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137:, comes from America; but she is an American with a difference, being ... partly French and partly Spanish ... her movements are lithe and graceful, almost snake-like; and, in brief, we have here an interesting and attractive Carmen, who makes her audiences not only applaud but think." Later,
149:, Lasalle and Miranda sang in French; Ciampi and the chorus sang in Italian; and Miss de Lussan sang in whatever language seemed to have the best of it for the moment." Shaw nevertheless acknowledged de Lussan's prominence: "Last Wednesday I was told that
309:, "She taught for many years in England, retaining the vitality and charm of her personality well into old age. Her recordings are few but show something of her rich voice and lively temperament." She died in London three days short of her 88th birthday.
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and a bright ringing tone in the head register, permitted her to do justice to many parts." She appeared regularly at Covent Garden between 1890 and 1910, and also appeared in France, Spain and
Portugal. She also worked with smaller companies such as the
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commented, "Though it would be flattery to say that she is as good as ever, her Carmen is still the best (with the exception of her own) that we have ever heard." In 1915 she again played
Cherubino, in which role
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34:(21 December 1861 – 18 December 1949) was an American opera singer of French descent who was successful in her native country but made most of her career in England. The wide
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was to be produced that evening at Covent Garden. I was incredulous, and asked my informant whether he did not mean Carmen, with Miss Zélie de Lussan in the title part."
97:. The young Zélie first appeared on stage at the age of nine but her parents forbade her to embark on a professional musical career. The Swedish singer
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heard her sing and persuaded the de
Lussans to change their minds. After training with her mother, de Lussan made her operatic début in 1884 in
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After her marriage in 1907 to the pianist Angelo
Fronani she gradually retired, though she played Carmen as late as 1915. In 1914
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described her as "inimitable ... she dominates the stage". In the same year she gave her 2,000th performance as Carmen.
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reported, "At one period she sang for three years without a single week's rest, the Carl Rosa, Covent Garden and
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Zelie De Lussan, ca. 1859–1870; from the Carte de Visite
Collection of the Boston Public Library.
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in the second recording session for domestically-published records for Victor's exclusive "
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After her husband died in 1918 she continued to make her home in London. According to
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as Carmen, and appeared there for three seasons in roles including
Nannetta (
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recorded on a Red Seal disc. In 1906 she made another four records on the
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was less enthusiastic: "the performance was slipshod and perfunctory.
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engaged her to appear in the first season under his management at
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roles. Among de Lussan's most famous roles was the title role in
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observed, "The wide range of her voice, which combined the rich
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Shaw's Music – The
Complete Musical Criticism of Bernard Shaw
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Black and White: A weekly
Illustrated Record and Review
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Black and White: A weekly
Illustrated Record and Review
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Black and White: A weekly
Illustrated Record and Review
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wrote of her début, "This young lady, like most modern
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On 17 May 1903 de Lussan recorded five songs for the
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570:. Vol. 1. Denver, Colorado: Mainspring Press.
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180:, and she was more than once invited to sing at
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374:, Grove Music Online, accessed 1 December 2009
164:In London her successes included Zerlina in
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275:from this session is the earliest operatic
188:castles. In 1894 she made her début at the
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575:Hoffmann, Frank; Howard Ferstler (2005).
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198:), Zerlina, and Nedda (
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60:'s opera companies, at
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313:Additional Information
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638:Categories
560:References
506:2020-01-11
481:2020-01-11
456:2020-01-11
253:Recordings
247:Drury Lane
125:Emma Calvé
581:CRC Press
433:The World
421:The World
409:The Times
396:The Times
233:Carl Rosa
220:The Times
201:Pagliacci
173:La bohème
151:Siegfried
147:De Reszke
130:The Times
267:Habanera
263:Red Seal
195:Falstaff
182:Balmoral
621:at the
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186:Windsor
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272:Carmen
224:timbre
53:Carmen
330:Notes
269:from
226:of a
143:Melba
107:Balfe
48:Bizet
36:range
25:circa
603:ISBN
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