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Belfagor arcidiavolo

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25: 229:; he marries a woman named Onesta Donati. Soon, her vanity and wasteful spending, combined with the demands of her relatives, reduce him to poverty and debt. He flees imprisonment, pursued by creditors and magistrates; rescued by the peasant Gianmatteo, Belfagor grants his rescuer the power to drive devils out of possessed women – which eventually causes major problems for the peasant himself. In the end, Belfagor gratefully returns to Hell, denouncing the institution of marriage. 538: 282: 285: 369: 318: 397: 54: 311: 575: 585: 541: 304: 145:(published 1662) shows Machiavelli's influence. An English translation of Machiavelli's work was published in London in 1647 as 600: 383: 565: 120:("The demon who took a wife"). Machiavelli's tale appeared in an abbreviated version published by Giovanni Brevio in 1545. 214:
blaming their wives for their misery. He summons a parliament, which decides to send the former-archangel-now-archdevil
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The story derives from Medieval Slavic folklore (and gave birth to a German and North-European version featuring a
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The "devil takes a wife" story influenced several English works: a version of it occurs in the conclusion of
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Baltimore, Modern Language Association of America, 1895; reprinted New York, Burt Franklin, 1969.
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Qvortrup, Mads 'Belfagor', Copenhagen, Informations Forlag, with notes and introduction
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Translated by Linda White Mazini Villari; London, Kegan, Paul, Trench & Co., 1883.
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The Italian World of English Renaissance Drama: Cultural Exchange and Intertextuality.
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Hoenselaars, A. J. "The Politics of Prose and Drama: The Case of Machiavelli's
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Edited by Michele Marrapodi; Newark, DE, University of Delaware Press, 1998.
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Yearbook of European Studies, Vol. 8; Amsterdam and Atlanta, Rodopi, 1996.
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included his own version as the fourth story of the second night in his
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Belfagor assumes a human form as one Roderigo of Castile, and comes to
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On the Method of Dealing with the Rebellious Peoples of Valdichiana
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produced his own version of the tale in the nineteenth century.
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The Devil a Married Man: or The Devil Hath Met with His Match
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Novella by Niccolò Machiavelli written between 1518 and 1527
211: 398:Discourse on Reforming the Government of Florence 178:. The Belfagor fable was the basis of a poem by 552: 46:but its sources remain unclear because it lacks 511: 312: 114:("The fable of Belfagor the archdaemon") and 502: 319: 305: 254:Elizabethan Translations from the Italian. 210:notes that crowds of male souls arrive in 259:Spiering, Menno, and Joep Leerssen, eds. 77:Learn how and when to remove this message 168:The tale was adapted for the 1923 opera 133:Rich His Farewell to Military Profession 326: 287:Belphagor, or the Marriage of the Devil 155:Belphegor, or The Marriage of the Devil 553: 384:Discourse about the Provision of Money 149:. This was adapted into a play called 542:Category:Works by Niccolò Machiavelli 300: 18: 182:. The Romanian writer and satirist 13: 576:Greek and Roman deities in fiction 268:Niccolò Machiavelli and His Times. 14: 612: 274: 186:wrote a version of the story: in 111:La favola di Belfagor Arcidiavolo 537: 536: 280: 23: 261:Machiavelli: Figure-Reputation. 391:Report on the state of Germany 1: 601:Novels published posthumously 405:Life of Castruccio Castracani 232: 218:to the Earth to investigate. 206:). In Machiavelli's account, 122:Giovanni Francesco Straparola 586:Books by Niccolò Machiavelli 151:The Devil and the Parliament 7: 566:16th-century Italian novels 290:public domain audiobook at 197: 163:William Makepeace Thackeray 142:Grim the Collier of Croydon 117:Il demonio che prese moglie 10: 617: 153:(1648), later followed by 534: 495: 442: 352: 334: 225:with a hundred thousand 32:This article includes a 61:more precise citations. 581:Novels set in Florence 512: 503: 100:the archdaemon") is a 252:Scott, Mary Augusta. 479:Belfagor arcidiavolo 412:Florentine Histories 93:Belfagor arcidiavolo 571:Novels about demons 328:Niccolò Machiavelli 266:Villari, Pasquale. 139:. The popular play 106:Niccolò Machiavelli 591:Novels set in hell 433:Discourses on Livy 184:Ion Luca Caragiale 126:Le piacevoli notti 34:list of references 548: 547: 521:Political realism 451:The Second Decade 443:Imaginative works 363:Discourse on Pisa 176:Ottorino Respighi 87: 86: 79: 608: 540: 539: 517: 508: 321: 314: 307: 298: 297: 284: 283: 180:Luigi Pirandello 82: 75: 71: 68: 62: 57:this article by 48:inline citations 27: 26: 19: 616: 615: 611: 610: 609: 607: 606: 605: 551: 550: 549: 544: 530: 491: 438: 377:The Description 355:political works 354: 348: 330: 325: 281: 277: 235: 200: 83: 72: 66: 63: 52: 38:related reading 28: 24: 17: 12: 11: 5: 614: 604: 603: 598: 593: 588: 583: 578: 573: 568: 563: 546: 545: 535: 532: 531: 529: 528: 523: 518: 509: 499: 497: 493: 492: 490: 489: 486:The Golden Ass 482: 475: 468: 461: 454: 446: 444: 440: 439: 437: 436: 429: 422: 419:The Art of War 415: 408: 401: 394: 387: 380: 373: 366: 358: 356: 353:Historical and 350: 349: 347: 346: 341: 339:As a dramatist 335: 332: 331: 324: 323: 316: 309: 301: 295: 294: 276: 275:External links 273: 272: 271: 264: 257: 250: 247: 234: 231: 199: 196: 85: 84: 42:external links 31: 29: 22: 15: 9: 6: 4: 3: 2: 613: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 558: 556: 543: 533: 527: 526:Republicanism 524: 522: 519: 516: 515: 510: 507: 506: 501: 500: 498: 494: 488: 487: 483: 481: 480: 476: 474: 473: 469: 467: 466: 462: 460: 459: 455: 453: 452: 448: 447: 445: 441: 435: 434: 430: 428: 427: 423: 421: 420: 416: 414: 413: 409: 407: 406: 402: 400: 399: 395: 393: 392: 388: 386: 385: 381: 379: 378: 374: 372: 371: 367: 365: 364: 360: 359: 357: 351: 345: 342: 340: 337: 336: 333: 329: 322: 317: 315: 310: 308: 303: 302: 299: 293: 289: 288: 279: 278: 269: 265: 262: 258: 255: 251: 248: 245: 241: 237: 236: 230: 228: 224: 219: 217: 213: 209: 205: 195: 193: 189: 185: 181: 177: 173: 172: 166: 164: 160: 156: 152: 148: 144: 143: 138: 134: 129: 127: 123: 119: 118: 113: 112: 107: 103: 99: 95: 94: 89: 81: 78: 70: 60: 56: 50: 49: 43: 39: 35: 30: 21: 20: 484: 478: 477: 470: 465:The Mandrake 463: 456: 449: 431: 424: 417: 410: 403: 396: 389: 382: 375: 368: 361: 286: 267: 260: 253: 243: 239: 220: 201: 187: 169: 167: 154: 150: 146: 140: 137:Barnabe Rich 132: 130: 125: 116: 115: 110: 109: 92: 91: 90: 88: 73: 64: 53:Please help 45: 561:1549 novels 505:Realpolitik 188:Kir Ianulea 159:John Wilson 59:introducing 555:Categories 426:The Prince 233:References 204:Friar Rush 157:(1691) by 135:(1581) by 192:Bucharest 496:Concepts 344:Timeline 292:LibriVox 240:Belfagor 223:Florence 216:Belfagor 198:Synopsis 171:Belfagor 128:(1557). 98:Belfagor 67:May 2017 242:." In: 102:novella 55:improve 472:Clizia 458:Andria 227:ducats 514:Virtù 208:Pluto 40:, or 596:Baal 212:Hell 174:by 104:by 557:: 161:. 96:(" 44:, 36:, 320:e 313:t 306:v 80:) 74:( 69:) 65:( 51:.

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Belfagor
novella
Niccolò Machiavelli
Giovanni Francesco Straparola
Barnabe Rich
Grim the Collier of Croydon
John Wilson
William Makepeace Thackeray
Belfagor
Ottorino Respighi
Luigi Pirandello
Ion Luca Caragiale
Bucharest
Friar Rush
Pluto
Hell
Belfagor
Florence
ducats
Belphagor, or the Marriage of the Devil
LibriVox
v
t

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