien subsequently worked for Cooper at the new Cinerama corporation with plans to do a remake of
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He spent his spare time sculpting and illustrating and his natural talent led to him being employed first as draftsman in an architect's office and then as a sports cartoonist for the
865:(1962) but O'Brien was once again not involved in the production. Shortly before his death, he animated a brief scene for Linwood G. Dunn's "Film Effects of Hollywood" company in
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and a new recreation of the full-scale bust of Kong that appeared 50 years apart at both events in the outdoor lobby of the theater. Three articles in the August, 1983, issue of
830:(also 1956) but he did not work on the film's effects, which were the first to combine stop-motion and live-action in a color film. O'Brien also worked with Peterson again on
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in Oakland, California. This exhibit included many sketches, artifacts, and photographs from O'Brien's personal collection, some of which had never been seen in public.
886:(Association internationale du film d'animation). The award is in recognition of lifetime or career contributions to the art of animation. His interment was located at
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project, and Cinerama employee Cunningham to create a new camera system that could capture stop-motion in the widescreen format. However, the project was dropped.
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851:(1960), but he was given little to do as the producer opted for live lizards instead of stop-motion animation for the dinosaurs. One of his story ideas
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603:. For his early, short films O'Brien created his own characters out of clay, although for much of his feature career he would employ Richard and
871:(1963), featuring the male leads and secondary characters dangling from a fire escape and ladder, but he died before the film was released.
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The Bubbles (1960–1962): Giant tentacled jellyfish-like creatures appear in Baja, California and start eating up anything in their path.
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O'Brien died in Los Angeles on November 8, 1962. He was survived by his second wife, Darlyne. In 1997, he was posthumously awarded the
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These films led to a commission from Herbert M. Dawley to write, direct, co-star and produce the effects for another dinosaur film,
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Baboon: A Tale about a Yeti (1962): Set in the Himalayas, an expedition finds a yeti and decides to bring it back to civilization.
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Elephant Rustlers (1960): About a hunt for elephant thieves in Burma, where the heroes are threatened by giant ferocious lizards.
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rights to the film from John Beck, to which Willis O'Brien did not find out until production was already released in theaters.
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film packages for youth audiences. During this time he also worked on other Edison Company productions including Sam Loyd's
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802:(1952) when this project also fell through. O'Brien worked with Harryhausen one last time on the dinosaur sequence for
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their mother, who had begun to show unbalanced behaviour. By 1931, Hazel had been diagnosed with cancer and
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the industry, and thus whose own film proposals were seldom taken seriously. One of O'Brien's crew was
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842:(aka "The Giant Behemoth") (1959), but the two animators subsequently struggled to find other work.
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The Last of the Labyrinthodons (1954): Modern-day sea monsters from prehistoric times attack ships.
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Atlantis (1927): Developed by O'Brien and Harry Hoyt after the success of 1925's The Lost World.
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was impressed by the film and O'Brien was hired by the Edison Company to animate a series of
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using the new wide-screen techniques but ended up contributing a matte for the travelogue
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Throughout this time O'Brien worked with Hoyt on a series of cancelled projects included
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on this film, and by some accounts left the majority of the animation to them.
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571:(1923), but O'Brien received little financial reimbursement from this success.
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In March 1984, O'Brien's work was the subject of a special exhibit at the
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666:(AMPAS) proposed giving O'Brien an Oscar for his technical effects on
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905:(US 1956), but O'Brien did not handle the effects for that movie.
761:(1949), on which O'Brien is credited as Technical Creator, won an
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Allen hired O'Brien as the effects technician on his remake of
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Prehistoric Poultry, The Dinornis or Great Roaring Whiffenpoof
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in 1950. Credit for the award went to the film's producers,
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Beasts and Behemoths: Prehistoric Creatures in the Movies
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sculptor, and was assistant to the head architect of the
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Shay, Don. "Willis O'Brien: Creator of the Impossible."
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The Dinosaur and the Missing Link: A Prehistoric Tragedy
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The Dinosaur and the Missing Link: A Prehistoric Tragedy
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Edison Studio's Conquest Pictures (half-reel shorts):
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Best Visual Effects (1950); Winsor McCay Award (1997)
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The film however did help to secure his position on
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later be reworked into The Valley of Gwangi (1969).
62:. Unsourced material may be challenged and removed.
704:at RKO on a number of projects including the epic
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979:Herman Webber production, later sold to Edison:
27:American special effects technician and animator
749:(1942), as well as developing his own project,
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926:magazine detailed the 1983 anniversary event.
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275:(March 2, 1886 – November 8, 1962), known as
1544:"Willis H. O'Brien: special effects pioneer"
675:, who did all of the optical composites for
664:Academy of Motion Picture Arts and Sciences
357:. Unsourced material may be challenged and
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1517:McFarland & Company: Jefferson, 1993.
1225:(1956, O'Brien worked on screenplay only)
495:, where some of his work was displayed.
421:Learn how and when to remove this message
122:Learn how and when to remove this message
1586:Burials at Chapel of the Pines Crematory
1550:"Willis H. O'Brien: stop-motion pioneer"
1441:"O'BRIEN, Willis – Cartoon Hall of Fame"
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245:Hazel Ruth Collette (1925–1930; divorce)
1515:Willis O'Brien: Special Effects Genius.
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1307:(1969) - based on O'Brien's unproduced
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247:Darlyne Prenett (1934–1962; his death)
1552:(early stop-motion shorts and photos)
1028:R.F.D. 10,000 B.C.: A Mannikin Comedy
763:Academy Award for Best Visual Effects
313:Academy Award for Best Visual Effects
1493:"The Beast of Hollow Mountain(1956)"
1439:Nichols, Kelii (December 15, 2005).
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355:adding citations to reliable sources
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1546:(Additional information and photos)
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812:(1956). O'Brien's story ideas for
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1276:(1942, Academy Award nominated)
1258:It's a Mad, Mad, Mad, Mad World
1091:Herbert M. Dawley Productions:
868:It's a Mad, Mad, Mad, Mad World
780:O'Brien and his wife developed
700:O'Brien continued to work with
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585:Segment from the 1925 film
565:(1920) and the documentary
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1261:(1963, posthumous release)
1077:Sam Lloyd's Famous Puzzles
853:King Kong vs. Frankenstein
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707:The Last Days of Pompeii
562:Along the Moonbeam Trail
484:San Francisco Daily News
302:The Last Days of Pompeii
1524:7, Jan. 1981, pp. 4–71.
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1180:The Bells of St. Mary's
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824:and Ismael RodrĂguez's
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1296:King Kong vs. Godzilla
1167:(1936, matte painting)
1083:The Puzzling Billboard
1048:In the Villain's Power
1019:The Birth of a Flivver
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862:King Kong vs. Godzilla
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1471:. Scarecrow Press.
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1065:Mickey and his Goat
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370:"Willis H. O'Brien"
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951:
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938:Peter Jackson
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931:Kaiser Center
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382:
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375:
372: –
371:
367:
366:Find sources:
360:
356:
352:
346:
345:
341:
336:This section
334:
330:
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316:
314:
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309:
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264:Academy Award
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216:Occupation(s)
214:
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198:Resting place
196:
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170:March 2, 1886
158:
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104:
101:
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90:
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83:
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76:
73: –
72:
68:
67:Find sources:
61:
57:
51:
50:
45:This article
43:
39:
34:
33:
30:
19:
1556:Auction site
1521:
1514:
1508:Bibliography
1497:the original
1487:
1467:
1460:
1448:. Retrieved
1434:
1321:
1308:
1302:
1294:
1286:
1271:
1256:
1248:
1242:
1236:
1228:
1222:
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1194:
1186:
1178:
1172:Going My Way
1170:
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948:Weta Digital
941:
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907:
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857:IshirĹŤ Honda
852:
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836:(1957) and
831:
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736:Citizen Kane
734:
731:Orson Welles
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721:
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643:RKO Pictures
636:
633:Frankenstein
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622:tuberculosis
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384:
377:
365:
349:Please help
337:
306:
300:
294:
288:
277:Obie O'Brien
276:
272:
271:
187:(1962-11-08)
118:
109:
99:
92:
85:
78:
66:
54:Please help
49:verification
46:
29:
1576:1962 deaths
1571:1886 births
1450:February 2,
1342:after that.
1266:Short films
1140:Son of Kong
954:Filmography
804:Irwin Allen
739:(1941) and
727:Son of Kong
718:Technicolor
710:(1935) and
682:Son of Kong
517:prehistoric
513:short films
305:(1935) and
225:Stop motion
220:Oscar Award
1565:Categories
1426:References
1067:segments.
741:George Pal
722:War Eagles
381:newspapers
166:1886-03-02
112:April 2022
82:newspapers
1132:King Kong
943:King Kong
936:In 2005,
918:King Kong
893:The film
794:King Kong
690:King Kong
677:King Kong
668:King Kong
656:King Kong
568:Evolution
411:July 2023
338:does not
319:Biography
296:King Kong
242:Spouse(s)
237:1915–1962
1353:dropped.
1323:Creation
1291:(1956) *
1281:Story by
659:(1933).
638:Creation
629:Atlantis
299:(1933),
293:(1925),
252:Children
1522:Cinefex
1389:Tavotz.
1203:winner)
1199:(1949,
1109:(1920)
1102:2 reels
1100:(1918)
1085:segment
1079:(1917)
1056:(1917)
1030:(1917)
1021:(1917)
1006:(1917)
988:(1915)
515:with a
395:scholar
359:removed
344:sources
222:winning
96:scholar
1475:
1421:along.
1359:again.
1311:(1941)
1309:Gwangi
1299:(1962)
1253:(1960)
1233:(1957)
1219:(1956)
1211:(1952)
1159:(1935)
1143:(1933)
1135:(1933)
1127:(1925)
1111:1 reel
1050:(1917)
1039:(1917)
1015:(1916)
975:(1918)
814:Gwangi
784:(aka,
751:Gwangi
635:, and
489:marble
466:(1916)
446:(1915)
397:
390:
383:
376:
368:
260:Awards
211:"Obie"
176:, U.S.
98:
91:
84:
77:
69:
884:ASIFA
729:, on
520:theme
402:JSTOR
388:books
103:JSTOR
89:books
1539:IMDb
1473:ISBN
1452:2012
1063:and
1059:The
816:and
773:and
679:and
662:The
641:for
544:and
528:and
374:news
342:any
340:cite
182:Died
156:Born
75:news
1537:at
1148:She
912:on
878:by
859:'s
597:'s
353:by
58:by
1567::
1443:.
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1481:.
1454:.
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418:(
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409:(
399:·
392:·
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361:.
347:.
255:2
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164:(
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119:(
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110:(
100:·
93:·
86:·
79:·
52:.
20:)
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