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899:, a ballet she had choreographed herself. Discarding the usual attire of a ballerina, she chose to wear a simple muslin tunic and allow her hair to fall freely over her shoulders. The following year, she even decided to dress as a man while performing the role of Cupid but the reviews were extremely critical. As a result, she returned to Paris where she danced at the Opéra until her retirement in 1740 at the young age of 33. Thereafter, she occasionally danced for the court at
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879:), but because she introduced slightly shorter skirts and new hair styles. She also discarded high-heeled shoes, introducing dancing slippers which facilitated the execution of the more demanding routines. By dancing demanding routines, which had previously been performed exclusively by men, Camargo further consolidated the image of the ballerina.
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it was a way for them to find happiness, dancing brought races together, and even just watching it made people feel better about what they were already going through. After WWII, dance was transformed into something that everyone could easily learn how to do even if they were just starting. It was
1669:
Flamenco music originated in the south of Spain in the 15th century, probably resulting from the influence of the Moors with possible origins in India. While many of the singers who emerged in the 18th century were men, women increasingly gained fame as dancers. One of the earliest was
52:
can be traced back to the origins of civilization. Cave paintings, Egyptian frescos, Indian statuettes, ancient Greek and Roman art and records of court traditions in China and Japan all testify to the important role women played in ritual and religious dancing from the start. In the
1902:
While belly dancing appears to have its origins in the distant past, it was introduced to Europe and North
America towards the end of the 19th century. Several of Egypt's film actresses performed belly dancing in the musicals of the 1930s and 1940s. Early stars included
1832:(1896–1990), also from Germany, was an expressionist dancer and choreographer. She established her own school in Berlin, combining gymnastics with nudism and dance although her ambitions were later seriously curtailed by the Nazis. Also an associate of Wigman,
2450:
1718:(1877–1927) from San Francisco paved the way to the modern free dance style believing it was more important to express the essence of life through movement rather than to follow the precepts of classical ballet. Raised on a farm in New Jersey,
882:
Sallé sought more from ballet than skillful demonstrations of technique as favoured by proponents of traditional ballet. She believed music, steps, decor and costumes should all contribute to a graceful, expressive performance combining
133:, women performed ritual dances for religious ceremonies such as funerals, as illustrated by frescos on the pharaohs' tombs. The oldest records of organised dance and of professional female dancers come from Egypt. Especially in the
1472:
2006:
Women started to sing and dance in the cabarets of Paris in the 1890s, emphasizing the female body by introducing seductive movements highlighting their breasts and hips. Most of them had no formal training, the exception being
152:
dating from around 2500 BC. While men's early participation in dancing rituals appears to have been connected to hunting and fighting, women's dance was above all related to fertility, both agricultural and human.
2165:
becoming more of a street social dance that everyone could enjoy and even though there was still racism but in different ways, dance was a way to enjoy life and was a new way to entertain. Other dances like
813:. She went on to be the leading ballerina in at least 18 other productions at the Paris Opera between 1681 and 1693, establishing the supreme importance of women in ballet. De Lafontaine was succeeded by
1550:
in 1939 and became its artistic director for over 40 years, overseeing the production of a wide variety of new ballets. Several outstanding
American ballerinas have emerged over the years including
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caused a sensation, bringing together the four greatest ballerinas of the day. In addition to Marie
Taglioni, Italy's Grisi (1819–1899) had become famous both in Paris and Saint Petersburg for her
449:
461:
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diplomat to France. She developed a series of dance styles combining
Eastern aesthetic with Western technique during her time in the Qing imperial court. In 12th-century Japan, the
1452:(1910–2004) was the first prima ballerina, starring in ballets from the Mariinsky's classical productions. Markova left to form her own touring company in 1937. Ten years later
1037:, performing not only in Austria, Germany, France, England and Russia but also in the United States. Nevertheless, in 1845 she refused to dance with her rivals Marie Taglioni,
101:
Women have always played a predominant role in dance, as can be seen from its earliest history until the emergence of formal dances in the 15th century which developed into
910:
who may not have had the technique of Sallé but was nevertheless recognized for her sensuous movements, her numerous suitors and her exotic attire. Other stars included
159:
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in Milan. Grahn (1819–1907), a Dane trained by
Bournonville, was based in Paris but had also danced in London, Saint Petersburg and Milan before settling in Germany.
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in 1699. Said to be the best ballerina of her day, with beautiful eyes and a fine figure, Subligny danced at the Paris Opera from 1688 until her retirement in 1707.
677:
were popular from the 4th to 14th centuries. They were usually danced in a closed circle with men and women interspersed and holding hands. In Italy, the lively
286:
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became major dance staples for the black community and many other communities of dance and social dance. These dance styles set the foundations of present-day
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918:, becoming not just an Ă©toile but also his wife. Although she was rather corpulent and frequently pregnant, she was acclaimed for her impressive footwork.
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1235:(1863–1930) from Milan followed as similar path, also dancing at the Mariinsky from 1892 where she originated famous roles in Petipa's ballets including
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782:(1643–1715) that the foundations were laid for what became known as ballet. The king not only had the rules of dance written down but established the
1836:(1902–1993) opened her own schools in Germany in the 1920s and 1930s but they were later closed because of her Jewish ancestry. One of her students,
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1710:(1862–1928) from Chicago was one of the pioneers. She employed her own natural approach to movement and improvisation, later becoming a star at the
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1694:(born 1946) is considered to be one of the greatest stars of Andalusian flamenco dancing, touring Europe, the United States, Japan and Australia.
187:
61:
had its beginnings in
Italian court festivals when women frequently played the parts of men. It was however in late 17th-century France that the
1025:(dancing on the tips of the toes) while introducing new fashions in dress and hair styling which became popular throughout Europe. The Austrian
1143:
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became a lasting feature of Greek theatre while women known as the
Dyonysiac, frequently depicted on Greek vases, dance in frensy, celebrating
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In the 15th century, court festivities in Italy became ever more elaborate, often featuring formal dances. One of the early masters was
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produced the first celebrated ballerinas. While women began to dominate the ballet scene in the 18th century, it was with the advent of
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2043:(1876–1917) who from 1905 became famous for her Indonesian-inspired temple dance, first in Paris and then in other European capitals.
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695:
274:
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Several notable
Italian ballerinas emerged in the second half of the 19th century, reaching their zeniths in Russia. Italian-born
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1929:
1374:(1895–1991) danced with the Mariinsky in Saint Petersburg but also toured with the Ballets Russes, dancing Aurora in Diaghilev's
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738:
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1456:(1919–1991) became the company's prima ballerina. The height of her fame came in 1961 when she embarked on a partnership with
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in the 19th century that they became the undisputed centre of attraction with stars playing the leading roles in the works of
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4090:
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3921:
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663:, with the spread of Christianity across Europe, the church generally frowned upon dance although there was often dancing at
1975:
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into a sequence illustrating different types of lover, both male and female. Prévost trained two highly successful dancers,
1960:
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1364:(1885–1978), who also performed with the Ballets Russes, is remembered above all for creating the title role in Fokine's
222:. There are many examples of ancient Greek art from the 6th and 5th centuries BC depicting dancing women. The virgins of
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The most successful period for female ballet dancers was around the 1830s and 1840s when they became the great stars of
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as well as to the stages of Berlin, Milan and London until her retirement in 1847. It was she who developed ballet's
419:(771–476 BC) contain descriptions of professional dancing girls while the Nishang Yuyi dance, created by the Emperor
1338:
New, more dynamic approaches to ballet developed from the beginning of the 20th century, the most influential being
1265:
with which she toured the United States. She is remembered above all for dancing Aurora at the premiere of Petipa's
2280:
1915:(1929–2003). From the 1960s, belly dance became increasingly popular across the United States with stars including
1399:
485:
363:
4989:
4195:
1936:
607:
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1346:, promoting innovative collaborations between choreographers, composers and dancers. One of the early stars was
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828:(1680–1741), whose precision, lightness and grace contributed much to classical ballet. She persuaded conductor
375:
2080:
1987:
1722:(1879–1968) developed her own interpretations of Oriental dance as an expression of spiritualism. The American
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814:
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In the Indian subcontinent too, there is early evidence of dancing women, most notably a bronze statuette from
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Initially, female parts in the early ballets were taken by young men; but, in 1681, a young woman known as
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1738:(1905–1966) who played an important part in choreographing early musicals. Another major choreographer of
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3223:
3201:
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1726:(1894–1991) exerted considerable influence on the development of modern dance through her New York-based
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1525:
1192:
891:. As many in the Paris Opera did not share her views, she decided to move to the more liberal London. At
875:
Camargo proved to be a tremendous success, not only as a result of her dazzling footwork (especially her
2582:
2160:, that black people created to please rich white people. Dance was therapy or a drug because during the
783:
509:
113:
Cave paintings from as long ago as 6000 BC provide scenes of dancing women. Examples can be seen in the
5072:
4931:
4904:
4794:
4613:
3062:"La Danseuse : Evolution et Révolution: Les années 1700 à 1750: Les premières danseuses à l'Opéra"
248:, the god of wine. In Ancient Rome, female singers and dancers performed in the annual celebrations of
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1595:
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4994:
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3629:
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81:
in Saint
Petersburg. More recently, women have played a leading role in developing various forms of
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4543:
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1254:
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667:, particularly at the beginning of May. In France and Italy, chain and circular dances such as the
416:
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1801:
559:
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4859:
4654:
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Choruses of Young Women in
Ancient Greece: Their Morphology, Religious Role, and Social Functions
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2381:
Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Functions
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in Germany, the Netherlands, Denmark and Sweden. After the war she became ballet director at the
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racism influenced dance in a drastic way. During this time they had social dances, such as the
1840:(1911–1967), who was also an associate of Mary Wigman, developed her own programmes before the
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Ballet also began to develop in London, thanks mainly to the efforts of two women. Polish-born
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526:
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2773:
Courtly Dance of the Renaissance: A New Translation and Edition of the NobiltĂ Di Dame (1600)
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1966:
1916:
1227:
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brought her considerable success. In particular, her personal interpretation of the steps in
711:
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1682:(1923–1995) is remembered for singing and dancing Andalusian folklore, especially flamenco,
329:
The Bible contains several accounts of women dancing, in particular the celebrations led by
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8:
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2008:
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1520:(1925–2013), the first major American prima ballerina, was promoted by the choreographer
791:
767:
408:
90:
1945:
1231:, revolutionizing ballet in Russia through the extraordinary power of her performances.
778:, who frequently took the main part himself. But it was, above all, during the reign of
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probably involved dancing girls in dresses with fluttering silk sleeves. Texts from the
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1730:. Other female figures who contributed to developments in the mid-20th century include
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During the second half of the 18th century, the dominating star of the Paris Opera was
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Women have also contributed significantly to most other forms of dance, in particular
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766:. In France, too, professional dancing began to take shape when dancers performed for
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were famous for their dancing and poetry. One of the most famous was the court dancer
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403:(618–907 AD). The chorus dances performed by women in the Zhou dynasty were known as
78:
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2012:
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423:(685–762), stages virgin women dancing as if in a magic world. In the early 1900s,
3264:"Diaghilev's Golden Age of the Ballets Russes dazzles London with V&A display"
3158:"La Danseuse: Evolution et Révolution: Les années 1830 à 1848:La danse romantique"
2020:
1209:'s ballet in Russia were so successful that the Tzar insisted she should join the
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1436:(later the Rambert Dance Company) in 1926 introducing new choreographers such as
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4608:
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4181:
3964:"La Danseuse: Evolution et Révolution: Les années 1890 à 1914: La Belle Epoque"
2701:
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2101:
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1792:
1777:
1731:
1719:
1715:
1534:
1508:
1493:
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1444:(1898–2001) spent three years with the Ballets Russes before creating London's
1432:(1888–1982) who had also gained experience with the Ballets Russes founded the
1357:
1352:
1343:
1187:
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1092:
1038:
1008:
630:
215:
28:
24:
3939:"Belly Dance History ~ An American Odessey: A History of Modern US Bellydance"
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3425:"Maria Tallchief, a Dazzling Ballerina and Muse for Balanchine, Dies at 88"
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1993:
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who became the first ballerina to perform in London when she appeared with
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82:
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2545:. translated by Maija Bell Samei. University of Hawaii Press. p. 5.
2209:
1908:
1860:
1821:
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1707:
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1205:(1849–1933) first danced in Italy and Germany but her interpretations of
1013:
660:
530:
436:
395:
In China too there is a long recorded history of women dancers since the
231:
134:
54:
3324:. Russian Ballet History. Archived from the original on 23 February 2009
1215:
914:(1738–1802) who joined the Paris Opera in 1756 where she was trained by
790:. Many of the early ballets were created by the Italian-French composer
4603:
4593:
4581:
4493:
4426:
4388:
4371:
4366:
4286:
4271:
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4124:
Le Ballet de l'Opéra de Paris: trois siècles d'histoire et de tradition
3288:. Russian Ballet History. Archived from the original on 25 January 2010
2723:
2182:
2170:
1890:
1837:
1743:
1629:
1029:(1810–1884) gained fame and fortune by dancing the flirtatious Spanish
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2019:(1830–1922) who became ballet director at the Folies Bergère and the
1678:
but soon become popular not only throughout Spain but across Europe.
1243:
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from Naples became popular in the 14th and 15th centuries. Groups of
582:
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126:
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Statuettes of female musicians and a dancer, Sui dynasty (c. 600 AD)
18:
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4381:
2797:
1828:. Inspired by Oriental percussion, she often stressed the macabre.
1638:
1262:
1249:
1077:
1030:
614:
321:
245:
86:
74:
868:, each developing individual styles. They would take her place as
852:
served as an example for other soloists while she transformed the
1654:
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1011:(1804–1884) not only excelled at the Paris Opera when she danced
342:
118:
4032:(in French). Amis et Passionnés du Père-Lachaise. Archived from
3913:
Popular Culture in the Arab World: Arts, Politics, and the Media
3451:"Dance View: Lucia Chase Helped Create the Ballet World we Know"
337:
when women are said to have danced and played hand-drums. After
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in 1944. As Balanchine's wife, she soon became the star of the
598:
566:
534:
350:
330:
293:
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227:
138:
102:
58:
4103:
Music and Women: The Story of Women in Their Relation to Music
3111:"La Danseuse: Evolution et Révolution: Les années 1750 à 1830"
2988:
Ballet 101: A Complete Guide to Learning and Loving the Ballet
2451:"Women in Ancient Music: Arts and Humanities Through the Eras"
252:
which included mystery plays representing the resurrection of
4513:
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4204:
3248:
The choreographic art: an outline of its principles and craft
2039:(1869–1946) who danced at the Folies Bergère, and Dutch-born
338:
223:
3402:"Rudolf Nureyev and Margot Fonteyn, the perfect partnership"
2910:(in French). Le magazine de l'opéra baroque. Archived from
1734:(1895–1958) who choreographed Afro-American spirituals and
249:
235:
3542:"Flamenco: Evolución. Etapa Hermética. Primeros cantaores"
2673:
Danza e Ricerca: Laboratorio di Studi, Scritture, Visioni
864:(1707–1756), who added their personal preferences to her
4173:
774:
in the early 1580s. Further presentations were made for
141:, apparently being joined by men only at a later stage.
2011:(1875–1966) who left the Paris Opera to perform at the
1674:(1860–1947) who first performed in Seville with singer
1706:
began to develop towards the end of the 19th century.
1360:
before joining the Ballets Russes in 1909. Her rival,
1213:
in Saint Petersburg. In the mid-1880s, she starred in
443:
who appears in the Japanese literature of the period.
3772:"Hanya Holm Is Dead at 99; Influential Choreographer"
3674:"Ruth St. Denis (1879—1968): America's Divine Dancer"
2749:. Farnham, Surrey, England: Ashgate. pp. 41–50.
2279:. National Museum, Janpath, New Delhi. Archived from
1697:
1017:
in 1832 but extended her fame to Saint Petersburg's
3713:
2532:
1261:(1865–1938), also from Milan, first gained fame at
1076:, while Cerrito from Naples had become the star of
357:in order to be given the head of John the Baptist.
73:, appearing in theatres across Europe from Milan's
2702:"History of the Geisha, Part One: 1100AD – 1750AD"
2448:
529:. Some are performed exclusively by women such as
3238:
5049:
4061:Women's Work: Making Dance in Europe Before 1800
3769:
2961:Women's Work: Making Dance in Europe Before 1800
1528:in New York in 1942. She danced as a soloist in
1448:in 1931 (later becoming the Royal Ballet) where
3916:. American Univ in Cairo Press. pp. 192–.
3719:
3448:
1554:(born 1952), who performed the leading role in
895:, she caused a sensation in 1734 as Galatea in
832:to compose suites specifically for ballet. His
762:(c. 1400–1470) who compiled a manual of dance:
3817:
3261:
3138:. Victoria and Albert Museum. 14 November 2012
3037:History of Dance: An Interactive Arts Approach
23:Lithograph by A. E. Chalon of (left to right)
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3422:
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1564:(born 1945) who was the star of Balanchine's
345:, women came out singing and dancing. In the
3986:"La Belle Otero, emblème de la Belle Époque"
3360:(in French). Les étoiles de l'Opéra de Paris
2776:. Courier Dover Publications. pp. 43–.
2249:
2015:. The major choreographer was Algerian-born
137:, women were organised into groups known as
3903:
3027:
2301:
2023:. Stars of the period included the Spanish
4196:
4182:
4152:
3245:Praagh, Peggy Van; Brinson, Peter (1963).
2964:. Univ of Wisconsin Press. pp. 131–.
2948:
2763:
2603:
2518:"John the Baptist Beheaded, Matthew 14-14"
2384:. Rowman & Littlefield. pp. 35–.
2047:(1866–1929) is remembered for dancing the
1728:Martha Graham Center of Contemporary Dance
1516:As ballet developed in the United States,
872:after she retired from the opera in 1730.
479:Dancing figures, Tang dynasty, 7th century
4030:"Weber Louise, dit La Goulue (1866–1929)"
3723:Encyclopedia of Music in the 20th Century
3082:
2991:. Hal Leonard Corporation. pp. 19–.
2984:
2371:
2332:
2139:
824:The next leading dancer of the Opéra was
533:. Others are performed with men, such as
3936:
3746:
2744:
2626:
2538:
2471:
1628:
654:
399:(c. 1046–256 BC) reaching a peak in the
292:Greek terracotta statuette of a dancing
17:
4099:
3909:
3033:
2747:The Carole: A Study of a Medieval Dance
2474:"Women with hand-drums, dancing: Bible"
1624:
1350:(1881–1931) who gained fame by dancing
5050:
4131:
4078:
4057:
3889:"Bellydance Unveiled: A Brief History"
3130:
3128:
2957:
2769:
2377:
2031:who gained fame at Charles Franconi's
1815:
1333:
786:in 1661, which developed into today's
753:
685:dressed as men performed the dance at
369:Miriam's dance, Tomić Psalter, c. 1360
4177:
4120:
3958:
3956:
3380:"The Establishment of British Ballet"
2798:"De arte saltandi et choreas ducendi"
238:of dance. In the 6th century BC, the
218:seems to have been influenced by the
165:Dancing women, El Cogul caves, LĂ©rida
4008:"Mata Hari: Spy, Dancer (1876–1917)"
3797:"Expressionistic Dance: Mary Wigman"
3770:Jennifer Dunning (4 November 1992).
3720:Henderson, Lol; Stacey, Lee (2014).
2654:
2568:The Early History of Chinese Theatre
2453:. Gale: Student Resources in Context
2337:(in French). CÉGEP du Vieux Montréal
2328:
2326:
2324:
1546:(1897–1986) was a co-founder of the
963:painted by Nicolas Lancret (c. 1730)
455:Chinese dancer from the Tang dynasty
308:Veiled dancer, terracotta, c. 100 BC
4153:Varadpande, Manohar Laxman (2006).
3811:
3449:Anna Kisselgoff (19 January 1986).
3125:
2428:"History of Dance: Dance and Music"
887:with dance in what became known as
764:De arte saltandi et choreas ducendi
491:Female dancer from the Tang dynasty
268:Musician and dancer, Athens, 460 BC
193:Ancient Egyptian dancer, c. 1200 BC
13:
3953:
3262:Kirstie Brewer (13 October 2010).
3089:. E-reads/E-rights. pp. 20–.
2724:"Danses médiévales et renaissance"
2627:Witchard, Anne (15 October 2019).
998:
390:
324:initiation dance, Pompei, c. 60 BC
280:Greek dancing girl, 5th century BC
14:
5084:
3988:(in French). Histoire par l'image
3588:. Andalucia.com. 12 February 2014
3040:. Human Kinetics. pp. 113–.
2378:Calame, Claude (1 January 2001).
2321:
2309:(in French). Académie de Bordeaux
2304:"Les grands courants de la danse"
1714:in Paris. Inspired by Greek art,
1698:Modern dance in the United States
427:was first introduced to China by
349:, Matthew tells the story of how
3847:(in German). Akademie der KĂĽnste
3652:"The Beginnings of Modern Dance"
2655:Xiao, Huang (27 December 2021).
2449:Edward I. Bleiberg, ed. (2005).
2124:
2109:
2094:
2079:
2060:
1986:
1974:
1959:
1944:
1928:
1883:
1868:
1853:
1800:
1785:
1770:
1755:
1702:Led by women, various styles of
1609:
1594:
1575:
1524:(1891–1972) when she joined the
1501:
1486:
1471:
1413:
1398:
1383:
1314:
1295:
1276:
1180:
1161:
1142:
1123:
1104:
1085:
983:
968:
953:
938:
923:
737:
722:
710:
694:
638:
622:
606:
590:
574:
558:
542:
508:
496:
484:
472:
460:
448:
374:
362:
313:
301:
285:
273:
261:
198:
186:
170:
158:
4990:Dance in mythology and religion
4022:
4000:
3978:
3930:
3881:
3869:(in German). SK Stiftung Kultur
3859:
3837:
3825:(in German). SK Stiftung Kultur
3789:
3763:
3740:
3691:
3666:
3644:
3622:
3600:
3578:
3556:
3534:
3512:
3490:
3468:
3442:
3423:Jack Anderson (12 April 2013).
3416:
3394:
3372:
3350:
3314:
3278:
3255:
3216:
3194:
3172:
3150:
3103:
3054:
3005:
2926:
2900:
2878:
2856:
2834:
2812:
2790:
2738:
2716:
2694:
2648:
2620:
2597:
2559:
2542:The Chinese Aesthetic Tradition
2510:
2488:
2465:
2442:
2277:"Pre-History & Archaeology"
2252:"Female Dance in Ancient Egypt"
515:Shizuka from 12th-century Japan
4138:. Courier Dover Publications.
4127:. Théâtre national de l'Opéra.
3520:"Dance Forms: An Introduction"
2675:(in Italian). scritture (13).
2665:象) in trasformazione e forme (
2420:
2398:
2349:
2295:
2269:
2243:
2221:
1897:
1824:is credited as the creator of
1:
4051:
3632:. Dance: National Arts Centre
3566:(in Spanish). Noticias y Ocio
2215:
1466:, until she retired in 1979.
794:and the French choreographer
409:ancient theatrical spectacles
226:danced in a circle to honour
4085:. Rowman & Littlefield.
3610:(in French). Apsâra Flamenco
3286:"The Legendary Anna Pavlova"
2681:10.6092/issn.2036-1599/14130
2571:. Theatre Academy Helsinki.
177:Dancing girl statuette from
108:
7:
4064:. Univ of Wisconsin Press.
3726:. Routledge. pp. 41–.
3544:(in Spanish). AndalucĂa.org
3498:"Suzanne Farrell Biography"
3404:. Rudolf Nureyev Foundation
2357:"Dance in classical Greece"
2188:
1664:
1583:Ballet Russe de Monte Carlo
1526:Ballet Russe de Monte Carlo
729:Saltarello, illustrated by
57:, what has become known as
10:
5089:
4106:. Feminist Press at CUNY.
3679:. Dance Heritage Coalition
3160:(in French). Mount Holyoke
3113:(in French). Mount Holyoke
3064:(in French). Mount Holyoke
2985:Greskovic, Robert (2005).
2335:"La Danse au fil des âges"
2001:
1746:(1893–1992), a student of
1560:when she was just 17, and
842:Les Caractères de la danse
807:Mademoiselle De Lafontaine
503:Female dancer, Han dynasty
341:had returned from slaying
205:Tomb of Nebamun c. 1400 BC
96:
4945:
4632:
4542:
4417:
4307:
4239:
4211:
4203:
4156:Woman in Indian Sculpture
3799:. Twentieth Century Dance
3342:: CS1 maint: unfit URL (
3306:: CS1 maint: unfit URL (
3083:Garfunkel, Trudy (2002).
3015:. Encyclopædia Britannica
2936:. Encyclopædia Britannica
2844:. Encyclopædia Britannica
2822:. Northeastern University
2770:Caroso, Fabritio (1995).
2745:Mullally, Robert (2011).
2408:. Encyclopædia Britannica
2359:. Encyclopædia Britannica
2257:. The Raqs Shardi Society
2229:"Egyptia Dance and Music"
1981:Randa Kamel, Cairo (2007)
1919:(1936–2001), Dahlena and
1742:musicals was German-born
1440:. Even more influential,
931:Marie-Thérèse de Subligny
815:Marie-Thérèse de Subligny
4159:. Abhinav Publications.
4100:Drinker, Sophie (1995).
3910:Hammond, Andrew (2007).
3867:"Dore Hoyer (1911–1967)"
3751:. Jewish Women's Archive
3500:. Academy of Achievement
2908:"Le Triomphe de l'amour"
2886:"Marie-Thérèse Subligny"
2606:"Dance History of China"
2476:. Jewish Women's Archive
1255:prima ballerina assoluta
784:Académie Royale de Danse
520:
417:Spring and Autumn period
4135:Ancient Egyptian Dances
4079:Calame, Claude (2001).
3034:Kassing, Gayle (2007).
2726:(in French). La Marotte
1935:Egyptian belly dancer,
1548:American Ballet Theatre
1253:, gaining the title of
991:Marie-Madeleine Guimard
908:Marie-Madeleine Guimard
335:crossing of the Red Sea
220:dances of Ancient Egypt
48:The important place of
4132:Lexová, Irena (2012).
2634:modernismmodernity.org
2629:"Dancing Modern China"
2200:List of female dancers
2177:, Spank the baby, and
2140:African American Dance
1634:
1007:. The Italian-Swedish
811:Le Triomphe de l'amour
45:
4058:Brooks, Lynn (2007).
3322:"Diaghilev's dancers"
2958:Brooks, Lynn (2007).
1632:
1376:The Sleeping Princess
1064:Her Majesty's Theatre
655:Middle Ages in Europe
21:
5063:Women choreographers
4955:Dance and disability
4121:Guest, Ivor (1976).
3654:. Miami Dade College
2864:"Mlle de Lafontaine"
2657:"Alle origini della
1676:Silverio Franconetti
1625:Other forms of dance
1540:New York City Ballet
1532:'s arrangements for
798:, often assisted by
760:Domenico da Piacenza
746:Catherine de' Medici
744:Lavish ball held by
701:Dancing the carole (
429:Nellie Yu Roung Ling
5000:Dance on television
3358:"Olga Spessivtseva"
2934:"Françoise Prévost"
2820:"History of Ballet"
2072:Émilienne d'Alençon
2037:Émilienne d'Alençon
1846:Hamburg State Opera
1826:expressionist dance
1816:Expressionist dance
1647:expressionist dance
1522:Bronislava Nijinska
1334:20th-century ballet
1222:La fille mal gardée
792:Jean Baptiste Lully
768:Henry III of France
754:Emergence of ballet
91:expressionist dance
3819:Frank-Manuel Peter
3701:. Oxford Reference
3224:"Carlotta Brianza"
3204:. Oxford Reference
2888:. Oxford Reference
2866:. Oxford Reference
2661:in Cina: Visioni (
2585:on 21 October 2017
2250:Patricia Spencer.
2231:. Kibbutz Reshafim
1937:Chicago World Fair
1672:Juana la Macarrona
1635:
1378:(1921) in London.
1193:Le Diable Amoureux
877:entrechat Ă quatre
809:danced in Lully's
788:Paris Opera Ballet
731:Bartolomeo Pinelli
46:
5073:History of ballet
5043:
5042:
4995:Dance occupations
4932:Wallis and Futuna
4166:978-81-7017-474-5
4145:978-0-486-14870-0
4113:978-1-55861-116-0
4092:978-0-7425-1525-3
4071:978-0-299-22530-8
4036:on 12 August 2014
3923:978-977-416-054-7
3733:978-1-135-92946-6
3608:"Angelita Vargas"
3476:"Gelsey Kirkland"
3202:"Pierina Legnani"
3180:"Virginia Zucchi"
3136:"Romantic Ballet"
3096:978-0-7592-2862-7
3047:978-0-7360-6035-6
2998:978-0-87910-325-5
2971:978-0-299-22530-8
2783:978-0-486-28619-8
2756:978-1-4094-1248-9
2704:. Immortal Geisha
2578:978-952-9765-56-0
2539:Zehou Li (2009).
2391:978-0-7425-1525-3
2302:Elisabeth Gouet.
2283:on 6 January 2019
1530:George Balanchine
1442:Ninette de Valois
1421:Olga Spessivtseva
1372:Olga Spessivtseva
1356:choreographed by
1035:Le Diable boiteux
946:Françoise Prévost
826:Françoise Prévost
381:Dance of Salome,
79:Mariinsky Theatre
5080:
5030:History of dance
5015:Dance technology
4960:Dance and health
4910:African-American
4198:
4191:
4184:
4175:
4174:
4170:
4149:
4128:
4117:
4096:
4075:
4046:
4045:
4043:
4041:
4026:
4020:
4019:
4017:
4015:
4004:
3998:
3997:
3995:
3993:
3982:
3976:
3975:
3973:
3971:
3960:
3951:
3950:
3948:
3946:
3934:
3928:
3927:
3907:
3901:
3900:
3898:
3896:
3885:
3879:
3878:
3876:
3874:
3863:
3857:
3856:
3854:
3852:
3841:
3835:
3834:
3832:
3830:
3815:
3809:
3808:
3806:
3804:
3793:
3787:
3786:
3784:
3782:
3767:
3761:
3760:
3758:
3756:
3744:
3738:
3737:
3717:
3711:
3710:
3708:
3706:
3695:
3689:
3688:
3686:
3684:
3678:
3670:
3664:
3663:
3661:
3659:
3648:
3642:
3641:
3639:
3637:
3626:
3620:
3619:
3617:
3615:
3604:
3598:
3597:
3595:
3593:
3582:
3576:
3575:
3573:
3571:
3560:
3554:
3553:
3551:
3549:
3538:
3532:
3531:
3529:
3527:
3516:
3510:
3509:
3507:
3505:
3494:
3488:
3487:
3485:
3483:
3472:
3466:
3465:
3463:
3461:
3446:
3440:
3439:
3437:
3435:
3420:
3414:
3413:
3411:
3409:
3398:
3392:
3391:
3389:
3387:
3376:
3370:
3369:
3367:
3365:
3354:
3348:
3347:
3341:
3333:
3331:
3329:
3318:
3312:
3311:
3305:
3297:
3295:
3293:
3282:
3276:
3275:
3273:
3271:
3259:
3253:
3252:
3242:
3236:
3235:
3233:
3231:
3220:
3214:
3213:
3211:
3209:
3198:
3192:
3191:
3189:
3187:
3176:
3170:
3169:
3167:
3165:
3154:
3148:
3147:
3145:
3143:
3132:
3123:
3122:
3120:
3118:
3107:
3101:
3100:
3080:
3074:
3073:
3071:
3069:
3058:
3052:
3051:
3031:
3025:
3024:
3022:
3020:
3009:
3003:
3002:
2982:
2976:
2975:
2955:
2946:
2945:
2943:
2941:
2930:
2924:
2923:
2921:
2919:
2904:
2898:
2897:
2895:
2893:
2882:
2876:
2875:
2873:
2871:
2860:
2854:
2853:
2851:
2849:
2838:
2832:
2831:
2829:
2827:
2816:
2810:
2809:
2807:
2805:
2794:
2788:
2787:
2767:
2761:
2760:
2742:
2736:
2735:
2733:
2731:
2720:
2714:
2713:
2711:
2709:
2698:
2692:
2691:
2689:
2687:
2652:
2646:
2645:
2643:
2641:
2624:
2618:
2617:
2615:
2613:
2604:Yaron Margolin.
2601:
2595:
2594:
2592:
2590:
2581:. Archived from
2563:
2557:
2556:
2536:
2530:
2529:
2527:
2525:
2514:
2508:
2507:
2505:
2503:
2492:
2486:
2485:
2483:
2481:
2469:
2463:
2462:
2460:
2458:
2446:
2440:
2439:
2437:
2435:
2424:
2418:
2417:
2415:
2413:
2402:
2396:
2395:
2375:
2369:
2368:
2366:
2364:
2353:
2347:
2346:
2344:
2342:
2330:
2319:
2318:
2316:
2314:
2308:
2299:
2293:
2292:
2290:
2288:
2273:
2267:
2266:
2264:
2262:
2256:
2247:
2241:
2240:
2238:
2236:
2225:
2162:Great Depression
2128:
2113:
2098:
2083:
2064:
1990:
1978:
1963:
1948:
1932:
1911:(1924–1994) and
1887:
1872:
1857:
1842:Second World War
1804:
1789:
1774:
1759:
1613:
1598:
1579:
1505:
1490:
1475:
1446:Vic-Wells Ballet
1438:Frederick Ashton
1417:
1406:Tamara Karsavina
1402:
1387:
1362:Tamara Karsavina
1340:Sergei Diaghilev
1322:Carlotta Brianza
1318:
1299:
1280:
1259:Carlotta Brianza
1211:Mariinsky Ballet
1184:
1165:
1146:
1127:
1108:
1097:Zephire et Flore
1089:
1019:Mariinsky Ballet
987:
972:
957:
942:
927:
870:prima ballerinas
860:(1710–1770) and
796:Pierre Beauchamp
741:
726:
714:
703:Roman de la Rose
698:
642:
626:
610:
594:
578:
562:
546:
527:classical dances
512:
500:
488:
476:
464:
452:
431:, daughter of a
378:
366:
317:
305:
296:, 3rd century BC
289:
277:
265:
202:
190:
174:
162:
5088:
5087:
5083:
5082:
5081:
5079:
5078:
5077:
5068:Musical theatre
5048:
5047:
5044:
5039:
4975:Dance etiquette
4941:
4700:Burma (Myanmar)
4640:
4636:
4628:
4577:Lead and follow
4538:
4474:Country–western
4413:
4394:Novelty and fad
4352:Hoochie coochie
4303:
4262:closed position
4235:
4231:List of dancers
4207:
4202:
4167:
4146:
4114:
4093:
4072:
4054:
4049:
4039:
4037:
4028:
4027:
4023:
4013:
4011:
4006:
4005:
4001:
3991:
3989:
3984:
3983:
3979:
3969:
3967:
3966:. Mount Holyoke
3962:
3961:
3954:
3944:
3942:
3935:
3931:
3924:
3908:
3904:
3894:
3892:
3887:
3886:
3882:
3872:
3870:
3865:
3864:
3860:
3850:
3848:
3843:
3842:
3838:
3828:
3826:
3816:
3812:
3802:
3800:
3795:
3794:
3790:
3780:
3778:
3768:
3764:
3754:
3752:
3749:"Helen Tamaris"
3745:
3741:
3734:
3718:
3714:
3704:
3702:
3699:"Martha Graham"
3697:
3696:
3692:
3682:
3680:
3676:
3672:
3671:
3667:
3657:
3655:
3650:
3649:
3645:
3635:
3633:
3628:
3627:
3623:
3613:
3611:
3606:
3605:
3601:
3591:
3589:
3584:
3583:
3579:
3569:
3567:
3562:
3561:
3557:
3547:
3545:
3540:
3539:
3535:
3525:
3523:
3518:
3517:
3513:
3503:
3501:
3496:
3495:
3491:
3481:
3479:
3478:. Biography.com
3474:
3473:
3469:
3459:
3457:
3447:
3443:
3433:
3431:
3421:
3417:
3407:
3405:
3400:
3399:
3395:
3385:
3383:
3378:
3377:
3373:
3363:
3361:
3356:
3355:
3351:
3335:
3334:
3327:
3325:
3320:
3319:
3315:
3299:
3298:
3291:
3289:
3284:
3283:
3279:
3269:
3267:
3260:
3256:
3243:
3239:
3229:
3227:
3222:
3221:
3217:
3207:
3205:
3200:
3199:
3195:
3185:
3183:
3178:
3177:
3173:
3163:
3161:
3156:
3155:
3151:
3141:
3139:
3134:
3133:
3126:
3116:
3114:
3109:
3108:
3104:
3097:
3086:On Wings of Joy
3081:
3077:
3067:
3065:
3060:
3059:
3055:
3048:
3032:
3028:
3018:
3016:
3013:"Marie Camargo"
3011:
3010:
3006:
2999:
2983:
2979:
2972:
2956:
2949:
2939:
2937:
2932:
2931:
2927:
2917:
2915:
2914:on 1 March 2014
2906:
2905:
2901:
2891:
2889:
2884:
2883:
2879:
2869:
2867:
2862:
2861:
2857:
2847:
2845:
2840:
2839:
2835:
2825:
2823:
2818:
2817:
2813:
2803:
2801:
2796:
2795:
2791:
2784:
2768:
2764:
2757:
2743:
2739:
2729:
2727:
2722:
2721:
2717:
2707:
2705:
2700:
2699:
2695:
2685:
2683:
2653:
2649:
2639:
2637:
2625:
2621:
2611:
2609:
2602:
2598:
2588:
2586:
2579:
2565:
2564:
2560:
2553:
2537:
2533:
2523:
2521:
2520:. Bible Gateway
2516:
2515:
2511:
2501:
2499:
2496:"1 Samuel 18:6"
2494:
2493:
2489:
2479:
2477:
2470:
2466:
2456:
2454:
2447:
2443:
2433:
2431:
2430:. History World
2426:
2425:
2421:
2411:
2409:
2404:
2403:
2399:
2392:
2376:
2372:
2362:
2360:
2355:
2354:
2350:
2340:
2338:
2333:Michel Landry.
2331:
2322:
2312:
2310:
2306:
2300:
2296:
2286:
2284:
2275:
2274:
2270:
2260:
2258:
2254:
2248:
2244:
2234:
2232:
2227:
2226:
2222:
2218:
2195:List of dancers
2191:
2142:
2135:
2129:
2120:
2114:
2105:
2099:
2090:
2084:
2075:
2065:
2004:
1997:
1996:, Rennes (2012)
1991:
1982:
1979:
1970:
1964:
1955:
1949:
1940:
1933:
1900:
1893:
1888:
1879:
1873:
1864:
1858:
1818:
1811:
1805:
1796:
1790:
1781:
1775:
1766:
1760:
1700:
1692:Angelita Vargas
1667:
1659:musical theatre
1633:Flamenco dancer
1627:
1620:
1617:Suzanne Farrell
1614:
1605:
1602:Maria Tallchief
1599:
1590:
1580:
1562:Suzanne Farrell
1552:Gelsey Kirkland
1518:Maria Tallchief
1512:
1506:
1497:
1491:
1482:
1481:, centre (1943)
1476:
1424:
1418:
1409:
1403:
1394:
1388:
1336:
1329:
1319:
1310:
1303:Pierina Legnani
1300:
1291:
1284:Virginia Zucchi
1281:
1268:Sleeping Beauty
1233:Pierina Legnani
1203:Virginia Zucchi
1197:
1185:
1176:
1166:
1157:
1147:
1138:
1128:
1119:
1109:
1100:
1090:
1066:in London, the
1005:Romantic ballet
1001:
999:Romantic ballet
994:
988:
979:
973:
964:
958:
949:
943:
934:
928:
889:ballet d'action
830:Jean-FĂ©ry Rebel
756:
749:
742:
733:
727:
718:
715:
706:
699:
657:
650:
649:
643:
634:
633:
627:
618:
617:
611:
602:
601:
595:
586:
585:
579:
570:
569:
563:
554:
553:
547:
525:India has nine
523:
516:
513:
504:
501:
492:
489:
480:
477:
468:
465:
456:
453:
393:
391:China and Japan
386:
379:
370:
367:
325:
318:
309:
306:
297:
290:
281:
278:
269:
266:
212:classical Crete
206:
203:
194:
191:
182:
175:
166:
163:
123:Roca dels Moros
111:
99:
67:Romantic ballet
44:
12:
11:
5:
5086:
5076:
5075:
5070:
5065:
5060:
5058:Female dancers
5041:
5040:
5038:
5037:
5035:Women in dance
5032:
5027:
5022:
5017:
5012:
5007:
5005:Dance research
5002:
4997:
4992:
4987:
4982:
4980:Dance notation
4977:
4972:
4967:
4962:
4957:
4951:
4949:
4943:
4942:
4940:
4939:
4934:
4929:
4924:
4919:
4914:
4913:
4912:
4902:
4897:
4892:
4887:
4882:
4877:
4872:
4867:
4862:
4857:
4852:
4847:
4842:
4837:
4832:
4827:
4822:
4817:
4812:
4807:
4802:
4797:
4792:
4787:
4782:
4777:
4772:
4767:
4762:
4757:
4752:
4747:
4742:
4737:
4732:
4727:
4722:
4717:
4712:
4707:
4702:
4697:
4692:
4687:
4682:
4677:
4672:
4667:
4662:
4657:
4652:
4646:
4644:
4630:
4629:
4627:
4626:
4621:
4616:
4611:
4606:
4601:
4596:
4591:
4590:
4589:
4579:
4574:
4569:
4564:
4559:
4554:
4548:
4546:
4540:
4539:
4537:
4536:
4531:
4526:
4521:
4516:
4511:
4506:
4501:
4496:
4491:
4486:
4481:
4476:
4471:
4466:
4461:
4456:
4451:
4450:
4449:
4444:
4434:
4429:
4423:
4421:
4415:
4414:
4412:
4411:
4406:
4401:
4396:
4391:
4386:
4385:
4384:
4379:
4374:
4369:
4364:
4359:
4354:
4349:
4344:
4334:
4329:
4324:
4319:
4313:
4311:
4305:
4304:
4302:
4301:
4300:
4299:
4294:
4289:
4284:
4279:
4274:
4269:
4264:
4259:
4249:
4243:
4241:
4237:
4236:
4234:
4233:
4228:
4226:List of dances
4223:
4218:
4212:
4209:
4208:
4201:
4200:
4193:
4186:
4178:
4172:
4171:
4165:
4150:
4144:
4129:
4118:
4112:
4097:
4091:
4076:
4070:
4053:
4050:
4048:
4047:
4021:
3999:
3977:
3952:
3937:Helen Waldie.
3929:
3922:
3902:
3880:
3858:
3845:"Gret Palucca"
3836:
3810:
3788:
3776:New York Times
3762:
3747:Pauline Tish.
3739:
3732:
3712:
3690:
3665:
3643:
3621:
3599:
3577:
3564:"La Macarrona"
3555:
3533:
3522:. ArtsAlive.ca
3511:
3489:
3467:
3455:New York Times
3441:
3429:New York Times
3415:
3393:
3371:
3349:
3313:
3277:
3254:
3237:
3226:. Oxford Index
3215:
3193:
3182:. Oxford Index
3171:
3149:
3124:
3102:
3095:
3075:
3053:
3046:
3026:
3004:
2997:
2977:
2970:
2947:
2925:
2899:
2877:
2855:
2833:
2811:
2789:
2782:
2762:
2755:
2737:
2715:
2693:
2669:形) artistiche"
2647:
2619:
2608:. Israel Dance
2596:
2577:
2558:
2552:978-0824833077
2551:
2531:
2509:
2487:
2472:Carol Meyers.
2464:
2441:
2419:
2397:
2390:
2370:
2348:
2320:
2294:
2268:
2242:
2219:
2217:
2214:
2213:
2212:
2207:
2205:Women in music
2202:
2197:
2190:
2187:
2183:jazz technique
2167:the Charleston
2141:
2138:
2137:
2136:
2130:
2123:
2121:
2115:
2108:
2106:
2102:La Belle Otero
2100:
2093:
2091:
2087:Cléo de Mérode
2085:
2078:
2076:
2066:
2059:
2055:in the 1890s.
2025:La Belle Otero
2013:Folies Bergère
2009:Cléo de Mérode
2003:
2000:
1999:
1998:
1992:
1985:
1983:
1980:
1973:
1971:
1965:
1958:
1956:
1950:
1943:
1941:
1934:
1927:
1899:
1896:
1895:
1894:
1889:
1882:
1880:
1874:
1867:
1865:
1859:
1852:
1817:
1814:
1813:
1812:
1806:
1799:
1797:
1793:Ruth St. Denis
1791:
1784:
1782:
1778:Isadora Duncan
1776:
1769:
1767:
1761:
1754:
1732:Doris Humphrey
1720:Ruth St. Denis
1716:Isadora Duncan
1712:Folies Bergère
1699:
1696:
1666:
1663:
1626:
1623:
1622:
1621:
1615:
1608:
1606:
1600:
1593:
1591:
1581:
1574:
1535:Song of Norway
1514:
1513:
1509:Margot Fonteyn
1507:
1500:
1498:
1494:Alicia Markova
1492:
1485:
1483:
1477:
1470:
1458:Rudolf Nureyev
1454:Margot Fonteyn
1450:Alicia Markova
1426:
1425:
1419:
1412:
1410:
1404:
1397:
1395:
1389:
1382:
1358:Mikhail Fokine
1353:The Dying Swan
1344:Ballets Russes
1335:
1332:
1331:
1330:
1320:
1313:
1311:
1301:
1294:
1292:
1282:
1275:
1199:
1198:
1188:Pauline Leroux
1186:
1179:
1177:
1167:
1160:
1158:
1148:
1141:
1139:
1131:Carlotta Grisi
1129:
1122:
1120:
1110:
1103:
1101:
1093:Marie Taglioni
1091:
1084:
1039:Carlotta Grisi
1009:Marie Taglioni
1000:
997:
996:
995:
989:
982:
980:
974:
967:
965:
959:
952:
950:
944:
937:
935:
929:
922:
916:Gaétan Vestris
846:La Terpsichore
755:
752:
751:
750:
743:
736:
734:
728:
721:
719:
717:Medieval dance
716:
709:
707:
700:
693:
665:folk festivals
656:
653:
652:
651:
645:
644:
637:
635:
629:
628:
621:
619:
613:
612:
605:
603:
597:
596:
589:
587:
581:
580:
573:
571:
565:
564:
557:
555:
549:
548:
541:
522:
519:
518:
517:
514:
507:
505:
502:
495:
493:
490:
483:
481:
478:
471:
469:
466:
459:
457:
454:
447:
392:
389:
388:
387:
380:
373:
371:
368:
361:
327:
326:
319:
312:
310:
307:
300:
298:
291:
284:
282:
279:
272:
270:
267:
260:
208:
207:
204:
197:
195:
192:
185:
183:
181:, 2500-1500 BC
176:
169:
167:
164:
157:
110:
107:
98:
95:
50:women in dance
29:Marie Taglioni
25:Carlotta Grisi
22:
9:
6:
4:
3:
2:
5085:
5074:
5071:
5069:
5066:
5064:
5061:
5059:
5056:
5055:
5053:
5046:
5036:
5033:
5031:
5028:
5026:
5025:Dancing mania
5023:
5021:
5018:
5016:
5013:
5011:
5010:Dance science
5008:
5006:
5003:
5001:
4998:
4996:
4993:
4991:
4988:
4986:
4985:Dance in film
4983:
4981:
4978:
4976:
4973:
4971:
4970:Dance costume
4968:
4966:
4963:
4961:
4958:
4956:
4953:
4952:
4950:
4948:
4944:
4938:
4935:
4933:
4930:
4928:
4925:
4923:
4920:
4918:
4915:
4911:
4908:
4907:
4906:
4905:United States
4903:
4901:
4898:
4896:
4893:
4891:
4888:
4886:
4883:
4881:
4878:
4876:
4873:
4871:
4868:
4866:
4863:
4861:
4858:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
4838:
4836:
4833:
4831:
4828:
4826:
4823:
4821:
4818:
4816:
4813:
4811:
4808:
4806:
4803:
4801:
4798:
4796:
4793:
4791:
4788:
4786:
4783:
4781:
4778:
4776:
4773:
4771:
4768:
4766:
4763:
4761:
4758:
4756:
4753:
4751:
4748:
4746:
4745:Faroe Islands
4743:
4741:
4738:
4736:
4733:
4731:
4728:
4726:
4723:
4721:
4718:
4716:
4713:
4711:
4708:
4706:
4703:
4701:
4698:
4696:
4693:
4691:
4688:
4686:
4683:
4681:
4678:
4676:
4673:
4671:
4668:
4666:
4663:
4661:
4658:
4656:
4653:
4651:
4648:
4647:
4645:
4642:
4635:
4631:
4625:
4622:
4620:
4617:
4615:
4612:
4610:
4607:
4605:
4602:
4600:
4597:
4595:
4592:
4588:
4585:
4584:
4583:
4580:
4578:
4575:
4573:
4570:
4568:
4565:
4563:
4560:
4558:
4555:
4553:
4550:
4549:
4547:
4545:
4541:
4535:
4532:
4530:
4527:
4525:
4522:
4520:
4517:
4515:
4512:
4510:
4507:
4505:
4502:
4500:
4497:
4495:
4492:
4490:
4487:
4485:
4482:
4480:
4477:
4475:
4472:
4470:
4467:
4465:
4462:
4460:
4457:
4455:
4452:
4448:
4445:
4443:
4440:
4439:
4438:
4435:
4433:
4430:
4428:
4425:
4424:
4422:
4420:
4416:
4410:
4407:
4405:
4402:
4400:
4397:
4395:
4392:
4390:
4387:
4383:
4380:
4378:
4375:
4373:
4370:
4368:
4365:
4363:
4362:Neo-Burlesque
4360:
4358:
4355:
4353:
4350:
4348:
4345:
4343:
4340:
4339:
4338:
4335:
4333:
4330:
4328:
4325:
4323:
4320:
4318:
4315:
4314:
4312:
4310:
4306:
4298:
4295:
4293:
4290:
4288:
4285:
4283:
4280:
4278:
4275:
4273:
4270:
4268:
4267:open position
4265:
4263:
4260:
4258:
4257:close embrace
4255:
4254:
4253:
4250:
4248:
4245:
4244:
4242:
4240:Participation
4238:
4232:
4229:
4227:
4224:
4222:
4219:
4217:
4214:
4213:
4210:
4206:
4199:
4194:
4192:
4187:
4185:
4180:
4179:
4176:
4168:
4162:
4158:
4157:
4151:
4147:
4141:
4137:
4136:
4130:
4126:
4125:
4119:
4115:
4109:
4105:
4104:
4098:
4094:
4088:
4084:
4083:
4077:
4073:
4067:
4063:
4062:
4056:
4055:
4035:
4031:
4025:
4009:
4003:
3987:
3981:
3965:
3959:
3957:
3940:
3933:
3925:
3919:
3915:
3914:
3906:
3891:. Aleenah.com
3890:
3884:
3868:
3862:
3846:
3840:
3824:
3820:
3814:
3798:
3792:
3777:
3773:
3766:
3750:
3743:
3735:
3729:
3725:
3724:
3716:
3700:
3694:
3675:
3669:
3653:
3647:
3631:
3630:"Loie Fuller"
3625:
3609:
3603:
3587:
3586:"Lola Flores"
3581:
3565:
3559:
3543:
3537:
3521:
3515:
3499:
3493:
3477:
3471:
3456:
3452:
3445:
3430:
3426:
3419:
3403:
3397:
3381:
3375:
3359:
3353:
3345:
3339:
3323:
3317:
3309:
3303:
3287:
3281:
3265:
3258:
3250:
3249:
3241:
3225:
3219:
3203:
3197:
3181:
3175:
3159:
3153:
3137:
3131:
3129:
3112:
3106:
3098:
3092:
3088:
3087:
3079:
3063:
3057:
3049:
3043:
3039:
3038:
3030:
3014:
3008:
3000:
2994:
2990:
2989:
2981:
2973:
2967:
2963:
2962:
2954:
2952:
2935:
2929:
2913:
2909:
2903:
2887:
2881:
2865:
2859:
2843:
2842:"La Fontaine"
2837:
2821:
2815:
2799:
2793:
2785:
2779:
2775:
2774:
2766:
2758:
2752:
2748:
2741:
2725:
2719:
2703:
2697:
2682:
2678:
2674:
2670:
2668:
2664:
2660:
2651:
2636:
2635:
2630:
2623:
2607:
2600:
2584:
2580:
2574:
2570:
2569:
2562:
2554:
2548:
2544:
2543:
2535:
2519:
2513:
2497:
2491:
2475:
2468:
2452:
2445:
2429:
2423:
2407:
2406:"Terpsichire"
2401:
2393:
2387:
2383:
2382:
2374:
2358:
2352:
2336:
2329:
2327:
2325:
2305:
2298:
2282:
2278:
2272:
2253:
2246:
2230:
2224:
2220:
2211:
2208:
2206:
2203:
2201:
2198:
2196:
2193:
2192:
2186:
2184:
2180:
2176:
2172:
2168:
2163:
2159:
2155:
2151:
2147:
2133:
2127:
2122:
2118:
2112:
2107:
2103:
2097:
2092:
2088:
2082:
2077:
2073:
2069:
2063:
2058:
2057:
2056:
2054:
2050:
2046:
2042:
2038:
2034:
2030:
2026:
2022:
2021:Opéra Comique
2018:
2014:
2010:
1995:
1989:
1984:
1977:
1972:
1968:
1962:
1957:
1953:
1952:Tahia Carioca
1947:
1942:
1938:
1931:
1926:
1925:
1924:
1923:(1933–2007).
1922:
1918:
1914:
1913:Nelly Mazloum
1910:
1907:(1919–1999),
1906:
1905:Tahia Carioca
1892:
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1154:La Vivandière
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1068:Pas de Quatre
1065:
1062:Presented at
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1056:Pas de Quatre
1052:
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1043:Fanny Cerrito
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1027:Fanny Elssler
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71:Marius Petipa
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41:Pas de Quatre
38:
37:Fanny Cerrito
34:
33:Lucille Grahn
30:
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5020:Dance troupe
4965:Dance awards
4860:Pontic Greek
4567:Dance theory
4557:Choreography
4469:Contemporary
4155:
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4034:the original
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2281:the original
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2223:
2146:World War II
2143:
2053:Moulin Rouge
2033:Cirque d'été
2005:
1994:Rachel Brice
1901:
1876:Gret Palucca
1834:Gret Palucca
1830:Hertha Feist
1819:
1704:modern dance
1701:
1668:
1643:modern dance
1636:
1586:
1565:
1557:The Firebird
1555:
1533:
1515:
1461:
1427:
1391:Anna Pavlova
1375:
1367:The Firebird
1365:
1351:
1348:Anna Pavlova
1337:
1326:La Esmeralda
1325:
1306:
1288:La Esmeralda
1287:
1266:
1248:
1242:
1236:
1228:La Esmeralda
1226:
1220:
1214:
1200:
1191:
1172:
1169:Lucile Grahn
1153:
1134:
1115:
1096:
1071:
1067:
1061:
1054:
1051:Jules Perrot
1047:Lucile Grahn
1034:
1012:
1002:
912:Marie Allard
905:
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757:
674:
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658:
647:Mohiniyattam
524:
433:Qing-dynasty
425:modern dance
412:
404:
401:Tang dynasty
397:Zhou dynasty
394:
328:
239:
209:
179:Mohenjo-daro
150:Indus Valley
146:Mohenjo-daro
143:
115:Addauta Cave
112:
100:
83:modern dance
49:
47:
40:
15:
4850:Philippines
4835:Netherlands
4825:Middle East
4377:Table dance
4342:Go go dance
4322:Competitive
3829:19 February
3266:. Culture24
2686:20 February
2659:screendance
2640:20 February
2498:. Bible Hub
2210:Chorus girl
2179:Boogie Back
1909:Samia Gamal
1898:Belly dance
1861:Mary Wigman
1822:Mary Wigman
1820:The German
1763:Loie Fuller
1748:Mary Wigman
1708:Loie Fuller
1680:Lola Flores
1651:belly dance
1567:Don Quixote
1544:Lucia Chase
1460:, first in
1434:Ballet Club
1173:La Cachucha
1116:La Cachucha
1014:La Sylphide
976:Marie Sallé
862:Marie Sallé
687:masquerades
661:Middle Ages
531:Mohiniattam
437:Shirabyoshi
353:danced for
232:Terpsichore
135:Old Kingdom
121:and in the
63:Paris Opera
55:Middle Ages
5052:Categories
4917:Uzbekistan
4685:Azerbaijan
4594:Musicality
4562:Connection
4519:Postmodern
4489:Historical
4372:Striptease
4367:Pole dance
4317:Ceremonial
4272:slow dance
4052:Literature
2216:References
2169:, Pattin'
1891:Dore Hoyer
1838:Dore Hoyer
1744:Hanya Holm
1587:Nutcracker
1238:Cinderella
901:Versailles
866:Caractères
854:Caractères
776:Louis XIII
705:, c. 1250)
683:courtesans
679:saltarello
673:, and the
333:after the
320:Fresco of
85:including
4922:Venezuela
4885:Sri Lanka
4880:Singapore
4840:Nicaragua
4770:Indonesia
4675:Australia
4544:Technique
4442:formation
4357:Lap dance
3382:. V&A
2800:. pbm.com
2158:Lindy Hop
2154:jitterbug
2134:(c. 1890)
2132:La Goulue
2117:Mata Hari
2104:(c. 1905)
2089:(c. 1897)
2045:La Goulue
2041:Mata Hari
2035:in 1890,
2017:Mariquita
1570:in 1965.
1328:(c. 1890)
1271:in 1890.
1244:Swan Lake
1099:(c. 1831)
1023:en pointe
993:(c. 1774)
978:(c. 1730)
948:(c. 1723)
933:(c. 1700)
897:Pygmalion
885:pantomime
780:Louis XIV
583:Kuchipudi
421:Li Longji
210:Dance in
127:Catalonia
109:Antiquity
4937:Zimbabwe
4890:Thailand
4815:Malaysia
4800:Kiribati
4710:Cameroon
4705:Cambodia
4695:Bulgaria
4670:Assyrian
4639:national
4634:Regional
4614:Spotting
4609:Sequence
4587:glossary
4534:Two-step
4479:Flamenco
4464:Breaking
4459:Boogaloo
4437:Ballroom
4382:Twerking
4347:Grinding
4332:Ecstatic
4040:22 April
4014:22 April
3992:21 April
3970:21 April
3945:20 April
3895:20 April
3873:19 April
3851:19 April
3803:18 April
3781:20 April
3755:20 April
3705:20 April
3683:18 April
3658:18 April
3636:18 April
3614:18 April
3592:18 April
3570:18 April
3548:18 April
3526:17 April
3504:24 April
3482:24 April
3460:24 April
3434:24 April
3408:23 April
3386:23 April
3364:23 April
3338:cite web
3328:23 April
3302:cite web
3292:23 April
3270:23 April
3251:. Knopf.
3230:17 April
3208:17 April
3186:17 April
3164:16 April
3142:16 April
3117:11 April
3068:10 April
2189:See also
2068:Marquita
1740:Broadway
1665:Flamenco
1639:flamenco
1307:La Perle
1263:La Scala
1250:Raymonda
1216:Coppélia
1078:La Scala
1031:cachucha
631:Manipuri
615:Sattriya
322:Dionysic
246:Dionysus
234:was the
87:flamenco
75:La Scala
4947:Related
4927:Vietnam
4900:Ukraine
4810:Kurdish
4780:Ireland
4760:Hungary
4750:Georgia
4735:Denmark
4725:Croatia
4690:Belarus
4680:Austria
4665:Armenia
4655:Albania
4619:Turnout
4504:Lyrical
4484:Hip-hop
4327:Concert
4252:Partner
4221:Outline
3941:. IAMED
3823:"Feist"
3019:9 April
2940:9 April
2918:9 April
2892:9 April
2870:9 April
2848:9 April
2826:8 April
2804:8 April
2730:6 April
2708:9 April
2612:6 April
2589:6 April
2524:6 April
2502:8 April
2480:4 April
2457:6 April
2434:4 April
2412:6 April
2363:6 April
2341:2 April
2313:2 April
2287:4 April
2261:4 April
2235:4 April
2144:Before
2051:at the
2029:Galicia
2002:Cabaret
1967:Dalilah
1917:Dalilah
1878:(1930s)
1655:cabaret
1463:Giselle
1135:Giselle
1073:Giselle
850:Caprice
838:Boutade
834:Caprice
800:Molière
748:in 1573
675:tresque
659:In the
441:Shizuka
411:called
343:Goliath
148:in the
119:Palermo
97:History
77:to the
4895:Turkey
4875:Serbia
4870:Russia
4865:Romani
4855:Poland
4820:Mexico
4785:Israel
4755:Greece
4740:Europe
4715:Canada
4650:Africa
4641:dances
4599:Pointe
4572:Graham
4552:Ballet
4509:Modern
4432:Ballet
4419:Styles
4404:Street
4399:Sacred
4337:Erotic
4309:Social
4297:square
4282:contra
4277:circle
4163:
4142:
4110:
4089:
4068:
3920:
3730:
3093:
3044:
2995:
2968:
2780:
2753:
2575:
2549:
2388:
2156:, and
2119:(1906)
2074:(1893)
2049:cancan
1969:(1963)
1954:(1920)
1939:(1893)
1921:Serena
1863:(1959)
1810:(1948)
1795:(1916)
1780:(1903)
1765:(1896)
1688:chotis
1619:(1965)
1604:(1954)
1589:(1940)
1511:(1957)
1496:(1940)
1423:(1934)
1408:(1911)
1393:(1912)
1309:(1896)
1290:(1886)
1196:(1840)
1175:(1838)
1156:(1844)
1137:(1841)
1118:(1836)
1045:, and
670:carole
599:Odissi
567:Kathak
535:Kathak
407:. The
385:(1885)
351:Salome
331:Miriam
294:Maenad
254:Osiris
241:choros
230:while
228:Apollo
216:Greece
139:khener
103:ballet
59:ballet
43:, 1845
4830:Nepal
4805:Korea
4795:Japan
4790:Italy
4765:India
4720:China
4624:Turns
4582:Moves
4524:Swing
4514:Polka
4499:Latin
4454:Belly
4447:waltz
4292:round
4216:Index
4205:Dance
4010:. bio
3677:(PDF)
2663:Xiang
2307:(PDF)
2255:(PDF)
2150:swing
2027:from
1684:copla
521:India
413:baixi
355:Herod
339:David
224:Delos
129:. In
117:near
4845:Peru
4775:Iran
4730:Cuba
4660:Arab
4604:Pole
4494:Jazz
4427:Acro
4389:Folk
4287:line
4247:Solo
4161:ISBN
4140:ISBN
4108:ISBN
4087:ISBN
4066:ISBN
4042:2014
4016:2014
3994:2014
3972:2014
3947:2014
3918:ISBN
3897:2014
3875:2014
3853:2014
3831:2014
3805:2014
3783:2014
3757:2014
3728:ISBN
3707:2014
3685:2014
3660:2014
3638:2014
3616:2014
3594:2014
3572:2014
3550:2014
3528:2014
3506:2014
3484:2014
3462:2014
3436:2014
3410:2014
3388:2014
3366:2014
3344:link
3330:2014
3308:link
3294:2014
3272:2014
3232:2014
3210:2014
3188:2014
3166:2014
3144:2014
3119:2014
3091:ISBN
3070:2014
3042:ISBN
3021:2014
2993:ISBN
2966:ISBN
2942:2014
2920:2014
2894:2014
2872:2014
2850:2014
2828:2014
2806:2014
2778:ISBN
2751:ISBN
2732:2014
2710:2014
2688:2022
2667:Xing
2642:2022
2614:2014
2591:2014
2573:ISBN
2547:ISBN
2526:2014
2504:2014
2482:2014
2459:2014
2436:2014
2414:2014
2386:ISBN
2365:2014
2343:2014
2315:2014
2289:2014
2263:2014
2237:2014
2175:Jive
2171:Juba
2070:and
1686:and
1653:and
1247:and
1225:and
844:and
250:Isis
236:Muse
214:and
89:and
35:and
4529:Tap
4409:War
2677:doi
1342:'s
1324:in
1305:in
1286:in
1190:in
1171:in
1152:in
1133:in
1114:in
1095:in
1053:'s
1049:in
1033:in
770:at
125:in
39:in
5054::
3955:^
3821:.
3774:.
3453:.
3427:.
3340:}}
3336:{{
3304:}}
3300:{{
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2950:^
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2631:.
2323:^
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1641:,
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1370:.
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1059:.
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840:,
836:,
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689:.
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405:xi
256:.
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31:,
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4190:t
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3687:.
3662:.
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2239:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
