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Wire sculpture

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in the history of art and remarked on the great possibilities within the medium.“These new studies in wire, however, did not remain the simple, modest little things I had done in New York. They are still simple, more simple than before, and therein lie the great possibilities which I have only recently come to feel for the wire medium... There is one thing, in particular, which connects them with history. One of the futuristic painters' canons, as propounded by
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14k gold-filled wire is a tube of 14k gold that has a length of jewelers brass running through the middle. It is not like gold plated wire as there is approx 100 times more gold in gold filled than there is on the plated wire. With gold-filled wire that is designated 14/20 it means that a minimum 20%
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For most people who start out working with wire, it is not cost-effective to jump straight to precious metals such as silver or gold. Therefore, less expensive craft wires made from softer materials such as brass, copper, aluminum, or gold fill can be used. The artist typically first gains experience
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Calder’s wire sculptures of this period tended to be portraits, caricatures, and stylized representations of people and animals. While originally believing the medium of wire sculpture to be merely clever and amusing, as his work developed, he began to state that wire sculpture had an important place
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Brian Boyer uses wire that would otherwise end up in a landfill to create wire trees. Known for his self-taught style and use of recycled copper/aluminum wire. His trees combine mathematical formulas, algorithms, and equations along with geometric shapes along with flowers and many other abstract
137:“I was interested in it because of the economy of a line, making something in space, enclosing it without blocking it out. It’s still transparent. I realized that if I was going to make these forms, which interlock and interweave, it can only be done with a line because a line can go anywhere.” 168:
has used wire sculpture to combine realistic images with 3-d abstract forms. Worth approached Calder's idea of mobility in sculpture by making the viewer the mobile element. By placing varying images on different planes of the sculpture, the image changes as the viewer see it from different
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In the 1950s, Asawa experimented with crocheted wire sculptures of abstract forms that appear as three dimensional line drawings. She learned the basic technique while in Toluca, Mexico, where villagers used a similar technique to make baskets from galvanized wire.
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exploring form while learning the feel of the wire. There are many ways wire can be handled and wrapped. Progression can be made to the more expensive metals such as 925 sterling silver and 14k gold-filled wire.
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patterns in the roots and branches. As of 2018 Brian has had an active profile with the "Canadian Council for the Arts" and continues to make his one of a kind wire trees under the brand name "Forrest Wire"
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of the entire wire is 14k gold. As with solid gold the gold-filled wire can come in at least yellow and rose colors enabling the range of jewelry that can be made to be expansive.
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has built a reputation combining wire and feather. He sculpts wire using a woven additive technique. Instead of creating a form with wireframing, he builds with it like clay.
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Because the needed tools are simple, wrapped wire jewelry can be learned and performed in home studios by hobby artists. Some of the tools used include
61:(July 22,1898–November 11,1976), an American sculptor, greatly developed the use of wire as a medium for sculpture with his kinetic and movement-based 417: 165: 576: 488: 518: 181:
began working with wire in the 1960s and is hailed as the "Godmother of Wire" by the wave of emerging wire sculptors she inspired.
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works speak of organic volume and fluidity. Other than wire sculpture and installations, the artist also experiments with
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In 1926, after a stint spent making toys at the request of a Serbian toy merchant in Paris, Calder began creating his
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Baker, Kenneth (2006-11-18). "An overlooked sculptor's work weaves its way into our times". San Francisco Chronicle.
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The wire used may be of a variety of decorative metals in different cross-sections. Wire sculpture jewelry may have
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In 1962, Asawa began experimenting with tied wire sculptures of images rooted in nature, geometry, and abstraction.
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Jack Ogden, ‘Classical Gold wire: Some Aspects of its Manufacture and Use’, Jewellery Studies, 5, 1991, pp. 95–105.
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creates wire sculptures of fairies. He works with stainless steel wire. One of his more notable works is
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in New York City. In 1930, he had a solo show of wire sculptures in Paris, at Galerie Billiet.
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and the 1955 São Paulo Art Biennial. Asawa learned to use commonplace materials from
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and to the Bronze and Iron Ages in Europe. In the 20th century, the works of
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came to prominence when her wire sculptures appeared at both the
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Alexander Calder, unpublished, Alexander Foundation Archives,
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Trentham Estate. 18 February 2022. 584: 415: 157:Contemporary wire artists include: 53: 13: 521:from the original on 20 April 2021 14: 1888: 536: 461:from the original on 11 July 2021 542: 296:Bronze and brass ornamental work 761:Intermediate Model for the Arch 517:. Fantasywire. 25 August 2020. 681:La Grande Voile (The Big Sail) 428: 409: 400: 378: 356: 347: 335: 321: 312: 271: 119:Whitney Museum of American Art 1: 873: 453:Douglas, Jon (18 June 2021). 306: 202:'s galvanized wire sculpture 109: 268:integrated into the design. 67:, as well as pieces such as 7: 436:"Wire Artist Racso Jugarap" 284: 10: 1893: 617:Lobster Trap and Fish Tail 224: 153:Contemporary practitioners 1803: 1765: 1708: 1630: 1401: 1338: 1277: 1239: 1232: 1192: 1094: 1048: 1041: 881: 821:Alexander Stirling Calder 803: 592: 777:Calder's set for Socrate 208:Yorkshire Sculpture Park 1368:Nickel silver (alpacca) 511:"Robin Wight Biography" 219:Dancing with Dandelions 827:Alexander Milne Calder 234: 233:Wire sculpture jewelry 210: 146: 139: 127:Black Mountain College 1709:Other natural objects 424:. Mario Alvaro Limos. 232: 198: 144: 135: 1862:Sculpture techniques 1184:Wire wrapped jewelry 1164:Repoussé and chasing 793:Mountains and Clouds 551:at Wikimedia Commons 40:2nd Dynasty in Egypt 1726:Ebonite (vulcanite) 785:Homage to Jerusalem 22:is the creation of 1071:Jewellery designer 235: 211: 189:wearable wire arts 147: 30:(sometimes called 1844: 1843: 1761: 1760: 1631:Organic gemstones 1228: 1227: 841: 840: 705:La Grande Vitesse 649:The Four Elements 547:Media related to 390:www.ruthasawa.com 368:www.ruthasawa.com 179:Elizabeth Berrien 125:, her teacher at 77:Hercules and Lion 73:Romulus and Remus 32:wire wrap jewelry 1884: 1857:Jewellery making 1288:Britannia silver 1237: 1236: 1046: 1045: 868: 861: 854: 845: 844: 641:The Whirling Ear 609:Mercury Fountain 586:Alexander Calder 579: 572: 565: 556: 555: 546: 531: 530: 528: 526: 507: 501: 500: 498: 496: 477: 471: 470: 468: 466: 450: 444: 443: 440:Brussels Express 432: 426: 425: 422:Esquire Magazine 416:Jugarap, Racso. 413: 407: 404: 398: 397: 392:. 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Index

sculpture
jewelry
wire
2nd Dynasty in Egypt
Alexander Calder
Ruth Asawa
Alexander Calder
Cirque Calder
sword eaters
lion tamers
Weyhe Gallery
Modigliani
Ruth Asawa
Whitney Museum of American Art
Josef Albers
Black Mountain College
Wire artist Racso Jugarap with his work Carmen.
Gavin Worth
Kue King
Elizabeth Berrien
Racso Jugarap
wearable wire arts

Sophie Ryder
Yorkshire Sculpture Park
Robin Wight
Dancing with Dandelions

pliers
vises

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