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244:, then recently acquired, to be copied and reproduced in tapestry under Cleyn's direction. Copies of these were made by Cleyn's sons, Francis and John, and they were worked into tapestry at Mortlake. These and the other productions of the Mortlake manufactory were held in high estimation, especially in France, and dispersed over the continent.
220:
So anxious was he to obtain Cleyn's services that he wrote in person to the king of
Denmark, requesting that Cleyn, who had to return to Denmark to finish some work for the king, might be allowed to return to England, and offering to pay all expenses. The request was granted, and Cleyn returned to
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and a pension for life of £100 per annum. He also built for him at
Mortlake a residence near the tapestry manufactory. Here Cleyn settled with his family, and superintended the copying of cartoons, and designed the frames in which the subjects were enclosed in the tapestry.
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With the civil war there came a check to Cleyn's prosperity, and he was chiefly employed in etching and designing illustrations for books; in 1632 he had already provided the illustrations (engraved by Pierre
Lombart and S. Savery) to Sandys's edition of
310:. The grotesques and other ornaments in these works, a line in which Cleyn appears to have been unrivalled, have always been greatly admired, and some modern authorities have had no hesitation in ascribing them to the hand of
514:, who states that the brothers were then both dead. Penelope Cleyn appears to have been also a miniature painter, and to her have been ascribed two miniatures of Cecil, Lord Roos (1677), and Dorothea, daughter of
175:. During this time he painted, in 1611, a half-length portrait of Christian, now in the gallery of Copenhagen, and executed decorative works in the castle of Rosenborg and other places. Here, too, he met
510:; they bear the dates 1640–1646, are executed on a large scale, and highly finished; some are signed by John Cleyn, and were evidently executed by him and his brother at Mortlake. They were seen by
617:
364:, of which an edition was published in Paris in 1637. He designed the illustrations, ornamental head-pieces, and so on, to the editions of the classics published by
661:
394:, and were so much admired that the king of France had those for Virgil copied in a special edition of his own. Cleyn etched title-pages for E. Montagu's
186:, then English ambassador to the republic. After returning to Denmark, he proceeded to England with letters of introduction from Anstruther and Wotton to
410:, and perhaps the etchings in the 1654 and 1660 editions of that work. He published in the form of grotesques some sets of original etchings, namely
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422:(1646); and a friend and contemporary artist, a Mr. English, etched some grotesques (1654), and a humorous piece from Cleyn's designs.
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It is difficult to distinguish their work from that of their father. A series of drawings of the cartoons of
Raphael were found at
322:". Cleyn was also largely employed by the nobility to decorate their mansions. Samples of his work in this line were to be seen at
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On his death, Cleyn left three sons, Francis, John (both mentioned above), and
Charles; and three daughters, Sarah, Magdalen, and
577:
David
Howarth, 'The Southampton Album: A Newly Discovered Collection of Drawings by Francis Cleyn the Elder and His Associates',
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on 21 October 1650. With his brother John he followed his father's profession, and they both attained repute as draughtsmen and
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He was sent to Italy to study, and remained there four years, studying at Rome and Venice; at Venice he was introduced to Sir
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350:. Cleyn's name has become attached to the design of chairs with scallop shells backs which furnished these interiors.
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or some more famous painter, ignoring the fact that Cleyn was spoken of at the time as a second
190:. He found Charles away on his expedition with Buckingham to Spain, but was warmly received by
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in
Germany, and while a youth displayed such abilities that he was retained in the service of
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England to enter the service of Prince
Charles, and was immediately employed at Mortlake.
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Worldwide Arts
Resources, Francis Cleyn, Artworks in Museum Collections
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610: This article incorporates text from a publication now in the
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Megan Shaw, 'The
Duchess of Buckingham's Furniture at York House',
433:, includes studies for tapestry and two drawings for the surviving
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495:. Francis Cleyn the younger was born in 1625, and was buried at
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630:. Vol. 11. London: Smith, Elder & Co. pp. 26–27.
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Charles sent down five out of the seven original cartoons of
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Cleyn in an 18th-century (1762?) etching by Thomas Chambars
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to the throne in 1625, he rewarded Cleyn by granting him
386:, (1660). His designs were engraved by Pierre Lombart,
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294:A set of six pieces, representing the history of
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276:designed by Cleyn and woven in the 1630s at the
194:, who saw in him the very man he wanted for the
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655:Oxford Online Dictionary of National Biography
665:(online ed.). Oxford University Press.
483:A 17th– or 18th-century drawing of Cleyn by
302:in Paris; and there are some fine pieces of
320:il famosissimo pittore, miracolo del secolo
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651:Hefford, Wendy (2004). "Francis Clein".
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380:(English edition 1654, Latin 1658), and
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662:Oxford Dictionary of National Biography
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416:Varii Zophori Figuris Animalium ornati
147:) (c. 1582 – 1658) was a German-born
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581:, 49:4 (Winter 2011), pp. 435-478.
448:for new tapestry designs based on
408:Lysis, or the Extravagant Shepherd
272:Tapestries depicting the story of
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342:, Stone Park, Northamptonshire,
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444:In 1656, Cleyn was paid by the
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713:17th-century English painters
594:(Philip Wilson, 2022), p. 85.
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738:17th-century textile artists
723:17th-century German painters
679:UK public library membership
616:Cust, Lionel Henry (1887). "
216:(1635–1645) by Francis Cleyn
71:1658 (aged 75–76)
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646:Art Cyclopedia, Franz Cleyn
404:A Pisgah-sight of Palestine
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92:Mortlake Tapestry Works
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412:Septem Liberates Artes
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718:English male painters
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452:'s tapestry suite of
348:Holland House, London
214:Perseus and Andromeda
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177:Sir Robert Anstruther
30:Frantz or Franz Klein
728:German male painters
518:(1668), signed P.C.
455:The Story of Abraham
242:Acts of the Apostles
224:On the accession of
117:Charles I of England
703:People from Rostock
592:The Art of Tapestry
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460:Mantegna's
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288:, Slovakia
286:Bratislava
230:denization
206:, London.
88:tapestries
86:designing
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501:miniature
439:Ham House
368:, namely
304:grotesque
240:from the
226:Charles I
108:Patron(s)
77:, England
62:, Germany
493:Penelope
435:capricci
418:(1645),
414:(1645),
398:(1650),
374:(1651),
204:Mortlake
153:designer
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624:(ed.).
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238:Raphael
192:James I
169:Rostock
157:England
149:painter
139:; also
90:at the
60:Rostock
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620:". In
475:Family
390:, and
377:Virgil
316:Titian
300:Louvre
141:Frantz
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522:Notes
383:Homer
137:Clein
458:and
356:Ovid
131:(or
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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