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Zuid, Antwerp

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398: 486: 288: 145: 79: 38: 307:, earning it the moniker "Le Petit Paris". Concurrently with the approval of the street plan, the excavation of the Zuiderdokken (Southern Docks) commenced. Over the subsequent 25 years, the area saw significant development, with the majority of its key public buildings reaching completion in the last decade of the 19th century. Historic events in the area include: 577:
The presence of this new complex has encouraged lawyers, and various support services to seek premises nearby. Finally, a number of IT start-ups have been attracted by the area's fashionable image in recent years. Whether the trading atmosphere will prove to be congenial in the longer term remains
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Apart from existing attractions such as the housing stock and agreeable street plan, an important factor in reestablishing the elan of the neighborhood has been the availability of land for development. This has come from the demolition or conversion of industrial and semi-industrial buildings, the
458:. The museum holds a permanent collection of contemporary art by Belgian and international artists, a cinema, and a specialized library. The architect responsible was Michel Grandsard. He also designed the museum's new wing (1997). Since 1992, the director of the museum has been Bart de Baere. 384:
Ultimately, the inherent appeal of the neighbourhood, along with a shift in attitudes towards city living, contributed to a revival in the area's prospects. There was a resurgence of interest in the Zuid after the International Rubens Year in 1977, which attracted numerous visitors to South
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Once the Southern Docks fell into disuse the attraction of the area as a location for industrial and semi-industrial activities declined. This, combined with strict zoning laws, resulted in virtually all the small workshops and warehousing operations having to shut down or relocate.
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The designation "Petit Paris", along with its well-regarded street layout, monuments, and cultural sites, made "het Zuid" or "Le Midi" a sought-after residential area up until the Second World War. Throughout the conflict, the neighbourhood experienced significant damage due to
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This museum has a historical and contemporary collection of photography that is given a new presentation every year. Alongside the collection are frequently changing photography exhibitions, film projections, and lectures. It also publishes a magazine
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abandonment and/or redevelopment of buildings such as the former Hippodrome, and the demolition of the South Station. The derelict marshalling yards on the southern edge of the neighborhood are being developed into a sustainable development called
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Following the war, the area entered a prolonged period of decline. Contributing factors to this downturn included suburbanization, the downturn of the Southern Docks, and the shutdown and subsequent demolition in 1965 of the South Station.
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The completion of the buildings of the State Commercial College (Handelshogeschool) (Schildersstraat) likewise in 1897. It now houses a nursery school after being the home of the Higher Institute for Translators and Interpreters for 53
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The building dates from 1890 and was constructed specifically to house the city's growing collection of art. The collection includes many Dutch and Belgian masterpieces from the 15th century onwards, by artists such as
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In 1968 and 1969, the Southern Docks were filled in and repurposed as a parking area. The construction of a new building for the Court of Appeals on the former entrance to these docks, along with the demolition of the
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Raamtheater shared part of the large complex of buildings occupied by the Hoger Instituut van Vertalers en Tolken, the language department of Hogeschool Antwerpen, now Artesia.
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As its name might suggest, De Monty was formerly a local cinema and parish hall. It is now a venue for numerous travelling companies and groups of all kinds.
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A commercial site listing a number of businesses and cultural activities in the area. The site also includes an image gallery, a city plan and useful links.
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The affordability of the area made it appealing to immigrants and individuals in search of a bohemian lifestyle. This economic accessibility enabled
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The website of the Buildings Agency (Regie der gebouwen) provides several pictures of the new Law Courts and project details in Dutch and French.
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At present the area is served by a single supermarket on the ground floor of the redeveloped Hippodrome site. A recent development is the new
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styles. Zuid contains numerous cafés, restaurants and shops, as well as three museums, two art centres, and many commercial art galleries.
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in 1972, further diminished the prominence of "het Zuid," relegating it to a district noted only for its residual charm.
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that presents articles on photography with a particular emphasis on fine art photography. The museum opened in 2004.
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Several of the area's squares have public monuments. These include a statue on the Marnixplaats, a fountain on the
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was inaugurated in the gardens of the Royal Museum of Fine Arts. The statue is surrounded by a number of
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law courts complex on the former South Station site. This award-winning project, designed by the
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This is the contemporary art museum of the city and one of the largest of its kind in
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The neighbourhood of Zuid, or Antwerp South, emerged following the dismantling of the
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The completion of the "Dutch" Synagogue in the Bouwmeestersstraat in 1893 (see
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The opening of the Parein Biscuit Factory in the Brusselsestraat in 1894
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The completion of the St. Michael's Church (Amerikalei) in 1897
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Findling, John E.; Pelle, Kimberly D., eds. (2008).
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Zuid (Antwerp)
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Antwerp
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Synagogue
Antwerp Citadel
Georges-Eugène Haussmann

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