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The Blood of a Poet

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590: 25: 521:, along with several of their friends, to appear in a scene as a theatre party. In the scene, they talked among themselves and, on cue, began applauding. Upon seeing the completed film, they were horrified to learn that they were applauding a game of cards that ended with a suicide, which had been filmed separately. They refused to let Cocteau release the film with their scene included, so Cocteau re-shot it with the famed 380:
appears and absorbs the dead boy. He also removes the Ace of Hearts from the card shark's hand and retreats up a flight of stairs and through a door. Realizing he has lost, the card shark commits suicide as the theatre party applauds. A female player transforms into the formerly smashed statue and
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is divided into four sections. In section one, an artist sketches a face and is startled when its mouth starts moving. He rubs out the mouth, only to discover that it has transferred to the palm of his hand. After experimenting with the hand for a while and falling asleep, the artist awakens and
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explores his character's obsession with fame and death: "Those who smash statues should beware of becoming one". Dissolution of personal identity is presented in contrast with Western emphasis on stability and repetition. Cocteau would later write that, when he made the film, he "avoided the
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deliberate manifestations of the unconscious in favor of a kind of half-sleep where I labyrinthed myself. I was concerned only with the lustre and detail of the images that emerged from this deep night of the human body. I adopted them forthwith as documentary scenes of another realm".
133: 369:. The artist is handed a gun and a disembodied voice instructs him in how to shoot himself in the head. He shoots himself but does not die. The artist cries out that he has seen enough and returns through the mirror. He smashes the statue with a mallet. 484:...elements of narrative and acting arouse the spectator's psychological participation in plot or scene while at the same time distancing the viewer by disallowing empathy, meaning and closure; an image of the disassociated sensibility or ' 364:
In section two, the statue speaks to the artist, cajoling him into passing through a mirror. The mirror transports the artist to a hotel, where he peers through several keyholes, witnessing such people as an opium smoker and a
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In the final section, a card shark plays a game with a woman on a table set up over the body of the dead boy. A theatre party looks on. The card shark extracts an Ace of Hearts from the dead boy's breast pocket. The boy's
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was made during a time of transition to narrative sound film and still made use of written text such as the opening words: "Every poem is a coat of arms. It must be deciphered". The film is considered, along with
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In section three, some students are having a snowball fight. An older boy throws a snowball at a younger boy, but the snowball turns out to be a chunk of marble. The young boy dies from the impact.
624:, with a weighted average rating of 7.6/10. Author and film critic Leonard Maltin awarded the film three out of four stars, calling it "imaginative, dreamlike, and still a visual delight". 541:, but the film's protagonist does explore such varied topics as magic, archaic art, China, opium and transvestism before dying while playing cards in front of an indifferent audience. 2071: 2066: 1340: 642: 1737: 936: 517:
was funded by Charles, Vicomte de Noailles, who gave Cocteau 1 million francs to make it. Cocteau invited the Vicomte and his wife
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released at the end of this first phase of avant-garde film-making that continue to develop the model presented by
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walks off through the snow, leaving no footprints. In the film's final moments the statue is shown with an
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message. This, combined with the riotous reception of another controversial Noailles-produced film,
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images appear, including spinning wire models of a human head and rotating double-sided masks.
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Shortly after the completion of the film, rumors began to circulate that it contained an anti-
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made her only film appearance in this movie, which features an appearance by the famed
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considered it a masterpiece and named it one of the 77 essential works of cinema.
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On Rotten Tomatoes, the film holds an approval rating of 94% based on
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The film is not considered to be anti-theocratic in the way of
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The film is a blend of Cocteau's classical aesthetics and the
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soars to greatness with the tragic tale of a trapeze artist"
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Leonard Maltin; Spencer Green; Rob Edelman (January 2010).
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places the mouth over the mouth of a female statue.
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The furore caused the release of 436:Fernand Dichamps as Audience Member 13: 683:The Oxford History of World Cinema 544: 497:The Oxford History of World Cinema 14: 2098: 791: 433:Jean Desbordes as Louis XV Friend 937:Les Chevaliers de la Table ronde 871: 835:an essay by Jean Cocteau at the 727:, "An Angel, A Flower, A Bird", 588: 23: 1444:La descente d'OrphĂ©e aux enfers 1303:Notre-Dame-de-JĂ©rusalem, FrĂ©jus 679:Nowell-Smith, Geoffrey (1996). 439:Lucien Jager as Audience Member 34:needs additional citations for 2057:Films directed by Jean Cocteau 702: 641:Liner, Elaine (13 June 2002). 1: 2062:Films scored by Georges Auric 1124:Les Dames du Bois de Boulogne 627: 492:in its critique of naturalism 424:as the Instructor of Children 2077:French black-and-white films 1733:(c. late thirteenth century) 1207:Les mariĂ©s de la tour Eiffel 574: 7: 2047:1930s French-language films 1796:The Ground Beneath Her Feet 1711:You Ain't Seen Nothin' Yet! 1510:(1975, Zhurbin, rock opera) 396:Intercut through the film, 10: 2103: 343:(1950) and concludes with 331:. It is the first part of 1981: 1948: 1913: 1846: 1821: 1772:The Einstein Intersection 1763: 1721: 1621: 1574: 1565:Moulin Rouge! The Musical 1549: 1483:Orpheus in the Underworld 1377: 1356: 1268: 1233: 1223:Le jeune homme et la mort 1174: 1099: 1030: 995: 888: 879: 279: 271: 261: 247:20 January 1932 238: 226: 216: 208: 198: 170: 160: 152: 142: 130: 125: 1057:The Eagle with Two Heads 337:, which is continued in 233:The Criterion Collection 519:Marie-Laure de Noailles 403: 352: 1812:L'Esprit de L'Escalier 1447:(c. 1686, Charpentier) 1156:La Princesse de Clèves 1020:Opium: Diary of a Cure 500: 299: 1965:The Battle of Olympus 1140:Les Enfants terribles 1081:La Villa Santo-Sospir 1065:Les Parents terribles 1012:Les Enfants terribles 945:Les Parents terribles 897:Le Gendarme incompris 773:. 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Flixer 645:Barbette 526:Barbette 495:—  449:Barbette 389:, and a 349:(1960). 329:Barbette 280:Language 217:Music by 171:Starring 2006:Orphism 1982:Related 1922:Orpheus 1679:Parking 1452:Orpheus 1404:L'Orfeo 1369:Orpheus 1269:Related 1073:Orpheus 985:Bacchus 905:Orpheus 752:7 April 694:26 July 504:Baroque 398:oneiric 272:Country 249: ( 83:scholar 1960:(2020) 1941:(2019) 1933:(1976) 1925:(1948) 1914:Ballet 1906:(2019) 1898:(2013) 1890:(2010) 1887:Orfeas 1882:(2010) 1874:(2005) 1866:(2004) 1858:(1970) 1847:Albums 1807:(2003) 1799:(1999) 1791:(1987) 1783:(1973) 1775:(1967) 1764:Novels 1749:(1922) 1722:Poetry 1714:(2012) 1706:(2001) 1698:(1999) 1690:(1989) 1682:(1985) 1674:(1975) 1666:(1959) 1656:(1960) 1648:(1950) 1645:OrphĂ©e 1640:(1930) 1261:(1927) 1253:(1927) 1245:(1927) 1226:(1946) 1218:(1924) 1210:(1921) 1202:(1920) 1194:(1917) 1191:Parade 1186:(1912) 1167:(1965) 1159:(1961) 1151:(1951) 1143:(1950) 1135:(1948) 1127:(1945) 1119:(1943) 1111:(1943) 1092:(1960) 1084:(1952) 1076:(1950) 1068:(1948) 1060:(1948) 1052:(1946) 1044:(1932) 1023:(1930) 1015:(1929) 1007:(1928) 988:(1951) 980:(1946) 972:(1943) 964:(1941) 956:(1940) 948:(1938) 940:(1937) 932:(1936) 924:(1934) 916:(1930) 908:(1926) 900:(1921) 777:  661:19 May 340:OrphĂ©e 296:French 283:French 275:France 85:  78:  71:  64:  56:  1957:Hades 1695:Orfeu 1622:Films 1575:Plays 1436:Orfeo 1428:Orfeo 996:Prose 889:Drama 387:globe 90:JSTOR 76:books 804:IMDb 775:ISBN 754:2018 696:2019 663:2008 404:Cast 391:lyre 385:, a 353:Plot 62:news 1822:Art 824:at 813:at 802:at 689:100 604:. 535:'s 45:by 2023:: 744:. 717:^ 671:^ 649:. 480:: 393:. 383:ox 298:: 1810:" 1752:" 1585:/ 1342:e 1335:t 1328:v 865:e 858:t 851:v 783:. 756:. 698:. 665:. 611:) 607:( 294:( 253:) 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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"The Blood of a Poet"
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Jean Cocteau
Charles de Noailles
Enrique Riveros
Lee Miller
Pauline Carton
Odette Talazac
FĂ©ral Benga
Georges PĂ©rinal
Georges Auric
The Criterion Collection
French
avant-garde
Jean Cocteau
Charles de Noailles
Enrique Riveros
Lee Miller
aerialist
Barbette

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