Procuratie - Knowledge

1665: 1333: 902: 585: 1318:, running alongside the courtyard, to the back section which had rooms for family members and service areas. Only the first two apartments, begun by Scamozzi, follow this original design. Smeraldi's new design was for narrower apartments, only five arcades wide, that were distributed on multiple floors. Each apartment corresponded to four stores on the ground floor and an archway leading to an inner courtyard that opened to the canal behind. A staircase from the courtyard provided access to the apartment above. By adding another three arcades to the overall project, the number of apartments was increased to seven. An eighth apartment was added on the western end of the square. 991:(consultant architect and buildings manager), to present a model for a three-storey building that was to substitute the hospice and apartments along the entire southern side of the square and continue in front of the Doge's Palace where it was to replace the five hostelries for foreign merchants, the lean-to bread shops, and the meat market. No records survive regarding the ensuing internal discussions, but the project was radically transformed. On 6 March 1537, it was decided that the construction of the new building, now with only two floors, should begin with the section directly in front of the palace and that the space should be destined for the 769: 1267:, Simone Sorella, whose own design for the new building had been rejected. In 1584, Scamozzi presented further design proposals that included an additional floor. This would allow for separate apartments on each of the upper floors. It was similarly suggested that a floor be added to the library which was nearing completion. But following the equivocal results of engineering surveys conducted to determine whether the existing foundation of the library could bear the additional weight, it was decided in 1588 that the library would remain with only two floors. Instead the proposal to raise the height of the Procuratie Nuove was accepted. 1689: 1703: 4916: 1276: 1138: 1037: 760:, foremost of which was the addition of a floor to increment the number of rental apartments. Also, the number of workshops and stores on the ground floor was increased by inserting a narrow street behind the row of stores that opened onto the square so that each arcade now corresponded to an individual shop. On the upper floors, the rooms in the back section, connected by suspended galleries, were destined for servant quarters associated with the principal apartments that looked onto the square. 238: 1544: 1910:

Bon. But Codussi died in 1504, and there is no indication that the substitution of the previous building was planned prior to the fire of 1512. Pietro Selvatico and Julius Baum consider the design of the lower two levels to be the work of Pietro Lombardo, who at the time was over eighty, and attribute the upper level to Bon. Donatella Calabi also suggests Antonio Abbondi, called “Scarpagnino”, due to the similarity of his work at Rialto after the fire of 1514. See

415: 1499: 1238:, Scamozzi's chief supporter, with radical proposals to demolish the part that had already been completed and erect a structure similar to the Procuratie Vecchie on the northern side of the square. It was alternatively suggested that the project be returned to its original two-floor design. Ultimately, the Senate deliberated that the construction would continue with all three floors. But the design was radically altered, and Scamozzi was dismissed in 1597. 1242: 66: 4379: 4367: 4355: 1348:), he is highly critical of Sansovino's entablatures, which he states are excessive in height with respect to the columns. The arches are consequently said to be dwarfed and ill-proportioned. In the Procuratie Nuove, Scamozzi, a rigid classicist, corrects the 'error' by reducing the height of the Ionic frieze, without, however, successfully resolving the problem of transitioning between the two buildings. 1525:, were originally located in the section of the old pilgrim hospice that directly faced Saint Mark's Square. In 1591, after the completion of the final five bays of the library by Vincenzo Scamozzi (1588), the offices were moved to the upper floor of the new library building when the remaining section of the hospice was demolished in order to continue the construction of the Procuratie Nuove. 866:, it was necessary to sell the apartments in order to raise money to finance the war effort. Although the apartments were later repurchased by the procurators, they were definitively sold in 1717. Inside the Procuratie Vecchie, several of the apartments were subsequently transformed into small gathering places for entertaining, relaxation, and, at times, gambling. These were termed either 2017:, p. 108. Manuela Morresi, in contrast, argues that the interruption of the lateral street and the return to the previous layout with the series of courtyards was part of a broader effort on the part of the procurators and the Great Council to requalify Saint Mark's Square and discourage certain commercial activities in order to increase the value of the rental apartments. See 373:

over a hundred years and profoundly transformed Venice's city centre, giving it the appearance of a great classical forum. Both the official residences in the Procuratie Nuove and the rental apartments in the Procuratie Vecchie were built above arcades with space on the ground floor that was rented out for stores, workshops, and later coffeehouses, including the historic

615:. The intention was to create a steady flow of revenue in order to fund further work on the Church of Saint Mark and provide charitable assistance to the poor, thus avoiding the need to rely upon private pious donations and state financing. The properties included the long building erected by Ziani along the northern side of the square. As shown in Gentile Bellini's 964:, refused to take up residence in the square. Citing the dark and damp conditions and, in some instances, the lack of a view, they preferred to live in their palatial homes elsewhere in the city. Other procurators sublet their official apartments as a source of personal revenue. In addition, there were only six official apartments, two for each of the procuracies ( 369:. It always contained apartments that were rented by the procurators as a source of revenue to finance building projects and repairs. Rental income was significant, given the prestige of the location. But the apartments were eventually sold to raise immediate money for the government, and several of them were subsequently transformed into clubhouses. 1724:(1172–1178), had been rebuilt in the early sixteenth century by Cristoforo da Legname and then completed by Jacopo Sansovino in 1557 with the addition of a dome and the façade. It was flanked on both sides by the wings of the Procuratie Vecchie and the Procuratie Nuove, built respectively by Sansovino and Longhena. 1979:, p. 420. Both Michela Agazzi and Manfredo Tafuri note that a collaboration between Bon and Celestro also existed at the Great School of San Rocco. But Manuela Morresi suggests that the Tuscan architect involved in the Procuratie Vecchie and the Great School of San Rocco may be two separate individuals. See 1003:

had donated to the Republic in 1468 with the request that a library of public utility be founded. There was no further reference to a continuation along the southern side of the square until the 1550s when work was nearing completion on the initial construction stage of the library. At that time, it

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Construction began with the damaged section adjacent to the clock tower and proceeded gradually. To limit the loss of revenue to the procurators, each tenant was evicted only when it became necessary to demolish the apartment in order to continue building. Also, the new shops on the ground floor and

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procurators could also be created in moments of financial constraint in exchange for monetary contributions to the treasury. This amounted to the periodic sale of the prestigious title. The number of procurators fluctuated thereafter: in 1521, there were eighteen. At times, the number rose to forty.

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Adolfo Venturi, Giulio Lorenzetti, Luigi Angelini, and Lionello Puppi attribute the design to Mauro Codussi who is generally considered to be the architect of the adjacent clock tower. Paolo D’Ancona and Maria Luisa Gengaro attribute the lower two levels to Codussi and the upper floor to Bartolomeo

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The apartments of the procurators occupied the upper storeys. The shops on the ground floor were rented out as sources of revenue. In 1683, a coffeeshop was present, the sole such establishment in Venice. Thereafter the number of coffeeshops in the Procuratie Nuove increased and eventually included

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in prestige, was one of the few lifetime appointments in the Venetian government. It was routinely occupied by nobles belonging to the most influential families and typically represented the climax of a distinguished political career, although it was often an intermediate position prior to election

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When during the second period of French domination the Procuratie Nuove was transformed into a royal residence, the former apartments of the procurators were adapted for residential purposes. But the structure lacked a suitably grand entry as well as larger rooms for audiences and entertaining. In

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where the altars alternate around the perimeter, in pairs, with curvilinear and triangular pediments. Scamozzi's design for the upper floor included elaborate carvings and reclining figures atop the tympanums. But these were eliminated from the design by Smeraldi and exist only above the first ten

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in 1600 upon the death of Sorella. That same year, the two single-floor apartments already under construction according to Scamozzzi's design were completed, and the first apartment was assigned the following year. Smeraldi then radically reconceived the design as a series of narrower, multi-level

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In March 1581, prior to the definitive selection of Scamozzi's design, demolition of the previous structures began with a portion of the old pilgrim hospice and proceeded gradually as more space was required to continue. Actual construction began in 1583. Although Scamozzi was directly involved in

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The Procuratie Nuove on the southern side housed the official residences of the procurators. Built between the late-sixteenth and mid-seventeenth centuries to replace a series of dilapidated medieval structures, it represented the culmination of an extensive programme of urban renewal that lasted

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Despite the need to increase the number of apartments available to the procurators, Scamozzi's design was for only six apartments. These were divided into three consecutive units, each eleven arcades wide. The two apartments on the upper floors, one atop the other, shared a single courtyard with

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The excessive repair costs borne by the procurators for their apartments and the misuse of government funds were the subject of a formal inquiry in 1569. The documents relative to the inquiry are in the State Archives of Venice in PS, b. 65 proc. 153 fasc. 1, libretto no. 25. See

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for much of its history. At various times, the shops on the ground floor housed a goldsmith, glazier, cobbler, engraver, tailor, spice merchant, painter, cutler, old-clothes seller, barber, bookseller, and notary. In 1638, the 'Rimedio' wine shop opened. It was subsequently purchased by Giorgio

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The façade of the attic is covered in low relief panels with classical motifs. Interspersed with these reliefs are freestanding statues on pedestals by Antonio Bosa and Domenico Banti. These portray heroes, statesmen, and rulers, primarily from Antiquity, that were seen as embodying Napoleonic

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The narrow street, Calle del Cappello Nero, extends for only twenty-four arcades after which the previous design of the inner courtyards was preserved. Previously, the stores and workshops behind were accessible through passageways in the square that connected to small, inner courtyards. See

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with the insertion of a small street running parallel to the square. In contrast, the earlier layout, characterized by a series of courtyards, was retained for the remainder of the building, further away from the area damaged by the fire. This indicates that, although documents refer to the

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In 1531, the Great Council deliberated to allocate a maximum of 40 ducats to each procurator for modifications and renovations to his official apartment during his tenure. Funds were nevertheless illegally expropriated from other government accounts to finance repairs and improvements. See

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Conditions in the buildings on the southern side of the square continued to deteriorate giving rise to concerns for the dignity of the procurators, and on 10 December 1580, the Senate determined that the time had come to demolish the buildings, citing once again their age and the unsightly

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In sharp contrast to the newly built Procuratie Vecchie on the northern side of Saint Mark's Square, the southern side was still lined with several antiquated structures. These included the rent-free apartments erected in the thirteenth century for the procurators as well as their

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The first two floors of the Napoleonic Wing continue the repeatable bays of Sansovino's design for the library which Scamozzi had also used for the Procuratie Nuove on the southern side of the square. To then visually link the new building to the northern side, Soli designed an

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Proposals for the building that was to replace the church and join the wing of the Procuratie Vecchie with the wing of the Procuratie Nuove varied. Although the imperial French government sought a sense of monumentality, the projects of Grazioso Buttacalice for a

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specifically authorize a procurator to occupy a seat on any council. Subsequently, in 1388, it was established that only one procurator for each procuracy could hold another government office. But beginning in 1569, the procurators were allowed to serve as

976:) which were assigned to the next senior procurator upon vacancy. This number of apartments was insufficient, and the government incurred the additional expense of a rent allowance to enable the remaining procurators to secure living space near the square. 1608:

were prominently positioned at the top of the monumental staircase as an indication of their prestige. The first of the rooms served as an archive for documents, the second as a room for administrative officials and clerks in attendance, the third for

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Michela Agazzi specifically notes that a doorway from the previous building was discovered inside a wall of the later construction near the Sottoportego di Corte Maruzzi, confirming that portions of the previous building were not demolished. See

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The architect of the Procuratie Vecchie is not known from any official source, and various names have been suggested, primarily on the basis of stylistic considerations and the prominence of the individual architect at the time. These include

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The name of Bon is confirmed in the witness statement of procurator Melchiorre Michiel in the 1569 case "Proprietà in Campo Russolo". The relative document is in the State Archives of Venice in PS, b. 33, processo 68, fascicolo 2. See

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in the early sixteenth century to replace an earlier structure, damaged by fire. Although the war imposed financial constraints and limited innovation, it was nevertheless the first major public building in Venice to be erected in a purely

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Disapproval of the magnitude and grandeur of the project was voiced as early as 1589 when the design was criticized for its rich adornment, considered disparagingly more appropriate to a theatre in reference to Scamozzi's work at the

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Scamozzi considered appropriate a ratio between the height of the entablature and the column of 1 to 4 for the Doric order and 1 to 5 of the Ionic order, whereas the ratios in the library are 1 to 3 and 1 to 2 respectively. See

1078:, giving greater visual importance to the Church of Saint Mark located on the eastern side. Presumably, this had been Sansovino's intention when in 1537 he began the construction of the library further away from the bell tower. 1598:

were situated in the area built by Scamozzi. Curiously, in 1552 when the library was still under construction, the practice began of extracting by lot the use of the balconies by the procurators and their guests to observe the

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celebrations in the Piazzetta. The designated area for the offices, accessible by means of the same entry as the library, consisted in nine rooms, three for each of the procuracies. The rooms utilized by the procurators

469:, administered trust funds established as pious donations on behalf of religious and charitable institutions. In 1319, there were six procurators, and in 1443 there were nine. These were divided into three procuracies: 1752:

In 1810, Antolini's project was abandoned and the section of the building already constructed was demolished. The wing of the Procuratie Vecchie was also demolished and replaced by the actual building, designed by

851:. Other coffeeshops in the Procuratie Vecchie eventually included 'Re di Francia', 'Abbondanza', 'Pitt l'eroe', 'Orfeo', 'Redentore', 'Coraggio', 'Speranza', and 'Specchi'. 'Alla Regina d'Ungheria', the modern-day 1314:

staircases and entries onto the square and the canal behind. Each apartment consisted of two sections. The forward section, facing the square, had the principal rooms and a study. It was connected by means of two

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On 15 January 1581, the procurators decided that the new building would be constructed not on the exact site of the hospice and existing apartments but further back, in line with the library. This would make the

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Conditions in the outdated and precarious apartments were poor, and expenditures for repairs continued to rise for both the occupants and the government. Some procurators, despite the obligation imposed by the

1428:'L’Angelo Custode', 'Duca di Toscana', 'Buon Genio', 'Doge', 'Imperatore', 'Imperatrice delle Russie', 'Tamerlano', 'Fortuna', 'Diana', 'Dama Veneta', 'Aurora', 'Piastrelle', 'Pace', and 'Arabo'. The historic 1170:. They saw the transformation of Saint Mark's Square into a classical forum as the means to publicly affirm their own cultural orientation and their superior intellectual understanding of the principles of 1948:, p. 87. Howard's text identifies the architect as Bartolomeo Bon since it predates Stefano Mariani's archival research on Pietro Bon, consultant architect and buildings manager for the procurators 1414:. Palladio also proposed the combination in his design for the rebuilding of the Doge's Palace after the fire of 1577, which may have been the immediate source for Scamozzi. The ancient prototype is the 1121:

of the bell tower (begun 1538), called for the radical transformation of Saint Mark's Square from an antiquated medieval town centre with food vendors, money changers, and even latrines into a classical

1720:, located on the western side of the square, was consequently demolished to have the space needed to extend the royal residence and create the necessary rooms. The church, dating back to the reign of 1778:

floor, the height of which corresponds to the roofline crenellation of the Procuratie Vecchie. The attic was also conceived as a means of concealing the high, vaulted ceiling of the ballroom behind.

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By the time of Scamozzi's dismissal in 1597, only the first ten arcades had been built. The project was thereafter entrusted to Francesco di Bernardin Smeraldi, called Fracà, who was also nominated

1379:. Scamozzi, while acknowledging the existence of both Roman and Renaissance precedents, was critical of such layering. In his design for the additional floor of the Procuratie Nuove, the series of 880:

meaning to go, typically to a place of meeting or gathering). Most notably, the Procuratie Vecchie housed the 'Casin dei nobili', a large clubhouse for noblemen located on the first floor, and the

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The effective sale of the position also made it possible for young and ambitious nobles to quickly rise to high office and to consequently exert great influence. In the sixteenth century, notably

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Mariani, Stefano, 'Vita e opere dei proti Bon Bartolomeo e Pietro' (unpublished doctoral thesis, Istituto Universitario di Architettura – Venezia, Dipartimento di Storia dell'Architettura, 1983)

912:(1496). The detail shows the southern side of the square with the timeworn pilgrim hospice (adjacent to the bell tower) and the thirteenth-century residences of the procurators (foreground). 535:. Apart from extraordinary embassies to foreign courts, the procurators were also relieved from the obligation incumbent upon all nobles to accept political appointments, including on the 603:

Following the enlargement of Saint Mark's Square in the second half of the twelfth century, several buildings and lands in and near the square were donated as rental properties to the

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had largely abandoned maritime trade in favour of the administration of agricultural properties on the mainland. In their foreign policy, they tended to support the interests of the

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of the Procuratie Vecchie, containing five apartments, and the five bays along the western side of the square (subsequently demolished) were completed under Sansovino's direction.

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Given financial constraints during the War of the League of Cambrai, innovation was limited to design modifications that were aimed at increasing revenue to the procurators

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apartments. He also simplified the overall decoration. By 1611, the building had reached the twentieth arcade and four apartments were completed. Smeraldi was succeeded as

1621:, the portraits were hung in double rows, the meeting room being reserved for the portraits of the procurators who had subsequently been elected as doges. Following the 531:

In addition to the associated public honour, the office of procurator ensured an active role in the political life of Venice: after 1453, it guaranteed a seat in the

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The documents relative to the sale and repurchase in the seventeenth century are in the State Archives of Venice in PS, b. 27, proc. 51, fasc. 4. See

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The Procuratie Nuovissime (Newest Procuracies, also known as the Napoleonic Wing) was built during the second period of French occupation (1805–1815) when after the

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Manuela Morresi suggests that in addition to engineering considerations, the decision to retain the height of the library stemmed from the ascendency of the

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was removed and in part dispersed when the library was annexed to the Procuratie Nuove as the royal apartment for Eugène de Beauharnais, the viceroy of the

457:, the ducal chapel. Over time the number of procurators increased. By the mid-thirteenth century there were four procurators, two of which, the procurators 4933: 4325:

Mueller, Reinhold, 'The Procurators of San Marco in the Thirteenth and Fourteenth Centuries: A Study of the Office as a Financial and Trust Institution',

5028: 4968: 1972:, pp. 129-130. Alternatively, John McAndrew proposes that the layout may be the design of Celestro whereas the façade can be attributed to Bon. See 1786:, was removed during the second period of Austrian domination. Similarly, the decorations in the staircase with the triumphs of Napoleon were replaced. 5023: 4958: 4953: 5103: 2087:, meaning reduced in reference to the practice of closing off sections of apartments in order to create the smaller, more secluded private areas. See 1008:

appearance. Three designs were submitted for the building that was to house the new apartments of the procurators, and on 5 April 1582, the design of

1613:. Paintings, primarily portraits of the procurators and devotional works, were transferred from the previous offices and adapted to the new rooms by 1483:, the Procuratie Nuove came into the possession of the Italian Crown which ceded ownership to the State in 1919. Since 1922, the building houses the 926: 834:, should be supported on square pillars so that the resulting arcade appears to be the residual of "a wall open and discontinued in several places". 858:

Due to the enviable site, the rents for the apartments above were relatively expensive, ranging from 40 to 70 ducats a year in 1569. But during the

5003: 654:. With regard to the sixteenth-century sources, Marin Sanudo mentions the little-known Tuscan architect Zuan Celestro in his diary (1514), whereas 4203:, IV (Roma: Ministero per i beni culturali e ambientali, Ufficio centrale per i beni archivistici, 1994), pp. 857–1014, 1062–1070, 1076–1140 626:

and led to the collapse of a portion of the façade. It was subsequently decided that notwithstanding the financial constraints at the time of the

4860: 543:, thus ensuring their presence in the city. The position also brought economic and financial influence through the management of vast amounts of 5033: 1336:

The juncture between the Ionic entablature of Sansovino's library (left) and the 'corrected' entablature of Scamozzi's Procuratie Nuove (right)

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was suggested that the library be extended to the waterfront and that the entire square be lined with new structures. But no action was taken.

4988: 345:, Italy. Two of the buildings, the Procuratie Vecchie (Old Procuracies) and the Procuratie Nuove (New Procuracies), were constructed by the 5218: 4359: 659: 5264: 5254: 4773: 1094: 28: 4583: 4411: 4371: 4383: 634:

remarked in his diary that the reconstruction was "in order to make it very beautiful for the glory of the land … despite the war" (

1198:. But the building programme was increasingly opposed by the more traditionalist and pro-French faction within the government, the 1021: 695:

apartments above were leased as soon as they were ready. By 1517, the first section had progressed far enough to begin work on the

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For the first two floors, Scamozzi was obliged to continue Sansovino's design for the library. But in his architectural treatise

463:, retained responsibility for the administration of the Church of Saint Mark and its treasury. The other two procurators, called 715:

demolition of the previous structure, certain parts of it were in fact maintained and reutilized, presumably to minimize costs.

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as well as the financial affairs of state wards and trust funds established on behalf of religious and charitable institutions.

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The decision to replace the dilapidated structures with a new building for the procurators was in fact the culmination of the

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faction in the aftermath of the constitutional crisis of 1582 and its opposition to the aggressive building programme. See

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and resulted in the reduction of the powers delegated to the Council of Ten and in a renewed legitimacy of the Senate. See

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The locations have been approximated based on panoramic engravings of the city, land records, and excavations in 1888-1889.

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and his immediate descendants. Subsequently, the administration of many of the properties was delegated to the procurators

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Augusti, Adriana, 'Dal palazzo dei procuratori al palazzo del re: le vicende e le decorazioni', in Gabriele Morolli, ed.,

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The Commune of Venice, rather than the doge, is first mentioned as the representative authority of the State in 1143. See

5249: 4512: 1455:, during the second period of French domination (1805–1815). The former apartments of the procurators were decorated by 5269: 4663: 1810:, Martinioni records 40 procurators who, beginning in 1275, were subsequently elected doge. For the complete list, see 999:, consisting in the precious collection of Greek and Latin manuscripts, entrusted to the care of the procurators, that 619:(1496), it was a two-storey building with a series of apartments above and shops on the ground floor that were leased. 1475:

collaborated in other rooms. Modifications were also made in 1834–1836 and 1853–1857, during the subsequent period of

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were also specifically responsible for the construction, maintenance, and management of the public buildings around

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who completed the construction of the Procuratie Nuove around 1660, including the seven arcades that reached the

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The only apartment unit, eleven arcades wide, built in accordance with Scamozzi's design is characterized by the

5142: 4499: 4215:

Torsello, B. Paolo, 'Il neoclassico nella Piazza: l’ala napoleonica e il patriarcato', in Giuseppe Samonà, ed.,

805: 4699: 4576: 4404: 4275: 4091: 4047: 4031: 3815: 1622: 1436: 901: 584: 484: 389: 1479:(1815–1866), when the Procuratie Nuove served as an imperial residence. After the annexation of Venice to the 630:(1508–1516), the entire structure would be rebuilt as a statement of Venice's self-confidence. Significantly, 595:(1496). The detail shows the northern side with the twelfth-century building, administered by the procurators 1630: 1452: 796:

along the roofline and the succession of two window bays over each of the ground-floor arches, the elongated

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The wall between the Corinthian columns is pierced with rectangular aedicule windows, topped by alternating

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columns rests against a simple wall. As a result, the third level lacks the deep recesses and the strong

1106: 20: 1052: Hospice and offices of the procurators, demolished beginning in 1581 to build the Procuratie Nuove 710:

With respect to the pre-existing structure, the layout of the new building was altered for the first 24

432:). One of the major proponents of urban renewal of Saint Mark's Square, Cappello was elected procurator 4717: 4006:

Morolli, Gabriele, 'Vincenzo Scamozzi e la fabbrica delle Procuratie Nuove', in Gabriele Morolli, ed.,

1171: 859: 831: 1467:

who was in Venice in 1807. For the decoration of the throne room and the dining room, Pietro Moro and

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were both deemed too radical and equally incongruous with the overall aspect of Saint Mark's Square.

1472: 808:. Also, the columns on the ground floor, reminiscent of the Doge's Palace, were replaced with square 631: 409: 346: 211: 4758: 1210:

to leave a lasting architectural mark. Hence when after the constitutional crisis of 1582-1583 the

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Chambers, David, 'Merit and Money: The Procurators of St Mark and Their Commissioni, 1443-1605',

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The act is in the State Archives of Venice in PS b. 70, proc. 155, cc. 17–26. See

1827: 1456: 1395: 1234:. The opposition to the building programme intensified following the death in 1595 of procurator 1162:, the wealthy and influential families within the aristocracy who maintained close ties with the 957: 623: 319: 266: 4334: 4313: 2072: 1952:

who was often confused with Bartolomeo Bon, chief consulting architect for the Salt Office. See

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motifs, allegorical figures, and mythological scenes that exalt moral and intellectual virtues.

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The act of the procurators is in the State Archives of Venice in PS, Atti, reg. 125, c. 2.

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were located in the portion of the library completed earlier by Sansovino, directly facing the

1407: 1118: 1071: 789: 781: 571:, including the shops, food stalls, and apartments that were rented out as sources of revenue. 366: 270: 5173: 4630: 4608: 4488: 4466: 1717: 1654: 1360: 1297: 813: 711: 454: 297: 248: 768: 5178: 5147: 5132: 4669: 3951:

Mar, Gian Paolo, Paola Mar, and Monica Zanforlin, 'La fabbrica', in Alfredo Viggiano, ed.,

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Platea Sancti Marci: i luoghi marciani dall'11. al 13. secolo e la formazione della piazza

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In 1599, Scamozzi was similarly dismissed from the Church of San Nicolò da Tolentino. See

677:. But the precise contributions of Bon and Celestro to the design remain unclear. Bon, as 8: 5168: 4746: 4681: 4640: 4624: 4507: 4122: 4110: 4098: 4054: 1783: 1754: 1293: 1235: 1131: 1114: 1090: 996: 818: 728: 655: 544: 279: 1702: 5204: 5188: 5073: 4993: 4973: 4938: 4789: 1600: 1411: 1098: 1000: 931: 823: 740: 604: 552: 350: 73:

Procuratie Nuove (left), Procuratie Nuovissime (centre), and Procuratie Vecchie (right)

3997:

Molmenti, Pompeo, 'Lettere inedite del patrizio Pietro Zaguri a Giacomo Casanova', in

520: 5152: 5018: 5008: 4963: 4915: 4815: 4330: 4309: 4287: 4271: 4255: 4239: 4220: 4204: 4179: 4163: 4146: 4087: 4062: 4043: 4027: 4011: 3986: 3956: 3940: 3921: 3902: 3883: 3852: 3827: 3811: 3786: 3770: 3754: 2111:, existed on the western side of the square in the wing of the Procuratie Nuove. See 2068: 1854: 1195: 1102: 1009: 921:(offices), which were located inside a separate building dating back to the reign of 885: 556: 4024:

Piazza san Marco: istituzioni, poteri e architettura a Venezia nel primo Cinquecento

4740: 4592: 4526: 4420: 4231: 3932: 3781:

Augusti, Adriana, 'Dal palazzo del re al palazzo reale', in Gabriele Morolli, ed.,

1858: 1721: 1587: 1480: 1468: 1460: 1380: 1279:

Detail of southern façade, showing the discontinuation of Scamozzi's ornate design.

1275: 984: 961: 922: 888:, located in the wing of the Procuratie Vecchie on the western side of the square. 724: 608: 568: 560: 525: 488: 338: 257: 5122: 4444: 3840:

L'Archivio di Stato di Venezia, indice generale, storico, descrittivo ed analitico

1429: 944:

arriving in the city to venerate the relics of Saint Mark. Later, it served as an

937: 437: 374: 5093: 5043: 5038: 4810: 4793: 4675: 4618: 4538: 2176:

The constitution crisis concerned the nomination of the adjunct committee of the

1965:

Deborah Howard suggests that Bon may have simply followed Celestro’s design. See

1610: 1464: 1376: 1227: 1180: 1163: 1110: 1046: Meat market, demolished in 1581 to continue the construction of the library 905: 651: 647: 588: 532: 288: 4449: 2223:

For a general discussion of the political factions, alternatively called 'Old' (

1137: 852: 848: 540: 528:, Vettore Grimani, Federico Contarini, and Andrea Dolfin purchased the office. 392:, the Procuratie Nuove was transformed into the residence of the viceroy of the 382: 378: 5114: 5083: 4900: 4518: 4141:, ed. by G. Berchet, N. Barozzi, and M. Allegri, 58 vols (Venezia: , 1879–1903) 3913: 3894: 3875: 3863: 2200:, Antonio Querini, Leonardo Donà, and Andrea Dolfin were strong opponents. See 2177: 2050:

The deliberation of the Senate authorizing the sale is dated 15 July 1648. See

1729: 1415: 1141: 1127: 863: 809: 800:, characteristic of the Veneto-Byzantine tradition in Venice, was updated with 548: 445: 360:

The Procuratie Vecchie on the northern side of the square was built during the

777: 700: 444:

The office of procurator of Saint Mark, considered second only to that of the

334: 5238: 5078: 4943: 4875: 4190:

Talamini, Tito, 'Le procuratie vecchie a Venezia ... una storia per domani',

1853:

Chronicles date the enlargement of the square alternatively to the reigns of

1642: 1484: 1123: 1086: 1074:

a freestanding structure. It would also transform Saint Mark's Square into a

1036: 704: 664: 643: 536: 449:

as doge. The office originated in the ninth century with a single procurator

43: 30: 3969:

La costituzione di Venezia: dalle origini alla serrata del Maggior Consiglio

949: 5088: 4925: 4454: 1833: 1638: 1222:, they actively sought to limit any further change to Saint Mark's Square. 1191: 797: 636:"farle di novo e bellissime, che sarà onor di la terra … ben sia la guerra" 397: 237: 4243: 4224: 4183: 3918:

Venice Disputed: Marc'Antonio Barbaro and Venetian Architecture: 1550–1600

3758: 5137: 4998: 4978: 4820: 1775: 1543: 1443:, the Procuratie Nuove was adapted to serve as the official residence of 1391: 1384: 1372: 1356: 1352: 827: 776:

The Procuratie Vecchie was the first major building erected in Venice in

515:). Beginning in 1516, initially to aid in the economic recovery from the 4268:

La libreria di san Marco: libri, lettori, società nella Venezia dei dogi

1498: 1089:

to reaffirm Venice's international prestige after the earlier defeat at

547:

and of investments in commercial and private real estate, in government

414: 396:. Today, much of the Procuratie Nuove and the Napoleonic Wing house the 4636: 4284:

Antichi ridotti veneziani: arte e società dal Cinquecento al Settecento

1614: 1502: 492: 418: 1398:. The solution of the alternating tympanums had been employed by both 1371:

in Rome. Similarly, on the upper floor of the library, a row of large

1241: 842:

The Procuratie Vecchie was rental property managed by the procurators

459: 65: 4895: 4830: 4077:(Venezia: G. Scarabellin, 1916; repr. Venezia: Filippi Editore, 1980) 3824:

Palladio's Venice: Architecture and Society in a Renaissance Republic

1668: 1617:, under the direction of Scamozzi. In the offices of the procurators 1368: 1175: 1075: 945: 512: 4788: 2158:

The windows on the southern façade looked onto the public granaries.

884:

for foreign diplomats, who were not permitted to socialize with the

5222: 4561: 4389: 1956:

for relative documentation and the attribution of various projects.

1463:

between 1807 and 1813, under the influence of the French decorator

1440: 1399: 1270: 504: 478: 3880:

Jacopo Sansovino: architecture and patronage in Renaissance Venice

1782:

ideals. The statue in the centre, depicting Napoleon enthroned as

1509:(1550). The portrait of Soranzo, elected procurator of Saint Mark 1351:

In Sansovino's library, the ground floor consists in a series of

681:, was nevertheless responsible for oversight during construction. 4825: 4174:

Talamini, Tito, ' Le Procuratie nuove', in Giuseppe Samonà, ed.,

3847:

Franzoi, Umberto, 'L'ala napoleonica', in Gabriele Morolli, ed.,

1924:, pp. 21-25 and 46 (note 40) for bibliographical references. 1733: 1448: 1403: 1246: 1231: 1216:

found themselves in a position of greater strength vis-à-vis the

673:(consultant architect and buildings manager) to the procurators 5212: 4905: 4802: 4531: 4378: 4366: 4354: 4192:

Parametro: rivista internazionale di architettura e urbanistica

1741: 1315: 793: 785: 696: 436:

in 1523, at the age of only 29, following the payment of 8,000

342: 4341:

Renovatio urbis: Venezia nell'età di Andrea Gritti (1523-1538)

1590:

and the Doge's Palace, whereas the offices of the procurators

1166:

and whose architectural and artistic tastes tended to reflect

473:(responsible for the [Church of Saint Mark and its treasury), 5208: 1694:

Procuratie Nuovissime (Napoleonic Wing), detail of the façade

622:

A fire in June 1512 destroyed one of the apartments near the

16:

Three connected buildings along Saint Mark's Square in Venice

453:, nominated to assist the doge in the administration of the 4160:

Venezia e il Rinascimento: religione, scienza, architettura

1093:

during the War of the League of Cambrai and the subsequent

3999:

Atti del Reale Istituto Veneto di Scienze, Lettere ed Arti

1648: 718: 707:. That same year, the first new apartment was rented out. 353:, who were charged with administering the treasury of the 349:, the second-highest dignitaries in the government of the 3458:

Augusti, 'Dal palazzo dei procuratori al palazzo del re…'

3446:

Augusti, 'Dal palazzo dei procuratori al palazzo del re…'

3434:

Augusti, 'Dal palazzo dei procuratori al palazzo del re…'

3422:

Augusti, 'Dal palazzo dei procuratori al palazzo del re…'

2083:

It is alternatively suggested that the term derives from

1954:

Mariani, 'Vita e opere dei proti Bon Bartolomeo e Pietro'

1432:, initially named 'Venezia Trionfante', opened in 1720. 1253: 658:

in his guide to the city (1581) attributes the design to

4217:

Piazza San Marco: l'architettura, la storia, le funzioni

4176:

Piazza San Marco: l'architettura, la storia, le funzioni

689: 4219:, 2nd edn (Venezia: Marsilio, 1977), pp. 187–194 4084:

La bottega del caffè: i caffè veneziani tra '700 e '900

2779:

Molmenti, 'Lettere inedite del patrizio Pietro Zaguri…'

2113:

Molmenti, 'Lettere inedite del patrizio Pietro Zaguri…'

822:, that in larger structures the column, inherited from 337:) are three connected buildings along the perimeter of 3044:

Howard, 'Architectural Politics in Renaissance Venice'

2421:

Howard, 'Architectural Politics in Renaissance Venice'

1419:

windows, completed during Scamozzi's superintendence.

2254:

The remark was by procurator Federico Contarini. See

1156:

The building programme was strongly advocated by the

1134:

in 1527, to present Venice as Rome's true successor.

1292:

by Mario della Carità and subsequently, in 1640, by

1126:. The intent was to evoke the memory of the ancient 1085:, the vast architectural programme begun under Doge 1673:

Piazza san Marco looking West towards San Geminiano

3866:, 'Architectural Politics in Renaissance Venice', 19:"Procuracies" redirects here. For other uses, see 3120: 3118: 2864: 2862: 1744:with a grand staircase in the rear was accepted. 1406:for residential architecture and by Palladio for 816:'s recommendation in his architectural treatise, 784:prototypes. Although many aspects of the earlier 5236: 3699: 3697: 1271:Later periods of superintendence (1597–ca. 1660) 910:Processione di Corpus Domini in Piazza san Marco 617:Processione di Corpus Domini in Piazza san Marco 593:Processione di Corpus Domini in Piazza san Marco 499:(responsible for trust funds established in the 477:(responsible for trust funds established in the 4306:Journal of the Warburg and Courtauld Institutes 4236:Architectural principles in the age of humanism 2679:Architectural principles in the age of humanism 1263:(chief building consultant) to the procurators 3983:Venetian architecture of the early Renaissance 3470:Augusti, 'Dal palazzo del re al palazzo reale' 3115: 3078: 3076: 2859: 2313:, Lib. VI, Cap. VII, pp. 20-21. 4774: 4577: 4405: 3694: 3525: 3523: 2970: 2968: 2928: 2926: 2901: 2899: 2897: 2895: 2557: 2555: 2553: 2551: 2549: 2371: 2369: 2367: 2365: 2349: 2347: 2345: 2343: 2284: 2236: 2230: 2224: 1490: 1217: 1211: 1205: 1199: 1185: 1157: 4320:Degnita procuratoria di San Marco di Venetia 2386: 2384: 2065:Talamini, 'Le procuratie vecchie a Venezia…' 403: 4611:(original project of reconstruction, 1520s) 3799:Relazione storica sulle magistrature venete 3073: 2435:Relazione storica sulle magistrature venete 2334:Relazione storica sulle magistrature venete 875: 723:Following the death of Pietro Bon in 1529, 464: 4781: 4767: 4584: 4570: 4412: 4398: 3980: 3966: 3796: 3520: 2965: 2923: 2892: 2606: 2546: 2528:, XVIII (1887), col. 10, 5 March 1514 2432: 2362: 2340: 2331: 1973: 1878: 1659: 896: 599:, that housed rental apartments and shops. 4230: 4214: 4127:Venetia città nobilissima et singolare... 3971:, 2 vols (Venezia: La Nuova Italia, 1927) 3955:(Roma: Editalia, 1994), pp. 111–170 3953:Le Procuratie Vecchie in Piazza San Marco 3920:(New Haven: Yale University Press, 2011) 3882:(New Haven: Yale University Press, 1975) 3851:(Roma: Editalia, 1994), pp. 117–156 3826:(New Haven: Yale University Press, 2005) 3785:(Roma: Editalia, 1994), pp. 197–222 3769:(Roma: Editalia, 1994), pp. 157–196 3703: 3673: 3649: 3637: 2676: 2513:, XV (1886), col. 541, February 1513 2498:, XIV (1886), col. 305, 10 June 1512 2381: 1826:A deliberation of 1305 required that the 1814:Venetia città nobilissima et singolare... 1808:Venetia città nobilissima et singolare... 792:structure were maintained, including the 106:Pietro Bon and Zuan Celestro (attributed) 4201:La Guida generale degli Archivi di Stato 4199:Tiepolo, Maria Francesca, 'Venezia', in 4010:(Roma: Editalia, 1994), pp. 11–116 3842:(Roma: Biblioteca d'Arte editrice, 1937) 3764: 3704:Torsello, 'Il neoclassico nella Piazza…' 3674:Torsello, 'Il neoclassico nella Piazza…' 3650:Torsello, 'Il neoclassico nella Piazza…' 3638:Torsello, 'Il neoclassico nella Piazza…' 3457: 3445: 3433: 3421: 1663: 1497: 1331: 1274: 1240: 1136: 900: 772:Procuratie Vecchie, detail of the façade 767: 583: 579: 413: 155:Vincenzo Scamozzi and Francesco Smeraldi 4121: 4115:Venetia città nobilissima et singolare… 4103:Venetia città nobilissima et singolare… 4008:Le Procuratie Nuove in Piazza San Marco 3849:Le Procuratie Nuove in Piazza San Marco 3783:Le Procuratie Nuove in Piazza San Marco 3767:Le Procuratie Nuove in Piazza San Marco 3547:Venetia citta nobilissima et singolare… 3499:Venetia città nobilissima et singolare… 2540:Venetia città nobilissima et singolare… 1811: 1740:’s more modest design for a two-storey 1732:and of Gaetano Pinali for a Corinthian 1649:Procuratie Nuovissime (Napoleonic Wing) 1521:The offices of the procurators, called 1375:columns is superimposed on a series of 1328:Biblioteca Marciana § Architecture 1058: Old apartments of the procurators 936:, had originally been constructed as a 719:Sansovino’s superintendence (1529–1538) 423:Portrait of Procurator Antonio Cappello 5237: 4617:(original project, 1554, continued by 4281: 4097: 4037: 3544: 3511: 3328: 3082: 2883: 2537: 2290: 2088: 1254:Scamozzi's superintendence (1583–1597) 1168:developments in Rome and central Italy 4762: 4633:(reconstruction finished, 1552–1557)† 4565: 4393: 4189: 4005: 3996: 3874: 3837: 3379: 3367: 3355: 3343: 3316: 3304: 3292: 3280: 3268: 3256: 3244: 3232: 3220: 3208: 3196: 3184: 3172: 3160: 3148: 3136: 3124: 3109: 3097: 3067: 3055: 3016: 2986: 2974: 2959: 2932: 2917: 2868: 2850: 2790: 2778: 2405: 2353: 2255: 2126: 2112: 2064: 1994: 1838: 690:Bon's superintendence (ca. 1514–1529) 574: 4591: 4419: 4198: 4178:, 2nd edn (Venezia: Marsilio, 1977) 4109: 4053: 3862: 3810:(London: Thames & Hudson, 1970) 3808:The Imperial Age of Venice 1380–1580 3496: 3043: 2420: 2375: 2207:, pp. 178–189 and, in general, 2181: 1708:Ballroom completed by Giovanni Santi 1346:The Idea of a Universal Architecture 1259:every aspect, oversight fell to the 1249:alongside the three central windows. 1109:. The programme, which included the 4513:Columns of San Marco and San Todaro 4265: 4249: 4173: 4157: 4153:(Venetiis: expensis auctoris, 1615) 4151:L’Idea dell’Architettura Universale 4021: 3899:The Architectural History of Venice 3893: 3730: 3715: 3688:The Architectural History of Venice 3685: 3586:The Architectural History of Venice 3583: 3529: 2944: 2905: 2835: 2820: 2691: 2564:The Architectural History of Venice 2561: 2390: 2310:L’Idea dell’Architettura Universale 2271:The Architectural History of Venice 2268: 2208: 2143: 2035: 2018: 1987: 1969:The Architectural History of Venice 1966: 1942: 1938:The Architectural History of Venice 1935: 1918: 1757:, professor of Architecture at the 1342:L’Idea dell’Architettura Universale 1300:on the western side of the square. 1204:, who resisted the attempts of the 891: 830:, whereas the arch, inherited from 13: 5265:Renaissance architecture in Venice 5255:Buildings and structures in Venice 4322:(Venetia: Domenico Nicolini, 1602) 4298: 4145: 4133: 4117:(Venetia: Altobello Salicato,1604) 4081: 4072: 3912: 3868:Proceedings of the British Academy 3821: 3748: 3598: 3481: 3406: 3391: 3319:, pp. 64–67, 71–74, and 78–83 3028: 2805: 2751: 2736: 2721: 2706: 2636: 2621: 2591: 2576: 2522: 2507: 2492: 2477: 2462: 2447: 2307: 2201: 2011: 1980: 1911: 1894: 1862: 1422: 1022:Biblioteca Marciana – Construction 995:of the procurators as well as the 14: 5281: 4736:Venetian Renaissance architecture 4347: 4105:(Venetia: Iacopo Sansovino, 1581) 3985:(Cambridge, MA: MIT Press, 1980) 3975: 3950: 3939:(Baltimore: Johns Hopkins, 1973) 3805: 3001: 2766: 2651: 2051: 1953: 1768: 1747: 1536:on the upper floor of the Library 1363:. The ancient prototypes are the 1303: 1015: 979:On 14 July 1536, the procurators 4914: 4639:(façade, 1553–1554, finished by 4377: 4365: 4353: 4061:(New York: Vintage Books, 1982) 3931: 3846: 3801:(Venezia: Filippi Editore, 1873) 3724: 3709: 3679: 3667: 3661: 3655: 3643: 3631: 3625: 3619: 3613: 3607: 3592: 3577: 3571: 3565: 3559: 3553: 3550:, 1581 edn., fols 110v-111r 3538: 3505: 3490: 3475: 3463: 3451: 3439: 3427: 3415: 3400: 3385: 3373: 2243:Lane, Venice a Maritime Republic 2242: 1701: 1687: 1542: 1035: 837: 802:Renaissance semi-circular arches 731:, was nominated in his place as 236: 64: 4664:Palazzo Corner della Ca' Grande 4286:(Roma: Fratelli Palombi, 1988) 4129:(Venetia: Steffano Curti, 1663) 3901:(London: B. T. Batsford, 1980) 3780: 3742: 3469: 3380:Morolli, 'Vincenzo Scamozzi...' 3368:Morolli, 'Vincenzo Scamozzi...' 3361: 3356:Morolli, 'Vincenzo Scamozzi...' 3349: 3344:Morolli, 'Vincenzo Scamozzi...' 3337: 3322: 3317:Morolli, 'Vincenzo Scamozzi...' 3310: 3305:Morolli, 'Vincenzo Scamozzi...' 3298: 3293:Morolli, 'Vincenzo Scamozzi...' 3286: 3281:Morolli, 'Vincenzo Scamozzi...' 3274: 3269:Morolli, 'Vincenzo Scamozzi...' 3262: 3257:Morolli, 'Vincenzo Scamozzi...' 3250: 3245:Morolli, 'Vincenzo Scamozzi...' 3238: 3233:Morolli, 'Vincenzo Scamozzi...' 3226: 3221:Morolli, 'Vincenzo Scamozzi...' 3214: 3209:Morolli, 'Vincenzo Scamozzi...' 3202: 3197:Morolli, 'Vincenzo Scamozzi...' 3190: 3185:Morolli, 'Vincenzo Scamozzi...' 3178: 3173:Morolli, 'Vincenzo Scamozzi...' 3166: 3161:Morolli, 'Vincenzo Scamozzi...' 3154: 3149:Morolli, 'Vincenzo Scamozzi...' 3142: 3137:Morolli, 'Vincenzo Scamozzi...' 3130: 3125:Morolli, 'Vincenzo Scamozzi...' 3110:Morolli, 'Vincenzo Scamozzi...' 3103: 3098:Morolli, 'Vincenzo Scamozzi...' 3091: 3068:Morolli, 'Vincenzo Scamozzi...' 3061: 3056:Morolli, 'Vincenzo Scamozzi...' 3049: 3037: 3022: 3017:Morolli, 'Vincenzo Scamozzi...' 3010: 2995: 2980: 2975:Morolli, 'Vincenzo Scamozzi...' 2960:Morolli, 'Vincenzo Scamozzi...' 2953: 2938: 2933:Morolli, 'Vincenzo Scamozzi...' 2918:Morolli, 'Vincenzo Scamozzi...' 2911: 2906:Talamini, 'Le Procuratie nuove' 2877: 2844: 2829: 2814: 2799: 2784: 2772: 2760: 2745: 2730: 2715: 2700: 2685: 2670: 2657: 2645: 2630: 2615: 2600: 2585: 2570: 2531: 2516: 2501: 2486: 2471: 2456: 2441: 2408:L'Archivio di Stato di Venezia… 2356:L'Archivio di Stato di Venezia… 2299: 2277: 2261: 2256:Morolli, 'Vincenzo Scamozzi...' 2248: 2217: 2190: 2170: 2161: 2152: 2135: 2118: 2097: 2077: 2057: 2044: 2027: 2003: 1959: 1927: 1903: 1887: 1871: 1847: 1841:L'Archivio di Stato di Venezia… 1582:The offices of the procurators 940:to give aid and shelter to the 746: 684: 4472:Treasury of St Mark's Basilica 4460:National Archaeological Museum 2426: 2414: 2399: 2325: 1820: 1800: 1623:fall of the Republic of Venice 1437:fall of the Republic of Venice 925:(976–978). This building, the 390:fall of the Republic of Venice 306: g. Procuratie Nuovissime 1: 5245:Baldassare Longhena buildings 4846:Palais Archduke Ludwig Viktor 4308:, vol. 60 (1997), 23-88 3007:, pp. 12–13, 18–20, and 25–30 3004:The Imperial Age of Venice... 2767:Mar and others, 'La fabbrica' 2652:Mar and others, 'La fabbrica' 2052:Mar and others, 'La fabbrica' 1881:La costituzione di Venezia... 1817:, 1663 edn., pp 299–300. 1789: 1359:, that is superimposed on an 1146:Portrait of Vincenzo Scamozzi 1130:and, in the aftermath of the 426: 142: 92: 5064:Schloss Orth (Lower Austria) 4660:(superintendency, 1529–1538) 4125:and Giustiniano Martinioni, 3662:Franzoi, 'L'ala napoleonica' 3626:Franzoi, 'L'ala napoleonica' 3614:Franzoi, 'L'ala napoleonica' 3572:Franzoi, 'L'ala napoleonica' 3560:Franzoi, 'L'ala napoleonica' 2319: 2211:Venezia e il Rinascimento... 2091:Antichi ridotti veneziani... 2067:, pp. 16-43 and 61-64. 1625:, the art collection of the 1387:effect of the lower floors. 847:Quadri and transformed into 628:War of the League of Cambrai 559:. With the exception of the 517:War of the League of Cambrai 466:de subtus super commissariis 362:War of the League of Cambrai 7: 5069:Schloss Ort (Upper Austria) 5059:Schloss Ort (Upper Austria) 4841:Palais Archduke Carl Ludwig 4696:(original project, c. 1540) 4627:(reconstruction, 1546–1610) 3502:, 1604 edn., fol. 216v 2543:, 1581 edn., fol. 105r 1641:between 1807 and 1808 with 1631:Napoleonic Kingdom of Italy 1453:Napoleonic Kingdom of Italy 1321: 1308: 1107:War of the League of Cognac 1029:Saint Mark's Square in 1581 312: h. Procuratie Vecchie 296: f. Procuratie Nuove ( 70:view of Saint Mark's Square 21:Procurator (disambiguation) 10: 5286: 5250:Jacopo Sansovino buildings 4702:(involvement, 1520s–1530s) 4270:(Milano: Mondadori, 1987) 4252:Piazza San Marco a Venezia 4086:(Venezia: Arsenale, 1991) 3937:Venice a Maritime Republic 3733:Piazza San Marco a Venezia 3718:Piazza San Marco a Venezia 3283:, pp. 48–50 and 58–59 2694:Piazza San Marco a Venezia 1976:L’architettura veneziana… 1812:Sansovino and Martinioni, 1652: 1507:Portrait of Jacopo Soranzo 1325: 1172:Ancient Roman architecture 1019: 983:consequently commissioned 407: 18: 5270:Royal residences in Italy 5197: 5161: 5112: 4984:Burg am Grazer Schloßberg 4923: 4912: 4800: 4728: 4709: 4650: 4615:San Francesco della Vigna 4599: 4547: 4498: 4427: 4001:, LXX (1910–1911), 89–204 3532:La libreria di san Marco… 3346:, pp. 74 and 103–104 2609:L'architettura veneziana… 2115:, p. 95–96 (note 6). 1738:Giovanni Antonio Antolini 1473:Giovanni Carlo Bevilacqua 826:, should only support an 806:fluted Corinthian columns 763: 751: 410:Procurators of Saint Mark 404:Procurators of Saint Mark 347:procurators of Saint Mark 221: 217: 207: 199: 191: 186: 177: 173: 169: 159: 151: 137: 128: 124: 120: 110: 102: 88: 79: 63: 5128:Archduke Joseph's Palace 4831:Palais Archduke Albrecht 4672:(original project, 1536) 4666:(original project, 1532) 4329:, XXIII (1971), 105–120 4238:(London: Tiranti, 1952) 4162:(Torino: Einaudi, 1985) 2781:, p. 95–96 (note 6) 2663:Alberti, Leon Battista, 1794: 832:Roman mural construction 4891:Schloss Wilhelminenberg 4866:Schloss Kaiserebersdorf 4856:Palais Archduke Wilhelm 4489:Church of San Geminiano 4254:(Verona: Cierre, 2018) 4042:(Milano: Electa, 2000) 4026:(Milano: Electa, 1999) 3870:, vol 154 (2008), 29–54 3797:Cappelletti, Giuseppe, 3497:Sansovino and Stringa, 3409:La bottega del caffè... 2739:La bottega del caffè... 2709:La bottega del caffè... 1917:, pp. 107-108 and 1806:In the 1663 edition of 1718:Church of San Geminiano 1457:Giovanni Battista Canal 1355:columns, supporting an 1298:Church of San Geminiano 874:(probably derived from 794:decorative crenellation 5184:Royal Palace of Venice 5099:Wiener Neustadt Castle 4851:Palais Archduke Rainer 4688:Loggetta del Sansovino 4553:Piazzetta dei Leoncini 4435:Loggetta del Sansovino 4343:(Roma: Officina, 1984) 4113:and Giovanni Stringa, 3664:, pp. 153 and 159 3484:Platea Sancti Marci... 2808:Platea Sancti Marci... 2285: 2237: 2231: 2225: 2196:Among the procurators 2109:Casino dei Filarmonici 2094:, p. 19 (note 3). 1993:, pp. 22–25, and 1680: 1518: 1337: 1280: 1250: 1218: 1212: 1206: 1200: 1186: 1158: 1153: 1117:(begun 1537), and the 913: 876: 860:Cretan War (1645–1669) 773: 607:, principally by Doge 600: 465: 441: 208:Architectural style(s) 160:Architectural style(s) 111:Architectural style(s) 5174:Royal Palace of Milan 4631:San Geminiano, Venice 4609:San Marcello al Corso 4384:Procuratie Nuovissime 4318:Manfredi, Fulgentio, 4282:Zucchetta, Emanuela, 3235:, p. 110 and 113 3151:, pp. 24 and 100 1667: 1660:Historical background 1655:Royal Palace (Venice) 1513:in 1522, hung in the 1501: 1445:Eugène de Beauharnais 1335: 1278: 1244: 1140: 904: 897:Historical background 814:Leon Battista Alberti 771: 727:, a refugee from the 587: 580:Historical background 417: 298:Royal Palace (Venice) 180:Procuratie Nuovissime 44:45.43417°N 12.33778°E 5179:Royal Villa of Monza 5148:Grassalkovich Palace 5049:Jagdschloss Mürzsteg 4836:Palais Archduke Carl 4700:Palazzo della Loggia 4670:Palazzo Dolfin Manin 4484:St Mark's Clocktower 4386:at Wikimedia Commons 4374:at Wikimedia Commons 4362:at Wikimedia Commons 4123:Sansovino, Francesco 4111:Sansovino, Francesco 4099:Sansovino, Francesco 4055:Norwich, John Julius 3967:Maranini, Giuseppe, 3601:Platea Sancti Marci… 3175:, pp. 47 and 52 3112:, pp. 38 and 44 3031:Palladio's Venice... 2950:, pp. 24 and 42 2826:, pp. 35 and 37 2754:Platea Sancti Marci… 2639:Platea Sancti Marci… 2624:Platea Sancti Marci… 2594:Platea Sancti Marci… 2579:Platea Sancti Marci… 2480:Platea Sancti Marci… 2465:Platea Sancti Marci… 2450:Platea Sancti Marci… 2107:for the nobles, the 2014:Platea Sancti Marci… 1983:Platea Sancti Marci… 1914:Platea Sancti Marci… 1897:Platea Sancti Marci… 1865:Platea Sancti Marci… 1759:University of Modena 1471:were also involved. 1365:Theatre of Marcellus 1184:. Economically, the 541:overseas possessions 455:Church of Saint Mark 355:Church of Saint Mark 203:Giovanni Maria Solis 5169:Castello del Catajo 5133:Bilje hunting lodge 5054:New Castle (Żywiec) 4747:Francesco Sansovino 4682:Biblioteca Marciana 4641:Alessandro Vittoria 4625:San Martino, Venice 4602:religious buildings 4508:Biblioteca Marciana 4479:St Mark's Campanile 4250:Wolters, Wolfgang, 4075:La bottega da caffè 4059:A History of Venice 3394:La bottega da caffè 3334:, pp. 207–208. 2989:Jacopo Sansovino... 2947:Piazza san Marco... 2838:Piazza san Marco... 2823:Piazza san Marco... 2724:La bottega da caffè 2667:, I. 10 and VII. 15 2665:De Re Aedificatoria 2393:Piazza san Marco... 2214:, pp. 261–271. 2187:, pp. 498–501. 2184:A History of Venice 2146:Piazza san Marco... 2038:Piazza san Marco... 2021:Piazza san Marco... 2000:, pp. 130–131. 1990:Piazza san Marco... 1945:Piazza san Marco... 1921:Piazza san Marco... 1755:Giuseppe Maria Soli 1517:of the procurators. 1477:Austrian domination 1294:Baldassare Longhena 1236:Marcantonio Barbaro 870:(little houses) or 819:De re aedificatoria 735:to the procurators 656:Francesco Sansovino 569:Saint Mark's Square 451:operis Sancti Marci 339:Saint Mark's Square 230:Saint Mark's Square 60: 40: / 5189:Villa Pisani, Stra 5074:Schloss Persenbeug 4994:Hofburg, Innsbruck 4974:Schloss Hetzendorf 4939:Schloss Artstetten 4934:Kaiserhaus (Baden) 4790:Imperial and Royal 4743:(sculpture master) 4467:St Mark's Basilica 4360:Procuratie Vecchie 4339:Tafuri, Manfredo, 4158:Tafuri, Manfredo, 4147:Scamozzi, Vincenzo 4038:Morresi, Manuela, 4022:Morresi, Manuela, 3838:Da Mosto, Andrea, 3822:Cooper, Tracy E., 3640:, pp. 191-193 3628:, pp. 150–151 3589:, pp. 215–216 3487:, pp. 112–113 3448:, pp. 170–173 3370:, pp. 103–104 2654:, pp. 132–138 2642:, pp. 105–106 2627:, pp. 108-112 2612:, pp. 416–420 2597:, pp. 102–103 2376:Tiepolo, 'Venezia' 2245:, pp. 393–395 2204:Venice Disputed... 2024:, pp. 25–35. 1941:, p. 129 and 1681: 1637:were decorated by 1571: procurators 1562: procurators 1553: procurators 1534:of the procurators 1519: 1494:of the procurators 1412:Palazzo Chiericati 1338: 1281: 1251: 1154: 1113:(begun 1536), the 1105:at the end of the 1001:Cardinal Bessarion 914: 855:, opened in 1750. 824:Greek architecture 812:. This adhered to 774: 739:. The final eight 601: 575:Procuratie Vecchie 563:, the procurators 442: 351:Republic of Venice 249:St Mark's Basilica 82:Procuratie Vecchie 58: 49:45.43417; 12.33778 5232: 5231: 5029:Schloss Mayerling 5019:Laxenburg castles 5009:Schloss Klessheim 4969:Schloss Hernstein 4964:Schloss Hellbrunn 4949:Schloss Blühnbach 4886:Schönbrunn Palace 4881:Neugebäude Palace 4756: 4755: 4651:Secular buildings 4559: 4558: 4382:Media related to 4370:Media related to 4358:Media related to 4232:Wittkower, Rudolf 3933:Lane, Frederic C. 3806:Chambers, David, 3749:Agazzi, Michela, 2871:Jacopo Sansovino… 2853:Jacopo Sansovino… 2793:Jacopo Sansovino… 2129:Jacopo Sansovino… 1884:, I, p. 102. 1861:(1172–1178). See 1855:Vitale II Michiel 1196:Holy Roman Empire 1103:Italian Peninsula 1099:Habsburg hegemony 1097:which sanctioned 1010:Vincenzo Scamozzi 886:Venetian nobility 705:Istrian limestone 605:Commune of Venice 537:Venetian mainland 225: 224: 187:(Napoleonic Wing) 115:Early Renaissance 74: 5277: 5260:Piazza San Marco 5153:Pressburg Castle 5024:Schloss Luberegg 5014:Konopiště Castle 4959:Schloss Halbturn 4954:Eckartsau Castle 4918: 4816:Belvedere Palace 4783: 4776: 4769: 4760: 4759: 4741:Andrea Sansovino 4593:Jacopo Sansovino 4586: 4579: 4572: 4563: 4562: 4421:Piazza San Marco 4414: 4407: 4400: 4391: 4390: 4381: 4372:Procuratie Nuove 4369: 4357: 4294: 4278: 4262: 4246: 4227: 4211: 4195: 4186: 4170: 4154: 4142: 4130: 4118: 4106: 4094: 4078: 4073:Pilot, Antonio, 4069: 4050: 4040:Jacopo Sansovino 4034: 4018: 4002: 3993: 3981:McAndrew, John, 3977: 3972: 3963: 3947: 3928: 3909: 3890: 3871: 3859: 3843: 3834: 3818: 3802: 3793: 3777: 3761: 3737: 3728: 3722: 3713: 3707: 3701: 3692: 3683: 3677: 3671: 3665: 3659: 3653: 3647: 3641: 3635: 3629: 3623: 3617: 3611: 3605: 3596: 3590: 3581: 3575: 3569: 3563: 3557: 3551: 3542: 3536: 3527: 3518: 3514:Jacopo Sansovino 3509: 3503: 3494: 3488: 3479: 3473: 3467: 3461: 3455: 3449: 3443: 3437: 3431: 3425: 3419: 3413: 3404: 3398: 3397:, pp. 18–19 3389: 3383: 3377: 3371: 3365: 3359: 3353: 3347: 3341: 3335: 3331:Jacopo Sansovino 3326: 3320: 3314: 3308: 3302: 3296: 3290: 3284: 3278: 3272: 3266: 3260: 3259:, pp. 24–27 3254: 3248: 3247:, pp. 29–30 3242: 3236: 3230: 3224: 3218: 3212: 3206: 3200: 3194: 3188: 3182: 3176: 3170: 3164: 3163:, pp. 38–39 3158: 3152: 3146: 3140: 3139:, pp. 21–22 3134: 3128: 3122: 3113: 3107: 3101: 3100:, pp. 41–44 3095: 3089: 3085:Jacopo Sansovino 3080: 3071: 3065: 3059: 3058:, pp. 42–44 3053: 3047: 3041: 3035: 3034:, pp. 35–47 3026: 3020: 3014: 3008: 2999: 2993: 2984: 2978: 2972: 2963: 2957: 2951: 2942: 2936: 2930: 2921: 2915: 2909: 2903: 2890: 2886:Jacopo Sansovino 2881: 2875: 2866: 2857: 2856:, pp. 14–15 2848: 2842: 2833: 2827: 2818: 2812: 2803: 2797: 2788: 2782: 2776: 2770: 2764: 2758: 2749: 2743: 2734: 2728: 2719: 2713: 2704: 2698: 2689: 2683: 2674: 2668: 2661: 2655: 2649: 2643: 2634: 2628: 2619: 2613: 2604: 2598: 2589: 2583: 2574: 2568: 2559: 2544: 2535: 2529: 2520: 2514: 2505: 2499: 2490: 2484: 2475: 2469: 2460: 2454: 2453:, pp. 84–85 2445: 2439: 2430: 2424: 2418: 2412: 2403: 2397: 2388: 2379: 2373: 2360: 2351: 2338: 2329: 2314: 2303: 2297: 2293:Jacopo Sansovino 2288: 2281: 2275: 2265: 2259: 2252: 2246: 2240: 2234: 2228: 2221: 2215: 2194: 2188: 2174: 2168: 2165: 2159: 2156: 2150: 2139: 2133: 2122: 2116: 2101: 2095: 2081: 2075: 2061: 2055: 2048: 2042: 2031: 2025: 2007: 2001: 1997:Renovatio Urbis… 1963: 1957: 1931: 1925: 1907: 1901: 1891: 1885: 1875: 1869: 1859:Sebastiano Ziani 1851: 1845: 1824: 1818: 1804: 1722:Sebastiano Ziani 1705: 1691: 1611:plenary meetings 1570: 1561: 1552: 1546: 1481:Kingdom of Italy 1469:Sebastiano Santi 1461:Giuseppe Borsato 1221: 1215: 1209: 1203: 1189: 1161: 1095:Peace of Bologna 1057: 1051: 1045: 1039: 985:Jacopo Sansovino 962:Council of Forty 935: 923:Pietro I Orseolo 892:Procuratie Nuove 879: 725:Jacopo Sansovino 668: 609:Sebastiano Ziani 526:Antonio Cappello 468: 431: 428: 394:Kingdom of Italy 317: 311: 305: 295: 286: 280:Marciana Library 277: 264: 255: 246: 240: 164:High Renaissance 147: 144: 131:Procuratie Nuove 97: 94: 72: 68: 61: 57: 55: 54: 52: 51: 50: 45: 41: 38: 37: 36: 33: 5285: 5284: 5280: 5279: 5278: 5276: 5275: 5274: 5235: 5234: 5233: 5228: 5193: 5162:other countries 5157: 5108: 5094:Weilburg Palace 5044:Miramare Castle 5039:Mirabell Palace 4919: 4910: 4811:Palais Augarten 4796: 4794:Austria-Hungary 4787: 4757: 4752: 4724: 4705: 4676:Zecca of Venice 4646: 4619:Andrea Palladio 4601: 4595: 4590: 4560: 4555: 4543: 4494: 4423: 4418: 4350: 4327:Studi veneziani 4301: 4299:Further reading 4266:Zorzi, Marino, 4194:, n. 129 (1984) 4082:Reato, Danilo, 3914:Howard, Deborah 3895:Howard, Deborah 3876:Howard, Deborah 3864:Howard, Deborah 3745: 3740: 3729: 3725: 3714: 3710: 3702: 3695: 3684: 3680: 3672: 3668: 3660: 3656: 3648: 3644: 3636: 3632: 3624: 3620: 3612: 3608: 3597: 3593: 3582: 3578: 3570: 3566: 3558: 3554: 3543: 3539: 3528: 3521: 3510: 3506: 3495: 3491: 3480: 3476: 3468: 3464: 3456: 3452: 3444: 3440: 3432: 3428: 3420: 3416: 3405: 3401: 3390: 3386: 3378: 3374: 3366: 3362: 3354: 3350: 3342: 3338: 3327: 3323: 3315: 3311: 3303: 3299: 3291: 3287: 3279: 3275: 3267: 3263: 3255: 3251: 3243: 3239: 3231: 3227: 3219: 3215: 3207: 3203: 3195: 3191: 3183: 3179: 3171: 3167: 3159: 3155: 3147: 3143: 3135: 3131: 3123: 3116: 3108: 3104: 3096: 3092: 3081: 3074: 3066: 3062: 3054: 3050: 3042: 3038: 3027: 3023: 3015: 3011: 3000: 2996: 2985: 2981: 2973: 2966: 2958: 2954: 2943: 2939: 2931: 2924: 2916: 2912: 2904: 2893: 2882: 2878: 2867: 2860: 2849: 2845: 2834: 2830: 2819: 2815: 2804: 2800: 2789: 2785: 2777: 2773: 2765: 2761: 2750: 2746: 2735: 2731: 2720: 2716: 2705: 2701: 2690: 2686: 2675: 2671: 2662: 2658: 2650: 2646: 2635: 2631: 2620: 2616: 2605: 2601: 2590: 2586: 2575: 2571: 2560: 2547: 2536: 2532: 2521: 2517: 2506: 2502: 2491: 2487: 2476: 2472: 2461: 2457: 2446: 2442: 2431: 2427: 2419: 2415: 2404: 2400: 2389: 2382: 2374: 2363: 2352: 2341: 2330: 2326: 2322: 2317: 2304: 2300: 2282: 2278: 2266: 2262: 2253: 2249: 2222: 2218: 2195: 2191: 2175: 2171: 2166: 2162: 2157: 2153: 2140: 2136: 2123: 2119: 2102: 2098: 2082: 2078: 2062: 2058: 2049: 2045: 2032: 2028: 2008: 2004: 1986:, p. 108, 1964: 1960: 1932: 1928: 1908: 1904: 1892: 1888: 1876: 1872: 1857:(1156–1172) or 1852: 1848: 1825: 1821: 1805: 1801: 1797: 1792: 1771: 1750: 1713: 1712: 1711: 1710: 1709: 1706: 1697: 1696: 1695: 1692: 1662: 1657: 1651: 1580: 1579: 1578: 1577: 1576: 1575: 1568: 1566: 1559: 1557: 1550: 1547: 1538: 1537: 1535: 1496: 1465:Charles Percier 1425: 1394:and triangular 1330: 1324: 1311: 1306: 1273: 1256: 1228:Olympic Theatre 1181:De architectura 1174:as outlined by 1083:renovatio urbis 1067: 1066: 1065: 1064: 1063: 1062: 1060: 1059: 1055: 1053: 1049: 1047: 1043: 1040: 1031: 1030: 1024: 1018: 929: 927:Ospizio Orseolo 906:Gentile Bellini 899: 894: 840: 804:, supported on 766: 754: 749: 721: 692: 687: 662: 652:Antonio Abbondi 648:Pietro Lombardo 589:Gentile Bellini 582: 577: 483:(districts) of 429: 412: 406: 367:classical style 327: 326: 325: 324: 323: 322: 315: 313: 309: 307: 303: 301: 293: 291: 284: 282: 275: 273: 262: 260: 253: 251: 244: 241: 232: 231: 182: 145: 133: 95: 84: 75: 71: 48: 46: 42: 39: 34: 31: 29: 27: 26: 24: 17: 12: 11: 5: 5283: 5273: 5272: 5267: 5262: 5257: 5252: 5247: 5230: 5229: 5227: 5226: 5216: 5201: 5199: 5195: 5194: 5192: 5191: 5186: 5181: 5176: 5171: 5165: 5163: 5159: 5158: 5156: 5155: 5150: 5145: 5143:Gödöllő Palace 5140: 5135: 5130: 5125: 5119: 5117: 5115:Transleithania 5110: 5109: 5107: 5106: 5101: 5096: 5091: 5086: 5084:Villa Wartholz 5081: 5076: 5071: 5066: 5061: 5056: 5051: 5046: 5041: 5036: 5031: 5026: 5021: 5016: 5011: 5006: 5004:Schloss Karlau 5001: 4996: 4991: 4986: 4981: 4976: 4971: 4966: 4961: 4956: 4951: 4946: 4941: 4936: 4930: 4928: 4921: 4920: 4913: 4911: 4909: 4908: 4903: 4901:Palais Toskana 4898: 4893: 4888: 4883: 4878: 4873: 4868: 4863: 4858: 4853: 4848: 4843: 4838: 4833: 4828: 4823: 4818: 4813: 4807: 4805: 4798: 4797: 4792:residences of 4786: 4785: 4778: 4771: 4763: 4754: 4753: 4751: 4750: 4744: 4738: 4732: 4730: 4726: 4725: 4723: 4722: 4713: 4711: 4707: 4706: 4704: 4703: 4697: 4691: 4685: 4679: 4673: 4667: 4661: 4654: 4652: 4648: 4647: 4645: 4644: 4634: 4628: 4622: 4612: 4605: 4603: 4597: 4596: 4589: 4588: 4581: 4574: 4566: 4557: 4556: 4551: 4549: 4545: 4544: 4542: 4541: 4536: 4535: 4534: 4524: 4523: 4522: 4519:Lion of Venice 4510: 4504: 4502: 4496: 4495: 4493: 4492: 4486: 4481: 4476: 4475: 4474: 4464: 4463: 4462: 4457: 4452: 4447: 4437: 4431: 4429: 4425: 4424: 4417: 4416: 4409: 4402: 4394: 4388: 4387: 4375: 4363: 4349: 4348:External links 4346: 4345: 4344: 4337: 4323: 4316: 4300: 4297: 4296: 4295: 4279: 4263: 4247: 4228: 4212: 4196: 4187: 4171: 4155: 4143: 4131: 4119: 4107: 4095: 4079: 4070: 4051: 4035: 4019: 4003: 3994: 3978: 3973: 3964: 3948: 3929: 3910: 3891: 3872: 3860: 3844: 3835: 3819: 3803: 3794: 3778: 3762: 3744: 3741: 3739: 3738: 3723: 3708: 3693: 3678: 3676:, pp. 193 3666: 3654: 3652:, pp. 192 3642: 3630: 3618: 3606: 3591: 3576: 3564: 3552: 3537: 3519: 3504: 3489: 3474: 3462: 3450: 3438: 3426: 3414: 3399: 3384: 3372: 3360: 3348: 3336: 3321: 3309: 3297: 3285: 3273: 3261: 3249: 3237: 3225: 3213: 3201: 3189: 3177: 3165: 3153: 3141: 3129: 3114: 3102: 3090: 3072: 3060: 3048: 3036: 3021: 3009: 2994: 2979: 2964: 2952: 2937: 2922: 2910: 2891: 2876: 2858: 2843: 2828: 2813: 2811:, p. 112 2798: 2783: 2771: 2759: 2744: 2729: 2714: 2699: 2684: 2669: 2656: 2644: 2629: 2614: 2599: 2584: 2569: 2545: 2530: 2515: 2500: 2485: 2470: 2455: 2440: 2425: 2413: 2398: 2380: 2361: 2339: 2323: 2321: 2318: 2316: 2315: 2298: 2296:, p. 207. 2276: 2260: 2247: 2216: 2189: 2178:Council of Ten 2169: 2160: 2151: 2134: 2117: 2096: 2076: 2056: 2054:, p. 123. 2043: 2026: 2002: 1958: 1926: 1902: 1886: 1870: 1846: 1819: 1798: 1796: 1793: 1791: 1788: 1770: 1767: 1749: 1746: 1730:triumphal arch 1707: 1700: 1699: 1698: 1693: 1686: 1685: 1684: 1683: 1682: 1661: 1658: 1653:Main article: 1650: 1647: 1567: 1558: 1549: 1548: 1541: 1540: 1539: 1530: 1529: 1528: 1527: 1495: 1489: 1424: 1421: 1323: 1320: 1310: 1307: 1305: 1302: 1272: 1269: 1255: 1252: 1142:Paolo Veronese 1128:Roman Republic 1054: 1048: 1042: 1041: 1034: 1033: 1032: 1028: 1027: 1026: 1025: 1017: 1014: 1012:was accepted. 898: 895: 893: 890: 864:Ottoman Empire 839: 836: 765: 762: 753: 750: 748: 745: 720: 717: 691: 688: 686: 683: 581: 578: 576: 573: 408:Main article: 405: 402: 314: 308: 302: 292: 283: 274: 261: 252: 243: 242: 235: 234: 233: 229: 228: 227: 226: 223: 222: 219: 218: 215: 214: 209: 205: 204: 201: 197: 196: 193: 189: 188: 184: 183: 178: 175: 174: 171: 170: 167: 166: 161: 157: 156: 153: 149: 148: 139: 135: 134: 129: 126: 125: 122: 121: 118: 117: 112: 108: 107: 104: 100: 99: 90: 86: 85: 80: 77: 76: 69: 15: 9: 6: 4: 3: 2: 5282: 5271: 5268: 5266: 5263: 5261: 5258: 5256: 5253: 5251: 5248: 5246: 5243: 5242: 5240: 5224: 5220: 5217: 5214: 5210: 5206: 5203: 5202: 5200: 5196: 5190: 5187: 5185: 5182: 5180: 5177: 5175: 5172: 5170: 5167: 5166: 5164: 5160: 5154: 5151: 5149: 5146: 5144: 5141: 5139: 5136: 5134: 5131: 5129: 5126: 5124: 5123:Alcsút Palace 5121: 5120: 5118: 5116: 5111: 5105: 5104:Zákupy Castle 5102: 5100: 5097: 5095: 5092: 5090: 5087: 5085: 5082: 5080: 5079:Prague Castle 5077: 5075: 5072: 5070: 5067: 5065: 5062: 5060: 5057: 5055: 5052: 5050: 5047: 5045: 5042: 5040: 5037: 5035: 5032: 5030: 5027: 5025: 5022: 5020: 5017: 5015: 5012: 5010: 5007: 5005: 5002: 5000: 4997: 4995: 4992: 4990: 4987: 4985: 4982: 4980: 4977: 4975: 4972: 4970: 4967: 4965: 4962: 4960: 4957: 4955: 4952: 4950: 4947: 4945: 4944:Ambras Castle 4942: 4940: 4937: 4935: 4932: 4931: 4929: 4927: 4922: 4917: 4907: 4904: 4902: 4899: 4897: 4894: 4892: 4889: 4887: 4884: 4882: 4879: 4877: 4876:Palais Modena 4874: 4872: 4869: 4867: 4864: 4862: 4861:Neue Favorita 4859: 4857: 4854: 4852: 4849: 4847: 4844: 4842: 4839: 4837: 4834: 4832: 4829: 4827: 4824: 4822: 4819: 4817: 4814: 4812: 4809: 4808: 4806: 4804: 4799: 4795: 4791: 4784: 4779: 4777: 4772: 4770: 4765: 4764: 4761: 4748: 4745: 4742: 4739: 4737: 4734: 4733: 4731: 4727: 4720: 4719: 4715: 4714: 4712: 4708: 4701: 4698: 4695: 4694:Villa Garzoni 4692: 4689: 4686: 4683: 4680: 4677: 4674: 4671: 4668: 4665: 4662: 4659: 4656: 4655: 4653: 4649: 4642: 4638: 4635: 4632: 4629: 4626: 4623: 4620: 4616: 4613: 4610: 4607: 4606: 4604: 4598: 4594: 4587: 4582: 4580: 4575: 4573: 4568: 4567: 4564: 4554: 4550: 4546: 4540: 4537: 4533: 4530: 4529: 4528: 4527:Doge's Palace 4525: 4521: 4520: 4516: 4515: 4514: 4511: 4509: 4506: 4505: 4503: 4501: 4497: 4490: 4487: 4485: 4482: 4480: 4477: 4473: 4470: 4469: 4468: 4465: 4461: 4458: 4456: 4453: 4451: 4448: 4446: 4445:Caffè Florian 4443: 4442: 4441: 4438: 4436: 4433: 4432: 4430: 4426: 4422: 4415: 4410: 4408: 4403: 4401: 4396: 4395: 4392: 4385: 4380: 4376: 4373: 4368: 4364: 4361: 4356: 4352: 4351: 4342: 4338: 4336: 4332: 4328: 4324: 4321: 4317: 4315: 4311: 4307: 4303: 4302: 4293: 4292:9788876213489 4289: 4285: 4280: 4277: 4273: 4269: 4264: 4261: 4260:9788883149146 4257: 4253: 4248: 4245: 4241: 4237: 4233: 4229: 4226: 4222: 4218: 4213: 4210: 4209:9788871250809 4206: 4202: 4197: 4193: 4188: 4185: 4181: 4177: 4172: 4169: 4168:9788806588915 4165: 4161: 4156: 4152: 4148: 4144: 4140: 4136: 4135:Sanudo, Marin 4132: 4128: 4124: 4120: 4116: 4112: 4108: 4104: 4100: 4096: 4093: 4089: 4085: 4080: 4076: 4071: 4068: 4067:9780679721970 4064: 4060: 4056: 4052: 4049: 4045: 4041: 4036: 4033: 4029: 4025: 4020: 4017: 4016:9788870603095 4013: 4009: 4004: 4000: 3995: 3992: 3991:9780262131575 3988: 3984: 3979: 3974: 3970: 3965: 3962: 3961:9788870603101 3958: 3954: 3949: 3946: 3945:9780801814600 3942: 3938: 3934: 3930: 3927: 3926:9780300176858 3923: 3919: 3915: 3911: 3908: 3907:9780300090291 3904: 3900: 3896: 3892: 3889: 3888:9780300018912 3885: 3881: 3877: 3873: 3869: 3865: 3861: 3858: 3857:9788870603095 3854: 3850: 3845: 3841: 3836: 3833: 3832:9780300105827 3829: 3825: 3820: 3817: 3813: 3809: 3804: 3800: 3795: 3792: 3791:9788870603095 3788: 3784: 3779: 3776: 3775:9788870603095 3772: 3768: 3763: 3760: 3756: 3752: 3747: 3746: 3735: 3734: 3727: 3720: 3719: 3712: 3706:, p. 194 3705: 3700: 3698: 3691:, p. 216 3690: 3689: 3682: 3675: 3670: 3663: 3658: 3651: 3646: 3639: 3634: 3627: 3622: 3616:, p. 138 3615: 3610: 3604:, p. 123 3603: 3602: 3595: 3588: 3587: 3580: 3574:, p. 141 3573: 3568: 3562:, p. 145 3561: 3556: 3549: 3548: 3541: 3535:, p. 137 3534: 3533: 3526: 3524: 3517:, p. 202 3516: 3515: 3508: 3501: 3500: 3493: 3486: 3485: 3478: 3472:, p. 204 3471: 3466: 3460:, p. 183 3459: 3454: 3447: 3442: 3435: 3430: 3424:, p. 165 3423: 3418: 3411: 3410: 3403: 3396: 3395: 3388: 3381: 3376: 3369: 3364: 3358:, p. 104 3357: 3352: 3345: 3340: 3333: 3332: 3325: 3318: 3313: 3306: 3301: 3294: 3289: 3282: 3277: 3270: 3265: 3258: 3253: 3246: 3241: 3234: 3229: 3223:, p. 112 3222: 3217: 3210: 3205: 3198: 3193: 3186: 3181: 3174: 3169: 3162: 3157: 3150: 3145: 3138: 3133: 3126: 3121: 3119: 3111: 3106: 3099: 3094: 3088:, p. 207 3087: 3086: 3079: 3077: 3069: 3064: 3057: 3052: 3045: 3040: 3033: 3032: 3025: 3018: 3013: 3006: 3005: 2998: 2991: 2990: 2983: 2977:, p. 21 2976: 2971: 2969: 2961: 2956: 2949: 2948: 2941: 2934: 2929: 2927: 2919: 2914: 2908:, p. 177 2907: 2902: 2900: 2898: 2896: 2889:, pp.105-110 2888: 2887: 2880: 2873: 2872: 2865: 2863: 2855: 2854: 2847: 2840: 2839: 2832: 2825: 2824: 2817: 2810: 2809: 2802: 2795: 2794: 2787: 2780: 2775: 2769:, p. 141 2768: 2763: 2757:, p. 102 2756: 2755: 2748: 2741: 2740: 2733: 2726: 2725: 2718: 2711: 2710: 2703: 2696: 2695: 2688: 2681: 2680: 2673: 2666: 2660: 2653: 2648: 2641: 2640: 2633: 2626: 2625: 2618: 2611: 2610: 2603: 2596: 2595: 2588: 2582:, p. 103 2581: 2580: 2573: 2567:, p. 129 2566: 2565: 2558: 2556: 2554: 2552: 2550: 2542: 2541: 2534: 2527: 2526: 2519: 2512: 2511: 2504: 2497: 2496: 2489: 2483:, p. 100 2482: 2481: 2474: 2467: 2466: 2459: 2452: 2451: 2444: 2438:, p. 100 2437: 2436: 2433:Cappelletti, 2429: 2422: 2417: 2410: 2409: 2402: 2395: 2394: 2387: 2385: 2378:, p. 886 2377: 2372: 2370: 2368: 2366: 2358: 2357: 2350: 2348: 2346: 2344: 2336: 2335: 2332:Cappelletti, 2328: 2324: 2312: 2311: 2302: 2295: 2294: 2287: 2280: 2273: 2272: 2264: 2258:, p. 31. 2257: 2251: 2244: 2239: 2235:) and 'New' ( 2233: 2227: 2220: 2213: 2212: 2206: 2205: 2199: 2193: 2186: 2185: 2179: 2173: 2164: 2155: 2148: 2147: 2138: 2132:, p. 14. 2131: 2130: 2121: 2114: 2110: 2106: 2100: 2093: 2092: 2086: 2080: 2074: 2070: 2066: 2060: 2053: 2047: 2041:, p. 85. 2040: 2039: 2030: 2023: 2022: 2016: 2015: 2006: 1999: 1998: 1992: 1991: 1985: 1984: 1978: 1977: 1971: 1970: 1962: 1955: 1951: 1947: 1946: 1940: 1939: 1930: 1923: 1922: 1916: 1915: 1906: 1900:, p. 82. 1899: 1898: 1890: 1883: 1882: 1874: 1868:, p. 79. 1867: 1866: 1860: 1856: 1850: 1844:, p. 25. 1843: 1842: 1836: 1835: 1829: 1828:Great Council 1823: 1816: 1815: 1809: 1803: 1799: 1787: 1785: 1779: 1777: 1766: 1764: 1760: 1756: 1745: 1743: 1739: 1735: 1731: 1725: 1723: 1719: 1704: 1690: 1678: 1674: 1670: 1666: 1656: 1646: 1644: 1640: 1636: 1633:. The former 1632: 1628: 1624: 1620: 1616: 1612: 1607: 1602: 1597: 1593: 1589: 1585: 1574: 1565: 1556: 1545: 1533: 1526: 1524: 1516: 1512: 1508: 1504: 1500: 1493: 1488: 1486: 1485:Correr Museum 1482: 1478: 1474: 1470: 1466: 1462: 1458: 1454: 1450: 1446: 1442: 1438: 1433: 1431: 1430:Caffè Florian 1423:Later history 1420: 1417: 1413: 1409: 1408:Palazzo Porto 1405: 1401: 1397: 1393: 1388: 1386: 1382: 1378: 1374: 1370: 1366: 1362: 1358: 1354: 1349: 1347: 1343: 1334: 1329: 1319: 1317: 1301: 1299: 1295: 1291: 1286: 1277: 1268: 1266: 1262: 1248: 1243: 1239: 1237: 1233: 1229: 1223: 1220: 1214: 1208: 1202: 1197: 1193: 1188: 1183: 1182: 1177: 1173: 1169: 1165: 1160: 1151: 1147: 1143: 1139: 1135: 1133: 1129: 1125: 1120: 1116: 1112: 1108: 1104: 1100: 1096: 1092: 1088: 1087:Andrea Gritti 1084: 1079: 1077: 1073: 1038: 1023: 1013: 1011: 1005: 1002: 998: 994: 990: 986: 982: 977: 975: 971: 967: 963: 959: 958:Great Council 953: 951: 947: 943: 939: 933: 928: 924: 920: 911: 907: 903: 889: 887: 883: 878: 873: 869: 865: 861: 856: 854: 850: 845: 838:Later history 835: 833: 829: 825: 821: 820: 815: 811: 810:Doric pillars 807: 803: 799: 795: 791: 787: 783: 779: 770: 761: 759: 744: 742: 738: 734: 730: 726: 716: 713: 708: 706: 702: 698: 682: 680: 676: 672: 666: 661: 657: 653: 649: 645: 644:Mauro Codussi 639: 637: 633: 629: 625: 620: 618: 614: 610: 606: 598: 594: 590: 586: 572: 570: 566: 562: 561:Doge's Palace 558: 554: 550: 546: 542: 538: 534: 529: 527: 522: 521:supernumerary 518: 514: 510: 506: 502: 498: 494: 490: 486: 482: 481: 476: 472: 467: 462: 461: 456: 452: 447: 439: 435: 424: 420: 416: 411: 401: 399: 395: 391: 386: 384: 380: 376: 375:Caffè Florian 370: 368: 363: 358: 356: 352: 348: 344: 340: 336: 332: 321: 299: 290: 281: 272: 268: 259: 258:Doge's Palace 250: 239: 220: 216: 213: 210: 206: 202: 198: 194: 190: 185: 181: 176: 172: 168: 165: 162: 158: 154: 150: 140: 136: 132: 127: 123: 119: 116: 113: 109: 105: 101: 91: 87: 83: 78: 67: 62: 56: 53: 22: 5089:Wawel Castle 5034:Palais Meran 4926:Cisleithania 4716: 4657: 4600:Churches and 4517: 4455:Museo Correr 4450:Caffè Quadri 4439: 4340: 4326: 4319: 4305: 4283: 4267: 4251: 4235: 4216: 4200: 4191: 4175: 4159: 4150: 4138: 4126: 4114: 4102: 4083: 4074: 4058: 4039: 4023: 4007: 3998: 3982: 3968: 3952: 3936: 3917: 3898: 3879: 3867: 3848: 3839: 3823: 3807: 3798: 3782: 3766: 3750: 3743:Bibliography 3732: 3726: 3717: 3711: 3687: 3681: 3669: 3657: 3645: 3633: 3621: 3609: 3600: 3594: 3585: 3579: 3567: 3555: 3546: 3540: 3531: 3513: 3507: 3498: 3492: 3483: 3477: 3465: 3453: 3441: 3429: 3417: 3412:, p. 67 3408: 3402: 3393: 3387: 3382:, p. 79 3375: 3363: 3351: 3339: 3330: 3324: 3312: 3307:, p. 23 3300: 3295:, p. 57 3288: 3276: 3271:, p. 27 3264: 3252: 3240: 3228: 3216: 3211:, p. 50 3204: 3199:, p. 47 3192: 3187:, p. 54 3180: 3168: 3156: 3144: 3132: 3127:, p. 31 3105: 3093: 3084: 3070:, p. 40 3063: 3051: 3046:, p. 34 3039: 3030: 3024: 3012: 3003: 2997: 2988: 2982: 2955: 2946: 2940: 2935:, p. 22 2920:, p. 20 2913: 2885: 2879: 2874:, p. 15 2870: 2852: 2846: 2841:, p. 17 2837: 2831: 2822: 2816: 2807: 2801: 2796:, p. 14 2792: 2786: 2774: 2762: 2753: 2747: 2742:, p. 82 2738: 2732: 2727:, p. 18 2723: 2717: 2712:, p. 77 2708: 2702: 2697:, p. 68 2693: 2687: 2678: 2672: 2664: 2659: 2647: 2638: 2632: 2623: 2617: 2608: 2602: 2593: 2587: 2578: 2572: 2563: 2539: 2533: 2524: 2518: 2509: 2503: 2494: 2488: 2479: 2473: 2468:, p. 85 2464: 2458: 2449: 2443: 2434: 2428: 2423:, p. 49 2416: 2411:, p. 26 2407: 2401: 2396:, p. 13 2392: 2359:, p. 25 2355: 2337:, p. 99 2333: 2327: 2309: 2301: 2292: 2279: 2270: 2263: 2250: 2219: 2210: 2203: 2197: 2192: 2183: 2172: 2163: 2154: 2145: 2137: 2128: 2120: 2108: 2104: 2099: 2090: 2084: 2079: 2059: 2046: 2037: 2029: 2020: 2013: 2005: 1996: 1989: 1982: 1975: 1968: 1961: 1949: 1944: 1937: 1929: 1920: 1913: 1905: 1896: 1889: 1880: 1873: 1864: 1849: 1840: 1834:Savio Grande 1832: 1822: 1813: 1807: 1802: 1780: 1772: 1769:Architecture 1763:Neoclassical 1751: 1748:Construction 1726: 1714: 1676: 1672: 1643:neoclassical 1639:Felice Giani 1634: 1626: 1618: 1605: 1595: 1591: 1583: 1581: 1572: 1563: 1554: 1531: 1522: 1520: 1514: 1510: 1506: 1491: 1434: 1426: 1389: 1350: 1345: 1341: 1339: 1312: 1304:Architecture 1289: 1284: 1282: 1264: 1260: 1257: 1224: 1179: 1155: 1149: 1145: 1132:Sack of Rome 1082: 1080: 1068: 1016:Construction 1006: 992: 988: 980: 978: 973: 969: 965: 954: 918: 915: 909: 881: 871: 867: 862:against the 857: 853:Caffè Lavena 849:Caffè Quadri 843: 841: 817: 798:stilted arch 775: 757: 755: 747:Architecture 736: 732: 729:Sack of Rome 722: 709: 693: 685:Construction 678: 674: 670: 640: 635: 632:Marin Sanudo 621: 616: 612: 602: 596: 592: 564: 530: 500: 496: 479: 474: 470: 458: 450: 443: 433: 422: 398:Museo Correr 387: 383:Caffè Lavena 379:Caffè Quadri 371: 359: 330: 328: 212:Neoclassical 179: 130: 81: 25: 5138:Buda Castle 4999:Kaiservilla 4989:Graz Castle 4979:Schloss Hof 4821:Hermesvilla 4690:(1538–1546) 4684:(1537–1588) 4678:(1536–1548) 3545:Sansovino, 3019:, pp. 13-14 2677:Wittkower, 2538:Sansovino, 2089:Zucchetta, 1679:.1723–1724) 1392:curvilinear 1385:chiaroscuro 1357:entablature 1194:and of the 1164:Papal court 930: [ 828:entablature 663: [ 539:and in the 509:Santa Croce 430: 1561 335:Procuracies 320:Clock tower 146: 1660 96: 1514 47: / 5239:Categories 5219:Son Maroig 5205:Achilleion 4871:Kaiserhaus 4710:Sculptures 4658:Procuratie 4637:San Zulian 4440:Procuratie 4276:8804306866 4092:8877431083 4048:8843575716 4032:8843566954 3816:0155408917 3002:Chambers, 2992:, pp.10–16 2962:, p. 20–21 2607:McAndrew, 2406:Da Mosto, 2354:Da Mosto, 2308:Scamozzi, 1974:McAndrew, 1879:Maranini, 1839:Da Mosto, 1790:References 1716:1807, the 1615:Tintoretto 1503:Tintoretto 1435:After the 1381:Corinthian 1326:See also: 1072:bell tower 1020:See also: 701:revetments 660:Pietro Bon 624:clocktower 553:securities 493:Cannaregio 419:Tintoretto 333:(English: 331:Procuratie 267:Bell tower 59:Procuratie 35:12°20′16″E 4896:Stallburg 4721:(c. 1515) 4500:Piazzetta 4335:0392-0437 4314:0075-4390 4244:878618621 4225:859579609 4184:859579609 3759:889434590 3731:Wolters, 3716:Wolters, 3512:Morresi, 3329:Morresi, 3083:Morresi, 2945:Morresi, 2884:Morresi, 2836:Morresi, 2821:Morresi, 2692:Wolters, 2391:Morresi, 2320:Citations 2291:Morresi, 2274:, p. 174. 2232:romanisti 2226:papalisti 2182:Norwich, 2144:Morresi, 2073:0031-1731 2036:Morresi, 2019:Morresi, 1988:Morresi, 1943:Morresi, 1919:Morresi, 1669:Canaletto 1588:Piazzetta 1396:tympanums 1369:Colosseum 1219:papalisti 1207:papalisti 1187:papalisti 1176:Vitruvius 1159:papalisti 1091:Agnadello 1076:trapezoid 946:almshouse 790:Byzantine 782:classical 778:emulation 699:with the 551:, and in 513:Dorsoduro 485:San Marco 318: i. 287: e. 278: d. 265: c. 256: b. 247: a. 200:Architect 195:1807–1815 152:Architect 103:Architect 32:45°26′3″N 5223:Mallorca 3686:Howard, 3599:Agazzi, 3584:Howard, 3482:Agazzi, 3436:, p. 166 3029:Cooper, 2987:Howard, 2869:Howard, 2851:Howard, 2806:Agazzi, 2791:Howard, 2752:Agazzi, 2637:Agazzi, 2622:Agazzi, 2592:Agazzi, 2577:Agazzi, 2562:Howard, 2523:Sanudo, 2508:Sanudo, 2493:Sanudo, 2478:Agazzi, 2463:Agazzi, 2448:Agazzi, 2269:Howard, 2209:Tafuri, 2202:Howard, 2198:de supra 2127:Howard, 2103:Another 2012:Agazzi, 1995:Tafuri, 1981:Agazzi, 1967:Howard, 1950:de supra 1936:Howard, 1912:Agazzi, 1895:Agazzi, 1863:Agazzi, 1765:manner. 1619:de supra 1606:de supra 1601:carnival 1596:de ultra 1592:de citra 1584:de supra 1573:de ultra 1564:de citra 1555:de supra 1511:de supra 1441:Napoleon 1416:Pantheon 1400:Bramante 1377:Serlians 1367:and the 1265:de supra 1247:margents 987:, their 981:de supra 974:de ultra 970:de citra 966:de supra 960:and the 950:indigent 942:pilgrims 844:de supra 758:de supra 737:de supra 675:de supra 613:de supra 597:de supra 565:de supra 557:deposits 505:San Polo 501:sestieri 497:de ultra 489:Castello 480:sestieri 475:de citra 471:de supra 460:de supra 434:de supra 271:Loggetta 4826:Hofburg 4729:Related 4718:Bacchus 4643:, 1570) 4548:Related 3736:, p.150 3721:, p.149 3530:Zorzi, 3407:Reato, 3392:Pilot, 2737:Reato, 2722:Pilot, 2707:Reato, 2682:, II. 1 2286:giovani 2241:), see 2238:giovani 2149:, p.18. 2085:redutto 1784:Jupiter 1761:, in a 1734:portico 1635:ridotti 1627:ridotti 1532:Ridotti 1523:ridotti 1515:ridotti 1492:Ridotti 1451:of the 1449:viceroy 1404:Raphael 1316:loggias 1232:Vicenza 1213:giovani 1201:giovani 1152:. 1585) 1115:library 1101:on the 997:library 993:ridotti 952:women. 938:hospice 919:ridotti 877:redursi 872:ridotti 712:arcades 545:capital 495:), and 5213:Greece 5198:Abroad 4906:Prater 4803:Vienna 4532:Piombi 4428:Piazza 4333: 4312: 4290: 4274: 4258: 4242: 4223: 4207: 4182: 4166: 4139:Diarii 4090: 4065: 4046: 4030: 4014: 3989: 3959: 3943: 3924: 3905: 3886: 3855: 3830: 3814: 3789: 3773: 3757: 2525:Diarii 2510:Diarii 2495:Diarii 2105:casino 2071: 1837:. See 1742:loggia 1569: 1560: 1551: 1447:, the 1361:arcade 1322:Façade 1309:Layout 1192:Church 1119:loggia 1056: 1050: 1044: 972:, and 882:casino 868:casini 786:Veneto 764:Façade 752:Layout 697:façade 669:, the 650:, and 533:Senate 511:, and 491:, and 438:ducats 381:, and 343:Venice 316: 310: 304: 294: 285: 276: 263: 254: 245: 5209:Corfu 4749:(son) 4539:Zecca 1795:Notes 1776:attic 1373:Ionic 1353:Doric 1290:proto 1285:proto 1261:proto 1124:forum 989:proto 934:] 733:proto 679:proto 671:proto 667:] 549:bonds 192:Built 141:1583– 138:Built 98:–1538 89:Built 4331:ISSN 4310:ISSN 4288:ISBN 4272:ISBN 4256:ISBN 4240:OCLC 4221:OCLC 4205:ISBN 4180:OCLC 4164:ISBN 4088:ISBN 4063:ISBN 4044:ISBN 4028:ISBN 4012:ISBN 3987:ISBN 3957:ISBN 3941:ISBN 3922:ISBN 3903:ISBN 3884:ISBN 3853:ISBN 3828:ISBN 3812:ISBN 3787:ISBN 3771:ISBN 3755:OCLC 2069:ISSN 1594:and 1459:and 1410:and 1402:and 1111:mint 948:for 741:bays 555:and 446:doge 329:The 289:Mint 269:and 5113:in 4924:in 4801:in 4149:, 2229:or 1439:to 1230:in 1178:in 780:of 703:in 638:). 503:of 341:in 5241:: 5211:, 4234:, 4137:, 4101:, 4057:, 3935:, 3916:, 3897:, 3878:, 3696:^ 3522:^ 3117:^ 3075:^ 2967:^ 2925:^ 2894:^ 2861:^ 2548:^ 2383:^ 2364:^ 2342:^ 1671:, 1505:, 1487:. 1144:, 968:, 932:it 908:, 665:it 646:, 591:, 519:, 507:, 487:, 427:c. 421:, 400:. 385:. 377:, 143:c. 93:c. 5225:) 5221:( 5215:) 5207:( 4782:e 4775:t 4768:v 4621:) 4585:e 4578:t 4571:v 4491:† 4413:e 4406:t 4399:v 1677:c 1675:( 1344:( 1150:c 1148:( 788:- 440:. 425:( 300:) 23:.

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