833:
447:
417:
909:
435:
785:. The waistcoat was the most decorative piece, usually lavishly embroidered or displaying patterned fabrics. In the early 18th century the Breeches usually stopped at the knee, with white stockings worn underneath and heeled shoes, which usually had large square buckles. Coats were worn closer to the body and were not as skirt-like as during the Baroque era. They were also worn more open to showcase the elaborate waistcoats... The skirts of the coat remained wide and were stiffened by buckram, horsehair, and other means to fan out over the hips. The front edges of the coat, which previously had been cut straight, began to curve slightly towards the back to reveal more of the waistcoat Fabrics for men were primarily silks, velvets, and brocades, with woolens used for the middle class and for sporting costumes.
1210:
1186:
963:
975:
33:
89:
661:
752:
601:
625:
761:
1150:
589:
885:
52:. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
1222:
649:
637:
375:
1047:
459:
393:
1143:
than women's. The skirt of a girl's gown was not split down the front, as women's typically were. Girls did not wear jackets or bedgowns. Boys wore shirts, breeches, waistcoats and coats a man would, but often wore their necks open, and the coat was fitted and trimmed differently from a man's, and boys often went bareheaded. During some decades of the 18th
Century, boys' shirts and coats had different collars and cuffs than a man's. Even if the size is not apparent, it is usually possible to tell a child's garment from an adult's.
483:
471:
1035:
999:
319:
1927:
1174:
1011:
613:
1198:
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921:
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897:
405:
1162:
1023:
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coat became closer-fitting with a slight shaping at the waist to produce a longer, narrower, more severe line. Sleeves were worn longer and tighter but still with cuffs. The slim, straight line was emphasized by low-set vertical pockets, but in the late 1680s, these were largely replaced by horizontal pockets which were later given flaps.
81:
200:
of the early 18th century were long-waisting and cut with a narrow back, wide front, and shoulder straps; the most fashionable stays pulled the shoulders back until the shoulder blades almost touched. The resulting silhouette, with shoulders thrown back, very erect posture and a high, full bosom, is
1142:
Children older than toddlers continued to wear clothing which was in many respects simply a smaller version of adult clothing. Although it is often said that children wore miniature versions of adult clothing, this is something of a myth. Girls wore back-fastening gowns, trimmed much more simply
139:
or "nightgown" could also have a pleated back, but these pleats would be sewn down to fit the back of the bodice to the body and waist. Other versions of the gown simply had a seam along the back of the bodice. This gown featured a snug bodice with a full skirt worn without panniers, usually cut a
843:
The large high parted wig of the 1690s remained popular from 1700 until around 1720. During this time various colors were worn, but white was becoming more popular and the curls were getting tighter. The cadogan style of men's hair developed and became popular during this period, with horizontal
811:
In the early 18th century, men's shoes continued to have a squared toe, but the heels were not as high. From 1720 to 1730, the heels became even smaller, and the shoes became more comfortable, no longer containing a block toe. The shoes from the first half of the century often contained an oblong
793:
When the coat began to be worn in the 1600s, it was cut with little shaping to the figure and hung loosely from the shoulders to just below the knee. There were long vents from waist to hem at the sides and center-back, generally edged with buttons and buttonholes. During the 1670s and 1680s, the
119:
had a tight bodice with a low-cut square neckline, a decorated , wide panniers, and was lavishly trimmed with all manner of lace, ribbon, and flowers. An early form of the robe à la française was worn as a less formal undress fashion. This version of the gown was unfitted both front and back and
523:
wears the black cap and veil of a widow with a gold-colored gown patterned with acorns and flowers. Her open sleeves are caught with jeweled clasps or pins over a shift with triple lace frills at the elbow. A royal French mantle of blue embroidered with gold fleur-de-lis and lined in ermine is
802:
Knee-breeches had a center-front opening, fastened at the waist, and were worn without other support. The legs were gathered into a band above or below the knee, closing with ties, buttons or a buckle or strap. Stockings were drawn up over the knees and covered the lower edge of the breeches.
357:
Tiny pieces of fabric, known as patches, in the shapes of dots, hearts, stars, etc. were applied to the face with adhesive. The fashion is thought to have originated as a way of disguising pox scars and other blemishes, but gradually developed coded meanings. A patch near the mouth signified
66:
Fashion designers became more recognizable during this period, as men and women were eager to be dressed in the latest trends and styles. Fashion magazines emerged during this era, originally aimed at educated readers, but quickly capturing the attention of lower classes with their colorful
208:, called panniers, in the 1730s and early 1740s. Depending on the occasion, these panniers varied in size. Smaller hoops were worn in everyday settings and larger hoops for more formal occasions, which later widened to as much as three feet to either side at the French court of
280:
were often intricately embroidered in floral and life motifs, demonstrating great attention to detail and care for an accurate portrayal of nature. A mid-century vogue for striped fabrics had the stripes running different directions on the trim and the body of the gown.
124:, and was typically made in heavier fabrics such as satin or velvet. Later, for formal wear, the front was fitted to the body by means of a tightly laced underbodice, while the back fell in loose box pleats called "Watteau pleats" from their appearance in the paintings of
188:, ribbons, or lace frills were tied high on the neck. Finally, one other large element of 18th century women's dress wear became the addition of the frilled neckband, a separate piece from the rest of the dress. This ornament was popularized sometime around 1730 .
540:
183:
Necklines on dresses became deeper as time went on allowing for greater display of ornamentation on the neck area. A thick band of lace was often sewn onto the neckline of a gown with ribbons, flowers, and/or jewels adorning the lace. Jewelry such as strings of
345:, or a small bouquet of fresh flowers in a "bosom bottle." About four inches in length, these glass or tin bottles were small enough to discreetly tuck into the bosom or hair, but also just large enough to contain water to keep the flowers from wilting.
908:
520:
708:
wears a gown with "split sleeves" (elbow frills and a lower sleeve tight to the wrist). Her overskirt is looped up over her petticoat and she wears a black cap set with diamond studs. Her choker necklace is set with a diamond-studded bow,
353:
An 18th-century toilette began with a heavy white foundation made from white lead, egg white, and a variety of other substances. This was overlaid with white powder (typically potato or rice powder), rouge, and deep red or cherry lip color.
848:
or tied back at the nape of the neck with a black ribbon. From about 1720, a bag wig gathered the back hair in a black silk bag. Black ribbons attached to the bag were brought to the front and tied in a bow in a style called a "solitaire".
222:
Some women wore drawers (underpants) in
England. For instance, as early as 1676 inventory of Hillard Veren had "3 pair of women drawers". Although they are not common in English or New England inventories during the 17th and 18th century.
860:
were worn throughout the era. They were an essential element to the "domino", a stylish costume for masquerade balls, which became an increasingly popular mode of entertainment. The "domino" style consisted of a mask, a long cape, and a
511:, in full Court dress. She is wearing a voluminous white gown, with lace trimming the low, square neckline and sleeves, which are gathered at the elbow. Her red velvet mantel is lined with ermine. The portrait was painted in 1717.
36:
In this
English family portrait, the ladies wear pastel-colored gowns with closed skirts and lace caps. Some wear sheer aprons. The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid.
534:
2175:
1074:
755:
Jeronimus
Tonneman and his son wear collarless coats with deep cuffs and matching waistcoats, worn with breeches, ruffled shirts, silk stockings, and buckled shoes. The young man wears a bag wig and solitaire,
1083:
wears a wide-hipped formal coat with applied lace over a plainer contrasting hip-length waistcoat and red breeches. His coat is lined in red. Shoes with elaborate buckles and white stockings complete the
1266:
7. A middle-class girl c. 1740. The simpler fabric and colours used in her dress show her not to be of noble birth but not in poverty either. Again the low neckline is typical of girls of that age. (1740)
1058:
1114:
wearing a mulberry-colored coat trimmed with bands of embroidery and fastened with buttons and loops over a patterned waistcoat (barely visible under the coat) and a white shirt with ruffles, 1749.
254:
consisted of a fitted, thigh- or knee-length coat similar to those worn by men, usually with a matching petticoat. Ladies wore masculine-inspired shirts and tricorne hats for riding and hunting.
310:. Europe was able to produce high quality petit teints (colors that faded with light and washing), but they were unable to produce grand teints (permanent colors resistant to light and wear).
832:
739:
1068:
302:
industries did nothing to reduce their desirability. Brocaded silks and woolens had similar colorful floral patterns on light-colored grounds. Blends of wool and silk or wool and linen (
537:
wear solid-colored mantuas with closed petticoats and open-fronted bodices. Elbow-length sleeves are cuffed. The ruffles of the shift are visible at neck and elbow, England, 1729.
1247:
2. Silk dress supported by panniers. Note that there is no central parting to the dress. The low cut neckline is also less ornamented than a contemporary women's would be. (1718)
950:
of a coat of 1721 shows the center back vent and the pleated gores set into the side seams. The gentleman wears square-toed shoes and carries a tricorne tucked under his arm.
563:, wears a gown with a slightly squared neckline and narrow lace frills at bodice and sleeve. Note the trim on the pocket slits in the skirt of her open gown. She wears a
276:(strips of ruched, gathered or pleated fabric) replaced the plain style. Ribbon bows, lacing, and rosettes became popular, as did boldly patterned fabrics. Silk gowns and
693:, 1742, wears a red gown with a lace-trimmed kerchief or fichu tucked under the ribbon bow on her bodice. Her sleeves are bell-shaped, and she wears a lace hood or cap.
1270:
8. A group portrait of children in fine clothes of the period. The boy has been newly breeched while the girls have the characteristic low neckline of children. (1745)
1139:βnarrow straps of fabric attached to the gown at the shoulderβfunctioned as a sort of leash to keep the child from straying too far or falling as they learned to walk.
1823:
705:
446:
128:.These gowns were often made from lighter fabrics such as Indian cotton, silks, and damasks in pastel shades that gave off a warm, graceful and childlike appearance.
84:
A rigid, upright posture with a sharp "break" at the bust is characteristic of the stiffly boned stays of the 1730s. These
English ladies wear formal mantuas for tea.
140:
bit longer in the back to form a small train. The skirt of a robe Γ l'anglaise could be closed in front (a "round gown") or open to reveal a matching or contrasting
702:
series depicts a fashionable young wife wearing a sack-back jacket and stomacher with a contrasting petticoat. A linen hood or cap is tied under her chin, 1743β45.
63:
or everyday, daytime clothes. As the decades progressed, fewer and fewer occasions called for full dress, which had all but disappeared by the end of the century.
1263:
6. A boy of around 10 who has been breeched and wears a Frock coat of a child's pattern. The cuffs and frills would have been less obvious on a grown man. (1738)
2252:
672:
416:
1260:
5. The girl sitting holding a fan is displaying her leading strings that her mother would have used to make sure she didn't fall when learning to walk. (1730)
1250:
3. A group scene of a girl and two boys. Boys were breeched at around 5β10. The girl wears a low neckline that was customary for young girls and boys. (1724)
932:
764:
Philippe Coypel wears a red waistcoat trimmed with gold lace under a plain brown coat. His shirt has lace ruffles. He wears a bag wig with solitaire, 1732.
1428:
330:
with its curved heel, squarish toe, and tie over the instep gave way in the second decade of the 18th century to a shoe with a high, curved heel. Backless
358:
flirtatiousness; one on the right cheek denoted marriage; one on the left cheek announced engagement; one at the corner of the eye signified a mistress.
1077:
wears a collarless grey coat with deep cuffs and a long waistcoat, both lined in sky blue, with matching breeches. His black shoes have square buckles.
265:
In the early years of this period, pastel silk hoods and light colors became fashionable at the French court for mature women, under the influence of
715:'s open gown is laced with a wide blue ribbon over a stomacher and is worn with a matching petticoat. The front edges of the gown are trimmed with
824:
buttons to allow their hands to properly hold snuff-boxes or handkerchiefs. The cane was thus less functional and rather for the sake of fashion.
1209:
2354:
2270:
1816:
434:
17:
576:, silk satin with metallic-thread lace, appliquΓ©s, passementerie and tassels. France, 1700β1750. Los Angeles County Museum of Art M.67.8.99.
1832:
1185:
1065:, wears a narrow-sleeved blue coat lined in red with a red waistcoat and breeches. He wears a tricorne and tall black riding boots, 1730s.
287:, Indian cotton fabric with block-printed imaging on a white base, was wildly fashionable. Bans against their importation to protect the
48:
and
European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the
712:
1117:
32:
962:
2285:
1809:
546:
504:
1342:
B. Payne, "Women's
Costume of the Fifteenth Century", History of Costume: From the Ancient Egyptians to the Twentieth Century (1965)
306:) were popular. Until the 1730s, European textiles were of inferior quality that could not match the complex fashionable designs of
736:, New York features a matching petticoat and is shown with an elaborate stomacher. English, fabric from Holland or Germany, 1740s.
974:
944:
A German prince shows his stiff turned-back cuffs, embroidered in gold, as is the centre of his coat, stockings over his breeches.
219:) or smock had full sleeves early in the period and tight, elbow-length sleeves in the 1740s as the sleeves of the gown narrowed.
726:
573:
556:
334:
were worn indoors and out (but not on the street). Toes were now pointed. This style of shoe would remain popular well into the
2026:
660:
243:), petticoat and stays (corset) for at-home wear, and it was fashionable to have one's portrait painted wearing these fashions.
2394:
269:. Younger women also wore light or bright colors, but the preference was for solid-colored or floral silks with ornamentation.
168:) beneath. Sleeves became narrower as the period progressed, with a frill at the elbow, and elaborate separate ruffles called
552:
494:
1869:
1071:
wears a tricorne. His long brown wig (or possibly hair) is tied back with a black ribbon. His plain coat has deep cuffs.
1062:
600:
226:
Woolen waistcoats were worn over the corset and under the gown for warmth, as were petticoats quilted with wool batting.
2359:
1959:
1080:
1291:. "As I proceeded in my journey I observed the petticoat grew scantier and scantier, and about threescore miles from
1107:
2399:
2047:
2042:
2004:
1999:
1994:
1989:
1766:
1728:
1714:
1700:
1686:
1596:
1545:
1370:
624:
160:
Sleeves were bell- or trumpet-shaped, and caught up at the elbow to show the frilled or lace-trimmed sleeves of the
2190:
2185:
2077:
2072:
2067:
2057:
2052:
1874:
1845:
1503:
1149:
1121:
935:
in old age, 1709β1712. He wears a banyan with a patterned lining. Note the T-shaped cut, without a shoulder seam.
884:
588:
2389:
1779:
844:
rolls of hair over the ears. Later, wigs or the natural hair were worn long, brushed back from the forehead and
947:
88:
751:
2349:
1984:
1861:
1351:
Clothing
Through American History: The British Colonial Era, by Kathleen A. Staples, Madelyn C. Shaw page 245
1087:
719:, rows of fabric ruched or gathered on both edges. Sleeves are narrower, and are worn with elaborate lace
696:
690:
1964:
1954:
1295:
was so very unfashionable, that a woman might walk in it without any manner of inconvenience" and so on.
1221:
648:
374:
2297:
2275:
1906:
1787:
1095:
1046:
733:
482:
338:
period. Shoes at the time had many variations of decoration, some even included metal wrapped threads.
820:
Upper-class men often wore a cane as part of their outfits, suspending it by a loop from one of their
636:
2323:
1976:
1891:
1850:
938:
1111:
458:
392:
2292:
2180:
2157:
2152:
2140:
2135:
2130:
2125:
2120:
2115:
2110:
2089:
1911:
1737:
514:
335:
327:
177:
105:
49:
760:
1884:
1257:. The neckline is still lower than a woman's but is more ornamented than that of a child. (1727)
1480:
1387:
470:
2384:
2379:
2374:
2369:
2364:
1969:
1034:
1537:
1530:
2313:
2280:
1733:
1588:
1091:
998:
1283:
840:
Wigs in a variety of styles were worn for different occasions and by different age groups.
239:
Loose gowns, sometimes with a wrapped or surplice front closure, were worn over the shift (
1197:
612:
8:
2328:
1621:
920:
687:. She carries a matching fur muff. A large ribbon bow trims her bodice at the neckline.
679:), 1741, wears a black hood over a lace cap, and a red, fur-lined shoulder cape called a
560:
266:
1173:
1010:
2318:
2021:
1473:
1410:
1333:
Morgan, J.P., "Robe a l'Anglaise, or
English Nightgown", The Collections of J.P. Morgan
1233:
1120:
with wide cuffs, 1745β1750, in a lace-like floral pattern of white on brown, France.
986:
2147:
2105:
1941:
1916:
1901:
1762:
1724:
1710:
1696:
1682:
1592:
1581:
1541:
1499:
1457:
1414:
1366:
1161:
257:
When outdoors, ladies also wore elbow-length capes, often lined with fur for warmth.
136:
97:
96:
In the early decades of the new century, formal dress consisted of the stiff-bodiced
896:
2247:
2242:
2237:
2221:
2216:
2211:
2206:
2082:
2016:
1801:
1402:
1101:
404:
307:
209:
161:
1946:
1679:
Patterns of
Fashion 2: Englishwomen's Dresses and Their Construction c. 1860β1940
1287:
to satirising fashion, by noting how the country fashions lagged behind those in
1135:
331:
125:
1614:
1896:
1754:
1278:
303:
288:
116:
2343:
1707:
What Clothes Reveal: The Language of Clothing in Colonial and Federal America
1254:
173:
104:, sometimes worn with an apron, replaced the open draped mantua skirt of the
1104:, 1748, wears a gold-embroidered waistcoat under a dark coat lined in white.
1674:
1313:
English Costume from Prehistoric Times to the End of the Eighteenth Century
1022:
498:
318:
251:
1926:
778:
676:
508:
147:
Open-fronted bodices on either gown could be filled in with a decorative
549:
wears a rose-colored velvet gown with ermine trim (and possibly lining).
517:, Queen Regnant of Sweden 1718β1720 wears a typical royal robe and gown.
501:
featuring a long coat similar to men's coats, with a matching petticoat.
2011:
1681:, Wace 1966, Macmillan 1972. Revised metric edition, Drama Books 1977.
1406:
720:
205:
169:
1749:
History of Costume from the Ancient Egyptians to the Twentieth Century
821:
723:. She wears a small cap and a black ribbon or frill around her neck.
277:
151:, and toward the end of the period a lace or linen kerchief called a
148:
141:
101:
80:
1620:. New York, NY: Robert M. McBride & Company, New York. pp.
1244:
1. A simple trimmed lace and cloth dress English/French cut. (1710)
1751:, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS
941:
wears a large periwig, justacorps, and stockings over his breeches.
862:
857:
782:
777:, also known as the habit à la française, made of three parts: the
1365:. Great Britain: National Trust Enterprises Limited. p. 128.
564:
240:
229:
216:
165:
1479:. Minneapolis, Minnesota: Burgess Publishing Company. pp.
1288:
684:
567:
284:
176:
to the shift sleeves, in a fashion that would persist into the
45:
27:
Clothing in Europe and areas under its influence from 1700-1750
1388:"East & West: Textiles and Fashion in Early Modern Europe"
1879:
1421:
541:
Sophia Dorothea of Prussia, Margravine of Brandenburg-Schwedt
295:
185:
153:
108:. This formal style then gave way to more relaxed fashions.
1536:. Englewood Cliffs, New Jersey: Prentice-Hall, Inc. p.
774:
299:
291:
1475:
Fashion in History: Western Dress, Prehistoric to Present
865:
853:
1253:
4. Portrait of the young archduchess and future Empress
1498:. Great Britain: The Anchor Press Britain. p. 78.
272:
Gradually, trim in the form of applied lace and fabric
1742:
Handbook of English Costume in the Eighteenth Century
1637:
The Dress Worn at Masquerades in England 1730 to 1790
1446:. New York, NY: Charles Scribner's Sons. p. 180.
232:
were tied around the waist and were accessed through
1831:
1613:
1580:
1529:
1472:
1496:The Male Image Men's Fashion in Britain 1300-1970
1090:(1747) of silk brocade woven to shape, design by
836:Comparison between male fashion in 1714 and 1726.
2341:
1693:The Art of Dress: Clothing and Society 1500β1914
1458:"Modes in Makeup, a brief history of cosmetics"
1133:Toddler boys and girls wore low-necked gowns.
341:Women, particularly in France, began wearing a
1363:The Art of Dress Clothes and Society 1500-1914
92:Empress Elisabeth Christine in riding costume.
1817:
1759:Dress in Eighteenth Century Europe 1715β1789
1587:. New York: Drama Book Publishers. pp.
1385:
1324:Kemper, Rachel H., "Costume," pg. 105 (1992)
201:characteristic of this period and no other.
59:worn at court and for formal occasions, and
55:Distinction was made in this period between
313:
157:could be worn to fill in the low neckline.
67:illustrations and up-to-date fashion news.
1824:
1810:
868:, all usually constructed of dark colors.
827:
1386:Lemire, Beverly; Reillo, Giorgie (2008).
1360:
856:with brims turned up on three sides into
831:
759:
750:
706:Luisa Ulrika of Prussia, Queen of Sweden
317:
87:
79:
31:
1634:
1611:
1527:
1470:
1315:(London: Forgotten Books, 2015), p.115.
1094:, collection of the Costume Institute,
521:Elisabeth Charlotte, Duchesse d'Orleans
14:
2342:
1780:"Introduction to 18th-century fashion"
1719:Black, J. Anderson and Madge Garland:
1578:
1441:
322:Shoes of 1742 (left) and 1731 (right).
2355:History of clothing (Western fashion)
1805:
1493:
1435:
1273:
1128:
812:buckle usually embedded with stones.
260:
1870:Prehistory of nakedness and clothing
1784:Fashion, Jewellery & Accessories
1450:
75:
1661:The Spectator no. 119. 17 July 1711
1643:
1639:. New York, NY: Garland. p. 3.
742:silk shoes with shoe buckles, 1740s
204:Skirts were worn over small, domed
24:
871:
70:
25:
2411:
1772:
1925:
1846:History of clothing and textiles
1709:, Yale University Press, 2002.
1232:
1220:
1208:
1196:
1184:
1172:
1160:
1148:
1122:Los Angeles County Museum of Art
1045:
1033:
1021:
1009:
997:
985:
973:
961:
919:
907:
895:
883:
746:
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623:
611:
599:
587:
547:Queen Sophie Dorothea of Prussia
481:
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457:
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415:
403:
391:
373:
361:
2253:impact of the COVID-19 pandemic
1761:, Yale University Press, 2002,
1655:
1628:
1605:
1572:
1563:
1554:
1521:
1512:
1487:
1464:
495:AdΓ©laΓ―de, Duchesse de Bourgogne
42:Fashion in the period 1700β1750
1583:Fashion Accessories Since 1500
1471:Bigelow, Marybelle S. (1979).
1379:
1354:
1345:
1336:
1327:
1318:
1305:
954:
876:
815:
13:
1:
2395:18th century in North America
1668:
1088:Waistcoat (Garthwaite/Lekeux)
525:
524:draped around her shoulders,
423:
381:
366:
1528:Russell, Douglas A. (1983).
1281:in 1711 devoted an issue of
246:
191:
7:
2169:1920sβ1950s Western fashion
2099:1830sβ1910s Western fashion
2036:1500sβ1820s Western fashion
806:
797:
543:wears a silk brocade dress.
10:
2416:
1788:Victoria and Albert Museum
1612:Cookson, Nesfield (1935).
1442:Wilcox, R. Turner (1958).
1096:Metropolitan Museum of Art
734:Metropolitan Museum of Art
236:in the gown or petticoat.
18:1700β50 in Western fashion
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1395:Journal of Social History
1081:English gentleman of 1738
557:Queen Elizabeth Christine
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2400:18th century in the arts
2176:Suffrage Movement period
1738:Phillis Emily Cunnington
1635:Ribiero, Aileen (1984).
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713:Madame de Sorquainville
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1744:. London: Faber, 1972.
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1721:A History of Fashion
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1705:Baumgarten, Linda:
1444:The Mode in Costume
729:Robe à la française
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2307:By clothing
1970:Western Xia
1960:Jurchen Jin
1942:Anglo-Saxon
1935:Middle Ages
1880:Han Chinese
1203:5 β 1731β32
1052:8 - 1745β50
955:1730sβ1740s
890:1 β c. 1710
877:1700sβ1720s
816:Accessories
779:justaucorps
721:engageantes
677:Ulla Tessin
618:3 β 1743β45
529: 1719
509:Catherine I
427: 1719
385: 1700
343:boutonnière
215:The shift (
170:engageantes
37:c.1730β1740
2344:Categories
2027:Vietnamese
1985:400sβ1000s
1793:9 December
1669:References
1429:"Slippers"
727:Surviving
559:, wife of
507:of Russia
367:1700β1730s
278:stomachers
57:full dress
2191:1945β1960
2186:1930β1945
2148:Edwardian
2106:Victorian
2078:1795β1820
2073:1775β1795
2068:1750β1775
2063:1700β1750
2058:1650β1700
2053:1600β1650
2048:1550β1600
2043:1500β1550
2022:Tocharian
1947:Byzantine
1415:143797589
1084:ensemble.
968:1 β 1730s
948:Back view
939:Louis XIV
858:tricornes
822:waistcoat
773:The male
697:Hogarth's
666:7 - 1740s
654:6 β 1740s
574:Stomacher
247:Outerwear
192:Underwear
149:stomacher
142:petticoat
120:called a
102:petticoat
2329:Swimwear
2293:Thailand
1951:Chinese
1917:Thracian
1902:Biblical
1892:Egyptian
1833:Timeline
1239:8 β 1745
1227:7 β 1740
1215:6 β 1738
1191:4 β 1727
1179:3 β 1724
1167:2 β 1718
1155:1 β 1710
1108:Portrait
1040:7 β 1749
1028:6 β 1748
1016:5 - 1747
1004:4 β 1738
992:3 β 1736
980:2 β 1736
926:4 β 1721
914:3 β 1716
902:2 β 1711
863:tricorne
807:Footwear
798:Breeches
783:breeches
642:5 β 1749
630:4 β 1744
606:2 β 1742
594:1 β 1741
497:wears a
476:8 β 1739
464:7 β 1737
452:6 β 1734
440:5 β 1729
410:3 - 1718
398:2 β 1717
46:European
2017:Ottoman
1981:Europe
1977:English
1862:Ancient
1622:164β165
846:clubbed
740:English
732:in the
717:robings
565:diamond
505:Empress
289:British
274:robings
241:chemise
217:chemise
166:chemise
61:undress
2319:Corset
2314:Bikini
2012:Korean
1765:
1727:
1713:
1699:
1685:
1595:
1591:, 67.
1544:
1502:
1413:
1369:
1293:London
1289:London
685:tippet
681:mantle
568:choker
349:Makeup
300:woolen
285:Chintz
186:pearls
174:tacked
122:sacque
98:mantua
2286:Meiji
2281:Japan
2276:Italy
2248:2020s
2243:2010s
2238:2000s
2222:1990s
2217:1980s
2212:1970s
2207:1960s
2181:1920s
2158:1910s
2153:1900s
2141:1890s
2136:1880s
2131:1870s
2126:1860s
2121:1850s
2116:1840s
2111:1830s
2090:1820s
2005:1400s
2000:1300s
1995:1200s
1990:1100s
1912:Roman
1907:Greek
1897:Inuit
1875:China
1411:S2CID
1397:. 4.
1391:(PDF)
1299:Notes
769:Suits
756:1736.
709:1744.
581:1740s
332:mules
296:linen
206:hoops
198:stays
178:1770s
172:were
162:shift
154:fichu
2324:Hide
1965:Yuan
1955:Liao
1795:2007
1763:ISBN
1736:and
1725:ISBN
1711:ISBN
1697:ISBN
1683:ISBN
1593:ISBN
1542:ISBN
1500:ISBN
1367:ISBN
854:hats
789:Coat
775:suit
422:4 β
380:1 β
336:next
298:and
292:silk
196:The
111:The
1885:Shu
1538:281
1481:196
1403:doi
1110:of
866:hat
683:or
115:or
44:in
2346::
1786:.
1782:.
1757::
1740::
1677::
1589:62
1540:.
1409:.
1399:41
1393:.
555::
526:c.
424:c.
382:c.
294:,
212:.
180:.
144:.
135:,
1825:e
1818:t
1811:v
1797:.
1624:.
1601:.
1550:.
1508:.
1483:.
1460:.
1431:.
1417:.
1405::
1375:.
1098:.
675:(
531:.
164:(
20:)
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