Self-portrait - Knowledge

1113: 2382: 3313: 1179: 557: 2012: 473: 406: 249: 4074: 682: 442: 3980: 2951: 2895: 2741: 2794: 1412: 3646: 542: 3550: 2121: 3631: 2914: 3524: 3772: 2555: 2702: 2760: 2087: 967: 2440: 3442: 2234: 3837: 3754: 3041: 3903: 3815: 1086: 4146: 3475: 3022: 2174: 722: 3332: 498: 611: 584: 1770: 2155: 2512: 2929: 1606: 2666: 2306: 1680: 42: 1355: 4299: 387: 2344: 1789: 4097: 2404: 1715: 2268: 4261: 1387: 2493: 3355: 3282: 2486:(1972–73). This use of the mirror often results in right-handed painters representing themselves as left-handed (and vice versa). Usually the face painted is therefore a mirror image of what the rest of the world saw, unless two mirrors were used. Most of Rembrandt's self-portraits before 1660 show only one hand – the painting hand is left unpainted. He appears to have bought a larger mirror in about 1652, after which his self-portraits become larger. In 1658 a large mirror in a wood frame broke whilst being transported to his house; nonetheless, in this year he completed his Frick self-portrait, his largest. 2722: 4186: 308: 3408: 1375: 4036: 2193: 3370: 523: 1699: 1112: 703: 2683: 3227: 1862: 645: 630: 1746: 4205: 3003: 1758: 2287: 1248: 270: 822: 2536: 2363: 2212: 1805: 3999: 2626: 1727: 2140: 3590: 927: 867: 2427:

self-portrait, where the artist inserts his or her own portrait into, for example, a group of characters related to some subject; (2) the "prestigious, or symbolic" self-portrait, where an artist depicts him- or herself in the guise of a historical person or religious hero; (3) the "group portrait" where artist is depicted with members of family or other real persons; (4) the "separate or natural" self-portrait, where the artist is depicted alone. However it might be thought these classes are rather rigid; many portraits manage to combine several of them.

1229: 3505: 3069: 1210: 667: 2068: 3938: 2106: 3427: 1980: 3569: 3252: 942: 3919: 4280: 3680: 3800: 2775: 848: 1622: 1568: 1134: 289: 4318: 4120: 4167: 2053: 4243: 1962: 237:(c1637), one of the earliest self-portraits with family, the painting probably includes Saskia, Rembrandt's wife, one of the earliest depictions of a family member by a famous artist. Family and professional group paintings, including the artist's depiction, became increasingly common from the 17th century on. From the later 20th century on, video plays an increasing part in self-portraiture, and adds the dimension of audio as well, allowing the person to speak to an audience in their own voice. 27: 3699: 897: 882: 3957: 3389: 3609: 3733: 2038: 3206: 4224: 1153: 3298: 3267: 1583: 2325: 1271: 4017: 4055: 3460: 3718: 802: 1917:, who produced hundreds of self-portraits depicting him a wide range of contexts most notably in relation to sickness, moodiness and death. The 2004 exhibition "Schiele, Janssen. Selbstinszenierung, Eros, Tod" (Schiele, Janssen: Self-dramatisation, Eros, Death) at the Leopold Museum in Vienna paralleled the works of Egon Schiele and Horst Janssen, both heavily drawing on sujets of erotica and death in combination with relentless self-portraiture. 912: 380:

leading many artists to specialize in portrait work. Women artists have historically embodied a number of roles within their self-portraiture. Most common is the artist at work, showing themselves in the act of painting, or at least holding a brush and palette. Often, the viewer wonders if the clothes worn were those they normally painted in, as the elaborate nature of many ensembles was an artistic choice to show her skill at fine detail.

3094: 3665: 2253: 3490: 1085: 556: 1921:, who following a terrible accident spent many years bedridden, with only herself for a model, was another painter whose self-portraits depict great pain, in her case physical as well as mental. Her 55-odd self-portraits include many of herself from the waist up, and also some nightmarish representations which symbolize her physical sufferings. 1178: 158:) were depicted using a number of actual persons as models, often including the artist, giving the work a multiple function as portraiture, self-portraiture and history/myth painting. In these works, the artist usually appears as a face in the crowd or group, often towards the edges or corner of the work and behind the main participants. 248: 334: 681: 2759: 541: 1940:" and the "lecherous old artist and model" periods. Often Picasso's self-portraits depicted and revealed complicated psychological insights, both personal and profound about the inner state and well-being of the artist. Another artist who painted personal and revealing self-portraits throughout his career was 2950: 405: 2979:

painted intricate miniatures which served as advertisements for her skill as well as novelty items, considered such because the rarity of successful women painters provided them with an oddity quality. Rembrandt made his living principally from portrait-painting during his most successful period, and

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With new media came a chance to create different kinds of self-portraits besides simply static painting or photographs. Many people, especially teens, use social networking sites to form their own personal identity on the internet. Still others use blogs or create personal web pages to create a space

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presents herself embodying the classical allegorical representation of Painting, seen in the dramatic mask worn around Gentileschi's neck which Painting often carries. The artist's focus on her work, away from the viewer, highlights the drama of the Baroque period, and the changing role of the artist

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governed by consciousness. Self-portrait leads to the persuasion, that we consciously desire to make something. Studies show that self-portraiture is a caricature on the function of the brain, but at the same time it is the basis of the sensation of authorship and responsibility of one's own actions.

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This survey of literature is focused on the method of drawing people as the method of diagnostics. Children's figures can recognize mental disorders. The authors describe the use of self-portraits for diagnostics of emotional disorders in children from 6 to 12 years. Although this procedure does not

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This drawing in red chalk is widely (though not universally) accepted as an original self-portrait. The main reason for hesitation in accepting it as a portrait of Leonardo is that the subject is apparently of a greater age than Leonardo ever achieved. But it is possible that he drew this picture of

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in the second part of the 17th century and has been maintained and expanded until the present time. It is mostly not on view for general visitors, although some paintings are shown in the main galleries. Many famous artists have not been able to resist an invitation to donate a self-portrait to the

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between 1886 and 1889. In all of these self-portraits one is struck that the gaze of the painter is seldom directed at the viewer; even when it is a fixed gaze, he seems to look elsewhere. These paintings vary in intensity and color and some portray the artist with bandages; representing the episode

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period, most artists with an established reputation at least left drawings of themselves. Printed portraits of artists had a market, and many were self-portraits. They were also sometimes given as gifts to family and friends. If nothing else, they avoided the need to arrange for a model, and for the

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Finally, setting up the camera, entering the scene and having an assistant release the shutter (i.e., if the presence of a cable release is unwanted in the photo) can arguably be regarded as a photographic self-portrait, as well. The speed of creating photographic self-portraits allowed for a range

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of the artist, or a portrait included in a larger work, including a group portrait. Many painters are said to have included depictions of specific individuals, including themselves, in painting figures in religious or other types of composition. Such paintings were not intended publicly to depict

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and some others instead showed their real working costume very realistically. This was a decision all 18th-century self-portraitists needed to make, although many painted themselves in both formal and informal costume in different paintings. Thereafter, one can say that most significant painters

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Eadwine the Scribe whose self portrait is accompanied by the inscription "I am the chief of scribes, and neither my praise nor fame shall die; shout out, oh my letter, who I may be. By its fame your script proclaims you, Eadwine, whom the painted figure represents, alive through the ages, whose

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who painted themselves in the nude. Vigée-Lebrun painted a total of 37 self-portraits, many of which were copies of earlier ones, painted for sale. Until the 20th century women were usually unable to train in drawing the nude, which made it difficult for them to paint large figure compositions,

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Self-portraits of the artist at work were, as mentioned above, the commonest form of medieval self-portrait, and these have continued to be popular, with a specially large number from the 18th century on. One particular type in the medieval and Renaissance periods was the artist shown as Saint

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drew and painted dozens of self-portraits, as well as portraits of his wife, son, and mistress. At one time about ninety paintings were counted as Rembrandt self-portraits, but it is now known that he had his students copy his own self-portraits as part of their training. Modern scholarship has

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produced numerous images of themselves, the latter also often painting his family. This practice was especially common for female artists, whose inclusion of their families was often a deliberate attempt to mitigate criticism of their profession causing distraction from their "natural role" as

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Psychology and neuroscience approach understanding of reason and consciousness. Meanwhile, each human reason contains the self-portrait, which contains the self-appraisal of cognitive processes. This self-portrait assumes that the actions of man are governed by thoughts and, thus, the body is

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who made great numbers of self-portrait paintings (70), prints (20) and drawings or watercolours (over 100) throughout his life, many showing him being badly treated by life, and especially by women. Obsessively using the self-portrait as a personal and introspective artistic expression was

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The great Italian painters of the Renaissance made comparatively few formal painted self-portraits, but often included themselves in larger works. Most individual self-portraits they have left were straightforward depictions; Dürer's showmanship was rarely followed, although a controversially

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of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the

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The self-portrait can be a very effective form of advertising for an artist, especially of course for a portrait painter. Dürer was not really interested in portraits commercially, but made good use of his extraordinary self-portraits to advertise himself as an artist, something he was very

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Art critic Galina Vasilyeva-Shlyapina separates two basic forms of the self-portrait: "professional" portraits, in which the artist is depicted at work, and "personal" portraits, which reveal moral and psychological features. She also proposes a more detailed taxonomy: (1) the "insertable"

199:(1656), as the Van Eyck hung in the palace in Madrid where he worked. This was another modern flourish, given that he appears as the painter (previously unseen in official royal portraiture) and standing close to the King's family group who were the supposed main subjects of the painting. 136: 1648:

and Dutch artists painted themselves far more often than before; by this date most successful artists had a position in society where a member of any other trade would consider having their portrait painted. Many also included their families, again following the normal practice for the

472: 2576:. They also remained very fragile, and large ones were much more expensive pro-rata than small ones – the breakages were recut into small pieces. About 80 cm, or two and a half feet, seems to have been the maximum size until then – roughly the size of the palace mirror in 4915: 1673:. Many show him posing in quasi-historical fancy dress, or pulling faces at himself. His oil paintings trace the progress from an uncertain young man to the dapper and very successful portrait-painter of the 1630s to the troubled but massively powerful portraits of his old age. 497: 1386: 2011: 2913: 2988:, many of his portraits were certainly intended to advertise his skills. With the advent of regular Academy shows, many artists tried to produce memorable self-portraits to make an impression on the artistic stage. A recent exhibition at the National Gallery, London, 2721: 583: 644: 3105:

Some artists who suffered neurological or physical diseases have left self-portraits of themselves that have allowed later physicians to attempt to analyze disruptions of mental processes; and many of these analyses have entered into the textbooks of

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records a number of such traditions — a common practice of artists. However, for earlier artists, with no other portrait to compare to, these descriptions are necessarily rather speculative. Among the earliest self-portraits are also two frescos by

2511: 4073: 2381: 386: 2928: 2005:, increasingly, men as well as women who painted themselves at work had to choose whether to present themselves in their best clothes, and best room, or to depict studio practice realistically. See also the Gallery of Women painters above. 307: 4923: 2996:, an otherwise little-known contemporary artist who has generated good amounts of publicity by undertaking to paint his self-portrait every day. On the other hand, some artists depicted themselves very much as they did other clients. 3523: 2086: 3125:

notes that a habit of masturbating may be depicted in works of art, particularly paintings. So Austrian artist Egon Schiele depicted himself so occupied in one of his self-portraits. Kon observes that this painting does not portray

2665: 1095:, then artist-Abbot of Glastonbury, prostrates himself before a giant Christ. Inscribed "Remember, I beg you, merciful Christ, to protect Dunstan, and do not permit the storms of the underworld to swallow me up". Later he became 721: 3312: 4647:, 1940, oil on canvas on Masonite, 24½ × 19 inches, Nikolas Muray Collection, Harry Ransom Center, The University of Texas at Austin, 2007. Banco de México Diego Rivera & Frida Kahlo Museums Trust, Av. Cinco de Mayo No. 2, 1300:, all containing his famous monogram, which were sold throughout Europe. He probably depicted himself more often than any artist before him, producing at least twelve images, including three oil portraits, and figures in four 1769: 2701: 1006: 1228: 3771: 2625: 2554: 3407: 610: 2492: 2682: 3331: 2740: 522: 3113:

The self-portraits of artists who suffered mental illnesses give a unique possibility to physicians for investigating self-perception in people with psychological, psychiatric or neurologic disturbances.

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poses as a drowned man. He lies with his eyes closed, both for the technical reason of the long exposure required by his method and as a protest for the rejection of his claim as inventor of photography.

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danah boyd. "Why Youth (Heart) Social Networking Sites: The Role of Networked Publics in Teenage Social Life." MacArthur Foundation Series on Digital Learning, Identity Volume. ed. David Buckingham.

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Two methods of obtaining photographic self-portraits are widespread. One is photographing a reflection in the mirror, and the other photographing one's self with the camera in an outstretched hand.

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is considered by historians impractically large, one of Van Eyck's many cunning distortions of scale). Largely for this reason, most early self-portraits show painters at no more than half-length.

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often used self-portraits to depict himself in the many different guises, disguises and incarnations of his autobiographical artistic persona. From the young unknown "Yo Picasso" period to the "

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Patients with hemiplegia have diverse problems of self-perception, which are caused by neurological defeats of the idea of body, or by psychological problems with the perception their own self.

1788: 1411: 1714: 1698: 629: 269: 1679: 2233: 3354: 3902: 3645: 1526:(c. 1565–70) is thought to depict Titian, his son Orazio, and a young cousin, Marco Vecellio. Titian also painted a late self-portrait in 1567; apparently his first. Baroque artist 1209: 483: 80:

in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper

847: 3753: 2462:; glass mirrors became available in Europe in the 15th century. The first mirrors used were convex, introducing deformations that the artist sometimes preserved. A painting by 2173: 550:, 1785, with two pupils. A "subjects-eye" view of the painter at work. It seems likely that women society portraitists did actually paint wearing fashionable clothes like this. 3630: 3549: 111:

many professional portrait-painters, a self-portrait kept in the studio acted as a demonstration of the artist's skill for potential new clients. The unprecedented number of

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Another method involves setting the camera or capture device upon a tripod, or surface. One might then set the camera's timer, or use a remote controlled shutter release.

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has the parts normally hanging loose tied up on his head, giving the misleading impression he is wearing a turban, presumably for convenience whilst he paints. In the

1745: 37:, end September 1889, (F 525), Oil on canvas, 40 × 31 cm., Private collection. This may have been Van Gogh's last self-portrait. Given as a birthday gift to his mother. 3998: 3002: 1726: 1152: 5704:

Morin C, Pradat-Diehl P, Robain G, Bensalah Y, Perrigot M (2003) Stroke hemiplegia and specular image: lessons from self-portraits. Int J Aging Hum Dev 56(1): 1-41.

3814: 4145: 2403: 1605: 516:–1680, She became one of the most important portrait painters of 17th-century England, and has been described as the first professional female English painter. 4624:"Deutsch: Freskenzyklus der Brancacci-Kapelle in Santa Maria del Carmine in Florenz, Szene: Martyrium des Hl. Petrus und Disput mit dem Magier Simon vor Nero" 3021: 4260: 2922:

with sunflower, representing his patronage by Charles I, whose medal he holds up to the flower. Or is Van Dyck the sun the flower turns to? 1633 or later.

4317: 2535: 4977: 2343: 2211: 4956: 4096: 2816:, often but not strictly limited to vignettes from the artists life-story. Sometimes the narrative resembles fantasy, roleplaying and fiction. Besides 2267: 5318: 1270: 3878: 2993: 2774: 1374: 1354: 342: 2305: 2139: 988:. Most of these either show the artist at work, or presenting the finished book to either a donor or a sacred figure, or venerating such a figure. 2573: 2154: 1948:, Egon Schiele and Horst Janssen in particular made intense (at times disturbingly so) and self-revealing self-portraits throughout their careers. 3266: 1832:

at the feet of Christ on the cross (around 1635). In the 19th century, Goya painted himself numerous times. French self-portraits, at least after

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depicts himself as in naturalistic style as a 13-year-old boy in 1484. In later years he appears variously as a merchant in the background of

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has an "inserted self-portrait". The position in the (right) corner, and the gaze out to the viewer, are very typical of such self-portraits.

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at the age of 60, in around 1512. The picture is often straightforwardly reproduced as Da Vinci's appearance, although this is not certain.

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are perhaps the largest self-portraits ever painted. Both contain many figures, but are firmly centred on the heroic figure of the artist.

3474: 2286: 5020: 4354: 4204: 1405:, Paris. This is among the earliest known formal self-portraits. He is dressed in Italian fashion, reflecting his international success. 2192: 2067: 5743: 4035: 3187: 2793: 2096: 1051: 941: 259: 4575: 4448: 4298: 3369: 3191: 2105: 1567: 5757: 866: 2362: 1506:(1562). Northern artists continued to make more individual portraits, often looking very much like their other bourgeois sitters. 692: 3956: 3226: 2907:, 1613. According to his biographer, the heads were those of the painter, his ex-lover, and her mother. Compare Caravaggio above. 1621: 4166: 4994: 3589: 696:("Self-portrait on her 6th wedding anniversary") 1906. She depicts herself as pregnant, which at that point she never had been. 4674: 3937: 2676:, Titian, his son and the cousin he had virtually adopted, as Past, Present and Future. National Gallery, London, late 1560s. 1328:, and displayed publicly, which very few portraits then were, the artist depicted himself with an unmistakable resemblance to 5737: 5638: 5251: 4755: 1166: 801: 396: 187:

is probably one of two figures glimpsed in a mirror – a surprisingly modern conceit. The Van Eyck painting may have inspired

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accessed online July 28, 2007 an online history of self-portraits, various excerpts from Edward Lucie-Smith and Sean Kelly,

3918: 3698: 3608: 4279: 3504: 1320:) depicts Dürer as a dandy in fashionable Italian dress, reflecting the international success he had achieved by then. In 4223: 3679: 3426: 2937:

specialised in group portraits, often "conversation pieces" with gentle narrative content, and spent some years in India.

795:, produced lively semi-caricatured self-portraits, whilst others remain closer to the conventions of the formal portrait. 3568: 1189: 5762: 966: 5604:

The book presents 155 artist (fine art) of the 20th century by showing their self-portraits added by informative texts.

5571: 5402: 4380: 3782: 3619: 1881: 656:, 1880 was a Russian born artist who died at twenty-five. A large number of Bashkirtseff's works were destroyed by the 5291: 399:, perhaps the oldest self-portrait of a female oil-painter, though much earlier examples of manuscript painters exist. 5681: 5659: 5617: 5600: 5531: 5518: 5493: 5449: 5382: 5202: 5105: 4903: 4783: 4729: 4526: 4472: 4423: 4156: 4119: 926: 221: 1841:

left us at least one self-portrait, even after the decline of the painted portrait with the arrival of photography.

4242: 3388: 2439: 881: 115:, both as paintings and prints, made clear the potential of the form, and must have further encouraged the trend. 72:

of an artist made by themselves. Although self-portraits have been made since the earliest times, the practice of

3732: 2324: 1203:, generally regarded as a self-portrait, which would make it the earliest Western panel portrait after antiquity. 45: 3799: 2145: 1837: 5535: 5479: 4648: 3068: 2523:

The Artist's Studio (L'Atelier du peintre): A Real Allegory of a Seven Year Phase in my Artistic and Moral Life

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Self-portraits may have a longer continuous history in Asian (mainly Chinese) art than in Europe. Many in the

233: 17: 2052: 5802: 4972: 3743: 2037: 1944:. Bonnard also painted dozens of portraits of his wife Marthe throughout her life as well. Vincent van Gogh, 1026: 896: 90: 4016: 5315: 2734:. By the date of this second version of 1669, most of the models had died of the plague some years before. 1507: 566: 562: 547: 4054: 5807: 5334: 4375: 3251: 3205: 3179: 1991: 1055:(1475), who turns from the scene to look at us. Fourteenth-century sculpted portrait busts of and by the 463: 112: 4819:

Scholten, Frits (2008). "Johan Gregor van der Schardt and the Moment of Self-Portraiture in Sculpture".

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Dated 1669, the year he died, though he looks much older in other portraits. National Gallery, London

911: 360: 41: 5777: 5580: 3889: 3651: 2992:, did not shrink from the comic bathos that sometimes resulted. An example from the 21st century is 2691:, Self-portrait, 1610, aged 78, the last of her many self-portraits, though she was painted later by 2409: 2225: 2017: 734:, 1985. The number of self-portraits on paper is about 370 and there are eight self-portraits in oil. 4699: 4343: 3787: 3579: 2572:

The size of single-sheet mirrors was restricted until technical advances made in France in 1688 by

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was an artist highly conscious of his public image and reputation, whose main income came from his

1096: 49: 4743: 3459: 2960:. The artist has travelled to the South of France (in the vanishing coach), to meet the collector 2126: 1825: 1418: 1321: 103:, with increased wealth and interest in the individual as a subject, did it become truly popular. 5782: 2631: 1720:

Rembrandt in 1632, when he was enjoying great success as a fashionable portraitist in this style.

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Listen to them draw: screening children in primary care through the use of human figure drawings

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the actual persons as themselves, but the facts would have been known at the time to artist and

5553: 5193:, op cit, pp 11-13; for the Arnolfini reference see: National Gallery Catalogues (new series): 4266: 3529: 3166: 3163: 2606: 2522: 970: 687: 372: 5592: 3717: 1896:, representing him naked in many positions, sometimes masturbating or with an erection, as in 1861: 1669:

reduced the autograph count to something over forty paintings, a few drawings, and thirty-one

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has not survived. A woodcut of a bathhouse and a drawing show virtually nude self-portraits.

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tradition are quite small, depicting the artist in a large landscape, illustrating a poem in

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The Painter's Studio: A Real Allegory of a Seven Year Phase in my Artistic (and Moral) Life

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would have something of the same spirit, if it is a self-portrait. There is a portrait by

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was an American portrait painter who specialized in portraits of women and children, 1878.

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of images with more of a "play" atmosphere than traditional methods. One such example is

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make it possible to place final diagnosis, it is useful for the recognition of problems.

5084: 3708: 3685: 3465: 2527: 2111: 2073: 1973: 531:, self-portrait, 1780–1785, a successful painter in her time, she was a great friend of 88:

portrait, many painters, sculptors and printmakers tried some form of self-portraiture.

5792: 5751: 5595:(Paris) / Skira Editore (Milano), Exhibition catalogue. 2004, Text French, Paris 2004, 5427: 5417: 4828: 4191: 4004: 3489: 2885: 2829: 2584: 2198: 2099:, 1748. The artist as visionary. Much cut down, this originally had a vertical format. 2058: 1631: 1238: 650: 623:, 1819. A German religious artist and the first woman to enter the Academy of Munich. 179: 4652: 4465:

Renaissance Portraits, European Portrait-Painting in the 14th, 15th and 16th Centuries

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c. 1524, is itself painted on a convex surface, like that of the mirrors of the period

2451: 1821: 1708:, c. 1630. Probably an exercise in capturing facial expressions for larger paintings. 188: 5797: 5677: 5655: 5634: 5613: 5596: 5567: 5514: 5489: 5475: 5445: 5398: 5378: 5247: 5222: 5214: 5198: 5125: 5117: 5101: 4899: 4779: 4751: 4725: 4546: 4538: 4522: 4468: 4419: 4360: 4229: 4210: 4151: 3856: 3318: 3303: 3171: 2900: 2712: 2647: 2614:(1855), an immense "Allegory" of objects and characters amid which the painter sits. 1997:

Many of the medieval portraits show the artist at work, and Jan van Eyck (above) his

1979: 1705: 1658: 1627: 1612: 1558: 1453: 1365: 1045: 1018: 616: 528: 346:, 1940, Nickolas Muray Collection, Harry Ransom Center, University of Texas at Austin 254: 217: 159: 77: 69: 4998: 2604:, to be placed in their chapel. A famous large view of the artist in his studio is 1845:(see below) was perhaps the most creative self-portraitist of the 19th century, and 1392: 1293: 1063:

include self-portraits, and are among the earliest such busts of non-royal figures.

1021:(1267–1337) included himself in the cycle of "eminent men" in the Castle of Naples, 203: 5622: 5576: 5463: 5459: 5390: 5255: 4874: 4796: 4385: 4102: 4041: 3909: 3704: 3541: 3420:, of which he was first President. Rather like Rembrandt, but more successful. 1773 3150:

One of the most distinguished, and oldest, collections of self-portraits is in the

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monk, who painted many self-portraits of himself as sages of the past, 1764, Tokyo.

827: 488: 459: 325: 279: 171: 73: 30: 3614: 2479: 917: 574: 573:, and was influential in pioneering an "informal" fashion style at the end of the 166:(1611–12) is a good example. This culminated in the 17th century with the work of 5671: 5559: 5437: 5322: 5295: 5206: 5109: 4981: 4530: 4452: 3595: 3480: 3413: 3394: 3211: 3175: 3151: 3046: 2985: 2656: 2611: 2517: 2349: 2179: 2092: 1965: 1901: 1842: 1833: 1751:

1640, wearing a costume in the style of over a century earlier. National Gallery

1573: 1461: 1441: 1333: 1317: 1288: 1253: 1120: 1034: 447: 313: 3636: 2470:, demonstrates the phenomenon. Mirrors permit surprising compositions like the 2292: 1044:(1459), with his name written on his hat. This is imitated a few years later by 5523: 5471: 4845: 4771: 4623: 4285: 4248: 4125: 3962: 3759: 3670: 3447: 3432: 3322: 3243: 3155: 2934: 2845: 2746: 2642: 2475: 2258: 2217: 2160: 2043: 1941: 1493: 1471: 1466: 1256:, c. 1474, includes himself, as court artist, in his appropriate place in this 1076: 1038: 749: 139: 85: 53: 1961: 1313: 1123:

demonstrates. Receive, O God, the book and its donor as an acceptable gift."

333: 26: 5771: 5663: 5272: 4795:

himself deliberately aged, specifically for Raphael's portrait of him in the

4664:

This is a later and larger repetition in the National Gallery of the original

3985: 3860: 3777: 3738: 3574: 3495: 3417: 3360: 3074: 2961: 2877: 2873: 2869: 2865: 2857: 2798: 2780: 2560: 2387: 1925: 1914: 1893: 1776: 1308:

drawing created when he was thirteen years old. At twenty-two Dürer painted

997: 985: 932: 745: 376: 5717:

Wegner DM (2003) The mind's self-portrait. Ann N Y Acad Sci 1001: 212–225.

5652:

Der Künstler als Kunstwerk. Selbstporträts vom Mittelalter bis zur Gegenwart

4498:"Web Gallery of Art: Rubens, Pieter Pauwel – The Four Philosophers, 1611–12" 4060: 1336:). He later re-used the face in a religious engraving of, revealingly, the 5738:"The Exploration of Self: What Artists Find When They Search in the Mirror" 5288: 5259: 5066: 4304: 4087: 4079: 3924: 3872: 3842: 3723: 3257: 3183: 3122: 3098: 2853: 2849: 2841: 2652: 2541: 2498: 2463: 1945: 1909: 1905: 1889: 1484:

1510, or with a friend who holds his shoulder (1518). Also notable are two

1457: 1449: 1329: 1234: 1184: 1139: 1056: 853: 792: 768: 635: 202:

In what may be one of the earliest childhood self-portraits now surviving,

184: 132:, creating a talking point as well as a public test of the artist's skill. 95: 5763:

Catalogue of self portraits by the Royal Society of Portrait Painters 2007

5210: 5113: 5042: 4898:, p.10 and passim, 1999, National Gallery, London/Mauritshuis, The Hague, 4534: 4323: 3170:

collection. It comprises more than 200 portraits, in particular those of

2483: 1071:. Notably, the earliest self-portrait painted in England, other than in a 727: 5552:, Psychologie Médicale, 19, 9, 1543–1547, 1987 {available on line : 5506: 5386:

Self-Portraits in chronological order from ancient Egypt to the present.

5370: 5218: 5121: 4576:"Albrecht Dürer and his Legacy: The graphic work of a Renaissance artist" 4542: 4022: 3510: 2881: 2833: 2823: 2727: 2597: 2445: 2311: 1918: 1690: 1686: 1361: 1305: 903: 788: 570: 364: 337: 194: 170:. Many artistic media have been used; apart from paintings, drawings and 167: 147: 100: 4832: 4601: 5455: 4849: 4365: 4106: 3363:, 1640. "Of Silence and Speech, Silence is better" says the inscription 3139: 2861: 2368: 1782:. His largest self-portrait, for which a new mirror may have been used. 1650: 1592: 1536: 1511: 1301: 1124: 1072: 808: 503: 368: 3881:

photographed his reflection on the surface of a nickel-plated teapot.

1010: 5510: 4805: 4338: 4326:, Self-Portrait in the Budapest Ghetto, 1944, Hungarian Jewish Museum 3275:

seems to have painted no self-portraits until he was in old age, 1567

3134:. Creations of Schiele are analyzed by other researchers in terms of 3107: 2844:

other artists whose self-portraits reveal complex narratives include

2813: 2809: 2031:, pen and ink on brown paper, presumed to be a self-portrait. Antwerp 1983: 1933: 1665: 1588: 1503: 1437: 1325: 1280: 1014: 947: 772: 767:

had included a likeness of himself in a number of characters in the "

756: 672: 355:

Almost all significant women painters have left self-portraits, from

228: 5226: 5129: 4550: 1639: 980:

contain a number of apparent self-portraits, notably those of Saint

791:

on his experience of the scene. Another tradition, associated with

600:, and her most famous and finest painting. Originally attributed to 429:, and painted several self-portraits and many images of her family. 129: 4348: 3288: 3159: 3131: 3127: 3118: 3093: 2981: 2919: 2692: 1937: 1929: 1809: 1645: 1546: 1022: 760: 715:(1909), was among the first female Russian painters of distinction. 275: 207: 124: 5072:

I am not sick. I am broken. But I am happy as long as I can paint.

3190:

in London (with various satellite outstations elsewhere), and the

1876:

One of the most famous and most prolific of self-portraitists was

1685:

A young Rembrandt, c. 1628, when he was 22. Partly an exercise in

1222:, makes a drawing for his painting of the Virgin. Boston, c. 1440. 569:

painted several self-portraits that were hugely successful in the

5244:

The Art of Italy in the Royal Collection; Renaissance and Baroque

3826: 3232: 1812:

with head bandaged, after he (debatedly) cut off part of his ear.

1670: 1550: 1475: 1445: 1345: 1341: 1092: 1075:, is the miniature painted in oils on panel by the German artist 989: 981: 887: 831: 764: 455: 422: 328:, Florence. He is at the extreme right of a crowded composition. 135: 107: 3450:, 1815 Oil on panel, Museo de la Real Academia de San Fernando, 1452:

showing the view in a convex mirror. There is also a drawing by

4484: 4370: 3868: 3451: 3272: 3031: 2459: 1517: 1489: 1402: 1399: 1257: 1001: 993: 812: 321: 211: 81: 5043:"basis wien - Schiele, Janssen. Selbstinszenierung, Eros, Tod" 1289:

Albrecht Dürer, 1471–1528, the first prolific self-portraitist

5254:. The biographer was Baldinucci. This is the version in the 4418:. National Gallery Catalogues (new series). pp. 212–17. 3968: 3943: 1554: 151: 5550:

L'image préalable, l'expression impressive et l'autoportrait

2783:, 1896. Flesh and bone, life and death are contrasted here. 5096:

Campbell, Lorne; National Gallery Catalogues (new series):

4578:. Studio International Magazine. March 2003. Archived from 4517:

Campbell, Lorne; National Gallery Catalogues (new series):

1735: 1340:, Christ's own "self-portrait" (B.25). A self-portrait in 752: 657: 5021:"Horst Janssen: Selbstportraits – am Abgrund des Spiegels" 2617: 755:. One of the first self-portraits was made by the Pharaoh 150:

self-portraiture, historical or mythical scenes (from the

5758:

52 self-portraits from the National Galleries of Scotland

5731: 4945:

Encyclopedia of Irish and World Art, art of self-portrait

857: 491:. Note the pulled-up sleeve on the arm holding the brush. 5422:

The Moment of Self-Portraiture in German Renaissance Art

4870: 4868: 4866: 4675:"Marie-Denise Villers at the Metropolitan Museum of Art" 4748:

The Grove Encyclopedia of Medieval Art and Architecture

2567:(detail), the artist is visible in the reflection, 1625 1836:

tend to show the social status of the artist, although

191:

to depict himself in full view as the painter creating

4821:

Simiolus: Netherlands Quarterly for the History of Art

1549:

of some of his larger paintings. Finally, the head of

1532:

La Pittura (Self-portrait as the allegory of painting)

1380:

Dürer at about twenty, 1491–92, drawing, Metropolitan

4863: 4778:, p. 77–84 & passim, British Museum Press, 2002, 1312:(1493, Louvre), probably to send to his new fiancée, 992:

is believed to have painted himself as a figure in a

4799:. A case has also been made, originally by novelist 1856: 1545:

at the beginning of his career, then appears in the

5279:, Weidenfeld & Nicolson, London, 1971, pp 124-5 5242:Aislinn Loconte in, Lucy Whitaker, Martin Clayton, 4437: 4435: 4008:

Self-portrait as man throwing, climbing and walking

3908:The oldest surviving photographic self-portrait by 240: 146:In the earliest surviving examples of medieval and 142:, 1646, shows how most self-portraits were painted. 5650:Pfisterer, Ulrich / Rosen, Valeska von ~ (Hrsg.): 5377:. Phaidon Press, London/New York, 2000 (pb 2004), 4137: 2458:The self-portrait supposes in theory the use of a 4645:Self-Portrait with Thorn Necklace and Hummingbird 4487:. This one was sold at auction in Germany in 2007 2797:Self-portrait as David with the head of Goliath, 1908:was a prolific painter of self-portraits as was 1640:Rembrandt and the 17th century in Northern Europe 343:Self-Portrait with Thorn Necklace and Hummingbird 282:frescoes (as is the Filippino Lippi), 1424–1426. 5769: 5711: 4643:Image—full description and credit: Frida Kahlo, 4490: 4432: 3186:. Other important collections are housed at the 1763:Vienna c. 1655, oil on walnut, cut down in size. 5468:Mirror Mirror - Self-portraits by women artists 4916:"Musée d'Orsay: Vincent van Gogh Self-Portrait" 4722:Medieval Illuminators and their Methods of Work 3088: 2788: 1496:appears as a violinist clothed in white in his 1037:includes himself, with other portraits, in the 675:(1902) also mostly painted women and children. 5246:, p.270, Royal Collection Publications, 2007, 3346:Saint Luke as a Painter Before the Crucifixion 3097:Self-portrait of Egon Schiele 1911, depicting 1734:Self-portrait as an oriental Potentate with a 1456:(1512), and self-portraits in larger works by 452:Self-portrait at the Clavichord with a Servant 5687: 5195:The Fifteenth Century Netherlandish Paintings 5098:The Fifteenth Century Netherlandish Paintings 4854:Titian's "Allegory of Prudence", A Postscript 4519:The Fifteenth Century Netherlandish Paintings 4416:The Fifteenth Century Netherlandish Paintings 2821: 2812:often are characterized by a strong sense of 2600:. Many of these were presented to the local 2577: 2443: 1146:, where he was master architect and sculptor. 996:of 1359, which became, at least according to 744:Images of artists at work are encountered in 192: 4198:pen and brush and ink on paper, c. 1628-1629 1956: 1951: 5231:The Fifteenth Century Netherlandish Schools 5134:The Fifteenth Century Netherlandish Schools 4561:hung in the same palace in Madrid in which 4555:The Fifteenth Century Netherlandish Schools 4355:Portrait of a Young Man with a Golden Chain 1892:set new standards of openness, or perhaps 1025:(1401–1428) depicted himself as one of the 5676:, Mathildenhöhe Darmstadt (Germany), 2006 5528:Self Portrait. Renaissance to Contemporary 4879:Seeing Ourselves: Women's Self-Portraiture 3188:National Portrait Gallery (United Kingdom) 3162:. It was originally the collection by the 2431:for self-expression and self-portraiture. 1426: 5395:Seeing ourselves - Women's self-portraits 4803:, that Leonardo based his famous picture 4741: 4599: 4084:self-portrait at the beach in Warnemünde, 1880:, who drew and painted himself more than 1535:from craftsperson to singular innovator. 763:mentions that the Ancient Greek sculptor 484:Self-Portrait as the Allegory of Painting 23:Portrait of an artist made by that artist 4818: 4750:. Oxford University Press. p. 527. 4600:Francesca, Piero della (11 March 1463). 4413: 3130:from the masturbation, but a feeling of 3092: 2792: 2655:as a limp skin hanging from the hand of 2438: 1978: 1960: 1860: 1803: 1310:Portrait of the Artist Holding a Thistle 1067:included a small head of himself in his 1017:(1392), northeastern Slovenia. In Italy 965: 332: 134: 40: 25: 4392: 3990:Self-portrait with John Laurie Wallace, 3764:Self-portrait of the Artist with a Lamp 2618:Gallery: mortality in the self-portrait 2596:(patron saint of artists) painting the 2482:shown from the back painting his wife, 1816:In Spain, there were self-portraits of 5770: 5151:"представительский, или символический" 4959:Lives of the Artists, Vincent van Gogh 2131:Self-Portrait with Palette and Brushes 1904:was to follow somewhat in this vein. 1576:, black chalk, 1496 or earlier, Berlin 1444:of about 1500 (Collegio del Cambio of 1283:c. 1490, the earliest portrait print. 231:painted a range of self-portraits. In 1885:in which he severed one of his ears. 5316:Rebels and Martyrs, National Gallery 4568: 3639:, 1880–1881 National Gallery, London 2732:The Banquet of Anthony and Cleopatra 2434: 1013:(1378), western Hungary, and one in 748:painting, and sculpture and also on 5505:, 1999, National Gallery, London / 4398: 1870:Self Portrait, dedicated to Gauguin 1460:, who gave his face to the skin of 1316:. The Madrid self-portrait (1498, 950:, a member of the Shanghai school, 13: 5627:Passion Rimbaud: L'Album d'une vie 5364: 4890:For this section and the gallery, 4602:"The Resurrection of Jesus Christ" 4381:Self-portraits by Vincent van Gogh 3850: 3783:Self-Portrait in a Striped T-shirt 2905:Judith with the Head of Holofernes 2565:Vanitas with Violin and Glass Ball 1799: 759:'s chief sculptor Bak in 1365 BC. 14: 5819: 5748:The Self Portrait: A Modern View. 5725: 5409:Self-Portraits of Francisco Goya. 5335:"Arnaud Prinstet - Google Search" 4621: 4483:A better-known version is in the 4086:1907. 83 × 87 mm. 3052:Self Portrait (The Desperate Man) 2969: 2751:Self-portrait with Doctor Arrieta 2548:, 1928. Selfportrait and portrait 2478:(1646), or more recently that of 2454:working at the easel to the left. 2421: 2186:, c. 1847–1848, charcoal on paper 1857:Prolific modern self-portraitists 1478:who is seen in the characters of 350: 5432:The Self Portrait: A Modern View 5085:National Museum of Women Artists 5040: 4974:Max Beckmann, The Self Portraits 4744:"Johannes Aquila de Rakerspurga" 4444:The Self Portrait: A Modern View 4316: 4297: 4278: 4259: 4241: 4222: 4203: 4184: 4165: 4144: 4118: 4095: 4072: 4053: 4034: 4015: 3997: 3978: 3955: 3936: 3917: 3901: 3835: 3813: 3798: 3770: 3752: 3731: 3716: 3697: 3678: 3663: 3644: 3629: 3607: 3588: 3567: 3548: 3522: 3503: 3488: 3473: 3458: 3440: 3425: 3406: 3387: 3368: 3353: 3330: 3311: 3296: 3280: 3265: 3250: 3225: 3204: 3067: 3039: 3020: 3001: 2949: 2927: 2912: 2893: 2773: 2758: 2739: 2720: 2707:Goliath in this late Caravaggio 2700: 2681: 2664: 2624: 2553: 2534: 2510: 2491: 2402: 2380: 2361: 2342: 2323: 2304: 2285: 2266: 2251: 2232: 2210: 2191: 2172: 2153: 2148:(1771), in his painting clothes. 2138: 2119: 2104: 2085: 2066: 2051: 2036: 2010: 1787: 1775:Again in antique costume, 1658, 1768: 1756: 1744: 1725: 1713: 1697: 1678: 1620: 1604: 1581: 1566: 1410: 1385: 1373: 1353: 1269: 1246: 1227: 1208: 1177: 1151: 1132: 1111: 1084: 940: 925: 910: 895: 880: 865: 846: 820: 800: 720: 701: 680: 665: 643: 628: 609: 582: 555: 540: 521: 496: 471: 440: 404: 385: 306: 287: 278:inserted self-portrait from the 268: 247: 241:Gallery: Inserted self-portraits 174:have been especially important. 5754:with Sean Kelly and other books 5697:. Pediatr Nurs 31(4): 320–327. 5352: 5327: 5309: 5300: 5282: 5265: 5236: 5184: 5172: 5163: 5139: 5090: 5078: 5060: 5034: 5013: 4987: 4966: 4950: 4938: 4908: 4884: 4839: 4812: 4788: 4764: 4735: 4714: 4688: 4667: 4658: 4637: 4615: 4138:Drawings, prints and engravings 3536:, 1858, a self-portrait at the 3011:, a specialist animal painter, 2246:, December 1887 - February 1888 2114:and his daughter, 1750, Munich. 1502:, accompanied by Titian on the 1421:, 1500—unmistakably Christ-like 1324:, sold or given to the city of 961: 693:Selbstbildnis am 6 Hochzeitstag 46:Self-portrait by Judith Leyster 5564:Les peintres et l'autoportrait 5542: 5536:Art Gallery of New South Wales 4698:. 19 June 2009. Archived from 4633:– via Wikimedia Commons. 4611:– via Wikimedia Commons. 4593: 4511: 4477: 4457: 4407: 3145: 2730:(left) and his family pose as 2709:David with the head of Goliath 234:The Prodigal Son in the Tavern 18:Self-portrait (disambiguation) 1: 5712:Psychology of self-perception 5488:, Thames & Hudson, 2021, 5397:, Thames & Hudson, 2018, 4776:Albrecht Dürer and his Legacy 4110: 3534:Portrait of Whistler with Hat 3236: 3215: 3078: 3056: 2938: 2711:is a self-portrait. 1605–10, 2635: 2025: 1190:Portrait of a Man in a Turban 1100: 951: 835: 510: 430: 415: 297:as a sleeping soldier in his 91:Portrait of a Man in a Turban 76:only gaining momentum in the 5693:Tielsch AH, Allen PJ (2005) 5647:, éd. Adam Biro, Paris, 1999 5645:L'autoportrait au XXe siècle 5159:"отдельный или естественный" 5087:Retrieved September 28, 2010 5075:Retrieved September 28, 2010 4446:(London: Sarema Press, 1987) 3089:Diagnosing the self-portrait 2964:, for whom this was painted. 2789:Other meanings, storytelling 2354:Self-portrait with a Palette 2297:Self-portrait with a Palette 2278:Self-portrait with a Palette 2146:Jean-Baptiste-Siméon Chardin 1924:Throughout his long career, 1838:Jean-Baptiste-Siméon Chardin 1508:Johan Gregor van der Schardt 1492:as an old man in the 1560s. 739: 563:Self-portrait in a Straw Hat 301:, 1463, fresco, Sansepolcro. 7: 5375:Five Hundred Self-Portraits 4376:Self-portraits by Rembrandt 4331: 3180:Jean-Baptiste-Camille Corot 2804:The self-portraits of many 2165:Self-portrait in the Studio 2078:self-portrait in the studio 1992:Museum of Fine Arts, Boston 1888:The many self-portraits of 1514:bust of himself (c. 1573). 890:, early 19th century, Japan 462:, who was a painter of the 425:served as court painter to 113:self-portraits by Rembrandt 35:Self-portrait without beard 10: 5824: 5688:Self-portrait in neurology 5654:. Reclam, Stuttgart 2005, 5444:, 1998, National Gallery, 5412:Cambridge University Press 5258:, there are others in the 4984:Retrieved October 16, 2011 4858:Meaning in the Visual Arts 4451:September 3, 2006, at the 3854: 3620:Self-Portrait with Palette 3287:Probable self-portrait by 3197: 3028:Maurice Quentin de La Tour 2582:(the convex mirror in the 2414:Self-portrait with brushes 2396:Matisse Museum (Le Cateau) 2316:Self-portrait with a Model 2244:Self-Portrait as a Painter 1611:Probable self-portrait by 1142:, late 14th century, from 973:Self-portrait (1765-1768) 875:, late 18th century, Japan 596:, 1801, thought to be her 15: 5732:National Portrait Gallery 5612:. Abbeville Press, 2006, 5532:National Portrait Gallery 4995:"Fant ikke siden – Munch" 4860:, Doubleday/Penguin, 1955 4809:on his own self-portrait. 4742:Hourihane, Colum (2012). 4732:collects several examples 4724:; p.8-34, Yale UP, 1992, 3890:Frances Benjamin Johnston 3652:Henri de Toulouse-Lautrec 3192:National Portrait Gallery 2958:Bonjour, Monsieur Courbet 2503:Self-portrait in a mirror 2468:Self-portrait in a mirror 2450:, painted in 1656, shows 2226:Detroit Institute of Arts 2097:National Portrait Gallery 2022:The Painter and The Buyer 2018:Pieter Brueghel the Elder 1957:Gallery: painters at work 1952:Self-portraits in general 1851:Bonjour, Monsieur Courbet 1818:Bartolomé Estéban Murillo 1398:1493. oil, originally on 123:A self-portrait may be a 5585:Moi! Autoportraits du XX 5197:, Lorne Campbell, 1998, 4414:Campbell, Lorne (1998). 3788:Statens Museum for Kunst 2975:sophisticated in doing. 1988:The Artist in his Studio 1448:), and one by the young 1237:, c. 1450, a very early 1097:Archbishop of Canterbury 454:, 1577. She was born in 318:Martyrdom of Saint Peter 257:'s 1475 painting of the 118: 84:, and the advent of the 50:Dutch Golden Age painter 5610:Artists' Self-portraits 5566:, Skira, Geneva, 1984, 4963:Retrieved June 13, 2010 4947:Retrieved June 13, 2010 4467:, pp. 3-4, 1990, Yale, 3948:Revolving Self Portrait 3013:Self-portrait as Hunter 2956:Gustave Courbet, 1854, 2632:Michelangelo Buonarroti 1828:represented himself in 1561:) is Caravaggio's own. 1427:Renaissance and Baroque 1029:in the painting of the 978:Illuminated manuscripts 778: 567:Élisabeth Vigée Le Brun 548:Adélaïde Labille-Guiard 361:Elisabeth Vigée Le Brun 5746:, research related to 5424:, Chicago/London, 1993 5358:Jeancolas (1998), 164. 4770:For all this section, 4273:, age thirty-six, 1810 4267:Caspar David Friedrich 3894:Self-Portrait, c. 1896 3530:James McNeill Whistler 3321:with his (first) wife 3102: 2822: 2801: 2578: 2455: 2444: 1994: 1976: 1936:" period, to the "old 1873: 1813: 1644:In the 17th century, 1434:Self-portrait as David 1322:his last self-portrait 1042:Procession of the Magi 974: 971:Joseph Wright of Derby 688:Paula Modersohn-Becker 373:Paula Modersohn-Becker 347: 193: 143: 61: 38: 5499:Ernst van de Wetering 4892:Ernst van de Wetering 4696:"Pharaohs Of The Sun" 4404:Pickvance (1986), 131 3806:Pierre-Auguste Renoir 3435:, Self-portrait, 1778 3194:in Washington, D.C.. 3121:in his article about 3096: 2796: 2442: 2416:, oil on canvas, 1961 2373:Self-portrait at Work 2127:Jean-Honoré Fragonard 1982: 1964: 1864: 1826:Francisco de Zurbarán 1807: 1595:, self-portrait from 1528:Artemisia Gentileschi 1304:. The earliest is a 1216:Rogier van der Weyden 1167:Baptisterio, Florence 1119:genius the beauty of 1052:Adoration of the Magi 969: 834:, writer and artist, 811:, 1710, South Korea ( 769:Battle of the Amazons 713:At the Dressing-Table 479:Artemisia Gentileschi 393:Caterina van Hemessen 357:Caterina van Hemessen 336: 295:Piero della Francesca 260:Adoration of the Magi 227:In the 17th century, 164:The Four Philosophers 138: 44: 29: 5803:Photography by genre 5503:Rembrandt by himself 5191:Rembrandt by himself 5179:Rembrandt by himself 5001:on 27 September 2007 4896:Rembrandt by himself 4720:Jonathon Alexander; 4393:Notes and references 4344:Hockney–Falco thesis 3821:Zinaida Serebriakova 3538:Freer Gallery of Art 2977:Sofonisba Anguissola 2806:Contemporary artists 2753:, 1820, Minneapolis. 2689:Sofonisba Anguissola 2673:Allegory of Prudence 2472:Triple self-portrait 1739:, etching, 1634. 1523:Allegory of Prudence 1277:Israhel van Meckenem 1172:, early 15th century 1106:(cropped at bottom). 1048:, as a spectator of 732:Double Self-Portrait 709:Zinaida Serebriakova 660:during World War II. 590:Marie-Denise Villers 412:Sofonisba Anguissola 156:classical literature 16:For other uses, see 5734:– Official web site 5593:Musée du Luxembourg 5155:"групповой портрет" 4801:Dmitry Merezhkovsky 4655:06059, México, D.F. 4173:Giuseppe Arcimboldo 3865:George Chakravarthi 3792:Copenhagen, Denmark 3556:Henri Fantin-Latour 3416:, presented to the 3167:Leopoldo de' Medici 3138:, and particularly 3117:Russian sexologist 2836:, Gustave Courbet, 2820:, (in his painting 2607:The Artist's Studio 2602:Guild of Saint Luke 2184:Artist at His Easel 2003:early modern period 1847:The Artist's studio 1830:Luke the Evangelist 1539:painted himself in 1510:produced a painted 1360:Dürer at thirteen, 602:Jacques-Louis David 594:Young Woman Drawing 533:Sir Joshua Reynolds 316:as a figure in his 5808:Visual arts genres 5752:Edward Lucie-Smith 5428:Edward Lucie-Smith 5418:Joseph Leo Koerner 5321:2007-08-19 at the 5294:2007-08-12 at the 5145:Respectively, the 4980:2011-10-29 at the 4926:on 13 October 2016 4920:www.musee-orsay.fr 4622:Lippi, Filippino. 4559:Arnolfini Portrait 4192:Rembrandt van Rijn 4160:, c. 1512 to 1515. 4005:Eadweard Muybridge 3339:Francisco Zurbarán 3103: 3009:François Desportes 2990:Rebels and Martyrs 2886:Gilbert and George 2830:Rembrandt Van Rijn 2802: 2749:at the age of 74, 2585:Arnolfini Portrait 2546:The painter and Jo 2456: 2199:Carl Ludwig Jessen 2059:Francesco Solimena 1995: 1977: 1874: 1814: 1632:portrait miniature 1419:last self-portrait 1239:portrait miniature 975: 651:Marie Bashkirtseff 458:, the daughter of 427:the Queen of Spain 348: 222:picture of himself 180:Arnolfini Portrait 144: 62: 39: 5669:Kathrin Schmidt: 5639:978-2-909317-66-3 5623:Jeancolas, Claude 5608:Calabrese, Omar: 5605: 5588: 5486:The Self-portrait 5430:with Sean Kelly, 5407:John J. Ciofalo, 5387: 5277:Painting at Court 5252:978-1-902163-29-1 5047:www.basis-wien.at 4757:978-0-19-539536-5 4463:Campbell, Lorne, 4361:Portrait painting 4230:Francisco de Goya 4211:Peter Paul Rubens 4152:Leonardo da Vinci 3967:Self-portrait in 3857:Francesca Woodman 3825:Self-portrait as 3337:Self-portrait of 3304:Peter Paul Rubens 3172:Pietro da Cortona 2901:Cristofano Allori 2713:Galleria Borghese 2648:The Last Judgment 2435:Mirrors and poses 1808:Self-Portrait of 1659:Peter Paul Rubens 1628:Nicholas Hilliard 1613:Leonardo da Vinci 1559:Galleria Borghese 1474:(1536–1541), and 1454:Leonardo da Vinci 1298:old master prints 1163:Gates of Paradise 1046:Sandro Botticelli 1019:Giotto di Bondone 902:Another Hokusai, 807:Self-portrait by 785:scholar gentleman 617:Marie Ellenrieder 529:Angelica Kauffman 464:School of Bologna 255:Sandro Botticelli 220:may have drawn a 218:Leonardo da Vinci 78:Early Renaissance 5815: 5778:Self-portraiture 5721: 5707: 5701: 5633:Paris: Textuel. 5632: 5603: 5586: 5581:Rosenberg, David 5577:Bonafoux, Pascal 5548:Bernard Auriol, 5464:Frances Borzello 5460:Whitney Chadwick 5391:Frances Borzello 5385: 5359: 5356: 5350: 5349: 5347: 5345: 5331: 5325: 5313: 5307: 5306:Griselda Pollack 5304: 5298: 5286: 5280: 5269: 5263: 5256:Royal Collection 5240: 5234: 5188: 5182: 5176: 5170: 5167: 5161: 5143: 5137: 5100:, pp 214, 1998, 5094: 5088: 5082: 5076: 5064: 5058: 5057: 5055: 5053: 5038: 5032: 5031: 5029: 5027: 5017: 5011: 5010: 5008: 5006: 4997:. Archived from 4991: 4985: 4970: 4964: 4954: 4948: 4942: 4936: 4935: 4933: 4931: 4922:. Archived from 4912: 4906: 4888: 4882: 4875:Frances Borzello 4872: 4861: 4848:(and originally 4843: 4837: 4836: 4816: 4810: 4797:School of Athens 4792: 4786: 4768: 4762: 4761: 4739: 4733: 4718: 4712: 4711: 4709: 4707: 4692: 4686: 4685: 4683: 4681: 4671: 4665: 4662: 4656: 4641: 4635: 4634: 4632: 4630: 4619: 4613: 4612: 4610: 4608: 4597: 4591: 4590: 4588: 4587: 4572: 4566: 4521:, pp 180, 1998, 4515: 4509: 4508: 4506: 4505: 4494: 4488: 4481: 4475: 4461: 4455: 4439: 4430: 4429: 4411: 4405: 4402: 4386:The Portrait Now 4320: 4301: 4282: 4263: 4245: 4226: 4207: 4188: 4169: 4148: 4122: 4112: 4105:, self-portrait 4103:Alfred Stieglitz 4099: 4076: 4057: 4042:Edward S. Curtis 4038: 4019: 4001: 3982: 3959: 3940: 3921: 3910:Robert Cornelius 3905: 3839: 3817: 3802: 3774: 3756: 3735: 3720: 3705:Vincent van Gogh 3701: 3686:Édouard Vuillard 3682: 3667: 3648: 3633: 3611: 3592: 3571: 3552: 3542:Washington, D.C. 3526: 3507: 3492: 3477: 3466:Eugène Delacroix 3462: 3444: 3429: 3410: 3391: 3372: 3357: 3341:, as Saint Luke. 3334: 3325:, Munich, c.1609 3315: 3300: 3284: 3269: 3254: 3241: 3238: 3229: 3220: 3217: 3208: 3083: 3080: 3071: 3061: 3058: 3043: 3024: 3005: 2953: 2943: 2940: 2931: 2916: 2897: 2838:Vincent van Gogh 2827: 2777: 2766:Hippolyte Bayard 2762: 2743: 2724: 2704: 2685: 2668: 2640: 2637: 2628: 2581: 2557: 2538: 2514: 2495: 2449: 2410:Sergio de Castro 2406: 2384: 2365: 2346: 2331:Umberto Boccioni 2327: 2308: 2289: 2274:Jacek Malczewski 2270: 2255: 2240:Vincent van Gogh 2236: 2214: 2195: 2176: 2157: 2142: 2123: 2112:George Desmarées 2108: 2089: 2074:François Boucher 2070: 2055: 2040: 2030: 2027: 2014: 1878:Vincent van Gogh 1866:Vincent van Gogh 1791: 1780:Frick Collection 1772: 1760: 1748: 1732:Role-playing in 1729: 1717: 1701: 1682: 1655:Anthony van Dyck 1649:middle-classes. 1624: 1608: 1597:St Lorenz Church 1585: 1570: 1499:Marriage at Cana 1481:School of Athens 1414: 1389: 1377: 1357: 1338:Veil of Veronica 1273: 1250: 1231: 1212: 1201:National Gallery 1181: 1159:Lorenzo Ghiberti 1155: 1144:Prague Cathedral 1136: 1115: 1105: 1102: 1088: 1069:most famous work 1061:Prague Cathedral 1031:Brancacci Chapel 956: 953: 944: 929: 920:, 1856–7, Japan. 914: 899: 884: 873:Motoori Norinaga 869: 850: 840: 837: 828:Miyamoto Musashi 824: 804: 746:Ancient Egyptian 724: 705: 684: 669: 647: 632: 613: 586: 559: 544: 525: 515: 512: 500: 489:Royal Collection 475: 460:Prospero Fontana 444: 435: 432: 420: 417: 408: 389: 359:to the prolific 326:Brancacci Chapel 310: 291: 280:Brancacci Chapel 272: 251: 198: 74:self-portraiture 31:Vincent van Gogh 5823: 5822: 5818: 5817: 5816: 5814: 5813: 5812: 5768: 5767: 5728: 5718: 5714: 5705: 5698: 5690: 5672:Annegret Soltau 5643:Joëlle Moulin, 5630: 5560:Pascal Bonafoux 5545: 5538:, Sydney, 2005. 5438:Jonathan Miller 5367: 5365:Further reading 5362: 5357: 5353: 5343: 5341: 5333: 5332: 5328: 5323:Wayback Machine 5314: 5310: 5305: 5301: 5296:Wayback Machine 5287: 5283: 5270: 5266: 5241: 5237: 5229:, (also titled 5189: 5185: 5181:, op cit, p.211 5177: 5173: 5168: 5164: 5144: 5140: 5132:, (also titled 5095: 5091: 5083: 5079: 5065: 5061: 5051: 5049: 5039: 5035: 5025: 5023: 5019: 5018: 5014: 5004: 5002: 4993: 4992: 4988: 4982:Wayback Machine 4971: 4967: 4957:Andrea Bassil, 4955: 4951: 4943: 4939: 4929: 4927: 4914: 4913: 4909: 4889: 4885: 4873: 4864: 4844: 4840: 4817: 4813: 4793: 4789: 4772:Bartrum, Giulia 4769: 4765: 4758: 4740: 4736: 4719: 4715: 4705: 4703: 4702:on 19 June 2009 4694: 4693: 4689: 4679: 4677: 4673: 4672: 4668: 4663: 4659: 4653:Del. Cuauhtémoc 4642: 4638: 4628: 4626: 4620: 4616: 4606: 4604: 4598: 4594: 4585: 4583: 4574: 4573: 4569: 4553:, (also titled 4516: 4512: 4503: 4501: 4496: 4495: 4491: 4482: 4478: 4462: 4458: 4453:Wayback Machine 4440: 4433: 4426: 4412: 4408: 4403: 4399: 4395: 4390: 4334: 4327: 4321: 4312: 4302: 4293: 4283: 4274: 4264: 4255: 4246: 4237: 4227: 4218: 4208: 4199: 4189: 4180: 4179:, 1635 and 1638 4170: 4161: 4149: 4140: 4133: 4123: 4114: 4100: 4091: 4077: 4068: 4058: 4049: 4039: 4030: 4020: 4011: 4002: 3993: 3983: 3974: 3960: 3951: 3941: 3932: 3922: 3913: 3906: 3879:Eleazar Langman 3875: 3853: 3851:Photo-portraits 3846: 3840: 3831: 3818: 3809: 3803: 3794: 3775: 3766: 3757: 3748: 3736: 3727: 3721: 3712: 3702: 3693: 3683: 3674: 3668: 3659: 3649: 3640: 3634: 3625: 3612: 3603: 3596:Ivan Aivazovsky 3593: 3584: 3572: 3563: 3553: 3544: 3527: 3518: 3508: 3499: 3493: 3484: 3481:Gustave Courbet 3478: 3469: 3463: 3454: 3445: 3436: 3430: 3421: 3414:Joshua Reynolds 3411: 3402: 3395:Nicolas Poussin 3392: 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2056: 2047: 2046:, 1690, Louvre. 2041: 2032: 2028: 2015: 1966:Gustave Courbet 1959: 1954: 1902:Stanley Spencer 1859: 1843:Gustave Courbet 1834:Nicolas Poussin 1822:Diego Velázquez 1802: 1800:After Rembrandt 1795: 1792: 1783: 1773: 1764: 1761: 1752: 1749: 1740: 1730: 1721: 1718: 1709: 1702: 1693: 1683: 1642: 1635: 1625: 1616: 1609: 1600: 1586: 1577: 1574:Gentile Bellini 1571: 1462:St. Bartholomew 1442:Pietro Perugino 1429: 1422: 1415: 1406: 1390: 1381: 1378: 1369: 1358: 1334:Alte Pinakothek 1291: 1284: 1274: 1265: 1254:Andrea Mantegna 1251: 1242: 1232: 1223: 1213: 1204: 1182: 1173: 1156: 1147: 1137: 1128: 1116: 1107: 1103: 1089: 1035:Benozzo Gozzoli 1007:Johannes Aquila 964: 957: 954: 945: 936: 930: 921: 915: 906: 900: 891: 885: 876: 870: 861: 851: 842: 838: 825: 816: 805: 781: 742: 735: 725: 716: 706: 697: 685: 676: 670: 661: 648: 639: 633: 624: 614: 605: 587: 578: 565: 560: 551: 545: 536: 526: 517: 513: 501: 492: 476: 467: 448:Lavinia Fontana 445: 436: 433: 418: 409: 400: 390: 353: 329: 314:Filippino Lippi 311: 302: 292: 283: 273: 264: 252: 243: 189:Diego Velázquez 121: 24: 21: 12: 11: 5: 5821: 5811: 5810: 5805: 5800: 5795: 5790: 5785: 5783:Self-portraits 5780: 5766: 5765: 5760: 5755: 5741: 5740:by Jeanne Ivy. 5735: 5727: 5726:External links 5724: 5723: 5722: 5713: 5710: 5709: 5708: 5702: 5689: 5686: 5685: 5684: 5667: 5648: 5641: 5620: 5606: 5574: 5572:978-2605000395 5557: 5544: 5541: 5540: 5539: 5524:Joanna Woodall 5521: 5496: 5484:Natalie Rudd, 5482: 5472:Watson-Guptill 5453: 5435: 5425: 5415: 5405: 5403:978-0500294024 5388: 5366: 5363: 5361: 5360: 5351: 5339:www.google.com 5326: 5308: 5299: 5281: 5264: 5235: 5183: 5171: 5162: 5138: 5089: 5077: 5059: 5033: 5012: 4986: 4965: 4949: 4937: 4907: 4883: 4862: 4846:Erwin Panofsky 4838: 4827:(4): 195–220. 4811: 4787: 4763: 4756: 4734: 4713: 4687: 4666: 4657: 4636: 4614: 4592: 4567: 4510: 4489: 4476: 4456: 4431: 4424: 4406: 4396: 4394: 4391: 4389: 4388: 4383: 4378: 4373: 4368: 4363: 4358: 4351: 4346: 4341: 4335: 4333: 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At 22, 1782. 561: 554: 552: 546: 539: 537: 527: 520: 518: 508:Self-portrait, 502: 495: 493: 477: 470: 468: 446: 439: 437: 410: 403: 401: 391: 384: 352: 351:Women painters 349: 331: 330: 312: 305: 303: 293: 286: 284: 274: 267: 265: 253: 246: 242: 239: 210:scenes and as 204:Albrecht Dürer 177:In the famous 140:Johannes Gumpp 120: 117: 54:genre subjects 22: 9: 6: 4: 3: 2: 5820: 5809: 5806: 5804: 5801: 5799: 5796: 5794: 5791: 5789: 5786: 5784: 5781: 5779: 5776: 5775: 5773: 5764: 5761: 5759: 5756: 5753: 5749: 5745: 5742: 5739: 5736: 5733: 5730: 5729: 5716: 5715: 5703: 5696: 5692: 5691: 5683: 5682:3-935062-06-0 5679: 5675: 5673: 5668: 5665: 5661: 5660:3-15-010571-4 5657: 5653: 5649: 5646: 5642: 5640: 5636: 5628: 5624: 5621: 5619: 5618:9780789208941 5615: 5611: 5607: 5602: 5601:88-8491-854-5 5598: 5594: 5590: 5582: 5578: 5575: 5573: 5569: 5565: 5561: 5558: 5555: 5554:self-portrait 5551: 5547: 5546: 5537: 5534:, London and 5533: 5529: 5525: 5522: 5520: 5519:1-85709-270-8 5516: 5512: 5508: 5504: 5500: 5497: 5495: 5494:9780500295816 5491: 5487: 5483: 5481: 5477: 5473: 5469: 5465: 5461: 5457: 5454: 5451: 5450:1-85709-237-6 5447: 5443: 5442:On Reflection 5439: 5436: 5433: 5429: 5426: 5423: 5419: 5416: 5413: 5410: 5406: 5404: 5400: 5396: 5392: 5389: 5384: 5383:0-7148-4384-9 5380: 5376: 5372: 5369: 5368: 5355: 5340: 5336: 5330: 5324: 5320: 5317: 5312: 5303: 5297: 5293: 5290: 5285: 5278: 5274: 5273:Michael Levey 5268: 5261: 5257: 5253: 5249: 5245: 5239: 5232: 5228: 5224: 5220: 5216: 5212: 5208: 5204: 5203:1-85709-171-X 5200: 5196: 5192: 5187: 5180: 5175: 5166: 5160: 5156: 5152: 5148: 5142: 5135: 5131: 5127: 5123: 5119: 5115: 5111: 5107: 5106:1-85709-171-X 5103: 5099: 5093: 5086: 5081: 5074: 5073: 5070:Frida Kahlo, 5069: 5068:Amazing women 5063: 5048: 5044: 5041:wien, basis. 5037: 5022: 5016: 5000: 4996: 4990: 4983: 4979: 4976: 4975: 4969: 4962: 4960: 4953: 4946: 4941: 4925: 4921: 4917: 4911: 4905: 4904:1-85709-270-8 4901: 4897: 4893: 4887: 4880: 4876: 4871: 4869: 4867: 4859: 4855: 4851: 4847: 4842: 4834: 4830: 4826: 4822: 4815: 4808: 4807: 4802: 4798: 4791: 4785: 4784:0-7141-2633-0 4781: 4777: 4773: 4767: 4759: 4753: 4749: 4745: 4738: 4731: 4730:0-300-05689-3 4727: 4723: 4717: 4701: 4697: 4691: 4676: 4670: 4661: 4654: 4650: 4646: 4640: 4625: 4618: 4603: 4596: 4582:on 2011-05-25 4581: 4577: 4571: 4564: 4560: 4556: 4552: 4548: 4544: 4540: 4536: 4532: 4528: 4527:1-85709-171-X 4524: 4520: 4514: 4499: 4493: 4486: 4480: 4474: 4473:0-300-04675-8 4470: 4466: 4460: 4454: 4450: 4447: 4445: 4438: 4436: 4427: 4425:1-85709-171-X 4421: 4417: 4410: 4401: 4397: 4387: 4384: 4382: 4379: 4377: 4374: 4372: 4369: 4367: 4364: 4362: 4359: 4357: 4356: 4352: 4350: 4347: 4345: 4342: 4340: 4337: 4336: 4325: 4319: 4314: 4310: 4309:self portrait 4306: 4300: 4295: 4291: 4290:self portrait 4287: 4281: 4276: 4272: 4271:self portrait 4268: 4262: 4257: 4253: 4252:self portrait 4250: 4244: 4239: 4236:, print, 1795 4235: 4234:self portrait 4231: 4225: 4220: 4216: 4215:Self-portrait 4212: 4206: 4201: 4197: 4193: 4187: 4182: 4178: 4177:self portrait 4174: 4168: 4163: 4159: 4158: 4157:Self-portrait 4153: 4147: 4142: 4141: 4131: 4130:self-portrait 4127: 4121: 4116: 4108: 4104: 4098: 4093: 4089: 4085: 4081: 4075: 4070: 4066: 4065:self-portrait 4062: 4056: 4051: 4047: 4046:self-portrait 4043: 4037: 4032: 4028: 4027:Self-portrait 4024: 4018: 4013: 4009: 4006: 4000: 3995: 3991: 3987: 3986:Thomas Eakins 3981: 3976: 3972: 3970: 3964: 3958: 3953: 3949: 3945: 3939: 3934: 3930: 3929:self-portrait 3926: 3920: 3915: 3911: 3904: 3899: 3898: 3897: 3895: 3891: 3885: 3882: 3880: 3874: 3870: 3866: 3862: 3861:Cindy Sherman 3858: 3844: 3838: 3833: 3829: 3828: 3822: 3816: 3811: 3807: 3801: 3796: 3793: 3789: 3785: 3784: 3779: 3778:Henri Matisse 3773: 3768: 3765: 3761: 3755: 3750: 3746: 3745: 3744:Self-portrait 3740: 3739:Thomas Eakins 3734: 3729: 3725: 3719: 3714: 3710: 3709:Musée d'Orsay 3706: 3700: 3695: 3691: 3690:Self-portrait 3687: 3681: 3676: 3672: 3666: 3661: 3657: 3656:Self portrait 3653: 3647: 3642: 3638: 3632: 3627: 3623: 3621: 3616: 3615:Édouard Manet 3610: 3605: 3601: 3600:Self-portrait 3597: 3591: 3586: 3582: 3581: 3580:Self-portrait 3576: 3575:Ivan Kramskoi 3570: 3565: 3561: 3560:Self-portrait 3557: 3551: 3546: 3543: 3539: 3535: 3531: 3525: 3520: 3516: 3515:Self-portrait 3512: 3506: 3501: 3497: 3496:Karl Bryullov 3491: 3486: 3482: 3476: 3471: 3467: 3461: 3456: 3453: 3449: 3443: 3438: 3434: 3428: 3423: 3419: 3418:Royal Academy 3415: 3409: 3404: 3400: 3399:Self-Portrait 3396: 3390: 3385: 3381: 3380:Self-Portrait 3377: 3371: 3366: 3362: 3361:Salvator Rosa 3356: 3351: 3348: 3347: 3340: 3333: 3328: 3324: 3320: 3314: 3309: 3305: 3299: 3294: 3290: 3283: 3278: 3274: 3268: 3263: 3259: 3253: 3248: 3245: 3234: 3228: 3223: 3213: 3207: 3202: 3201: 3195: 3193: 3189: 3185: 3181: 3177: 3173: 3168: 3165: 3161: 3157: 3153: 3143: 3141: 3137: 3133: 3129: 3124: 3120: 3115: 3111: 3109: 3100: 3095: 3076: 3075:William Orpen 3070: 3065: 3054: 3053: 3048: 3042: 3037: 3033: 3029: 3023: 3018: 3014: 3010: 3004: 2999: 2998: 2997: 2995: 2991: 2987: 2983: 2978: 2963: 2962:Alfred Bruyas 2959: 2952: 2947: 2936: 2930: 2925: 2921: 2915: 2910: 2906: 2902: 2896: 2891: 2890: 2889: 2887: 2883: 2879: 2878:Cindy Sherman 2875: 2874:Jenny Saville 2871: 2870:Lucas Samaras 2867: 2866:Pablo Picasso 2863: 2859: 2858:Arshile Gorky 2855: 2851: 2847: 2843: 2839: 2835: 2831: 2826: 2825: 2819: 2815: 2811: 2807: 2800: 2799:Johan Zoffany 2795: 2782: 2781:Lovis Corinth 2776: 2771: 2767: 2761: 2756: 2752: 2748: 2742: 2737: 2733: 2729: 2723: 2718: 2714: 2710: 2703: 2698: 2694: 2690: 2684: 2679: 2675: 2674: 2667: 2662: 2658: 2654: 2650: 2649: 2644: 2633: 2627: 2622: 2621: 2615: 2613: 2609: 2608: 2603: 2599: 2595: 2589: 2587: 2586: 2580: 2575: 2566: 2562: 2561:Pieter Claesz 2556: 2551: 2547: 2543: 2537: 2532: 2529: 2528:Musée d'Orsay 2525: 2524: 2519: 2513: 2508: 2504: 2500: 2494: 2489: 2488: 2487: 2485: 2481: 2480:Salvador Dalí 2477: 2473: 2469: 2465: 2461: 2453: 2448: 2447: 2441: 2432: 2428: 2415: 2411: 2405: 2400: 2397: 2393: 2392:Self-portrait 2389: 2388:Henri Matisse 2383: 2378: 2374: 2370: 2364: 2359: 2355: 2351: 2345: 2340: 2336: 2335:Self-portrait 2332: 2326: 2321: 2317: 2313: 2307: 2302: 2298: 2294: 2288: 2283: 2279: 2275: 2269: 2264: 2260: 2254: 2249: 2245: 2241: 2235: 2230: 2227: 2223: 2222:Self Portrait 2219: 2213: 2208: 2204: 2203:Self-portrait 2200: 2194: 2189: 2185: 2181: 2175: 2170: 2166: 2162: 2156: 2151: 2147: 2141: 2136: 2132: 2128: 2122: 2117: 2113: 2107: 2102: 2098: 2094: 2088: 2083: 2079: 2075: 2069: 2064: 2060: 2054: 2049: 2045: 2039: 2034: 2023: 2019: 2013: 2008: 2007: 2006: 2004: 2000: 1993: 1989: 1985: 1981: 1975: 1974:Musée d'Orsay 1971: 1967: 1963: 1949: 1947: 1943: 1939: 1935: 1931: 1927: 1926:Pablo Picasso 1922: 1920: 1916: 1915:Horst Janssen 1911: 1907: 1903: 1899: 1895: 1894:exhibitionism 1891: 1886: 1883: 1879: 1871: 1867: 1863: 1854: 1852: 1848: 1844: 1839: 1835: 1831: 1827: 1823: 1819: 1811: 1806: 1790: 1785: 1781: 1778: 1777:Oil on canvas 1771: 1766: 1759: 1754: 1747: 1742: 1738: 1737: 1728: 1723: 1716: 1711: 1707: 1700: 1695: 1692: 1688: 1681: 1676: 1675: 1674: 1672: 1667: 1663: 1660: 1656: 1652: 1647: 1633: 1629: 1623: 1618: 1614: 1607: 1602: 1598: 1594: 1590: 1584: 1579: 1575: 1569: 1564: 1563: 1562: 1560: 1556: 1552: 1548: 1544: 1543: 1538: 1533: 1529: 1525: 1524: 1519: 1515: 1513: 1509: 1505: 1501: 1500: 1495: 1491: 1487: 1483: 1482: 1477: 1473: 1469: 1468: 1463: 1459: 1455: 1451: 1447: 1443: 1439: 1435: 1420: 1413: 1408: 1404: 1401: 1397: 1396:Self-portrait 1394: 1388: 1383: 1376: 1371: 1367: 1363: 1356: 1351: 1350: 1349: 1347: 1343: 1339: 1335: 1331: 1327: 1323: 1319: 1315: 1311: 1307: 1303: 1299: 1295: 1282: 1278: 1272: 1267: 1263: 1259: 1255: 1249: 1244: 1240: 1236: 1230: 1225: 1221: 1217: 1211: 1206: 1202: 1198: 1197: 1192: 1191: 1186: 1180: 1175: 1171: 1170:self portrait 1168: 1164: 1160: 1154: 1149: 1145: 1141: 1135: 1130: 1126: 1122: 1114: 1109: 1098: 1094: 1087: 1082: 1081: 1080: 1078: 1074: 1070: 1066: 1062: 1058: 1057:Parler family 1054: 1053: 1047: 1043: 1040: 1036: 1032: 1028: 1024: 1020: 1016: 1012: 1008: 1003: 999: 995: 991: 987: 986:Matthew Paris 983: 979: 972: 968: 949: 943: 938: 935:, China, 1635 934: 933:Chen Hongshou 928: 923: 919: 918:Kikuchi Yōsai 913: 908: 905: 898: 893: 889: 883: 878: 874: 868: 863: 859: 855: 849: 844: 833: 829: 823: 818: 814: 810: 803: 798: 797: 796: 794: 790: 786: 776: 774: 770: 766: 762: 758: 754: 751: 750:Ancient Greek 747: 733: 729: 723: 718: 714: 710: 704: 699: 695: 694: 689: 683: 678: 674: 668: 663: 659: 655: 654:self-portrait 652: 646: 641: 637: 631: 626: 622: 621:self portrait 618: 612: 607: 603: 599: 598:self-portrait 595: 591: 585: 580: 576: 575:Ancien Régime 572: 568: 564: 558: 553: 549: 543: 538: 534: 530: 524: 519: 509: 505: 499: 494: 490: 486: 485: 480: 474: 469: 465: 461: 457: 453: 449: 443: 438: 428: 424: 413: 407: 402: 398: 397:self-portrait 394: 388: 383: 382: 381: 378: 377:Jenny Saville 374: 370: 367:, as well as 366: 362: 358: 345: 344: 339: 335: 327: 323: 319: 315: 309: 304: 300: 296: 290: 285: 281: 277: 271: 266: 262: 261: 256: 250: 245: 244: 238: 236: 235: 230: 225: 223: 219: 215: 213: 209: 205: 200: 197: 196: 190: 186: 182: 181: 175: 173: 169: 165: 161: 157: 153: 149: 141: 137: 133: 131: 126: 116: 114: 109: 104: 102: 97: 93: 92: 87: 83: 79: 75: 71: 67: 66:self-portrait 59: 55: 51: 47: 43: 36: 32: 28: 19: 5788:Portrait art 5747: 5694: 5674:: ich selbst 5670: 5651: 5644: 5626: 5609: 5584: 5563: 5549: 5527: 5502: 5501:and others, 5485: 5470:, New York, 5467: 5441: 5431: 5421: 5408: 5394: 5374: 5354: 5342:. Retrieved 5338: 5329: 5311: 5302: 5289:Virginia MFA 5284: 5276: 5267: 5260:Pitti Palace 5243: 5238: 5230: 5194: 5190: 5186: 5178: 5174: 5165: 5158: 5154: 5150: 5146: 5141: 5133: 5097: 5092: 5080: 5071: 5067: 5062: 5050:. Retrieved 5046: 5036: 5024:. Retrieved 5015: 5003:. Retrieved 4999:the original 4989: 4973: 4968: 4958: 4952: 4940: 4928:. Retrieved 4924:the original 4919: 4910: 4895: 4886: 4878: 4857: 4853: 4841: 4824: 4820: 4814: 4804: 4790: 4775: 4766: 4747: 4737: 4721: 4716: 4704:. Retrieved 4700:the original 4690: 4678:. Retrieved 4669: 4660: 4644: 4639: 4627:. Retrieved 4617: 4605:. Retrieved 4595: 4584:. Retrieved 4580:the original 4570: 4562: 4558: 4554: 4518: 4513: 4502:. Retrieved 4492: 4479: 4464: 4459: 4443: 4415: 4409: 4400: 4353: 4308: 4305:Castro Alves 4289: 4270: 4251: 4233: 4214: 4195: 4176: 4155: 4129: 4088:Munch Museum 4083: 4080:Edvard Munch 4064: 4045: 4026: 4010:, circa 1893 4007: 3989: 3966: 3947: 3931:, circa 1875 3928: 3925:Mathew Brady 3893: 3886: 3883: 3876: 3873:space selfie 3843:Egon Schiele 3824: 3781: 3763: 3742: 3724:Paul Gauguin 3689: 3655: 3637:Paul Cézanne 3618: 3599: 3578: 3559: 3533: 3514: 3398: 3379: 3344: 3258:Hans Baldung 3184:Marc Chagall 3149: 3123:masturbation 3116: 3112: 3104: 3099:masturbation 3050: 3012: 2989: 2973: 2957: 2904: 2854:Lucian Freud 2850:Marc Chagall 2842:Paul Gauguin 2803: 2750: 2731: 2708: 2671: 2653:Michelangelo 2646: 2605: 2590: 2583: 2571: 2564: 2545: 2542:Ernst Oppler 2521: 2502: 2499:Parmigianino 2471: 2467: 2464:Parmigianino 2457: 2429: 2425: 2413: 2391: 2372: 2353: 2334: 2315: 2296: 2293:Julian Fałat 2277: 2243: 2221: 2202: 2183: 2164: 2130: 2077: 2021: 1999:chaperon hat 1996: 1987: 1969: 1946:Paul Gauguin 1923: 1910:Edvard Munch 1906:Max Beckmann 1897: 1890:Egon Schiele 1887: 1875: 1869: 1850: 1846: 1815: 1733: 1704:Etching and 1664: 1643: 1596: 1540: 1531: 1521: 1516: 1497: 1479: 1465: 1458:Michelangelo 1450:Parmigianino 1433: 1430: 1395: 1330:Jesus Christ 1309: 1292: 1235:Jean Fouquet 1194: 1193:(actually a 1188: 1185:Jan van Eyck 1169: 1162: 1140:Peter Parler 1049: 1041: 976: 962:European art 854:Hakuin Ekaku 793:Zen Buddhism 782: 743: 731: 712: 691: 653: 636:Mary Cassatt 620: 597: 593: 571:Paris Salons 507: 482: 451: 354: 341: 317: 299:Resurrection 298: 258: 232: 226: 216: 201: 185:Jan van Eyck 178: 176: 163: 145: 122: 105: 96:Jan van Eyck 89: 65: 63: 52:, mostly of 34: 5631:(in French) 5543:Non-English 5507:Mauritshuis 5371:Julian Bell 4649:Col. Centro 4565:was painted 4563:Las Meninas 4217:, 1635-1638 4023:Edgar Degas 3658:, 1882–1883 3511:Edgar Degas 3240: 1517 3219: 1500 3146:Collections 3082: 1910 3060: 1843 2942: 1786 2882:Andy Warhol 2834:Jan de Bray 2824:Las Meninas 2728:Jan de Bray 2639: 1535 2598:Virgin Mary 2579:Las Meninas 2446:Las Meninas 2312:Anders Zorn 2224:, c. 1872, 2029: 1565 1919:Frida Kahlo 1691:Rijksmuseum 1687:chiaroscuro 1432:attributed 1362:silverpoint 1344:he sent to 1306:silverpoint 1302:altarpieces 1218:, as Saint 1127:, c. 1150s. 955: 1850 904:Smithsonian 839: 1640 789:calligraphy 514: 1675 434: 1556 419: 1532 365:Frida Kahlo 338:Frida Kahlo 324:, 1481–82, 195:Las Meninas 168:Jan de Bray 148:Renaissance 101:Renaissance 5772:Categories 5625:. (1998). 5480:0823030717 5456:Liz Rideal 5147:"вставной" 4850:Fritz Saxl 4586:2010-08-08 4504:2010-08-08 4366:Self timer 4107:autochrome 4061:Émile Zola 3992:circa 1883 3971:, Ethiopia 3855:See also: 3343:Detail of 3140:pedophilia 3034:, 1750–60. 2862:Alice Neel 2810:Modernists 2369:Ilya Repin 2061:, c. 1715. 1651:Mary Beale 1593:Adam Kraft 1557:(1605–10, 1537:Caravaggio 1512:terracotta 1314:Agnes Frey 1125:Canterbury 1104: 950 1073:manuscript 809:Yun Du-seo 504:Mary Beale 421:–1625) of 369:Alice Neel 5793:Portraits 5664:Rezension 5511:The Hague 4806:Mona Lisa 4339:3D selfie 4324:Ilka Gedő 4292:, c. 1885 3950:, c. 1865 3136:sexuality 3108:neurology 2814:narrative 1984:Rembrandt 1934:Labyrinth 1900:(1911). 1666:Rembrandt 1662:mothers. 1591:sculptor 1589:Nuremberg 1504:bass viol 1486:portraits 1438:Giorgione 1366:Albertina 1332:(Munich, 1326:Nuremberg 1281:engraving 1199:), 1433, 1121:this book 1015:Martjanci 1009:, one in 948:Ren Xiong 773:Parthenon 771:" on the 757:Akhenaten 740:Antiquity 728:Ilka Gedő 673:Gwen John 487:, 1630s, 229:Rembrandt 5798:Painting 5750:(1987), 5474:, 2002, 5434:. (1987) 5344:11 March 5319:Archived 5292:Archived 5227:98-66510 5219:40732051 5130:98-66510 5122:40732051 5052:11 March 5026:11 March 5005:11 March 4978:Archived 4961:pp.36-37 4930:11 March 4833:25608493 4706:11 March 4680:11 March 4629:11 March 4607:11 March 4551:98-66510 4543:40732051 4449:Archived 4349:Portrait 4332:See also 3786:, 1906, 3762:, 1903, 3707:, 1889 3289:El Greco 3164:Cardinal 3160:Florence 3132:solitude 3128:pleasure 3119:Igor Kon 2982:Van Dyck 2920:Van Dyck 2693:Van Dyck 2526:, 1855, 2466:in 1524 2394:, 1918, 1990:, 1628, 1972:, 1855, 1938:Cavalier 1930:Minotaur 1882:43 times 1810:Van Gogh 1671:etchings 1599:, 1490s. 1553:held by 1547:staffage 1417:Dürer's 1196:chaperon 1079:, 1554. 1065:Ghiberti 1027:apostles 1023:Masaccio 761:Plutarch 395:'s 1548 276:Masaccio 208:Biblical 183:(1434), 125:portrait 70:portrait 5373:(ed.), 5211:392219M 5114:392219M 4881:, 1998. 4557:). 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