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Suite movements: 2 menuets, bourée, D-Mbs 5362; 2 menuets, gay, Mbs 5362; sarabande, E, Mbs 5362; gigue, courante, menuet, A, GB-HAdolmetsch II.B.2; 3 preludes, d, A-Wgm 7763/92, 2 ed. in MAM, xxx (1973); menuet, d, D-KNu 1.P.56, ed in F. Giesbert, Lautenbuch ‘Livre pour le lut’ Köln, 18. Jahrhundert
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Suites: 4 suites, D, b, F, A, A-GÖ (variants of nos.1 and 2, KR L77), ed. in MAM, xxx (1973); suite, c, CZ-Bm A.13.269, ed. in MAM, xxx (1973); suite, B, D-Mbs 5362 (inc.), GB-HAdolmetsch II.B.2 (attrib. Weiss), US-NYp
Harrach 14; 2 suites, D, B, GB-HAdolmetsch II.B.2; suite, D, Harrach family's
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Lauffensteiner's extant works for both solo lute and chamber ensembles typically take the forms of suite or partita. His music is generally highly idiomatic for the lute, in the German style (i.e. uniting traditional French forms, textures and ornaments with
Italianate cantabile melody over a
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About 1709 he had obtained a position of a lutenist in Graz, and from 1712 he was in the service of the
Bavarian court. In 1715 he entered the private service of the Duke Ferdinand. In 1739, on the duke's death, he was granted a pension. He was later appointed a chamber counsellor
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R. Flotzinger: ‘Rochus
Berhandtzky und Wolff Jacob Lauffensteiner. Zum Leben und Schaffen zweier Lautenisten in kurbayerischen Diensten’, SMw, xxvii (1966), 200–40
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H. Federhofer: ‘Die Grazer
Stadtpfarrmatrikeln als musikgeschichtliche Quelle’, Zeitschrift des Historischen Vereines für Steiermark, xlv (1954), 158–68, esp. 163
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Bourée, B, lute, CZ-POm (attrib. Weiss, A-Su M.III.25); Sonata à 5, 2 vn, 2 va, ‘basso viola’, lost (listed in 1710 catalogue; see
Flotzinger)
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Concerto in g, lute, 2 vn, vc, B-Br II 4089 (also for solo lute attrib. S.L. Weiss, lost; see BrookB);
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Sonata in A, 2 lutes (or lute, vn/va da gamba, vc), D-As Tonk.2°, inc., ed. H. Neeman (Berlin, 1927)
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private collection, Vienna; suite, B, GB-Lspencer, ed. P. Lay and R. Spencer (Harrow, 1987)
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on 26 March 1754. His father, who bore the same name, was the towerkeeper in Steyr.
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both lute parts played by John
Schneiderman (Vgo Recordings VG1008)
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played by
William Bower (1980 MOVE Records MD3-57 released 2022)
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court where he spent much of his career in service to the
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Concerto in, F, lute, vn, b, A-Su M.III.25 (lute pt only)
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2 concerti, in B and F, P-Wu Rps.mus.37 (lute pt only);
296:Lauffensteiner is seen as a stylistic precursor to
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317:Concerti in F, lute, vn/fl, b, US-NYp Harrach 11;
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186:but its sources remain unclear because it lacks
381:played by Joachim Held (Hänssler Classic 8232)
293:line). In total over 100 movements survive.
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