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Acro dance

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739:. Some dance competition companies require an acro routine to have a minimum of four or five tricks with at most fifty percent acrobatic content. Other companies require an acro routine to have exactly, or more than, fifty percent acrobatic content. Also, at some competitions an acro dance may fit into an explicitly defined "acro dance" performance category, while at others it may fall into a similar category such as "acro/gym," or an alternative category such as "open." Because of these differences, it may be necessary to enter a specific acro routine into different performance categories at different competitions. 521: 680: 25: 212: 570: 122: 562: 671:, depending on the manufacturer. Foot thongs—which are slip-on, partial foot covers that protect only the ball of the foot—are sometimes preferred over acro shoes for aesthetic reasons. In particular, flesh colored foot thongs endow the wearer with the appearance of having bare feet, while retaining some degree of the traction, cushioning, and abrasion protection provided by acro shoes. 245:, in which he would execute acrobatic movements precisely in time with the music. In 1914, acrobat Lulu Coates formed the Crackerjacks, a popular vaudeville troupe that included acrobatic dance in their performance repertoire up until the group disbanded in 1952. Many other popular vaudeville companies combined acrobatics and dance in their shows, including the Gaines Brothers. 416: 307:. A variety of tricks are commonly performed in acro dance, varying widely in complexity and the skills required to perform them. Aside from the obvious requirement that dancers possess the requisite skills to perform tricks, the types of tricks that can be performed in an acro dance depends on the number of dancers. 458:, in which one dancer forms a "saddle" with his hands. The second dancer steps onto the saddle and then the first dancer thrusts the saddle upward. The second dancer, who is propelled upward with back rotation, lands on her feet after a complete revolution in the air. Acro partners will sometimes execute lifts and 485: 703:
with the body and thus may interfere with a dancer's ability to maintain control. This is especially important when a dancer is performing tricks, as loss of control can lead to serious injury. Aside from the safety aspect, form-fitting clothing also helps to expose a dancer's body lines, which can
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Acrobatic dance did not suddenly appear in vaudeville; rather, it appeared gradually over time in a variety of forms, and consequently no individual performer has been cited as its originator. Sherman Coates (1872–1912), who performed with the Watermelon Trust from 1900 to 1914, was recalled by
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and other names, by their various manufacturers. They are typically laceless, slip-on shoes, with tight-fitting leather uppers that are designed to prevent the dancer's feet from shifting inside the shoes. Because of their thin, pliable leather uppers and split soles, acro shoes have excellent
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as the foundation for dance movements, thus bringing into acro dance a precision of form and movement that was absent in vaudeville acrobatic dance. Also, vaudeville acrobatic dances were often little more than acrobatics set to music, whereas modern acro dance is fundamentally dance, with its
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A defining characteristic of acro is the smooth, graceful transitions between dance and acrobatic movements. Also, a dance must have a significant percentage of dance movement, with respect to its acrobatic content, in order for it to be categorized as acro. For example, a gymnastics
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flexibility, thus enabling dancers to attain both good dance form and acrobatic control. The sole is made of soft, composite rubber so as to provide both high traction and cushioning, and it provides excellent protection from skin abrasion as it covers the entire bottom of the foot.
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is not considered to be acro because it has little or no dance movement compared to its acrobatic content, and also because it lacks smooth transitions between dance and gymnastic movements. Also, acro does not employ supporting apparatus such as those used in acrobatic gymnastics.
235:. Although individual dance and acrobatic acts had been performed in vaudeville for several decades prior to 1900, it was not until the early 1900s that it became popular to perform acts that combined dance and acrobatic movements. 589:
and rely on the standard gymnastics floor for traction and cushioning, acro dancers seldom dance barefoot, instead depending on footwear such as acro shoes or foot thongs to provide the necessary traction and cushioning.
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All of the most common types of acro footwear provide both traction and cushioning. In addition, acro performance surfaces are frequently rough, so acro footwear must protect the bottom of the foot from skin abrasion.
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fellow dancers as the first acrobatic dancer they had ever seen. Another of the earliest documented acrobatic dance performers was Tommy Woods, who became well known for his slow-motion acrobatic dance in
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Since the decline of the vaudeville era, acrobatic dance has undergone a multi-faceted evolution to arrive at its present-day form. The most significant aspect of this evolution is the integration of
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styles. Acro dance movements are not restricted to these dance styles, but the complete absence of these styles will typically cause a dance to be categorized as something other than acro (e.g.,
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is unavailable, because uncovered performance surfaces have no cushioning whatsoever and thus may be extremely hard and unyielding.
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serves to soften the impact when performing tricks such as tucks and layouts, in which a dancer's feet may strike the floor at high
181: 152:, which blends dance and acrobatics, and its use of acrobatics in a dance context. It is a popular dance style in amateur 581:
Acro dances are typically performed on hard stages with widely varying surfaces. Such floors differ substantially from a
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protection is particularly important on the ball of the foot, which is subjected to a great deal of
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reasons. Form-fitting clothing is preferred over loose clothing because the latter does not move
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is essential to prevent lateral slipping that could result in dangerous falls to the hard floor.
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The acrobatic movements and acts of balance performed in an acro dance are referred to as
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for dancers as it requires them to be trained in both dance and acrobatic skills.
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is short so it will not contact the headpiece when the dancer is inverted.
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Vaudeville, Old and New: An Encyclopedia of Variety Performers in America
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when performing at dance competitions. Acro costumes often have loose
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add significantly to the visual impact of an acro dance performance.
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Acro dancers commonly wear flexible, form-fitting clothing for both
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generally require three or more dancers. Examples of this are:
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elements. It is defined by its athletic character, its unique
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in the early 1900s, as one of the types of acts performed in
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Frank Cullen; Florence Hackman; Donald McNeilly (2007).
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Acro Dance as defined by the Competitive Dance Industry
184:. Acro dance is known by various other names including 192:, though it is most commonly referred to simply as 49:. Unsourced material may be challenged and removed. 886:Jazz Dance: The Story Of American Vernacular Dance 882: 253:acrobatic movements performed in a dance context. 1876: 817: 156:as well as in professional dance theater and in 735:Acro dance is not uniformly defined within the 1018: 765: 763: 824:"Music and the Stage – Theatrical Jottings," 618:. Cushioning is especially important when a 129:, performed as part of an acro dance routine 311:can be performed by independent dancers in 275:The dance movements in acro are founded in 1025: 1011: 760: 769: 707:Competitive acro dancers frequently wear 462:in addition to single and double tricks. 109:Learn how and when to remove this message 970: 678: 568: 560: 210: 120: 881:Marshall Stearns; Jean Stearns (1994). 638:by acro dancers. Acro shoes are called 315:or group dances. Examples of this are: 1877: 945: 1006: 659:Less commonly, acro dancers may wear 298: 916:StreetSwing Dance History Archives. 727:—from contacting the dancer's head. 634:, which are commonly referred to as 196:by dancers and dance professionals. 47:adding citations to reliable sources 18: 730: 13: 270: 256: 199:Acro is an especially challenging 14: 1911: 998: 928:from the original on 4 July 2008 519: 507: 495: 483: 428: 414: 400: 386: 23: 16:A style of dance with acrobatics 1819:Dance in mythology and religion 975:Acrobatic skills for acro dance 223:Acrobatic dance emerged in the 34:needs additional citations for 964: 939: 909: 874: 839: 793: 654: 1: 836:, May 30, 1912, pg. 6, col. 3 754: 663:, which are variously called 630:Acro dancers most often wear 625: 160:productions such as those by 7: 946:Harris, Cora (2022-06-09). 749:Acro dance moves (category) 742: 674: 577:, as viewed from the bottom 556: 10: 1916: 891:. Da Capo Press. pp.  737:competitive dance industry 551: 466: 319: 206: 1774: 1461: 1371: 1246: 1136: 1068: 1040: 1032: 164:. This is in contrast to 683:The skirt of this acro 856:. Routledge. pp.  688: 578: 566: 220: 130: 715:pieces such as short 682: 572: 564: 214: 124: 1784:Dance and disability 565:A pair of acro shoes 470:Double back walkover 43:improve this article 1829:Dance on television 180:) and subject to a 174:rhythmic gymnastics 158:contemporary circus 952:City Dance Studios 689: 579: 567: 334:Back walkover 299:Acrobatic elements 221: 215:Vaudeville dancer 131: 1900:Dance terminology 1890:Competitive dance 1872: 1871: 1824:Dance occupations 1761:Wallis and Futuna 533: 532: 452:partnering tricks 445: 444: 154:competitive dance 119: 118: 111: 93: 1907: 1859:History of dance 1844:Dance technology 1789:Dance and health 1739:African-American 1027: 1020: 1013: 1004: 1003: 993: 992: 990: 988: 979:. 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vaudeville

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