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Abbey Museum of Art and Archaeology

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with the technical assistance from a number of institutions the construction of the new museum was started in 1983. In June 1986 the Abbey Museum of Art and Archaeology was officially opened in its present building. In 1999 the next stage of the museum, a manuscript gallery was opened, named in honour of Professor Richard Stephens who served as board chairman from 1993 to 2003.
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finance the migration of Ward and many members of his community to Cyprus where he died in 1949. The escalation of violence as the predominant Greek population sought Enosis, Union with Greece, from the British, forced the community to relocate again, arriving in Australia in 1956 and eventually settling in Caboolture, Queensland, in 1965.
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The museum defines itself as a "public museum of international standard" with a commitment to "telling the human evolutionary story impartially without bias of politics, religion or gender". It is administered by the Abbey Museum Association through a Board of Management which appoints a director and
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In 1978 it was decided to make the remaining collection available to the public and a museum board was formed appointing Michael Strong (M.A. Archaeology & Heritage) as director of the Abbey Museum of Art and Archaeology. With the securing of government assistance and public sector donations and
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Folk Museum in Sweden, Ward opted to display artefacts in sympathetic surroundings. Dubbed by the press "The man who collects houses" Ward saved several historical buildings from destruction and had them rebuilt on the site at New Barnet, which was also home to the Confraternity of the Kingdom of
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When it was forced to close in 1940 at the height of the London Blitz, the Abbey Folk Park housed 30 relocated historic buildings, replicas of ancient structures and a collection of more than 40 000 artefacts. In 1945 the museum buildings and the bulk of the collections were reluctantly sold to
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The scope and range of the Abbey collections makes it unique amongst Australian museums, spanning 500,000 years of human history across numerous cultures and civilisations ranging from Palaeolithic stone tools to Renaissance paintings. The nearby Abbey Church houses a significant collection of
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Highlights of the collection include an ancient Egyptian death mask, Medieval and Renaissance stained glass, Italian and Flemish Old Master paintings from the 14th to the 18th centuries, Greek, Turkish and Russian icons, pottery, weapons and cult objects from the Bronze and Iron Ages, Roman
36:, it opened in 1986. Displaying a unique collection of tools, weapons, pottery, ornaments, furniture and other artefacts, the Abbey collection spans through prehistoric hunters; the age of bronze and gold; great civilisations of 96:, north of London, in 1934. Antiquarian, author, educator, mystic and spiritualist, Ward's museum was for its time, as unconventional as its founder. Rejecting the traditional model of the museum and influenced by the 494: 137:
The Museum carries on an active research program in consultation with international scholars and museums such as the British Museum, the Middlealdercentert in Denmark and others.
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Christ, a religious community that he founded in 1929. To display his substantial collection of prehistoric artefacts Ward constructed a replica
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village, becoming in the process a pioneer of experimental archaeology and 'open air' museums.
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glassware, a 17th-century Mughal Qur'an, samurai armour and weapons, medieval manuscripts.
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The museum has its roots in the Abbey Folk Park which was established by Rev.
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and the Far East. The museum is the heir to the collections of the
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Unexpected Treasures: Highlights from the Abbey Museum
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Unexpected Treasures: Highlights from the Abbey Museum
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Unexpected Treasures: Highlights from the Abbey Museum
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Unexpected Treasures: Highlights of the Abbey Museum
335: 454:"Museum mandate, mission, vision and core values" 84:Replica Neolithic pit dwelling at Abbey Folk Park 534: 378: 376: 374: 372: 370: 548:Art museums and galleries established in 1986 437:Abbey Museum of Art and Archaeology (2006). 321:Abbey Museum of Art and Archaeology (2006). 306:Abbey Museum of Art and Archaeology (2006). 166:Abbey Museum of Art and Archaeology (2006). 140: 367: 301: 299: 297: 126:dating from the Middle Ages through to the 281: 279: 294: 79: 75: 20: 276: 535: 452:Abbey Museum of Art and Archaeology. 410:Abbey Museum of Art and Archaeology. 383:Abbey Museum of Art and Archaeology. 342:Journal of the History of Collections 264:from the original on 14 February 2014 195: 358: 285: 241:"London 2,000 Years Before Christ". 553:Archaeological museums in Australia 522:Abbey Museum of Art and Archaeology 30:Abbey Museum of Art and Archaeology 13: 460:from the original on 20 March 2012 418:from the original on 20 March 2012 391:from the original on 20 March 2012 14: 564: 476: 198:The Scholar the Builders Rejected 52:; medieval knights, plagues and 445: 430: 403: 352: 329: 314: 256:National Library of Australia. 249: 234: 219: 204: 189: 174: 116: 1: 149: 336:Geoffrey A. C. Ginn (2010). 7: 211:"Prehistoric Man at Home". 10: 569: 361:Archangels and Archaeology 288:Archangels and Archaeology 68:(1934–1945) at Park Road, 141:Governance and philosophy 128:Arts and Crafts Movement 16:Australian public museum 412:"History of the Museum" 359:Ginn, Geoffrey (2012). 286:Ginn, Geoffrey (2012). 228:Illustrated London News 54:illuminated manuscripts 85: 34:Caboolture, Queensland 25: 543:Museums in Queensland 83: 76:Historical background 60:Europe; and art from 24: 511:27.0709°S 153.0228°E 506: /  516:-27.0709; 153.0228 243:Weekly Illustrated 196:Baker, R. (2001). 86: 26: 245:. 18 August 1934. 185:. 23 August 1934. 560: 530: 529: 527: 526: 525: 523: 518: 517: 512: 507: 504: 503: 502: 499: 488: 487: 470: 469: 467: 465: 449: 443: 442: 441:. pp. 8–73. 434: 428: 427: 425: 423: 407: 401: 400: 398: 396: 380: 365: 364: 356: 350: 349: 333: 327: 326: 318: 312: 311: 303: 292: 291: 283: 274: 273: 271: 269: 253: 247: 246: 238: 232: 231: 223: 217: 216: 208: 202: 201: 193: 187: 186: 178: 172: 171: 163: 568: 567: 563: 562: 561: 559: 558: 557: 533: 532: 521: 519: 515: 513: 509: 508: 505: 500: 497: 495: 493: 492: 483: 482: 479: 474: 473: 463: 461: 450: 446: 435: 431: 421: 419: 408: 404: 394: 392: 381: 368: 357: 353: 334: 330: 319: 315: 304: 295: 284: 277: 267: 265: 254: 250: 240: 239: 235: 230:. 23 June 1934. 225: 224: 220: 213:Daily Telegraph 210: 209: 205: 194: 190: 180: 179: 175: 164: 157: 152: 143: 119: 92:(1885–1949) at 78: 66:Abbey Folk Park 17: 12: 11: 5: 566: 556: 555: 550: 545: 490: 489: 478: 477:External links 475: 472: 471: 444: 429: 402: 366: 351: 328: 313: 293: 275: 248: 233: 218: 215:. 9 July 1934. 203: 188: 173: 154: 153: 151: 148: 142: 139: 118: 115: 90:John S.M. Ward 77: 74: 15: 9: 6: 4: 3: 2: 565: 554: 551: 549: 546: 544: 541: 540: 538: 531: 528: 486: 481: 480: 459: 455: 448: 440: 433: 417: 413: 406: 390: 386: 379: 377: 375: 373: 371: 362: 355: 347: 343: 339: 332: 324: 317: 309: 302: 300: 298: 289: 282: 280: 263: 259: 252: 244: 237: 229: 222: 214: 207: 199: 192: 184: 177: 169: 162: 160: 155: 147: 138: 135: 131: 129: 125: 124:stained glass 114: 110: 106: 104: 99: 95: 91: 82: 73: 71: 67: 63: 59: 55: 51: 47: 43: 39: 35: 31: 23: 19: 491: 485:Abbey Museum 462:. Retrieved 447: 438: 432: 420:. Retrieved 405: 393:. Retrieved 360: 354: 345: 341: 331: 325:. p. 5. 322: 316: 307: 287: 266:. Retrieved 251: 242: 236: 227: 221: 212: 206: 197: 191: 182: 176: 170:. p. 1. 167: 144: 136: 132: 120: 111: 107: 87: 50:Roman Empire 29: 27: 18: 514: / 501:153°01′22″E 268:14 February 117:Collections 58:Renaissance 42:Mesopotamia 537:Categories 520: ( 498:27°04′15″S 150:References 103:Bronze Age 70:New Barnet 385:"History" 290:. Sussex. 183:The Times 464:26 March 458:Archived 422:26 March 416:Archived 389:Archived 262:Archived 181:"none". 395:5 April 98:Skansen 94:Barnet 48:; the 46:Greece 344:. 1. 146:CEO. 62:India 38:Egypt 466:2012 424:2012 397:2012 270:2014 44:and 28:The 539:: 456:. 414:. 387:. 369:^ 346:22 340:. 296:^ 278:^ 260:. 158:^ 130:. 56:; 40:, 524:) 468:. 426:. 399:. 363:. 348:. 310:. 272:. 200:.

Index


Caboolture, Queensland
Egypt
Mesopotamia
Greece
Roman Empire
illuminated manuscripts
Renaissance
India
Abbey Folk Park
New Barnet

John S.M. Ward
Barnet
Skansen
Bronze Age
stained glass
Arts and Crafts Movement


"Queensland awarded 12 grants to help save state's heritage"
Archived





"An Ark for England: Esoteric Heritage at J. S. M. Ward's Abbey Folk Park, 1934–1940"

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