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descent — he deliberately translated the thought of the earlier poet into the vocabulary of the later master. This is possible; but it is at least as likely that Jáuregui unconsciously yielded to the current of popular taste, with no other intention than that of conciliating the public of his own
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Unsigned portrait of an unidentified gentleman, which once was taken to be Jáuregui's lost portrait of
Cervantes. The name of Cervantes at the top and that of Jáuregui at the bottom were added centuries after it was
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which was not published until 1684. This rendering reveals Jáuregui as a complete convert to the new school, and it has been argued that, exaggerating the affinities between
171:, published at Rome in 1607. The picture by Jáuregui is lost; there is no evidence supporting any surviving painting being that of Jáuregui.
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219:(1624), a skillful attack on the new theories, which procured for its author membership in the honorary
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shortly before 1610 with a reputation as both a painter and a poet. In the preface to the
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178:(1618), a collection of graceful lyrics, where he integrated also some translations of
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Jáuregui died at Madrid on 11 January 1641, leaving behind him a translation of the
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Juan Martínez de Jáuregui y
Hurtado de la Sal was born and baptized in
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This article incorporates text from a publication now in the
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says that Jáuregui painted his picture, and in the second part of
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Liste des humanistes espagnols (“List of
Spanish humanists”)
328:"Juan Martínez de Jáuregui y Hurtado de la Sal (1583-1641)"
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61:) (24 November 1583 – 11 January 1641) was a Spanish
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About his youth very little is known. In his discourse
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Chacón y Calvo, José María. "Retratos de
Cervantes."
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Antídoto contra la pestilente poesía de las
Soledades
107:) to "Aguilar", coming from one of his grandmothers.
204:, mentioned Jáuregui in "La perinola" with scorn.
85:. His parents were Miguel Martínez de Jáuregui, a
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446:La novela ejemplar de los retratos de Cervantes.
433:Anales de la Academia Nacional de Artes y Letras
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266:Discurso poético contra el hablar culto y oscuro
217:Discurso poético contra el hablar culto y oscuro
103:) of Seville. The poet changed his second name (
399:La novela ejemplar de los retratos de Cervantes
131:can be found and it is known that he stayed in
38: and the second or maternal family name is
59:Juan Martínez de Jáuregui y Hurtado de la Sal
516:"Jáuregui y Aguilar, Juan Martínez de"
488:(11th ed.). Cambridge University Press.
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227:(1624) is visibly influenced by Góngora.
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209:Gaspar de Guzmán, Count-Duke of Olivares
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332:Enciclopedia Universal Multimedia
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262:(1618) — A collection of lyrics.
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363:(in French). Europa Humanistica
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308:List of Spanish language poets
303:List of famous Spanish Authors
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105:the one coming from his mother
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357:"De Jáuregui y Aguilar, Juan"
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65:, scholar and painter in the
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444:Lafuente Ferrari, Enrique.
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21:Juan de Jáuregui (assassin)
16:Spanish painter (1583–1641)
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207:Through the influence of
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54:[ˈxwandeˈxawɾeɡi]
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200:. Another Spanish poet,
19:For another person, see
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522:Encyclopedia Americana
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50:Spanish pronunciation:
560:Spanish male painters
550:Painters from Seville
448:Madrid, Dossat, 1948.
278:Apología de la verdad
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506:with a reference to
500:The Exemplary Novels
245:and Góngora—both of
202:Francisco de Quevedo
36:Martínez de Jáuregui
153:Miguel de Cervantes
125:The Art of Painting
565:Spanish male poets
401:. Madrid: Dossat.
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174:Jáuregui's
158:Don Quixote
534:Categories
456:References
73:Early life
504:Cervantes
407:432412534
290:Pharsalia
238:Pharsalia
213:Philip IV
83:Andalusia
508:Jáuregui
297:See also
247:Cordoban
188:Ausonius
115:painted.
93:La Rioja
26:In this
525:. 1920.
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184:Martial
101:regidor
97:Seville
88:hidalgo
79:Seville
40:Aguilar
32:surname
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180:Horace
168:Aminta
139:Career
314:Notes
284:Orfeo
260:Rimas
250:day.
243:Lucan
231:Death
225:Orfeo
176:Rimas
163:Tasso
145:Spain
129:Italy
419:see
403:OCLC
384:see
369:2012
340:2012
186:and
133:Rome
63:poet
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