1665:
1333:
902:
585:
1318:, running alongside the courtyard, to the back section which had rooms for family members and service areas. Only the first two apartments, begun by Scamozzi, follow this original design. Smeraldi's new design was for narrower apartments, only five arcades wide, that were distributed on multiple floors. Each apartment corresponded to four stores on the ground floor and an archway leading to an inner courtyard that opened to the canal behind. A staircase from the courtyard provided access to the apartment above. By adding another three arcades to the overall project, the number of apartments was increased to seven. An eighth apartment was added on the western end of the square.
991:(consultant architect and buildings manager), to present a model for a three-storey building that was to substitute the hospice and apartments along the entire southern side of the square and continue in front of the Doge's Palace where it was to replace the five hostelries for foreign merchants, the lean-to bread shops, and the meat market. No records survive regarding the ensuing internal discussions, but the project was radically transformed. On 6 March 1537, it was decided that the construction of the new building, now with only two floors, should begin with the section directly in front of the palace and that the space should be destined for the
769:
1267:, Simone Sorella, whose own design for the new building had been rejected. In 1584, Scamozzi presented further design proposals that included an additional floor. This would allow for separate apartments on each of the upper floors. It was similarly suggested that a floor be added to the library which was nearing completion. But following the equivocal results of engineering surveys conducted to determine whether the existing foundation of the library could bear the additional weight, it was decided in 1588 that the library would remain with only two floors. Instead the proposal to raise the height of the Procuratie Nuove was accepted.
1689:
1703:
4916:
1276:
1138:
1037:
760:, foremost of which was the addition of a floor to increment the number of rental apartments. Also, the number of workshops and stores on the ground floor was increased by inserting a narrow street behind the row of stores that opened onto the square so that each arcade now corresponded to an individual shop. On the upper floors, the rooms in the back section, connected by suspended galleries, were destined for servant quarters associated with the principal apartments that looked onto the square.
238:
1544:
1910:
Bon. But
Codussi died in 1504, and there is no indication that the substitution of the previous building was planned prior to the fire of 1512. Pietro Selvatico and Julius Baum consider the design of the lower two levels to be the work of Pietro Lombardo, who at the time was over eighty, and attribute the upper level to Bon. Donatella Calabi also suggests Antonio Abbondi, called “Scarpagnino”, due to the similarity of his work at Rialto after the fire of 1514. See
415:
1499:
1238:, Scamozzi's chief supporter, with radical proposals to demolish the part that had already been completed and erect a structure similar to the Procuratie Vecchie on the northern side of the square. It was alternatively suggested that the project be returned to its original two-floor design. Ultimately, the Senate deliberated that the construction would continue with all three floors. But the design was radically altered, and Scamozzi was dismissed in 1597.
1242:
66:
4379:
4367:
4355:
1348:), he is highly critical of Sansovino's entablatures, which he states are excessive in height with respect to the columns. The arches are consequently said to be dwarfed and ill-proportioned. In the Procuratie Nuove, Scamozzi, a rigid classicist, corrects the 'error' by reducing the height of the Ionic frieze, without, however, successfully resolving the problem of transitioning between the two buildings.
1525:, were originally located in the section of the old pilgrim hospice that directly faced Saint Mark's Square. In 1591, after the completion of the final five bays of the library by Vincenzo Scamozzi (1588), the offices were moved to the upper floor of the new library building when the remaining section of the hospice was demolished in order to continue the construction of the Procuratie Nuove.
866:, it was necessary to sell the apartments in order to raise money to finance the war effort. Although the apartments were later repurchased by the procurators, they were definitively sold in 1717. Inside the Procuratie Vecchie, several of the apartments were subsequently transformed into small gathering places for entertaining, relaxation, and, at times, gambling. These were termed either
2017:, p. 108. Manuela Morresi, in contrast, argues that the interruption of the lateral street and the return to the previous layout with the series of courtyards was part of a broader effort on the part of the procurators and the Great Council to requalify Saint Mark's Square and discourage certain commercial activities in order to increase the value of the rental apartments. See
373:
over a hundred years and profoundly transformed Venice's city centre, giving it the appearance of a great classical forum. Both the official residences in the
Procuratie Nuove and the rental apartments in the Procuratie Vecchie were built above arcades with space on the ground floor that was rented out for stores, workshops, and later coffeehouses, including the historic
615:. The intention was to create a steady flow of revenue in order to fund further work on the Church of Saint Mark and provide charitable assistance to the poor, thus avoiding the need to rely upon private pious donations and state financing. The properties included the long building erected by Ziani along the northern side of the square. As shown in Gentile Bellini's
964:, refused to take up residence in the square. Citing the dark and damp conditions and, in some instances, the lack of a view, they preferred to live in their palatial homes elsewhere in the city. Other procurators sublet their official apartments as a source of personal revenue. In addition, there were only six official apartments, two for each of the procuracies (
369:. It always contained apartments that were rented by the procurators as a source of revenue to finance building projects and repairs. Rental income was significant, given the prestige of the location. But the apartments were eventually sold to raise immediate money for the government, and several of them were subsequently transformed into clubhouses.
1724:(1172–1178), had been rebuilt in the early sixteenth century by Cristoforo da Legname and then completed by Jacopo Sansovino in 1557 with the addition of a dome and the façade. It was flanked on both sides by the wings of the Procuratie Vecchie and the Procuratie Nuove, built respectively by Sansovino and Longhena.
1979:, p. 420. Both Michela Agazzi and Manfredo Tafuri note that a collaboration between Bon and Celestro also existed at the Great School of San Rocco. But Manuela Morresi suggests that the Tuscan architect involved in the Procuratie Vecchie and the Great School of San Rocco may be two separate individuals. See
1003:
had donated to the
Republic in 1468 with the request that a library of public utility be founded. There was no further reference to a continuation along the southern side of the square until the 1550s when work was nearing completion on the initial construction stage of the library. At that time, it
694:
Construction began with the damaged section adjacent to the clock tower and proceeded gradually. To limit the loss of revenue to the procurators, each tenant was evicted only when it became necessary to demolish the apartment in order to continue building. Also, the new shops on the ground floor and
523:
procurators could also be created in moments of financial constraint in exchange for monetary contributions to the treasury. This amounted to the periodic sale of the prestigious title. The number of procurators fluctuated thereafter: in 1521, there were eighteen. At times, the number rose to forty.
1909:
Adolfo
Venturi, Giulio Lorenzetti, Luigi Angelini, and Lionello Puppi attribute the design to Mauro Codussi who is generally considered to be the architect of the adjacent clock tower. Paolo D’Ancona and Maria Luisa Gengaro attribute the lower two levels to Codussi and the upper floor to Bartolomeo
1427:
The apartments of the procurators occupied the upper storeys. The shops on the ground floor were rented out as sources of revenue. In 1683, a coffeeshop was present, the sole such establishment in Venice. Thereafter the number of coffeeshops in the
Procuratie Nuove increased and eventually included
448:
in prestige, was one of the few lifetime appointments in the
Venetian government. It was routinely occupied by nobles belonging to the most influential families and typically represented the climax of a distinguished political career, although it was often an intermediate position prior to election
1715:
When during the second period of French domination the
Procuratie Nuove was transformed into a royal residence, the former apartments of the procurators were adapted for residential purposes. But the structure lacked a suitably grand entry as well as larger rooms for audiences and entertaining. In
1418:
where the altars alternate around the perimeter, in pairs, with curvilinear and triangular pediments. Scamozzi's design for the upper floor included elaborate carvings and reclining figures atop the tympanums. But these were eliminated from the design by
Smeraldi and exist only above the first ten
1287:
in 1600 upon the death of
Sorella. That same year, the two single-floor apartments already under construction according to Scamozzzi's design were completed, and the first apartment was assigned the following year. Smeraldi then radically reconceived the design as a series of narrower, multi-level
1258:
In March 1581, prior to the definitive selection of
Scamozzi's design, demolition of the previous structures began with a portion of the old pilgrim hospice and proceeded gradually as more space was required to continue. Actual construction began in 1583. Although Scamozzi was directly involved in
372:
The Procuratie Nuove on the southern side housed the official residences of the procurators. Built between the late-sixteenth and mid-seventeenth centuries to replace a series of dilapidated medieval structures, it represented the culmination of an extensive programme of urban renewal that lasted
1313:
Despite the need to increase the number of apartments available to the procurators, Scamozzi's design was for only six apartments. These were divided into three consecutive units, each eleven arcades wide. The two apartments on the upper floors, one atop the other, shared a single courtyard with
2124:
The excessive repair costs borne by the procurators for their apartments and the misuse of government funds were the subject of a formal inquiry in 1569. The documents relative to the inquiry are in the State Archives of Venice in PS, b. 65 proc. 153 fasc. 1, libretto no. 25. See
846:
for much of its history. At various times, the shops on the ground floor housed a goldsmith, glazier, cobbler, engraver, tailor, spice merchant, painter, cutler, old-clothes seller, barber, bookseller, and notary. In 1638, the 'Rimedio' wine shop opened. It was subsequently purchased by Giorgio
1781:
The façade of the attic is covered in low relief panels with classical motifs. Interspersed with these reliefs are freestanding statues on pedestals by Antonio Bosa and Domenico Banti. These portray heroes, statesmen, and rulers, primarily from Antiquity, that were seen as embodying Napoleonic
2033:
The narrow street, Calle del Cappello Nero, extends for only twenty-four arcades after which the previous design of the inner courtyards was preserved. Previously, the stores and workshops behind were accessible through passageways in the square that connected to small, inner courtyards. See
714:
with the insertion of a small street running parallel to the square. In contrast, the earlier layout, characterized by a series of courtyards, was retained for the remainder of the building, further away from the area damaged by the fire. This indicates that, although documents refer to the
2141:
In 1531, the Great Council deliberated to allocate a maximum of 40 ducats to each procurator for modifications and renovations to his official apartment during his tenure. Funds were nevertheless illegally expropriated from other government accounts to finance repairs and improvements. See
1007:
Conditions in the buildings on the southern side of the square continued to deteriorate giving rise to concerns for the dignity of the procurators, and on 10 December 1580, the Senate determined that the time had come to demolish the buildings, citing once again their age and the unsightly
916:
In sharp contrast to the newly built Procuratie Vecchie on the northern side of Saint Mark's Square, the southern side was still lined with several antiquated structures. These included the rent-free apartments erected in the thirteenth century for the procurators as well as their
1773:
The first two floors of the Napoleonic Wing continue the repeatable bays of Sansovino's design for the library which Scamozzi had also used for the Procuratie Nuove on the southern side of the square. To then visually link the new building to the northern side, Soli designed an
1727:
Proposals for the building that was to replace the church and join the wing of the Procuratie Vecchie with the wing of the Procuratie Nuove varied. Although the imperial French government sought a sense of monumentality, the projects of Grazioso Buttacalice for a
1830:
specifically authorize a procurator to occupy a seat on any council. Subsequently, in 1388, it was established that only one procurator for each procuracy could hold another government office. But beginning in 1569, the procurators were allowed to serve as
976:) which were assigned to the next senior procurator upon vacancy. This number of apartments was insufficient, and the government incurred the additional expense of a rent allowance to enable the remaining procurators to secure living space near the square.
1608:
were prominently positioned at the top of the monumental staircase as an indication of their prestige. The first of the rooms served as an archive for documents, the second as a room for administrative officials and clerks in attendance, the third for
2009:
Michela Agazzi specifically notes that a doorway from the previous building was discovered inside a wall of the later construction near the Sottoportego di Corte Maruzzi, confirming that portions of the previous building were not demolished. See
641:
The architect of the Procuratie Vecchie is not known from any official source, and various names have been suggested, primarily on the basis of stylistic considerations and the prominence of the individual architect at the time. These include
1933:
The name of Bon is confirmed in the witness statement of procurator Melchiorre Michiel in the 1569 case "ProprietĂ in Campo Russolo". The relative document is in the State Archives of Venice in PS, b. 33, processo 68, fascicolo 2. See
364:
in the early sixteenth century to replace an earlier structure, damaged by fire. Although the war imposed financial constraints and limited innovation, it was nevertheless the first major public building in Venice to be erected in a purely
1225:
Disapproval of the magnitude and grandeur of the project was voiced as early as 1589 when the design was criticized for its rich adornment, considered disparagingly more appropriate to a theatre in reference to Scamozzi's work at the
2305:
Scamozzi considered appropriate a ratio between the height of the entablature and the column of 1 to 4 for the Doric order and 1 to 5 of the Ionic order, whereas the ratios in the library are 1 to 3 and 1 to 2 respectively. See
1078:, giving greater visual importance to the Church of Saint Mark located on the eastern side. Presumably, this had been Sansovino's intention when in 1537 he began the construction of the library further away from the bell tower.
1598:
were situated in the area built by Scamozzi. Curiously, in 1552 when the library was still under construction, the practice began of extracting by lot the use of the balconies by the procurators and their guests to observe the
1603:
celebrations in the Piazzetta. The designated area for the offices, accessible by means of the same entry as the library, consisted in nine rooms, three for each of the procuracies. The rooms utilized by the procurators
469:, administered trust funds established as pious donations on behalf of religious and charitable institutions. In 1319, there were six procurators, and in 1443 there were nine. These were divided into three procuracies:
1752:
In 1810, Antolini's project was abandoned and the section of the building already constructed was demolished. The wing of the Procuratie Vecchie was also demolished and replaced by the actual building, designed by
851:. Other coffeeshops in the Procuratie Vecchie eventually included 'Re di Francia', 'Abbondanza', 'Pitt l'eroe', 'Orfeo', 'Redentore', 'Coraggio', 'Speranza', and 'Specchi'. 'Alla Regina d'Ungheria', the modern-day
1314:
staircases and entries onto the square and the canal behind. Each apartment consisted of two sections. The forward section, facing the square, had the principal rooms and a study. It was connected by means of two
1069:
On 15 January 1581, the procurators decided that the new building would be constructed not on the exact site of the hospice and existing apartments but further back, in line with the library. This would make the
955:
Conditions in the outdated and precarious apartments were poor, and expenditures for repairs continued to rise for both the occupants and the government. Some procurators, despite the obligation imposed by the
1428:'L’Angelo Custode', 'Duca di Toscana', 'Buon Genio', 'Doge', 'Imperatore', 'Imperatrice delle Russie', 'Tamerlano', 'Fortuna', 'Diana', 'Dama Veneta', 'Aurora', 'Piastrelle', 'Pace', and 'Arabo'. The historic
1170:. They saw the transformation of Saint Mark's Square into a classical forum as the means to publicly affirm their own cultural orientation and their superior intellectual understanding of the principles of
1948:, p. 87. Howard's text identifies the architect as Bartolomeo Bon since it predates Stefano Mariani's archival research on Pietro Bon, consultant architect and buildings manager for the procurators
1414:. Palladio also proposed the combination in his design for the rebuilding of the Doge's Palace after the fire of 1577, which may have been the immediate source for Scamozzi. The ancient prototype is the
1121:
of the bell tower (begun 1538), called for the radical transformation of Saint Mark's Square from an antiquated medieval town centre with food vendors, money changers, and even latrines into a classical
1720:, located on the western side of the square, was consequently demolished to have the space needed to extend the royal residence and create the necessary rooms. The church, dating back to the reign of
1778:
floor, the height of which corresponds to the roofline crenellation of the Procuratie Vecchie. The attic was also conceived as a means of concealing the high, vaulted ceiling of the ballroom behind.
1283:
By the time of Scamozzi's dismissal in 1597, only the first ten arcades had been built. The project was thereafter entrusted to Francesco di Bernardin Smeraldi, called FracĂ , who was also nominated
1379:. Scamozzi, while acknowledging the existence of both Roman and Renaissance precedents, was critical of such layering. In his design for the additional floor of the Procuratie Nuove, the series of
880:
meaning to go, typically to a place of meeting or gathering). Most notably, the Procuratie Vecchie housed the 'Casin dei nobili', a large clubhouse for noblemen located on the first floor, and the
524:
The effective sale of the position also made it possible for young and ambitious nobles to quickly rise to high office and to consequently exert great influence. In the sixteenth century, notably
3976:
Mariani, Stefano, 'Vita e opere dei proti Bon Bartolomeo e Pietro' (unpublished doctoral thesis, Istituto Universitario di Architettura – Venezia, Dipartimento di Storia dell'Architettura, 1983)
912:(1496). The detail shows the southern side of the square with the timeworn pilgrim hospice (adjacent to the bell tower) and the thirteenth-century residences of the procurators (foreground).
535:. Apart from extraordinary embassies to foreign courts, the procurators were also relieved from the obligation incumbent upon all nobles to accept political appointments, including on the
603:
Following the enlargement of Saint Mark's Square in the second half of the twelfth century, several buildings and lands in and near the square were donated as rental properties to the
1190:
had largely abandoned maritime trade in favour of the administration of agricultural properties on the mainland. In their foreign policy, they tended to support the interests of the
743:
of the Procuratie Vecchie, containing five apartments, and the five bays along the western side of the square (subsequently demolished) were completed under Sansovino's direction.
4845:
5063:
4983:
756:
Given financial constraints during the War of the League of Cambrai, innovation was limited to design modifications that were aimed at increasing revenue to the procurators
5068:
5058:
4840:
3753:(Venezia: Comune di Venezia, Assessorato agli affari istituzionali, Assessorato alla cultura and UniversitĂ degli studi, Dipartimento di storia e critica delle arti, 1991)
1288:
apartments. He also simplified the overall decoration. By 1611, the building had reached the twentieth arcade and four apartments were completed. Smeraldi was succeeded as
1621:, the portraits were hung in double rows, the meeting room being reserved for the portraits of the procurators who had subsequently been elected as doges. Following the
531:
In addition to the associated public honour, the office of procurator ensured an active role in the political life of Venice: after 1453, it guaranteed a seat in the
4870:
4865:
4855:
2063:
The documents relative to the sale and repurchase in the seventeenth century are in the State Archives of Venice in PS, b. 27, proc. 51, fasc. 4. See
388:
The Procuratie Nuovissime (Newest Procuracies, also known as the Napoleonic Wing) was built during the second period of French occupation (1805–1815) when after the
5048:
5098:
4850:
5053:
5013:
4780:
4835:
2283:
Manuela Morresi suggests that in addition to engineering considerations, the decision to retain the height of the library stemmed from the ascendency of the
1629:
was removed and in part dispersed when the library was annexed to the Procuratie Nuove as the royal apartment for Eugène de Beauharnais, the viceroy of the
457:, the ducal chapel. Over time the number of procurators increased. By the mid-thirteenth century there were four procurators, two of which, the procurators
4933:
4325:
Mueller, Reinhold, 'The Procurators of San Marco in the Thirteenth and Fourteenth Centuries: A Study of the Office as a Financial and Trust Institution',
5028:
4968:
1972:, pp. 129-130. Alternatively, John McAndrew proposes that the layout may be the design of Celestro whereas the façade can be attributed to Bon. See
1786:, was removed during the second period of Austrian domination. Similarly, the decorations in the staircase with the triumphs of Napoleon were replaced.
5023:
4958:
4953:
5103:
2087:, meaning reduced in reference to the practice of closing off sections of apartments in order to create the smaller, more secluded private areas. See
1008:
appearance. Three designs were submitted for the building that was to house the new apartments of the procurators, and on 5 April 1582, the design of
1613:. Paintings, primarily portraits of the procurators and devotional works, were transferred from the previous offices and adapted to the new rooms by
1483:, the Procuratie Nuove came into the possession of the Italian Crown which ceded ownership to the State in 1919. Since 1922, the building houses the
926:
834:, should be supported on square pillars so that the resulting arcade appears to be the residual of "a wall open and discontinued in several places".
858:
Due to the enviable site, the rents for the apartments above were relatively expensive, ranging from 40 to 70 ducats a year in 1569. But during the
5003:
654:. With regard to the sixteenth-century sources, Marin Sanudo mentions the little-known Tuscan architect Zuan Celestro in his diary (1514), whereas
4203:, IV (Roma: Ministero per i beni culturali e ambientali, Ufficio centrale per i beni archivistici, 1994), pp. 857–1014, 1062–1070, 1076–1140
626:
and led to the collapse of a portion of the façade. It was subsequently decided that notwithstanding the financial constraints at the time of the
4860:
543:, thus ensuring their presence in the city. The position also brought economic and financial influence through the management of vast amounts of
5033:
1336:
The juncture between the Ionic entablature of Sansovino's library (left) and the 'corrected' entablature of Scamozzi's Procuratie Nuove (right)
1004:
was suggested that the library be extended to the waterfront and that the entire square be lined with new structures. But no action was taken.
4988:
345:, Italy. Two of the buildings, the Procuratie Vecchie (Old Procuracies) and the Procuratie Nuove (New Procuracies), were constructed by the
5218:
4359:
659:
5264:
5254:
4773:
1094:
28:
4583:
4411:
4371:
4383:
634:
remarked in his diary that the reconstruction was "in order to make it very beautiful for the glory of the land … despite the war" (
1198:. But the building programme was increasingly opposed by the more traditionalist and pro-French faction within the government, the
1021:
695:
apartments above were leased as soon as they were ready. By 1517, the first section had progressed far enough to begin work on the
1340:
For the first two floors, Scamozzi was obliged to continue Sansovino's design for the library. But in his architectural treatise
463:, retained responsibility for the administration of the Church of Saint Mark and its treasury. The other two procurators, called
715:
demolition of the previous structure, certain parts of it were in fact maintained and reutilized, presumably to minimize costs.
357:
as well as the financial affairs of state wards and trust funds established on behalf of religious and charitable institutions.
5244:
4766:
1664:
1081:
The decision to replace the dilapidated structures with a new building for the procurators was in fact the culmination of the
4459:
2289:
faction in the aftermath of the constitutional crisis of 1582 and its opposition to the aggressive building programme. See
2180:
and resulted in the reduction of the powers delegated to the Council of Ten and in a renewed legitimacy of the Senate. See
1061:
The locations have been approximated based on panoramic engravings of the city, land records, and excavations in 1888-1889.
611:
and his immediate descendants. Subsequently, the administration of many of the properties was delegated to the procurators
3765:
Augusti, Adriana, 'Dal palazzo dei procuratori al palazzo del re: le vicende e le decorazioni', in Gabriele Morolli, ed.,
1877:
The Commune of Venice, rather than the doge, is first mentioned as the representative authority of the State in 1143. See
5249:
4512:
1455:, during the second period of French domination (1805–1815). The former apartments of the procurators were decorated by
5269:
4663:
1810:, Martinioni records 40 procurators who, beginning in 1275, were subsequently elected doge. For the complete list, see
999:, consisting in the precious collection of Greek and Latin manuscripts, entrusted to the care of the procurators, that
619:(1496), it was a two-storey building with a series of apartments above and shops on the ground floor that were leased.
1475:
collaborated in other rooms. Modifications were also made in 1834–1836 and 1853–1857, during the subsequent period of
4735:
4471:
4291:
4259:
4208:
4167:
4066:
4015:
3990:
3960:
3944:
3925:
3906:
3887:
3856:
3831:
3790:
3774:
114:
1332:
567:
were also specifically responsible for the construction, maintenance, and management of the public buildings around
163:
1476:
1296:
who completed the construction of the Procuratie Nuove around 1660, including the seven arcades that reached the
1245:
The only apartment unit, eleven arcades wide, built in accordance with Scamozzi's design is characterized by the
5142:
4499:
4215:
Torsello, B. Paolo, 'Il neoclassico nella Piazza: l’ala napoleonica e il patriarcato', in Giuseppe Samonà , ed.,
805:
4699:
4576:
4404:
4275:
4091:
4047:
4031:
3815:
1622:
1436:
901:
584:
484:
389:
1479:(1815–1866), when the Procuratie Nuove served as an imperial residence. After the annexation of Venice to the
630:(1508–1516), the entire structure would be rebuilt as a statement of Venice's self-confidence. Significantly,
595:(1496). The detail shows the northern side with the twelfth-century building, administered by the procurators
1630:
1452:
796:
along the roofline and the succession of two window bays over each of the ground-floor arches, the elongated
393:
1390:
The wall between the Corinthian columns is pierced with rectangular aedicule windows, topped by alternating
627:
516:
361:
801:
5127:
4693:
1383:
columns rests against a simple wall. As a result, the third level lacks the deep recesses and the strong
1106:
20:
1052: Hospice and offices of the procurators, demolished beginning in 1581 to build the Procuratie Nuove
710:
With respect to the pre-existing structure, the layout of the new building was altered for the first 24
432:). One of the major proponents of urban renewal of Saint Mark's Square, Cappello was elected procurator
4717:
4006:
Morolli, Gabriele, 'Vincenzo Scamozzi e la fabbrica delle Procuratie Nuove', in Gabriele Morolli, ed.,
1171:
859:
831:
1467:
who was in Venice in 1807. For the decoration of the throne room and the dining room, Pietro Moro and
1327:
5259:
4614:
4569:
4397:
4134:
1762:
1737:
1736:
were both deemed too radical and equally incongruous with the overall aspect of Saint Mark's Square.
1472:
808:. Also, the columns on the ground floor, reminiscent of the Doge's Palace, were replaced with square
631:
409:
346:
211:
4758:
1210:
to leave a lasting architectural mark. Hence when after the constitutional crisis of 1582-1583 the
1167:
354:
1444:
4890:
4483:
4304:
Chambers, David, 'Merit and Money: The Procurators of St Mark and Their Commissioni, 1443-1605',
1893:
The act is in the State Archives of Venice in PS b. 70, proc. 155, cc. 17–26. See
1827:
1456:
1395:
1234:. The opposition to the building programme intensified following the death in 1595 of procurator
1162:, the wealthy and influential families within the aristocracy who maintained close ties with the
957:
623:
319:
266:
4334:
4313:
2072:
1952:
who was often confused with Bartolomeo Bon, chief consulting architect for the Salt Office. See
1688:
1645:
motifs, allegorical figures, and mythological scenes that exalt moral and intellectual virtues.
5183:
4687:
4552:
4478:
4434:
2167:
The act of the procurators is in the State Archives of Venice in PS, Atti, reg. 125, c. 2.
1586:
were located in the portion of the library completed earlier by Sansovino, directly facing the
1407:
1118:
1071:
789:
781:
571:, including the shops, food stalls, and apartments that were rented out as sources of revenue.
366:
270:
5173:
4630:
4608:
4488:
4466:
1717:
1654:
1360:
1297:
813:
711:
454:
297:
248:
768:
5178:
5147:
5132:
4669:
3951:
Mar, Gian Paolo, Paola Mar, and Monica Zanforlin, 'La fabbrica', in Alfredo Viggiano, ed.,
1758:
1364:
941:
508:
4948:
4885:
4880:
3751:
Platea Sancti Marci: i luoghi marciani dall'11. al 13. secolo e la formazione della piazza
2267:
In 1599, Scamozzi was similarly dismissed from the Church of San Nicolò da Tolentino. See
677:. But the precise contributions of Bon and Celestro to the design remain unclear. Bon, as
8:
5168:
4746:
4681:
4640:
4624:
4507:
4122:
4110:
4098:
4054:
1783:
1754:
1293:
1235:
1131:
1114:
1090:
996:
818:
728:
655:
544:
279:
1702:
5204:
5188:
5073:
4993:
4973:
4938:
4789:
1600:
1411:
1098:
1000:
931:
823:
740:
604:
552:
350:
73:
Procuratie Nuove (left), Procuratie Nuovissime (centre), and Procuratie Vecchie (right)
3997:
Molmenti, Pompeo, 'Lettere inedite del patrizio Pietro Zaguri a Giacomo Casanova', in
520:
5152:
5018:
5008:
4963:
4915:
4815:
4330:
4309:
4287:
4271:
4255:
4239:
4220:
4204:
4179:
4163:
4146:
4087:
4062:
4043:
4027:
4011:
3986:
3956:
3940:
3921:
3902:
3883:
3852:
3827:
3811:
3786:
3770:
3754:
2111:, existed on the western side of the square in the wing of the Procuratie Nuove. See
2068:
1854:
1195:
1102:
1009:
921:(offices), which were located inside a separate building dating back to the reign of
885:
556:
4024:
Piazza san Marco: istituzioni, poteri e architettura a Venezia nel primo Cinquecento
4740:
4592:
4526:
4420:
4231:
3932:
3781:
Augusti, Adriana, 'Dal palazzo del re al palazzo reale', in Gabriele Morolli, ed.,
1858:
1721:
1587:
1480:
1468:
1460:
1380:
1279:
Detail of southern façade, showing the discontinuation of Scamozzi's ornate design.
1275:
984:
961:
922:
888:, located in the wing of the Procuratie Vecchie on the western side of the square.
724:
608:
568:
560:
525:
488:
338:
257:
5122:
4444:
3840:
L'Archivio di Stato di Venezia, indice generale, storico, descrittivo ed analitico
1429:
944:
arriving in the city to venerate the relics of Saint Mark. Later, it served as an
937:
437:
374:
5093:
5043:
5038:
4810:
4793:
4675:
4618:
4538:
2176:
The constitution crisis concerned the nomination of the adjunct committee of the
1965:
Deborah Howard suggests that Bon may have simply followed Celestro’s design. See
1610:
1464:
1376:
1227:
1180:
1163:
1110:
1046: Meat market, demolished in 1581 to continue the construction of the library
905:
651:
647:
588:
532:
288:
4449:
2223:
For a general discussion of the political factions, alternatively called 'Old' (
1137:
852:
848:
540:
528:, Vettore Grimani, Federico Contarini, and Andrea Dolfin purchased the office.
392:, the Procuratie Nuove was transformed into the residence of the viceroy of the
382:
378:
5114:
5083:
4900:
4518:
4141:, ed. by G. Berchet, N. Barozzi, and M. Allegri, 58 vols (Venezia: , 1879–1903)
3913:
3894:
3875:
3863:
2200:, Antonio Querini, Leonardo DonĂ , and Andrea Dolfin were strong opponents. See
2177:
2050:
The deliberation of the Senate authorizing the sale is dated 15 July 1648. See
1729:
1415:
1141:
1127:
863:
809:
800:, characteristic of the Veneto-Byzantine tradition in Venice, was updated with
548:
445:
360:
The Procuratie Vecchie on the northern side of the square was built during the
777:
700:
444:
The office of procurator of Saint Mark, considered second only to that of the
334:
5238:
5078:
4943:
4875:
4190:
Talamini, Tito, 'Le procuratie vecchie a Venezia ... una storia per domani',
1853:
Chronicles date the enlargement of the square alternatively to the reigns of
1642:
1484:
1123:
1086:
1074:
a freestanding structure. It would also transform Saint Mark's Square into a
1036:
704:
664:
643:
536:
449:
as doge. The office originated in the ninth century with a single procurator
43:
30:
3969:
La costituzione di Venezia: dalle origini alla serrata del Maggior Consiglio
949:
5088:
4925:
4454:
1833:
1638:
1222:, they actively sought to limit any further change to Saint Mark's Square.
1191:
797:
636:"farle di novo e bellissime, che sarà onor di la terra … ben sia la guerra"
397:
237:
4243:
4224:
4183:
3918:
Venice Disputed: Marc'Antonio Barbaro and Venetian Architecture: 1550–1600
3758:
5137:
4998:
4978:
4820:
1775:
1543:
1443:, the Procuratie Nuove was adapted to serve as the official residence of
1391:
1384:
1372:
1356:
1352:
827:
776:
The Procuratie Vecchie was the first major building erected in Venice in
515:). Beginning in 1516, initially to aid in the economic recovery from the
4268:
La libreria di san Marco: libri, lettori, societĂ nella Venezia dei dogi
1498:
1089:
to reaffirm Venice's international prestige after the earlier defeat at
547:
and of investments in commercial and private real estate, in government
414:
396:. Today, much of the Procuratie Nuove and the Napoleonic Wing house the
4636:
4284:
Antichi ridotti veneziani: arte e societĂ dal Cinquecento al Settecento
1614:
1502:
492:
418:
1398:. The solution of the alternating tympanums had been employed by both
1371:
in Rome. Similarly, on the upper floor of the library, a row of large
1241:
842:
The Procuratie Vecchie was rental property managed by the procurators
459:
65:
4895:
4830:
4077:(Venezia: G. Scarabellin, 1916; repr. Venezia: Filippi Editore, 1980)
3824:
Palladio's Venice: Architecture and Society in a Renaissance Republic
1668:
1617:, under the direction of Scamozzi. In the offices of the procurators
1368:
1175:
1075:
945:
512:
4788:
2158:
The windows on the southern façade looked onto the public granaries.
884:
for foreign diplomats, who were not permitted to socialize with the
5222:
4561:
4389:
1956:
for relative documentation and the attribution of various projects.
1463:
between 1807 and 1813, under the influence of the French decorator
1440:
1399:
1270:
504:
478:
3880:
Jacopo Sansovino: architecture and patronage in Renaissance Venice
1782:
ideals. The statue in the centre, depicting Napoleon enthroned as
1509:(1550). The portrait of Soranzo, elected procurator of Saint Mark
1351:
In Sansovino's library, the ground floor consists in a series of
681:, was nevertheless responsible for oversight during construction.
4825:
4174:
Talamini, Tito, ' Le Procuratie nuove', in Giuseppe SamonĂ , ed.,
3847:
Franzoi, Umberto, 'L'ala napoleonica', in Gabriele Morolli, ed.,
1924:, pp. 21-25 and 46 (note 40) for bibliographical references.
1733:
1448:
1403:
1246:
1231:
1216:
found themselves in a position of greater strength vis-Ă -vis the
673:(consultant architect and buildings manager) to the procurators
5212:
4905:
4802:
4531:
4378:
4366:
4354:
4192:
Parametro: rivista internazionale di architettura e urbanistica
1741:
1315:
793:
785:
696:
436:
in 1523, at the age of only 29, following the payment of 8,000
342:
4341:
Renovatio urbis: Venezia nell'etĂ di Andrea Gritti (1523-1538)
1590:
and the Doge's Palace, whereas the offices of the procurators
1166:
and whose architectural and artistic tastes tended to reflect
473:(responsible for the [Church of Saint Mark and its treasury),
5208:
1694:
Procuratie Nuovissime (Napoleonic Wing), detail of the façade
622:
A fire in June 1512 destroyed one of the apartments near the
16:
Three connected buildings along Saint Mark's Square in Venice
453:, nominated to assist the doge in the administration of the
4160:
Venezia e il Rinascimento: religione, scienza, architettura
1093:
during the War of the League of Cambrai and the subsequent
3999:
Atti del Reale Istituto Veneto di Scienze, Lettere ed Arti
1648:
718:
707:. That same year, the first new apartment was rented out.
353:, who were charged with administering the treasury of the
349:, the second-highest dignitaries in the government of the
3458:
Augusti, 'Dal palazzo dei procuratori al palazzo del re…'
3446:
Augusti, 'Dal palazzo dei procuratori al palazzo del re…'
3434:
Augusti, 'Dal palazzo dei procuratori al palazzo del re…'
3422:
Augusti, 'Dal palazzo dei procuratori al palazzo del re…'
2083:
It is alternatively suggested that the term derives from
1954:
Mariani, 'Vita e opere dei proti Bon Bartolomeo e Pietro'
1432:, initially named 'Venezia Trionfante', opened in 1720.
1253:
658:
in his guide to the city (1581) attributes the design to
4217:
Piazza San Marco: l'architettura, la storia, le funzioni
4176:
Piazza San Marco: l'architettura, la storia, le funzioni
689:
4219:, 2nd edn (Venezia: Marsilio, 1977), pp. 187–194
4084:
La bottega del caffè: i caffè veneziani tra '700 e '900
2779:
Molmenti, 'Lettere inedite del patrizio Pietro Zaguri…'
2113:
Molmenti, 'Lettere inedite del patrizio Pietro Zaguri…'
822:, that in larger structures the column, inherited from
337:) are three connected buildings along the perimeter of
3044:
Howard, 'Architectural Politics in Renaissance Venice'
2421:
Howard, 'Architectural Politics in Renaissance Venice'
1419:
windows, completed during Scamozzi's superintendence.
2254:
The remark was by procurator Federico Contarini. See
1156:
The building programme was strongly advocated by the
1134:
in 1527, to present Venice as Rome's true successor.
1292:
by Mario della CaritĂ and subsequently, in 1640, by
1126:. The intent was to evoke the memory of the ancient
1085:, the vast architectural programme begun under Doge
1673:
Piazza san Marco looking West towards San Geminiano
3866:, 'Architectural Politics in Renaissance Venice',
19:"Procuracies" redirects here. For other uses, see
3120:
3118:
2864:
2862:
1744:with a grand staircase in the rear was accepted.
1406:for residential architecture and by Palladio for
816:'s recommendation in his architectural treatise,
784:prototypes. Although many aspects of the earlier
5236:
3699:
3697:
1271:Later periods of superintendence (1597–ca. 1660)
910:Processione di Corpus Domini in Piazza san Marco
617:Processione di Corpus Domini in Piazza san Marco
593:Processione di Corpus Domini in Piazza san Marco
499:(responsible for trust funds established in the
477:(responsible for trust funds established in the
4306:Journal of the Warburg and Courtauld Institutes
4236:Architectural principles in the age of humanism
2679:Architectural principles in the age of humanism
1263:(chief building consultant) to the procurators
3983:Venetian architecture of the early Renaissance
3470:Augusti, 'Dal palazzo del re al palazzo reale'
3115:
3078:
3076:
2859:
2313:, Lib. VI, Cap. VII, pp. 20-21.
4774:
4577:
4405:
3694:
3525:
3523:
2970:
2968:
2928:
2926:
2901:
2899:
2897:
2895:
2557:
2555:
2553:
2551:
2549:
2371:
2369:
2367:
2365:
2349:
2347:
2345:
2343:
2284:
2236:
2230:
2224:
1490:
1217:
1211:
1205:
1199:
1185:
1157:
4320:Degnita procuratoria di San Marco di Venetia
2386:
2384:
2065:Talamini, 'Le procuratie vecchie a Venezia…'
403:
4611:(original project of reconstruction, 1520s)
3799:Relazione storica sulle magistrature venete
3073:
2435:Relazione storica sulle magistrature venete
2334:Relazione storica sulle magistrature venete
875:
723:Following the death of Pietro Bon in 1529,
464:
4781:
4767:
4584:
4570:
4412:
4398:
3980:
3966:
3796:
3520:
2965:
2923:
2892:
2606:
2546:
2528:, XVIII (1887), col. 10, 5 March 1514
2432:
2362:
2340:
2331:
1973:
1878:
1659:
896:
599:, that housed rental apartments and shops.
4230:
4214:
4127:Venetia cittĂ nobilissima et singolare...
3971:, 2 vols (Venezia: La Nuova Italia, 1927)
3955:(Roma: Editalia, 1994), pp. 111–170
3953:Le Procuratie Vecchie in Piazza San Marco
3920:(New Haven: Yale University Press, 2011)
3882:(New Haven: Yale University Press, 1975)
3851:(Roma: Editalia, 1994), pp. 117–156
3826:(New Haven: Yale University Press, 2005)
3785:(Roma: Editalia, 1994), pp. 197–222
3769:(Roma: Editalia, 1994), pp. 157–196
3703:
3673:
3649:
3637:
2676:
2513:, XV (1886), col. 541, February 1513
2498:, XIV (1886), col. 305, 10 June 1512
2381:
1826:A deliberation of 1305 required that the
1814:Venetia cittĂ nobilissima et singolare...
1808:Venetia cittĂ nobilissima et singolare...
792:structure were maintained, including the
106:Pietro Bon and Zuan Celestro (attributed)
4201:La Guida generale degli Archivi di Stato
4199:Tiepolo, Maria Francesca, 'Venezia', in
4010:(Roma: Editalia, 1994), pp. 11–116
3842:(Roma: Biblioteca d'Arte editrice, 1937)
3764:
3704:Torsello, 'Il neoclassico nella Piazza…'
3674:Torsello, 'Il neoclassico nella Piazza…'
3650:Torsello, 'Il neoclassico nella Piazza…'
3638:Torsello, 'Il neoclassico nella Piazza…'
3457:
3445:
3433:
3421:
1663:
1497:
1331:
1274:
1240:
1136:
900:
772:Procuratie Vecchie, detail of the façade
767:
583:
579:
413:
155:Vincenzo Scamozzi and Francesco Smeraldi
4121:
4115:Venetia città nobilissima et singolare…
4103:Venetia città nobilissima et singolare…
4008:Le Procuratie Nuove in Piazza San Marco
3849:Le Procuratie Nuove in Piazza San Marco
3783:Le Procuratie Nuove in Piazza San Marco
3767:Le Procuratie Nuove in Piazza San Marco
3547:Venetia citta nobilissima et singolare…
3499:Venetia città nobilissima et singolare…
2540:Venetia città nobilissima et singolare…
1811:
1740:’s more modest design for a two-storey
1732:and of Gaetano Pinali for a Corinthian
1649:Procuratie Nuovissime (Napoleonic Wing)
1521:The offices of the procurators, called
1375:columns is superimposed on a series of
1328:Biblioteca Marciana § Architecture
1058: Old apartments of the procurators
936:, had originally been constructed as a
719:Sansovino’s superintendence (1529–1538)
423:Portrait of Procurator Antonio Cappello
5237:
4617:(original project, 1554, continued by
4281:
4097:
4037:
3544:
3511:
3328:
3082:
2883:
2537:
2290:
2088:
1254:Scamozzi's superintendence (1583–1597)
1168:developments in Rome and central Italy
4762:
4633:(reconstruction finished, 1552–1557)â€
4565:
4393:
4189:
4005:
3996:
3874:
3837:
3379:
3367:
3355:
3343:
3316:
3304:
3292:
3280:
3268:
3256:
3244:
3232:
3220:
3208:
3196:
3184:
3172:
3160:
3148:
3136:
3124:
3109:
3097:
3067:
3055:
3016:
2986:
2974:
2959:
2932:
2917:
2868:
2850:
2790:
2778:
2405:
2353:
2255:
2126:
2112:
2064:
1994:
1838:
690:Bon's superintendence (ca. 1514–1529)
574:
4591:
4419:
4198:
4178:, 2nd edn (Venezia: Marsilio, 1977)
4109:
4053:
3862:
3810:(London: Thames & Hudson, 1970)
3808:The Imperial Age of Venice 1380–1580
3496:
3043:
2420:
2375:
2207:, pp. 178–189 and, in general,
2181:
1708:Ballroom completed by Giovanni Santi
1346:The Idea of a Universal Architecture
1259:every aspect, oversight fell to the
1249:alongside the three central windows.
1109:. The programme, which included the
4513:Columns of San Marco and San Todaro
4265:
4249:
4173:
4157:
4153:(Venetiis: expensis auctoris, 1615)
4151:L’Idea dell’Architettura Universale
4021:
3899:The Architectural History of Venice
3893:
3730:
3715:
3688:The Architectural History of Venice
3685:
3586:The Architectural History of Venice
3583:
3529:
2944:
2905:
2835:
2820:
2691:
2564:The Architectural History of Venice
2561:
2390:
2310:L’Idea dell’Architettura Universale
2271:The Architectural History of Venice
2268:
2208:
2143:
2035:
2018:
1987:
1969:The Architectural History of Venice
1966:
1942:
1938:The Architectural History of Venice
1935:
1918:
1757:, professor of Architecture at the
1342:L’Idea dell’Architettura Universale
1300:on the western side of the square.
1204:, who resisted the attempts of the
891:
830:, whereas the arch, inherited from
13:
5265:Renaissance architecture in Venice
5255:Buildings and structures in Venice
4322:(Venetia: Domenico Nicolini, 1602)
4298:
4145:
4133:
4117:(Venetia: Altobello Salicato,1604)
4081:
4072:
3912:
3868:Proceedings of the British Academy
3821:
3748:
3598:
3481:
3406:
3391:
3319:, pp. 64–67, 71–74, and 78–83
3028:
2805:
2751:
2736:
2721:
2706:
2636:
2621:
2591:
2576:
2522:
2507:
2492:
2477:
2462:
2447:
2307:
2201:
2011:
1980:
1911:
1894:
1862:
1422:
1022:Biblioteca Marciana – Construction
995:of the procurators as well as the
14:
5281:
4736:Venetian Renaissance architecture
4347:
4105:(Venetia: Iacopo Sansovino, 1581)
3985:(Cambridge, MA: MIT Press, 1980)
3975:
3950:
3939:(Baltimore: Johns Hopkins, 1973)
3805:
3001:
2766:
2651:
2051:
1953:
1768:
1747:
1536:on the upper floor of the Library
1363:. The ancient prototypes are the
1303:
1015:
979:On 14 July 1536, the procurators
4914:
4639:(façade, 1553–1554, finished by
4377:
4365:
4353:
4061:(New York: Vintage Books, 1982)
3931:
3846:
3801:(Venezia: Filippi Editore, 1873)
3724:
3709:
3679:
3667:
3661:
3655:
3643:
3631:
3625:
3619:
3613:
3607:
3592:
3577:
3571:
3565:
3559:
3553:
3550:, 1581 edn., fols 110v-111r
3538:
3505:
3490:
3475:
3463:
3451:
3439:
3427:
3415:
3400:
3385:
3373:
2243:Lane, Venice a Maritime Republic
2242:
1701:
1687:
1542:
1035:
837:
802:Renaissance semi-circular arches
731:, was nominated in his place as
236:
64:
4664:Palazzo Corner della Ca' Grande
4286:(Roma: Fratelli Palombi, 1988)
4129:(Venetia: Steffano Curti, 1663)
3901:(London: B. T. Batsford, 1980)
3780:
3742:
3469:
3380:Morolli, 'Vincenzo Scamozzi...'
3368:Morolli, 'Vincenzo Scamozzi...'
3361:
3356:Morolli, 'Vincenzo Scamozzi...'
3349:
3344:Morolli, 'Vincenzo Scamozzi...'
3337:
3322:
3317:Morolli, 'Vincenzo Scamozzi...'
3310:
3305:Morolli, 'Vincenzo Scamozzi...'
3298:
3293:Morolli, 'Vincenzo Scamozzi...'
3286:
3281:Morolli, 'Vincenzo Scamozzi...'
3274:
3269:Morolli, 'Vincenzo Scamozzi...'
3262:
3257:Morolli, 'Vincenzo Scamozzi...'
3250:
3245:Morolli, 'Vincenzo Scamozzi...'
3238:
3233:Morolli, 'Vincenzo Scamozzi...'
3226:
3221:Morolli, 'Vincenzo Scamozzi...'
3214:
3209:Morolli, 'Vincenzo Scamozzi...'
3202:
3197:Morolli, 'Vincenzo Scamozzi...'
3190:
3185:Morolli, 'Vincenzo Scamozzi...'
3178:
3173:Morolli, 'Vincenzo Scamozzi...'
3166:
3161:Morolli, 'Vincenzo Scamozzi...'
3154:
3149:Morolli, 'Vincenzo Scamozzi...'
3142:
3137:Morolli, 'Vincenzo Scamozzi...'
3130:
3125:Morolli, 'Vincenzo Scamozzi...'
3110:Morolli, 'Vincenzo Scamozzi...'
3103:
3098:Morolli, 'Vincenzo Scamozzi...'
3091:
3068:Morolli, 'Vincenzo Scamozzi...'
3061:
3056:Morolli, 'Vincenzo Scamozzi...'
3049:
3037:
3022:
3017:Morolli, 'Vincenzo Scamozzi...'
3010:
2995:
2980:
2975:Morolli, 'Vincenzo Scamozzi...'
2960:Morolli, 'Vincenzo Scamozzi...'
2953:
2938:
2933:Morolli, 'Vincenzo Scamozzi...'
2918:Morolli, 'Vincenzo Scamozzi...'
2911:
2906:Talamini, 'Le Procuratie nuove'
2877:
2844:
2829:
2814:
2799:
2784:
2772:
2760:
2745:
2730:
2715:
2700:
2685:
2670:
2657:
2645:
2630:
2615:
2600:
2585:
2570:
2531:
2516:
2501:
2486:
2471:
2456:
2441:
2408:L'Archivio di Stato di Venezia…
2356:L'Archivio di Stato di Venezia…
2299:
2277:
2261:
2256:Morolli, 'Vincenzo Scamozzi...'
2248:
2217:
2190:
2170:
2161:
2152:
2135:
2118:
2097:
2077:
2057:
2044:
2027:
2003:
1959:
1927:
1903:
1887:
1871:
1847:
1841:L'Archivio di Stato di Venezia…
1582:The offices of the procurators
940:to give aid and shelter to the
746:
684:
4472:Treasury of St Mark's Basilica
4460:National Archaeological Museum
2426:
2414:
2399:
2325:
1820:
1800:
1623:fall of the Republic of Venice
1437:fall of the Republic of Venice
925:(976–978). This building, the
390:fall of the Republic of Venice
306: g. Procuratie Nuovissime
1:
5245:Baldassare Longhena buildings
4846:Palais Archduke Ludwig Viktor
4308:, vol. 60 (1997), 23-88
3007:, pp. 12–13, 18–20, and 25–30
3004:The Imperial Age of Venice...
2767:Mar and others, 'La fabbrica'
2652:Mar and others, 'La fabbrica'
2052:Mar and others, 'La fabbrica'
1881:La costituzione di Venezia...
1817:, 1663 edn., pp 299–300.
1789:
1359:, that is superimposed on an
1146:Portrait of Vincenzo Scamozzi
1130:and, in the aftermath of the
426:
142:
92:
5064:Schloss Orth (Lower Austria)
4660:(superintendency, 1529–1538)
4125:and Giustiniano Martinioni,
3662:Franzoi, 'L'ala napoleonica'
3626:Franzoi, 'L'ala napoleonica'
3614:Franzoi, 'L'ala napoleonica'
3572:Franzoi, 'L'ala napoleonica'
3560:Franzoi, 'L'ala napoleonica'
2319:
2211:Venezia e il Rinascimento...
2091:Antichi ridotti veneziani...
2067:, pp. 16-43 and 61-64.
1625:, the art collection of the
1387:effect of the lower floors.
847:Quadri and transformed into
628:War of the League of Cambrai
559:. With the exception of the
517:War of the League of Cambrai
466:de subtus super commissariis
362:War of the League of Cambrai
7:
5069:Schloss Ort (Upper Austria)
5059:Schloss Ort (Upper Austria)
4841:Palais Archduke Carl Ludwig
4696:(original project, c. 1540)
4627:(reconstruction, 1546–1610)
3502:, 1604 edn., fol. 216v
2543:, 1581 edn., fol. 105r
1641:between 1807 and 1808 with
1631:Napoleonic Kingdom of Italy
1453:Napoleonic Kingdom of Italy
1321:
1308:
1107:War of the League of Cognac
1029:Saint Mark's Square in 1581
312: h. Procuratie Vecchie
296: f. Procuratie Nuove (
70:view of Saint Mark's Square
21:Procurator (disambiguation)
10:
5286:
5250:Jacopo Sansovino buildings
4702:(involvement, 1520s–1530s)
4270:(Milano: Mondadori, 1987)
4252:Piazza San Marco a Venezia
4086:(Venezia: Arsenale, 1991)
3937:Venice a Maritime Republic
3733:Piazza San Marco a Venezia
3718:Piazza San Marco a Venezia
3283:, pp. 48–50 and 58–59
2694:Piazza San Marco a Venezia
1976:L’architettura veneziana…
1812:Sansovino and Martinioni,
1652:
1507:Portrait of Jacopo Soranzo
1325:
1172:Ancient Roman architecture
1019:
983:consequently commissioned
407:
18:
5270:Royal residences in Italy
5197:
5161:
5112:
4984:Burg am Grazer SchloĂźberg
4923:
4912:
4800:
4728:
4709:
4650:
4615:San Francesco della Vigna
4599:
4547:
4498:
4427:
4001:, LXX (1910–1911), 89–204
3532:La libreria di san Marco…
3346:, pp. 74 and 103–104
2609:L'architettura veneziana…
2115:, p. 95–96 (note 6).
1738:Giovanni Antonio Antolini
1473:Giovanni Carlo Bevilacqua
826:, should only support an
806:fluted Corinthian columns
763:
751:
410:Procurators of Saint Mark
404:Procurators of Saint Mark
347:procurators of Saint Mark
221:
217:
207:
199:
191:
186:
177:
173:
169:
159:
151:
137:
128:
124:
120:
110:
102:
88:
79:
63:
5128:Archduke Joseph's Palace
4831:Palais Archduke Albrecht
4672:(original project, 1536)
4666:(original project, 1532)
4329:, XXIII (1971), 105–120
4238:(London: Tiranti, 1952)
4162:(Torino: Einaudi, 1985)
2781:, p. 95–96 (note 6)
2663:Alberti, Leon Battista,
1794:
832:Roman mural construction
4891:Schloss Wilhelminenberg
4866:Schloss Kaiserebersdorf
4856:Palais Archduke Wilhelm
4489:Church of San Geminiano
4254:(Verona: Cierre, 2018)
4042:(Milano: Electa, 2000)
4026:(Milano: Electa, 1999)
3870:, vol 154 (2008), 29–54
3797:Cappelletti, Giuseppe,
3497:Sansovino and Stringa,
3409:La bottega del caffè...
2739:La bottega del caffè...
2709:La bottega del caffè...
1917:, pp. 107-108 and
1806:In the 1663 edition of
1718:Church of San Geminiano
1457:Giovanni Battista Canal
1355:columns, supporting an
1298:Church of San Geminiano
874:(probably derived from
794:decorative crenellation
5184:Royal Palace of Venice
5099:Wiener Neustadt Castle
4851:Palais Archduke Rainer
4688:Loggetta del Sansovino
4553:Piazzetta dei Leoncini
4435:Loggetta del Sansovino
4343:(Roma: Officina, 1984)
4113:and Giovanni Stringa,
3664:, pp. 153 and 159
3484:Platea Sancti Marci...
2808:Platea Sancti Marci...
2285:
2237:
2231:
2225:
2196:Among the procurators
2109:Casino dei Filarmonici
2094:, p. 19 (note 3).
1993:, pp. 22–25, and
1680:
1518:
1337:
1280:
1250:
1218:
1212:
1206:
1200:
1186:
1158:
1153:
1117:(begun 1537), and the
913:
876:
860:Cretan War (1645–1669)
773:
607:, principally by Doge
600:
465:
441:
208:Architectural style(s)
160:Architectural style(s)
111:Architectural style(s)
5174:Royal Palace of Milan
4631:San Geminiano, Venice
4609:San Marcello al Corso
4384:Procuratie Nuovissime
4318:Manfredi, Fulgentio,
4282:Zucchetta, Emanuela,
3235:, p. 110 and 113
3151:, pp. 24 and 100
1667:
1660:Historical background
1655:Royal Palace (Venice)
1513:in 1522, hung in the
1501:
1445:Eugène de Beauharnais
1335:
1278:
1244:
1140:
904:
897:Historical background
814:Leon Battista Alberti
771:
727:, a refugee from the
587:
580:Historical background
417:
298:Royal Palace (Venice)
180:Procuratie Nuovissime
44:45.43417°N 12.33778°E
5179:Royal Villa of Monza
5148:Grassalkovich Palace
5049:Jagdschloss MĂĽrzsteg
4836:Palais Archduke Carl
4700:Palazzo della Loggia
4670:Palazzo Dolfin Manin
4484:St Mark's Clocktower
4386:at Wikimedia Commons
4374:at Wikimedia Commons
4362:at Wikimedia Commons
4123:Sansovino, Francesco
4111:Sansovino, Francesco
4099:Sansovino, Francesco
4055:Norwich, John Julius
3967:Maranini, Giuseppe,
3601:Platea Sancti Marci…
3175:, pp. 47 and 52
3112:, pp. 38 and 44
3031:Palladio's Venice...
2950:, pp. 24 and 42
2826:, pp. 35 and 37
2754:Platea Sancti Marci…
2639:Platea Sancti Marci…
2624:Platea Sancti Marci…
2594:Platea Sancti Marci…
2579:Platea Sancti Marci…
2480:Platea Sancti Marci…
2465:Platea Sancti Marci…
2450:Platea Sancti Marci…
2107:for the nobles, the
2014:Platea Sancti Marci…
1983:Platea Sancti Marci…
1914:Platea Sancti Marci…
1897:Platea Sancti Marci…
1865:Platea Sancti Marci…
1759:University of Modena
1471:were also involved.
1365:Theatre of Marcellus
1184:. Economically, the
541:overseas possessions
455:Church of Saint Mark
355:Church of Saint Mark
203:Giovanni Maria Solis
5169:Castello del Catajo
5133:Bilje hunting lodge
5054:New Castle (Żywiec)
4747:Francesco Sansovino
4682:Biblioteca Marciana
4641:Alessandro Vittoria
4625:San Martino, Venice
4602:religious buildings
4508:Biblioteca Marciana
4479:St Mark's Campanile
4250:Wolters, Wolfgang,
4075:La bottega da caffè
4059:A History of Venice
3394:La bottega da caffè
3334:, pp. 207–208.
2989:Jacopo Sansovino...
2947:Piazza san Marco...
2838:Piazza san Marco...
2823:Piazza san Marco...
2724:La bottega da caffè
2667:, I. 10 and VII. 15
2665:De Re Aedificatoria
2393:Piazza san Marco...
2214:, pp. 261–271.
2187:, pp. 498–501.
2184:A History of Venice
2146:Piazza san Marco...
2038:Piazza san Marco...
2021:Piazza san Marco...
2000:, pp. 130–131.
1990:Piazza san Marco...
1945:Piazza san Marco...
1921:Piazza san Marco...
1755:Giuseppe Maria Soli
1517:of the procurators.
1477:Austrian domination
1294:Baldassare Longhena
1236:Marcantonio Barbaro
870:(little houses) or
819:De re aedificatoria
735:to the procurators
656:Francesco Sansovino
569:Saint Mark's Square
451:operis Sancti Marci
339:Saint Mark's Square
230:Saint Mark's Square
60:
40: /
5189:Villa Pisani, Stra
5074:Schloss Persenbeug
4994:Hofburg, Innsbruck
4974:Schloss Hetzendorf
4939:Schloss Artstetten
4934:Kaiserhaus (Baden)
4790:Imperial and Royal
4743:(sculpture master)
4467:St Mark's Basilica
4360:Procuratie Vecchie
4339:Tafuri, Manfredo,
4158:Tafuri, Manfredo,
4147:Scamozzi, Vincenzo
4038:Morresi, Manuela,
4022:Morresi, Manuela,
3838:Da Mosto, Andrea,
3822:Cooper, Tracy E.,
3640:, pp. 191-193
3628:, pp. 150–151
3589:, pp. 215–216
3487:, pp. 112–113
3448:, pp. 170–173
3370:, pp. 103–104
2654:, pp. 132–138
2642:, pp. 105–106
2627:, pp. 108-112
2612:, pp. 416–420
2597:, pp. 102–103
2376:Tiepolo, 'Venezia'
2245:, pp. 393–395
2204:Venice Disputed...
2024:, pp. 25–35.
1941:, p. 129 and
1681:
1637:were decorated by
1571: procurators
1562: procurators
1553: procurators
1534:of the procurators
1519:
1494:of the procurators
1412:Palazzo Chiericati
1338:
1281:
1251:
1154:
1113:(begun 1536), the
1105:at the end of the
1001:Cardinal Bessarion
914:
855:, opened in 1750.
824:Greek architecture
812:. This adhered to
774:
739:. The final eight
601:
575:Procuratie Vecchie
563:, the procurators
442:
351:Republic of Venice
249:St Mark's Basilica
82:Procuratie Vecchie
58:
49:45.43417; 12.33778
5232:
5231:
5029:Schloss Mayerling
5019:Laxenburg castles
5009:Schloss Klessheim
4969:Schloss Hernstein
4964:Schloss Hellbrunn
4949:Schloss BlĂĽhnbach
4886:Schönbrunn Palace
4881:Neugebäude Palace
4756:
4755:
4651:Secular buildings
4559:
4558:
4382:Media related to
4370:Media related to
4358:Media related to
4232:Wittkower, Rudolf
3933:Lane, Frederic C.
3806:Chambers, David,
3749:Agazzi, Michela,
2871:Jacopo Sansovino…
2853:Jacopo Sansovino…
2793:Jacopo Sansovino…
2129:Jacopo Sansovino…
1884:, I, p. 102.
1861:(1172–1178). See
1855:Vitale II Michiel
1196:Holy Roman Empire
1103:Italian Peninsula
1099:Habsburg hegemony
1097:which sanctioned
1010:Vincenzo Scamozzi
886:Venetian nobility
705:Istrian limestone
605:Commune of Venice
537:Venetian mainland
225:
224:
187:(Napoleonic Wing)
115:Early Renaissance
74:
5277:
5260:Piazza San Marco
5153:Pressburg Castle
5024:Schloss Luberegg
5014:Konopiště Castle
4959:Schloss Halbturn
4954:Eckartsau Castle
4918:
4816:Belvedere Palace
4783:
4776:
4769:
4760:
4759:
4741:Andrea Sansovino
4593:Jacopo Sansovino
4586:
4579:
4572:
4563:
4562:
4421:Piazza San Marco
4414:
4407:
4400:
4391:
4390:
4381:
4372:Procuratie Nuove
4369:
4357:
4294:
4278:
4262:
4246:
4227:
4211:
4195:
4186:
4170:
4154:
4142:
4130:
4118:
4106:
4094:
4078:
4073:Pilot, Antonio,
4069:
4050:
4040:Jacopo Sansovino
4034:
4018:
4002:
3993:
3981:McAndrew, John,
3977:
3972:
3963:
3947:
3928:
3909:
3890:
3871:
3859:
3843:
3834:
3818:
3802:
3793:
3777:
3761:
3737:
3728:
3722:
3713:
3707:
3701:
3692:
3683:
3677:
3671:
3665:
3659:
3653:
3647:
3641:
3635:
3629:
3623:
3617:
3611:
3605:
3596:
3590:
3581:
3575:
3569:
3563:
3557:
3551:
3542:
3536:
3527:
3518:
3514:Jacopo Sansovino
3509:
3503:
3494:
3488:
3479:
3473:
3467:
3461:
3455:
3449:
3443:
3437:
3431:
3425:
3419:
3413:
3404:
3398:
3397:, pp. 18–19
3389:
3383:
3377:
3371:
3365:
3359:
3353:
3347:
3341:
3335:
3331:Jacopo Sansovino
3326:
3320:
3314:
3308:
3302:
3296:
3290:
3284:
3278:
3272:
3266:
3260:
3259:, pp. 24–27
3254:
3248:
3247:, pp. 29–30
3242:
3236:
3230:
3224:
3218:
3212:
3206:
3200:
3194:
3188:
3182:
3176:
3170:
3164:
3163:, pp. 38–39
3158:
3152:
3146:
3140:
3139:, pp. 21–22
3134:
3128:
3122:
3113:
3107:
3101:
3100:, pp. 41–44
3095:
3089:
3085:Jacopo Sansovino
3080:
3071:
3065:
3059:
3058:, pp. 42–44
3053:
3047:
3041:
3035:
3034:, pp. 35–47
3026:
3020:
3014:
3008:
2999:
2993:
2984:
2978:
2972:
2963:
2957:
2951:
2942:
2936:
2930:
2921:
2915:
2909:
2903:
2890:
2886:Jacopo Sansovino
2881:
2875:
2866:
2857:
2856:, pp. 14–15
2848:
2842:
2833:
2827:
2818:
2812:
2803:
2797:
2788:
2782:
2776:
2770:
2764:
2758:
2749:
2743:
2734:
2728:
2719:
2713:
2704:
2698:
2689:
2683:
2674:
2668:
2661:
2655:
2649:
2643:
2634:
2628:
2619:
2613:
2604:
2598:
2589:
2583:
2574:
2568:
2559:
2544:
2535:
2529:
2520:
2514:
2505:
2499:
2490:
2484:
2475:
2469:
2460:
2454:
2453:, pp. 84–85
2445:
2439:
2430:
2424:
2418:
2412:
2403:
2397:
2388:
2379:
2373:
2360:
2351:
2338:
2329:
2314:
2303:
2297:
2293:Jacopo Sansovino
2288:
2281:
2275:
2265:
2259:
2252:
2246:
2240:
2234:
2228:
2221:
2215:
2194:
2188:
2174:
2168:
2165:
2159:
2156:
2150:
2139:
2133:
2122:
2116:
2101:
2095:
2081:
2075:
2061:
2055:
2048:
2042:
2031:
2025:
2007:
2001:
1997:Renovatio Urbis…
1963:
1957:
1931:
1925:
1907:
1901:
1891:
1885:
1875:
1869:
1859:Sebastiano Ziani
1851:
1845:
1824:
1818:
1804:
1722:Sebastiano Ziani
1705:
1691:
1611:plenary meetings
1570:
1561:
1552:
1546:
1481:Kingdom of Italy
1469:Sebastiano Santi
1461:Giuseppe Borsato
1221:
1215:
1209:
1203:
1189:
1161:
1095:Peace of Bologna
1057:
1051:
1045:
1039:
985:Jacopo Sansovino
962:Council of Forty
935:
923:Pietro I Orseolo
892:Procuratie Nuove
879:
725:Jacopo Sansovino
668:
609:Sebastiano Ziani
526:Antonio Cappello
468:
431:
428:
394:Kingdom of Italy
317:
311:
305:
295:
286:
280:Marciana Library
277:
264:
255:
246:
240:
164:High Renaissance
147:
144:
131:Procuratie Nuove
97:
94:
72:
68:
61:
57:
55:
54:
52:
51:
50:
45:
41:
38:
37:
36:
33:
5285:
5284:
5280:
5279:
5278:
5276:
5275:
5274:
5235:
5234:
5233:
5228:
5193:
5162:other countries
5157:
5108:
5094:Weilburg Palace
5044:Miramare Castle
5039:Mirabell Palace
4919:
4910:
4811:Palais Augarten
4796:
4794:Austria-Hungary
4787:
4757:
4752:
4724:
4705:
4676:Zecca of Venice
4646:
4619:Andrea Palladio
4601:
4595:
4590:
4560:
4555:
4543:
4494:
4423:
4418:
4350:
4327:Studi veneziani
4301:
4299:Further reading
4266:Zorzi, Marino,
4194:, n. 129 (1984)
4082:Reato, Danilo,
3914:Howard, Deborah
3895:Howard, Deborah
3876:Howard, Deborah
3864:Howard, Deborah
3745:
3740:
3729:
3725:
3714:
3710:
3702:
3695:
3684:
3680:
3672:
3668:
3660:
3656:
3648:
3644:
3636:
3632:
3624:
3620:
3612:
3608:
3597:
3593:
3582:
3578:
3570:
3566:
3558:
3554:
3543:
3539:
3528:
3521:
3510:
3506:
3495:
3491:
3480:
3476:
3468:
3464:
3456:
3452:
3444:
3440:
3432:
3428:
3420:
3416:
3405:
3401:
3390:
3386:
3378:
3374:
3366:
3362:
3354:
3350:
3342:
3338:
3327:
3323:
3315:
3311:
3303:
3299:
3291:
3287:
3279:
3275:
3267:
3263:
3255:
3251:
3243:
3239:
3231:
3227:
3219:
3215:
3207:
3203:
3195:
3191:
3183:
3179:
3171:
3167:
3159:
3155:
3147:
3143:
3135:
3131:
3123:
3116:
3108:
3104:
3096:
3092:
3081:
3074:
3066:
3062:
3054:
3050:
3042:
3038:
3027:
3023:
3015:
3011:
3000:
2996:
2985:
2981:
2973:
2966:
2958:
2954:
2943:
2939:
2931:
2924:
2916:
2912:
2904:
2893:
2882:
2878:
2867:
2860:
2849:
2845:
2834:
2830:
2819:
2815:
2804:
2800:
2789:
2785:
2777:
2773:
2765:
2761:
2750:
2746:
2735:
2731:
2720:
2716:
2705:
2701:
2690:
2686:
2675:
2671:
2662:
2658:
2650:
2646:
2635:
2631:
2620:
2616:
2605:
2601:
2590:
2586:
2575:
2571:
2560:
2547:
2536:
2532:
2521:
2517:
2506:
2502:
2491:
2487:
2476:
2472:
2461:
2457:
2446:
2442:
2431:
2427:
2419:
2415:
2404:
2400:
2389:
2382:
2374:
2363:
2352:
2341:
2330:
2326:
2322:
2317:
2304:
2300:
2282:
2278:
2266:
2262:
2253:
2249:
2222:
2218:
2195:
2191:
2175:
2171:
2166:
2162:
2157:
2153:
2140:
2136:
2123:
2119:
2102:
2098:
2082:
2078:
2062:
2058:
2049:
2045:
2032:
2028:
2008:
2004:
1986:, p. 108,
1964:
1960:
1932:
1928:
1908:
1904:
1892:
1888:
1876:
1872:
1857:(1156–1172) or
1852:
1848:
1825:
1821:
1805:
1801:
1797:
1792:
1771:
1750:
1713:
1712:
1711:
1710:
1709:
1706:
1697:
1696:
1695:
1692:
1662:
1657:
1651:
1580:
1579:
1578:
1577:
1576:
1575:
1568:
1566:
1559:
1557:
1550:
1547:
1538:
1537:
1535:
1496:
1465:Charles Percier
1425:
1394:and triangular
1330:
1324:
1311:
1306:
1273:
1256:
1228:Olympic Theatre
1181:De architectura
1174:as outlined by
1083:renovatio urbis
1067:
1066:
1065:
1064:
1063:
1062:
1060:
1059:
1055:
1053:
1049:
1047:
1043:
1040:
1031:
1030:
1024:
1018:
929:
927:Ospizio Orseolo
906:Gentile Bellini
899:
894:
840:
804:, supported on
766:
754:
749:
721:
692:
687:
662:
652:Antonio Abbondi
648:Pietro Lombardo
589:Gentile Bellini
582:
577:
483:(districts) of
429:
412:
406:
367:classical style
327:
326:
325:
324:
323:
322:
315:
313:
309:
307:
303:
301:
293:
291:
284:
282:
275:
273:
262:
260:
253:
251:
244:
241:
232:
231:
182:
145:
133:
95:
84:
75:
71:
48:
46:
42:
39:
34:
31:
29:
27:
26:
24:
17:
12:
11:
5:
5283:
5273:
5272:
5267:
5262:
5257:
5252:
5247:
5230:
5229:
5227:
5226:
5216:
5201:
5199:
5195:
5194:
5192:
5191:
5186:
5181:
5176:
5171:
5165:
5163:
5159:
5158:
5156:
5155:
5150:
5145:
5143:Gödöllő Palace
5140:
5135:
5130:
5125:
5119:
5117:
5115:Transleithania
5110:
5109:
5107:
5106:
5101:
5096:
5091:
5086:
5084:Villa Wartholz
5081:
5076:
5071:
5066:
5061:
5056:
5051:
5046:
5041:
5036:
5031:
5026:
5021:
5016:
5011:
5006:
5004:Schloss Karlau
5001:
4996:
4991:
4986:
4981:
4976:
4971:
4966:
4961:
4956:
4951:
4946:
4941:
4936:
4930:
4928:
4921:
4920:
4913:
4911:
4909:
4908:
4903:
4901:Palais Toskana
4898:
4893:
4888:
4883:
4878:
4873:
4868:
4863:
4858:
4853:
4848:
4843:
4838:
4833:
4828:
4823:
4818:
4813:
4807:
4805:
4798:
4797:
4792:residences of
4786:
4785:
4778:
4771:
4763:
4754:
4753:
4751:
4750:
4744:
4738:
4732:
4730:
4726:
4725:
4723:
4722:
4713:
4711:
4707:
4706:
4704:
4703:
4697:
4691:
4685:
4679:
4673:
4667:
4661:
4654:
4652:
4648:
4647:
4645:
4644:
4634:
4628:
4622:
4612:
4605:
4603:
4597:
4596:
4589:
4588:
4581:
4574:
4566:
4557:
4556:
4551:
4549:
4545:
4544:
4542:
4541:
4536:
4535:
4534:
4524:
4523:
4522:
4519:Lion of Venice
4510:
4504:
4502:
4496:
4495:
4493:
4492:
4486:
4481:
4476:
4475:
4474:
4464:
4463:
4462:
4457:
4452:
4447:
4437:
4431:
4429:
4425:
4424:
4417:
4416:
4409:
4402:
4394:
4388:
4387:
4375:
4363:
4349:
4348:External links
4346:
4345:
4344:
4337:
4323:
4316:
4300:
4297:
4296:
4295:
4279:
4263:
4247:
4228:
4212:
4196:
4187:
4171:
4155:
4143:
4131:
4119:
4107:
4095:
4079:
4070:
4051:
4035:
4019:
4003:
3994:
3978:
3973:
3964:
3948:
3929:
3910:
3891:
3872:
3860:
3844:
3835:
3819:
3803:
3794:
3778:
3762:
3744:
3741:
3739:
3738:
3723:
3708:
3693:
3678:
3676:, pp. 193
3666:
3654:
3652:, pp. 192
3642:
3630:
3618:
3606:
3591:
3576:
3564:
3552:
3537:
3519:
3504:
3489:
3474:
3462:
3450:
3438:
3426:
3414:
3399:
3384:
3372:
3360:
3348:
3336:
3321:
3309:
3297:
3285:
3273:
3261:
3249:
3237:
3225:
3213:
3201:
3189:
3177:
3165:
3153:
3141:
3129:
3114:
3102:
3090:
3072:
3060:
3048:
3036:
3021:
3009:
2994:
2979:
2964:
2952:
2937:
2922:
2910:
2891:
2876:
2858:
2843:
2828:
2813:
2811:, p. 112
2798:
2783:
2771:
2759:
2744:
2729:
2714:
2699:
2684:
2669:
2656:
2644:
2629:
2614:
2599:
2584:
2569:
2545:
2530:
2515:
2500:
2485:
2470:
2455:
2440:
2425:
2413:
2398:
2380:
2361:
2339:
2323:
2321:
2318:
2316:
2315:
2298:
2296:, p. 207.
2276:
2260:
2247:
2216:
2189:
2178:Council of Ten
2169:
2160:
2151:
2134:
2117:
2096:
2076:
2056:
2054:, p. 123.
2043:
2026:
2002:
1958:
1926:
1902:
1886:
1870:
1846:
1819:
1798:
1796:
1793:
1791:
1788:
1770:
1767:
1749:
1746:
1730:triumphal arch
1707:
1700:
1699:
1698:
1693:
1686:
1685:
1684:
1683:
1682:
1661:
1658:
1653:Main article:
1650:
1647:
1567:
1558:
1549:
1548:
1541:
1540:
1539:
1530:
1529:
1528:
1527:
1495:
1489:
1424:
1421:
1323:
1320:
1310:
1307:
1305:
1302:
1272:
1269:
1255:
1252:
1142:Paolo Veronese
1128:Roman Republic
1054:
1048:
1042:
1041:
1034:
1033:
1032:
1028:
1027:
1026:
1025:
1017:
1014:
1012:was accepted.
898:
895:
893:
890:
864:Ottoman Empire
839:
836:
765:
762:
753:
750:
748:
745:
720:
717:
691:
688:
686:
683:
581:
578:
576:
573:
408:Main article:
405:
402:
314:
308:
302:
292:
283:
274:
261:
252:
243:
242:
235:
234:
233:
229:
228:
227:
226:
223:
222:
219:
218:
215:
214:
209:
205:
204:
201:
197:
196:
193:
189:
188:
184:
183:
178:
175:
174:
171:
170:
167:
166:
161:
157:
156:
153:
149:
148:
139:
135:
134:
129:
126:
125:
122:
121:
118:
117:
112:
108:
107:
104:
100:
99:
90:
86:
85:
80:
77:
76:
69:
15:
9:
6:
4:
3:
2:
5282:
5271:
5268:
5266:
5263:
5261:
5258:
5256:
5253:
5251:
5248:
5246:
5243:
5242:
5240:
5224:
5220:
5217:
5214:
5210:
5206:
5203:
5202:
5200:
5196:
5190:
5187:
5185:
5182:
5180:
5177:
5175:
5172:
5170:
5167:
5166:
5164:
5160:
5154:
5151:
5149:
5146:
5144:
5141:
5139:
5136:
5134:
5131:
5129:
5126:
5124:
5123:AlcsĂşt Palace
5121:
5120:
5118:
5116:
5111:
5105:
5104:Zákupy Castle
5102:
5100:
5097:
5095:
5092:
5090:
5087:
5085:
5082:
5080:
5079:Prague Castle
5077:
5075:
5072:
5070:
5067:
5065:
5062:
5060:
5057:
5055:
5052:
5050:
5047:
5045:
5042:
5040:
5037:
5035:
5032:
5030:
5027:
5025:
5022:
5020:
5017:
5015:
5012:
5010:
5007:
5005:
5002:
5000:
4997:
4995:
4992:
4990:
4987:
4985:
4982:
4980:
4977:
4975:
4972:
4970:
4967:
4965:
4962:
4960:
4957:
4955:
4952:
4950:
4947:
4945:
4944:Ambras Castle
4942:
4940:
4937:
4935:
4932:
4931:
4929:
4927:
4922:
4917:
4907:
4904:
4902:
4899:
4897:
4894:
4892:
4889:
4887:
4884:
4882:
4879:
4877:
4876:Palais Modena
4874:
4872:
4869:
4867:
4864:
4862:
4861:Neue Favorita
4859:
4857:
4854:
4852:
4849:
4847:
4844:
4842:
4839:
4837:
4834:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4808:
4806:
4804:
4799:
4795:
4791:
4784:
4779:
4777:
4772:
4770:
4765:
4764:
4761:
4748:
4745:
4742:
4739:
4737:
4734:
4733:
4731:
4727:
4720:
4719:
4715:
4714:
4712:
4708:
4701:
4698:
4695:
4694:Villa Garzoni
4692:
4689:
4686:
4683:
4680:
4677:
4674:
4671:
4668:
4665:
4662:
4659:
4656:
4655:
4653:
4649:
4642:
4638:
4635:
4632:
4629:
4626:
4623:
4620:
4616:
4613:
4610:
4607:
4606:
4604:
4598:
4594:
4587:
4582:
4580:
4575:
4573:
4568:
4567:
4564:
4554:
4550:
4546:
4540:
4537:
4533:
4530:
4529:
4528:
4527:Doge's Palace
4525:
4521:
4520:
4516:
4515:
4514:
4511:
4509:
4506:
4505:
4503:
4501:
4497:
4490:
4487:
4485:
4482:
4480:
4477:
4473:
4470:
4469:
4468:
4465:
4461:
4458:
4456:
4453:
4451:
4448:
4446:
4445:Caffè Florian
4443:
4442:
4441:
4438:
4436:
4433:
4432:
4430:
4426:
4422:
4415:
4410:
4408:
4403:
4401:
4396:
4395:
4392:
4385:
4380:
4376:
4373:
4368:
4364:
4361:
4356:
4352:
4351:
4342:
4338:
4336:
4332:
4328:
4324:
4321:
4317:
4315:
4311:
4307:
4303:
4302:
4293:
4292:9788876213489
4289:
4285:
4280:
4277:
4273:
4269:
4264:
4261:
4260:9788883149146
4257:
4253:
4248:
4245:
4241:
4237:
4233:
4229:
4226:
4222:
4218:
4213:
4210:
4209:9788871250809
4206:
4202:
4197:
4193:
4188:
4185:
4181:
4177:
4172:
4169:
4168:9788806588915
4165:
4161:
4156:
4152:
4148:
4144:
4140:
4136:
4135:Sanudo, Marin
4132:
4128:
4124:
4120:
4116:
4112:
4108:
4104:
4100:
4096:
4093:
4089:
4085:
4080:
4076:
4071:
4068:
4067:9780679721970
4064:
4060:
4056:
4052:
4049:
4045:
4041:
4036:
4033:
4029:
4025:
4020:
4017:
4016:9788870603095
4013:
4009:
4004:
4000:
3995:
3992:
3991:9780262131575
3988:
3984:
3979:
3974:
3970:
3965:
3962:
3961:9788870603101
3958:
3954:
3949:
3946:
3945:9780801814600
3942:
3938:
3934:
3930:
3927:
3926:9780300176858
3923:
3919:
3915:
3911:
3908:
3907:9780300090291
3904:
3900:
3896:
3892:
3889:
3888:9780300018912
3885:
3881:
3877:
3873:
3869:
3865:
3861:
3858:
3857:9788870603095
3854:
3850:
3845:
3841:
3836:
3833:
3832:9780300105827
3829:
3825:
3820:
3817:
3813:
3809:
3804:
3800:
3795:
3792:
3791:9788870603095
3788:
3784:
3779:
3776:
3775:9788870603095
3772:
3768:
3763:
3760:
3756:
3752:
3747:
3746:
3735:
3734:
3727:
3720:
3719:
3712:
3706:, p. 194
3705:
3700:
3698:
3691:, p. 216
3690:
3689:
3682:
3675:
3670:
3663:
3658:
3651:
3646:
3639:
3634:
3627:
3622:
3616:, p. 138
3615:
3610:
3604:, p. 123
3603:
3602:
3595:
3588:
3587:
3580:
3574:, p. 141
3573:
3568:
3562:, p. 145
3561:
3556:
3549:
3548:
3541:
3535:, p. 137
3534:
3533:
3526:
3524:
3517:, p. 202
3516:
3515:
3508:
3501:
3500:
3493:
3486:
3485:
3478:
3472:, p. 204
3471:
3466:
3460:, p. 183
3459:
3454:
3447:
3442:
3435:
3430:
3424:, p. 165
3423:
3418:
3411:
3410:
3403:
3396:
3395:
3388:
3381:
3376:
3369:
3364:
3358:, p. 104
3357:
3352:
3345:
3340:
3333:
3332:
3325:
3318:
3313:
3306:
3301:
3294:
3289:
3282:
3277:
3270:
3265:
3258:
3253:
3246:
3241:
3234:
3229:
3223:, p. 112
3222:
3217:
3210:
3205:
3198:
3193:
3186:
3181:
3174:
3169:
3162:
3157:
3150:
3145:
3138:
3133:
3126:
3121:
3119:
3111:
3106:
3099:
3094:
3088:, p. 207
3087:
3086:
3079:
3077:
3069:
3064:
3057:
3052:
3045:
3040:
3033:
3032:
3025:
3018:
3013:
3006:
3005:
2998:
2991:
2990:
2983:
2977:, p. 21
2976:
2971:
2969:
2961:
2956:
2949:
2948:
2941:
2934:
2929:
2927:
2919:
2914:
2908:, p. 177
2907:
2902:
2900:
2898:
2896:
2889:, pp.105-110
2888:
2887:
2880:
2873:
2872:
2865:
2863:
2855:
2854:
2847:
2840:
2839:
2832:
2825:
2824:
2817:
2810:
2809:
2802:
2795:
2794:
2787:
2780:
2775:
2769:, p. 141
2768:
2763:
2757:, p. 102
2756:
2755:
2748:
2741:
2740:
2733:
2726:
2725:
2718:
2711:
2710:
2703:
2696:
2695:
2688:
2681:
2680:
2673:
2666:
2660:
2653:
2648:
2641:
2640:
2633:
2626:
2625:
2618:
2611:
2610:
2603:
2596:
2595:
2588:
2582:, p. 103
2581:
2580:
2573:
2567:, p. 129
2566:
2565:
2558:
2556:
2554:
2552:
2550:
2542:
2541:
2534:
2527:
2526:
2519:
2512:
2511:
2504:
2497:
2496:
2489:
2483:, p. 100
2482:
2481:
2474:
2467:
2466:
2459:
2452:
2451:
2444:
2438:, p. 100
2437:
2436:
2433:Cappelletti,
2429:
2422:
2417:
2410:
2409:
2402:
2395:
2394:
2387:
2385:
2378:, p. 886
2377:
2372:
2370:
2368:
2366:
2358:
2357:
2350:
2348:
2346:
2344:
2336:
2335:
2332:Cappelletti,
2328:
2324:
2312:
2311:
2302:
2295:
2294:
2287:
2280:
2273:
2272:
2264:
2258:, p. 31.
2257:
2251:
2244:
2239:
2235:) and 'New' (
2233:
2227:
2220:
2213:
2212:
2206:
2205:
2199:
2193:
2186:
2185:
2179:
2173:
2164:
2155:
2148:
2147:
2138:
2132:, p. 14.
2131:
2130:
2121:
2114:
2110:
2106:
2100:
2093:
2092:
2086:
2080:
2074:
2070:
2066:
2060:
2053:
2047:
2041:, p. 85.
2040:
2039:
2030:
2023:
2022:
2016:
2015:
2006:
1999:
1998:
1992:
1991:
1985:
1984:
1978:
1977:
1971:
1970:
1962:
1955:
1951:
1947:
1946:
1940:
1939:
1930:
1923:
1922:
1916:
1915:
1906:
1900:, p. 82.
1899:
1898:
1890:
1883:
1882:
1874:
1868:, p. 79.
1867:
1866:
1860:
1856:
1850:
1844:, p. 25.
1843:
1842:
1836:
1835:
1829:
1828:Great Council
1823:
1816:
1815:
1809:
1803:
1799:
1787:
1785:
1779:
1777:
1766:
1764:
1760:
1756:
1745:
1743:
1739:
1735:
1731:
1725:
1723:
1719:
1704:
1690:
1678:
1674:
1670:
1666:
1656:
1646:
1644:
1640:
1636:
1633:. The former
1632:
1628:
1624:
1620:
1616:
1612:
1607:
1602:
1597:
1593:
1589:
1585:
1574:
1565:
1556:
1545:
1533:
1526:
1524:
1516:
1512:
1508:
1504:
1500:
1493:
1488:
1486:
1485:Correr Museum
1482:
1478:
1474:
1470:
1466:
1462:
1458:
1454:
1450:
1446:
1442:
1438:
1433:
1431:
1430:Caffè Florian
1423:Later history
1420:
1417:
1413:
1409:
1408:Palazzo Porto
1405:
1401:
1397:
1393:
1388:
1386:
1382:
1378:
1374:
1370:
1366:
1362:
1358:
1354:
1349:
1347:
1343:
1334:
1329:
1319:
1317:
1301:
1299:
1295:
1291:
1286:
1277:
1268:
1266:
1262:
1248:
1243:
1239:
1237:
1233:
1229:
1223:
1220:
1214:
1208:
1202:
1197:
1193:
1188:
1183:
1182:
1177:
1173:
1169:
1165:
1160:
1151:
1147:
1143:
1139:
1135:
1133:
1129:
1125:
1120:
1116:
1112:
1108:
1104:
1100:
1096:
1092:
1088:
1087:Andrea Gritti
1084:
1079:
1077:
1073:
1038:
1023:
1013:
1011:
1005:
1002:
998:
994:
990:
986:
982:
977:
975:
971:
967:
963:
959:
958:Great Council
953:
951:
947:
943:
939:
933:
928:
924:
920:
911:
907:
903:
889:
887:
883:
878:
873:
869:
865:
861:
856:
854:
850:
845:
838:Later history
835:
833:
829:
825:
821:
820:
815:
811:
810:Doric pillars
807:
803:
799:
795:
791:
787:
783:
779:
770:
761:
759:
744:
742:
738:
734:
730:
726:
716:
713:
708:
706:
702:
698:
682:
680:
676:
672:
666:
661:
657:
653:
649:
645:
644:Mauro Codussi
639:
637:
633:
629:
625:
620:
618:
614:
610:
606:
598:
594:
590:
586:
572:
570:
566:
562:
561:Doge's Palace
558:
554:
550:
546:
542:
538:
534:
529:
527:
522:
521:supernumerary
518:
514:
510:
506:
502:
498:
494:
490:
486:
482:
481:
476:
472:
467:
462:
461:
456:
452:
447:
439:
435:
424:
420:
416:
411:
401:
399:
395:
391:
386:
384:
380:
376:
375:Caffè Florian
370:
368:
363:
358:
356:
352:
348:
344:
340:
336:
332:
321:
299:
290:
281:
272:
268:
259:
258:Doge's Palace
250:
239:
220:
216:
213:
210:
206:
202:
198:
194:
190:
185:
181:
176:
172:
168:
165:
162:
158:
154:
150:
140:
136:
132:
127:
123:
119:
116:
113:
109:
105:
101:
91:
87:
83:
78:
67:
62:
56:
53:
22:
5089:Wawel Castle
5034:Palais Meran
4926:Cisleithania
4716:
4657:
4600:Churches and
4517:
4455:Museo Correr
4450:Caffè Quadri
4439:
4340:
4326:
4319:
4305:
4283:
4267:
4251:
4235:
4216:
4200:
4191:
4175:
4159:
4150:
4138:
4126:
4114:
4102:
4083:
4074:
4058:
4039:
4023:
4007:
3998:
3982:
3968:
3952:
3936:
3917:
3898:
3879:
3867:
3848:
3839:
3823:
3807:
3798:
3782:
3766:
3750:
3743:Bibliography
3732:
3726:
3717:
3711:
3687:
3681:
3669:
3657:
3645:
3633:
3621:
3609:
3600:
3594:
3585:
3579:
3567:
3555:
3546:
3540:
3531:
3513:
3507:
3498:
3492:
3483:
3477:
3465:
3453:
3441:
3429:
3417:
3412:, p. 67
3408:
3402:
3393:
3387:
3382:, p. 79
3375:
3363:
3351:
3339:
3330:
3324:
3312:
3307:, p. 23
3300:
3295:, p. 57
3288:
3276:
3271:, p. 27
3264:
3252:
3240:
3228:
3216:
3211:, p. 50
3204:
3199:, p. 47
3192:
3187:, p. 54
3180:
3168:
3156:
3144:
3132:
3127:, p. 31
3105:
3093:
3084:
3070:, p. 40
3063:
3051:
3046:, p. 34
3039:
3030:
3024:
3012:
3003:
2997:
2988:
2982:
2955:
2946:
2940:
2935:, p. 22
2920:, p. 20
2913:
2885:
2879:
2874:, p. 15
2870:
2852:
2846:
2841:, p. 17
2837:
2831:
2822:
2816:
2807:
2801:
2796:, p. 14
2792:
2786:
2774:
2762:
2753:
2747:
2742:, p. 82
2738:
2732:
2727:, p. 18
2723:
2717:
2712:, p. 77
2708:
2702:
2697:, p. 68
2693:
2687:
2678:
2672:
2664:
2659:
2647:
2638:
2632:
2623:
2617:
2608:
2602:
2593:
2587:
2578:
2572:
2563:
2539:
2533:
2524:
2518:
2509:
2503:
2494:
2488:
2479:
2473:
2468:, p. 85
2464:
2458:
2449:
2443:
2434:
2428:
2423:, p. 49
2416:
2411:, p. 26
2407:
2401:
2396:, p. 13
2392:
2359:, p. 25
2355:
2337:, p. 99
2333:
2327:
2309:
2301:
2292:
2279:
2270:
2263:
2250:
2219:
2210:
2203:
2197:
2192:
2183:
2172:
2163:
2154:
2145:
2137:
2128:
2120:
2108:
2104:
2099:
2090:
2084:
2079:
2059:
2046:
2037:
2029:
2020:
2013:
2005:
1996:
1989:
1982:
1975:
1968:
1961:
1949:
1944:
1937:
1929:
1920:
1913:
1905:
1896:
1889:
1880:
1873:
1864:
1849:
1840:
1834:Savio Grande
1832:
1822:
1813:
1807:
1802:
1780:
1772:
1769:Architecture
1763:Neoclassical
1751:
1748:Construction
1726:
1714:
1676:
1672:
1643:neoclassical
1639:Felice Giani
1634:
1626:
1618:
1605:
1595:
1591:
1583:
1581:
1572:
1563:
1554:
1531:
1522:
1520:
1514:
1510:
1506:
1491:
1434:
1426:
1389:
1350:
1345:
1341:
1339:
1312:
1304:Architecture
1289:
1284:
1282:
1264:
1260:
1257:
1224:
1179:
1155:
1149:
1145:
1132:Sack of Rome
1082:
1080:
1068:
1016:Construction
1006:
992:
988:
980:
978:
973:
969:
965:
954:
918:
915:
909:
881:
871:
867:
862:against the
857:
853:Caffè Lavena
849:Caffè Quadri
843:
841:
817:
798:stilted arch
775:
757:
755:
747:Architecture
736:
732:
729:Sack of Rome
722:
709:
693:
685:Construction
678:
674:
670:
640:
635:
632:Marin Sanudo
621:
616:
612:
602:
596:
592:
564:
530:
500:
496:
479:
474:
470:
458:
450:
443:
433:
422:
398:Museo Correr
387:
383:Caffè Lavena
379:Caffè Quadri
371:
359:
330:
328:
212:Neoclassical
179:
130:
81:
25:
5138:Buda Castle
4999:Kaiservilla
4989:Graz Castle
4979:Schloss Hof
4821:Hermesvilla
4690:(1538–1546)
4684:(1537–1588)
4678:(1536–1548)
3545:Sansovino,
3019:, pp. 13-14
2677:Wittkower,
2538:Sansovino,
2089:Zucchetta,
1679:.1723–1724)
1392:curvilinear
1385:chiaroscuro
1357:entablature
1194:and of the
1164:Papal court
930: [
828:entablature
663: [
539:and in the
509:Santa Croce
430: 1561
335:Procuracies
320:Clock tower
146: 1660
96: 1514
47: /
5239:Categories
5219:Son Maroig
5205:Achilleion
4871:Kaiserhaus
4710:Sculptures
4658:Procuratie
4637:San Zulian
4440:Procuratie
4276:8804306866
4092:8877431083
4048:8843575716
4032:8843566954
3816:0155408917
3002:Chambers,
2992:, pp.10–16
2962:, p. 20–21
2607:McAndrew,
2406:Da Mosto,
2354:Da Mosto,
2308:Scamozzi,
1974:McAndrew,
1879:Maranini,
1839:Da Mosto,
1790:References
1716:1807, the
1615:Tintoretto
1503:Tintoretto
1435:After the
1381:Corinthian
1326:See also:
1072:bell tower
1020:See also:
701:revetments
660:Pietro Bon
624:clocktower
553:securities
493:Cannaregio
419:Tintoretto
333:(English:
331:Procuratie
267:Bell tower
59:Procuratie
35:12°20′16″E
4896:Stallburg
4721:(c. 1515)
4500:Piazzetta
4335:0392-0437
4314:0075-4390
4244:878618621
4225:859579609
4184:859579609
3759:889434590
3731:Wolters,
3716:Wolters,
3512:Morresi,
3329:Morresi,
3083:Morresi,
2945:Morresi,
2884:Morresi,
2836:Morresi,
2821:Morresi,
2692:Wolters,
2391:Morresi,
2320:Citations
2291:Morresi,
2274:, p. 174.
2232:romanisti
2226:papalisti
2182:Norwich,
2144:Morresi,
2073:0031-1731
2036:Morresi,
2019:Morresi,
1988:Morresi,
1943:Morresi,
1919:Morresi,
1669:Canaletto
1588:Piazzetta
1396:tympanums
1369:Colosseum
1219:papalisti
1207:papalisti
1187:papalisti
1176:Vitruvius
1159:papalisti
1091:Agnadello
1076:trapezoid
946:almshouse
790:Byzantine
782:classical
778:emulation
699:with the
551:, and in
513:Dorsoduro
485:San Marco
318: i.
287: e.
278: d.
265: c.
256: b.
247: a.
200:Architect
195:1807–1815
152:Architect
103:Architect
32:45°26′3″N
5223:Mallorca
3686:Howard,
3599:Agazzi,
3584:Howard,
3482:Agazzi,
3436:, p. 166
3029:Cooper,
2987:Howard,
2869:Howard,
2851:Howard,
2806:Agazzi,
2791:Howard,
2752:Agazzi,
2637:Agazzi,
2622:Agazzi,
2592:Agazzi,
2577:Agazzi,
2562:Howard,
2523:Sanudo,
2508:Sanudo,
2493:Sanudo,
2478:Agazzi,
2463:Agazzi,
2448:Agazzi,
2269:Howard,
2209:Tafuri,
2202:Howard,
2198:de supra
2127:Howard,
2103:Another
2012:Agazzi,
1995:Tafuri,
1981:Agazzi,
1967:Howard,
1950:de supra
1936:Howard,
1912:Agazzi,
1895:Agazzi,
1863:Agazzi,
1765:manner.
1619:de supra
1606:de supra
1601:carnival
1596:de ultra
1592:de citra
1584:de supra
1573:de ultra
1564:de citra
1555:de supra
1511:de supra
1441:Napoleon
1416:Pantheon
1400:Bramante
1377:Serlians
1367:and the
1265:de supra
1247:margents
987:, their
981:de supra
974:de ultra
970:de citra
966:de supra
960:and the
950:indigent
942:pilgrims
844:de supra
758:de supra
737:de supra
675:de supra
613:de supra
597:de supra
565:de supra
557:deposits
505:San Polo
501:sestieri
497:de ultra
489:Castello
480:sestieri
475:de citra
471:de supra
460:de supra
434:de supra
271:Loggetta
4826:Hofburg
4729:Related
4718:Bacchus
4643:, 1570)
4548:Related
3736:, p.150
3721:, p.149
3530:Zorzi,
3407:Reato,
3392:Pilot,
2737:Reato,
2722:Pilot,
2707:Reato,
2682:, II. 1
2286:giovani
2241:), see
2238:giovani
2149:, p.18.
2085:redutto
1784:Jupiter
1761:, in a
1734:portico
1635:ridotti
1627:ridotti
1532:Ridotti
1523:ridotti
1515:ridotti
1492:Ridotti
1451:of the
1449:viceroy
1404:Raphael
1316:loggias
1232:Vicenza
1213:giovani
1201:giovani
1152:. 1585)
1115:library
1101:on the
997:library
993:ridotti
952:women.
938:hospice
919:ridotti
877:redursi
872:ridotti
712:arcades
545:capital
495:), and
5213:Greece
5198:Abroad
4906:Prater
4803:Vienna
4532:Piombi
4428:Piazza
4333:
4312:
4290:
4274:
4258:
4242:
4223:
4207:
4182:
4166:
4139:Diarii
4090:
4065:
4046:
4030:
4014:
3989:
3959:
3943:
3924:
3905:
3886:
3855:
3830:
3814:
3789:
3773:
3757:
2525:Diarii
2510:Diarii
2495:Diarii
2105:casino
2071:
1837:. See
1742:loggia
1569:
1560:
1551:
1447:, the
1361:arcade
1322:Façade
1309:Layout
1192:Church
1119:loggia
1056:
1050:
1044:
972:, and
882:casino
868:casini
786:Veneto
764:Façade
752:Layout
697:façade
669:, the
650:, and
533:Senate
511:, and
491:, and
438:ducats
381:, and
343:Venice
316:
310:
304:
294:
285:
276:
263:
254:
245:
5209:Corfu
4749:(son)
4539:Zecca
1795:Notes
1776:attic
1373:Ionic
1353:Doric
1290:proto
1285:proto
1261:proto
1124:forum
989:proto
934:]
733:proto
679:proto
671:proto
667:]
549:bonds
192:Built
141:1583–
138:Built
98:–1538
89:Built
4331:ISSN
4310:ISSN
4288:ISBN
4272:ISBN
4256:ISBN
4240:OCLC
4221:OCLC
4205:ISBN
4180:OCLC
4164:ISBN
4088:ISBN
4063:ISBN
4044:ISBN
4028:ISBN
4012:ISBN
3987:ISBN
3957:ISBN
3941:ISBN
3922:ISBN
3903:ISBN
3884:ISBN
3853:ISBN
3828:ISBN
3812:ISBN
3787:ISBN
3771:ISBN
3755:OCLC
2069:ISSN
1594:and
1459:and
1410:and
1402:and
1111:mint
948:for
741:bays
555:and
446:doge
329:The
289:Mint
269:and
5113:in
4924:in
4801:in
4149:,
2229:or
1439:to
1230:in
1178:in
780:of
703:in
638:).
503:of
341:in
5241::
5211:,
4234:,
4137:,
4101:,
4057:,
3935:,
3916:,
3897:,
3878:,
3696:^
3522:^
3117:^
3075:^
2967:^
2925:^
2894:^
2861:^
2548:^
2383:^
2364:^
2342:^
1671:,
1505:,
1487:.
1144:,
968:,
932:it
908:,
665:it
646:,
591:,
519:,
507:,
487:,
427:c.
421:,
400:.
385:.
377:,
143:c.
93:c.
5225:)
5221:(
5215:)
5207:(
4782:e
4775:t
4768:v
4621:)
4585:e
4578:t
4571:v
4491:â€
4413:e
4406:t
4399:v
1677:c
1675:(
1344:(
1150:c
1148:(
788:-
440:.
425:(
300:)
23:.
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