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496:, she published her first poem which could be translated as "On his hand you may see many glittering rings", (1907) signing it "Anna G." She soon became known in St Petersburg's artistic circles, regularly giving public readings. That year, she wrote unenthusiastically to a friend, "He has loved me for three years now, and I believe that it is my fate to be his wife. Whether or not I love him, I do not know, but it seems to me that I do." She married Gumilev in Kiev in April 1910; however, none of Akhmatova's family attended the wedding. The couple honeymooned in Paris, and there she met and befriended the Italian artist
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1404:, her longest work, were only published after her death. This long poem, composed between 1940 and 1965, is often critically regarded as her best work and also one of the finest poems of the twentieth century. It gives a deep and detailed analysis of her epoch and her approach to it, including her important encounter with Isaiah Berlin (1909–97) in 1945. Her talent in composition and translation is evidenced in her fine translations of the works of poets writing in French, English, Italian, Armenian, and Korean.
1056:, openly supporting Stalin and his regime. Lev remained in the camps until 1956, well after Stalin's death, his final release potentially aided by his mother's concerted efforts. Bayley suggests that her period of pro-Stalinist work may also have saved her own life; notably however, Akhmatova never acknowledged these pieces in her official corpus. Akhmatova's stature among Soviet poets was slowly conceded by party officials, her name no longer cited in only scathing contexts and she was readmitted to the
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920:; however, the collection was withdrawn and pulped after only a few months. In 1993, it was revealed that the authorities had bugged her flat and kept her under constant surveillance, keeping detailed files on her from this time, accruing some 900 pages of "denunciations, reports of phone taps, quotations from writings, confessions of those close to her". Although officially stifled, Akhmatova's work continued to circulate in secret. Akhmatova's close friend, chronicler
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reflecting only trivial "female" preoccupations, not in keeping with these new revolutionary politics of the time. She was roundly attacked by the state and by former supporters and friends, and seen to be an anachronism. During what she termed "The
Vegetarian Years", Akhmatova's work was unofficially banned by a party resolution of 1925 and she found it hard to publish, though she did not stop writing poetry. She made acclaimed translations of works by
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first volumes. The risks during the purges were very great. Many of her close friends and family were exiled, imprisoned or shot; her son was under constant threat of arrest, she was often under close surveillance. Following artistic repression and public condemnation by the state in the 1920s, many within literary and public circles, at home and abroad, thought she had died. Her readership generally did not know her later opus, the railing passion of
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1206:, Akhmatova was being hailed at home and abroad as an unofficial leader of the dissident movement, and reinforced this image herself. She was becoming a representative of both the Soviet Union and Tsarist Russia, more popular in the 1960s than she had ever been before the revolution, this reputation only continuing to grow after her death. For her 75th birthday in 1964, new collections of her verse were published.
1355:. Her lyrics are composed of short fragments of simple speech that do not form a logical coherent pattern. Instead, they reflect the way we actually think, the links between the images are emotional, and simple everyday objects are charged with psychological associations. Like Alexander Pushkin, who was her model in many ways, Akhmatova was intent on conveying worlds of meaning through precise details."
306:. Her style, characterised by its economy and emotional restraint, was strikingly original and distinctive to her contemporaries. The strong and clear leading female voice struck a new chord in Russian poetry. Her writing can be said to fall into two periods – the early work (1912–25) and her later work (from around 1936 until her death), divided by a decade of reduced literary output. Her work was
607:) appeared in March 1914 and firmly established her as one of the most popular and sought after poets of the day. Thousands of women composed poems "in honour of Akhmatova", mimicking her style and prompting Akhmatova to exclaim: "I taught our women how to speak, but don't know how to make them silent". Her aristocratic manners and artistic integrity won her the titles "Queen of the Neva" and "
2137:" are the opening words of a Babylonian creation myth. It could be translated as "when at the summit". Accounts differ as to when it was destroyed. Polivanov, who knew Akhmatova, suggests it was written in Tashkent while she was suffering from typhus, and burnt in fear in 1944. The poet read the play to friends before burning it, and it is reported to concern the
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of the purges. The work in
Russian finally appeared in book form in Munich in 1963, the whole work not published within USSR until 1987. It consists of ten numbered poems that examine a series of emotional states, exploring suffering, despair, devotion, rather than a clear narrative. Biblical themes such as
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In
November 1965, soon after her Oxford visit, Akhmatova suffered a heart attack and was hospitalised. She was moved to a sanatorium in Moscow in the spring of 1966 and died of heart failure on 5 March, at the age of 76. Thousands attended the two memorial ceremonies, held in Moscow and in Leningrad.
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described how writers working to keep poetic messages alive used various strategies. A small trusted circle would, for example, memorise each other's works and circulate them only by oral means. She tells how
Akhmatova would write out her poem for a visitor on a scrap of paper to be read in a moment,
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making her famous. She later wrote "These naïve poems by a frivolous girl for some reason were reprinted thirteen times And they came out in several translations. The girl herself (as far as I recall) did not foresee such a fate for them and used to hide the issues of the journals in which they were
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imprisonment and trial of a woman poet, who does not why she has been interned, roundly condemning Stalin and the arbitrary nature of his purges. During the 1960s, Akhmatova tried to recall the text. Polivanov reports that her friend "could not remember her shortest poems, much less a long text". No
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The widespread worship of her memory in Soviet Union today, both as an artist and as an unsurrendering human being, has, so far as I know, no parallel. The legend of her life and unyielding passive resistance to what she regarded as unworthy of her country and herself, transformed her into a figure
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in secret, a lyrical cycle of lamentation and witness, depicting the suffering of the common people under Soviet terror. She carried it with her as she worked and lived in towns and cities across the Soviet Union. It was conspicuously absent from her collected works, given its explicit condemnation
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During the last years of
Akhmatova's life, she continued to live with the Punin family in Leningrad, still translating, researching Pushkin, and writing her own poetry. Though still censored, she was concerned to re-construct work that had been destroyed or suppressed during the purges or which had
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labour camp, where he would die. Akhmatova narrowly escaped arrest, though her son Lev was imprisoned on numerous occasions by the
Stalinist regime, accused of counterrevolutionary activity. She would often queue for hours to deliver him food packages and plead on his behalf. She describes standing
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She had little food and almost no money; her son was denied access to study at academic institutions because of his parents' alleged anti-state activities. The nationwide repression and purges decimated her St
Petersburg circle of friends, artists and intellectuals. Her close friend and fellow poet
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She had "her first taste of fame", becoming renowned, not so much for her beauty, but for her intense magnetism and allure, attracting the fascinated attention of a great many men, including the great and the good. She returned to visit
Modigliani in Paris, where he created at least 20 paintings of
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in 1965 and for her 75th birthday a year earlier. This was the last time the porcelain figurine was produced during her lifetime. The figurine was so popular that it was reproduced after her passing, once for what would have been her 85th birthday in 1974, and again for her 100th birthday in 1988,
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Porcelain figurine: When Anna
Akhmatova was at the peak of her popularity, to commemorate her 35th birthday (1924), a porcelain figurine resembling her in a grey dress with flower pattern covered in a red shawl was mass-produced. Throughout the following years, the figurine was reproduced multiple
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Akhmatova often complained that the critics "walled her in" to their perception of her work in the early years of romantic passion, despite major changes of theme in the later years of The Terror. This was mainly due to the secret nature of her work after the public and critical effusion over her
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and others. Critic
Roberta Reeder notes that the early poems always attracted large numbers of admirers: "For Akhmatova was able to capture and convey the vast range of evolving emotions experienced in a love affair, from the first thrill of meeting, to a deepening love contending with hatred, and
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landowner Motovilov. Yegor Motovilov was my great-grandfather; his daughter, Anna Yegorovna, was my grandmother. She died when my mother was nine years old, and I was named in her honour. Several diamond rings and one emerald were made from her brooch. Though my fingers are thin, still her thimble
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She was born Anna Gorenko by the sea in Bolshoi Fontan, near Odessa in Ukraine, to an unexceptional gentry family. Akhmatova's mother, Inna Stogova, was a descendant of a rich Russian landing family with strong ties to Kyiv, and her father, Andrei Gorenko, was a Ukrainian naval engineer descended
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In February 1917, the revolution started in Petersburg (then named Petrograd); soldiers fired on marching protestors, and others mutinied. They looked to a past in which the future was "rotting". In a city without electricity or sewage service, with little water or food, they faced starvation and
571:) – the first of five in nine years. The small edition of 500 copies quickly sold out and she received around a dozen positive notices in the literary press. She exercised a strong selectivity for the pieces – including only 35 of the 200 poems she had written by the end of 1911. (She noted that
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She regularly read to soldiers in the military hospitals and on the front line; her later pieces seem to be the voice of those who had struggled and the many she had outlived. She moved away from romantic themes towards a more diverse, complex and philosophical body of work and some of her more
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Primary sources of information about Akhmatova's life are relatively scant, as war, revolution and the Soviet regime caused much of the written record to be destroyed. For long periods she was in official disfavour and many of those who were close to her died in the aftermath of the revolution.
465:; however, none of her juvenilia survive. Her sister Inna also wrote poetry though she did not pursue the practice and married shortly after high school. Akhmatova's father did not want to see any verses printed under his "respectable" name, so she chose to adopt her grandmother's distinctly
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Akhmatova's son Lev was arrested again at the end of 1949 and sentenced to 10 years in a Siberian prison camp. She spent much of the next years trying to secure his release; to this end, and for the first time, she published overtly propagandist poetry, "In Praise of Peace", in the magazine
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Berlin described his visit to her flat: "It was very barely furnished—virtually everything in it had, I gathered, been taken away—looted or sold—during the siege .... A stately, grey-haired lady, a white shawl draped about her shoulders, slowly rose to greet us. Anna Akhmatova was immensely
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poetry group, and placing a stigma on Akhmatova and her son Lev (by Gumilev). Lev's later arrest during the purges and terrors of the 1930s was based on being his father's son. From a new Marxist perspective, Akhmatova's poetry was deemed to represent an introspective "bourgeois aesthetic",
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in Europe and America. It promoted the use of craft and rigorous poetic form over mysticism or spiritual in-roads to composition, favouring the concrete over the ephemeral. Akhmatova modeled its principles of writing with clarity, simplicity, and disciplined form. Her first collections
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Akhmatova wrote that by 1935 every time she went to see someone off at the train station as they went into exile, she'd find herself greeting friends at every step as so many of St Petersburg's intellectual and cultural figures would be leaving on the same train. In her poetry circles
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One day somebody in the crowd identified me. Standing behind me was a woman, with lips blue from cold, who had, of course, never heard me called by name before. Now she started out of the torpor common to us all and asked me in a whisper (everyone whispered there):'Can you describe
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sickness. Akhmatova's friends died around her and others left in droves for safer havens in Europe and America, including Anrep, who escaped to England. She had the option to leave, and considered it for a time, but chose to stay and was proud of her decision to remain.:
1393:, reflect the ravaging of Russia, particularly witnessing the harrowing of women in the 1930s. It represented, to some degree, a rejection of her own earlier romantic work as she took on the public role as chronicler of the Terror. This is a role she holds to this day.
1504:. After the collapse of the Soviet Union in 1993, there was an immense surge in Akhmatova's popularity and her porcelain figurine was mass-produced yet again, this time in a plain grey dress with a yellow shawl. Her figure now stands in almost every post-Soviet home.
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later described as writing of personal lyricism tinged with the "note of controlled terror". She later came to be memorialised by his description of her as "the keening muse". Essayist John Bayley describes her writing at this time as "grim, spare and laconic".
944:, but working on "The Poem" for twenty years and considering it to be the major work of her life, dedicating it to "the memory of its first audience – my friends and fellow citizens who perished in Leningrad during the siege". She was evacuated to
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then burnt in her stove. The poems were carefully disseminated in this way, but it is likely that many compiled in this manner were lost. "It was like a ritual," Chukovskaya wrote. "Hands, matches, an ashtray. A ritual beautiful and bitter."
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tried to visit her again, but she refused him, worried that her son might be re-arrested due to family association with the ideologically suspect western philosopher. She inspired and advised a large circle of key young Soviet writers. Her
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to forcibly extract the names of 'conspirators', from an imprisoned professor, guaranteeing them amnesty from execution. Agranov's guarantee proved to be meaningless. He sentenced dozens of the named persons to death, including Gumilev.
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1331:(1914) received wide critical acclaim and made her famous from the start of her career. They contained brief, psychologically taut pieces, acclaimed for their classical diction, telling details, and the skilful use of colour.
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in Europe and America. From the first year of their marriage, Gumilev began to chafe against its constraints. She wrote that he had "lost his passion" for her and by the end of that year he left on a six-month trip to Africa.
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eventually to violent destructive passion or total indifference. But her poetry marks a radical break with the erudite, ornate style and the mystical representation of love so typical of poets like
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626:. In July 1914, Akhmatova wrote "Frightening times are approaching/ Soon fresh graves will cover the land"; on 1 August, Germany declared war on Russia, marking the start of "the dark storm" of
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At the height of Akhmatova's fame, in 1918, she divorced her husband and that same year, though many of her friends considered it a mistake, Akhmatova married prominent Assyriologist and poet
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In 1988, to celebrate what would have been Akhmatova's 100th birthday, Harvard University held an international conference on her life and work. Today her work may be explored at the
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publicly labelled her "half harlot, half nun", her work "the poetry of an overwrought, upper-class lady", her work the product of "eroticism, mysticism, and political indifference".
2079:, Anrep's mosaic of Saint Anne is spelt Anna – the saint's image bears a close resemblance to Akhmatova in her mid-20s. He also depicted Akhmatova in a religious mosaic entitled
1200:, she was newly acclaimed by the Soviet authorities as a fine and loyal representative of their country and permitted to travel. At the same time, by virtue of works such as
492:, on Christmas Eve 1903. Gumilev encouraged her to write and pursued her intensely, making numerous marriage proposals starting in 1905. At 17 years old, in his journal
318:, acting as witness to the events around her. Her perennial themes include meditations on time and memory, and the difficulties of living and writing in the shadow of
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515:. It promoted the idea of craft as the key to poetry rather than inspiration or mystery, taking themes of the concrete rather than the more ephemeral world of the
277:, was a Russian poet, one of the most significant of the 20th century. She reappeared as a voice of Russian poetry during World War II. She was nominated for the
2193:. 327 pages. 10,000 copies intended but publication was suspended shortly after release and copies pulped and remaining issues banned. See Martin (2007) p. 9.
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Her early poems usually picture a man and a woman involved in the most poignant, ambiguous moment of their relationship, much imitated and later parodied by
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conspiracy and in August was shot along with 61 others. According to the historian Rayfield, the murder of Gumilev was part of the state response to the
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as a young woman). On returning to Leningrad in May 1944, she writes of how disturbed she was to find "a terrible ghost that pretended to be my city".
1092:, condemning the Stalinist purges, was conspicuously absent. Isaiah Berlin predicted at the time that it could never be published in the Soviet Union.
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For commentary on the relationship between Akhmatova and Anrep, see Wendy Rosslyn, "A propos of Anna Akhmatova: Boris Vasilyevich Anrep (1883–1969)",
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in 1951, being fully recognised again following Stalin's death in 1953. With the press still heavily controlled and censored under
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Cambridge University Press. "The greatness of Akhmatova: Requiem and Poem Without a Hero translated by DM Thomas". pp. 140–142;
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documents her personal experience of this time; as she writes, "one hundred million voices shout" through her "tortured mouth".
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in Russian finally appeared in book form in Munich in 1963, the whole work not published within USSR until 1987. Her long poem
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dignified, with unhurried gestures, a noble head, beautiful, somewhat severe features, and an expression of immense sadness."
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times on different occasions: once in 1954, on her 65th birthday, as she was fully recognised and praised again following
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and her other scathing works, which were shared only with a very trusted few or circulated in secret by word of mouth (
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Akhmatova was able to meet some of her pre-revolutionary acquaintances in 1965, when she was allowed to travel to
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Akhmatova started writing poetry at the age of 11, and was published in her late teens, inspired by the poets
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agreed to several pardons, the condemned had been shot. Within a few days of his death, Akhmatova wrote:
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posed a threat to the life of her son in the camps, such as the lost, semi-autobiographical play
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region of the Moscow Province. They were moved here after the insurrection during the time of
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Anna of All The Russians: The Life of Anna Akhmatova by Elaine Feinstein retrieved 13/8/2018
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Encyclopaedia of Literature and Politics: Censorship, Revolution, and Writing Vol. 1 A-G.
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2020:). 46 poems, 92 pages. 300 copies. Published by the Poets Guild. See Martin (2007) p. 4.
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She later began an affair with the celebrated Acmeist poet Osip Mandelstam, whose wife,
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Reinventing a Good Thing: Anderson Fails to Improve on Older Translations of Akhmatova
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1607:– two-volume collection of selected poems (1924–1926); compiled but never published.
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Akhmatova was widely honoured in the USSR and the West. In 1962, she was visited by
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making it one of the most popular and widely available porcelain figurines in the
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authorities, and she is notable for choosing not to emigrate and remaining in the
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Shtern, Ludmila (2004) Brodsky: a personal memoir Baskerville Publishers p. 331;
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Then something like a smile passed fleetingly over what had once been her face.
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3250:. Edited by Dinah Birch. Oxford University Press Inc. Oxford Reference Online.
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1149:. She worked on her official memoirs, planned novels, and worked on her epic
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397:, my ancestor, was killed one night in his tent by a Russian killer-for-hire.
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3757:"Anthology of Russian Minimalist and Miniature Poems; Part I, The Silver Age"
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Monas, Sidney; Krupala, Jennifer Greene; Punin, Nikolaĭ Nikolaevich (1999),
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2159:). 2000 copies, 142 pages, published by Hyperborea. See Martin (2007) p. 5.
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Between 1935 and 1940 Akhmatova composed, worked and reworked the long poem
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The Word That Causes Death's Defeat: Poems of Memory (Annals of Communism)
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Russia's people of empire life stories from Eurasia, 1500 to the present
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yoke on Russia. It was well known that this Akhmat was a descendant of
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family, and her mother, Inna Erazmovna Stogova, was a descendant of the
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Mosaics located in the National Gallery in London. In the Cathedral of
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not merely in Russian literature, but in Russian history in century.
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This article is about the Soviet poet. For the Russian biologist, see
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2536:, "Anna Akhmatova: Assessing the Russian poet and femme fatale" by
2121:
1370:
1261:
1229:
941:
410:
390:
366:
271:
1291:
916:
In 1939, Stalin approved the publication of one volume of poetry,
3320:"Anna Akhmatova Beckons Iris DeMent Toward 'The Trackless Woods'"
3266:(Second, revised and enlarged ed.). New York: R. R. Bowker.
1397:
1319:
1303:
1225:
1052:
815:
798:
524:
520:
512:
149:
50:
3490:
Akhmatova, Anna, Trans. Kunitz, Staney and Hayward, Max (1998)
3476:
Akhmatova, Anna, Trans. Kunitz, Staney and Hayward, Max (1973)
3297:"Poetry Is Set To Melody in Iris DeMent's 'The Trackless Woods'"
2439:
The Word That Causes Death's Defeat: Akhmatova's Poems of Memory
1740:(trans. Judith Hemschemeyer; ed. Roberta Reeder); Zephyr Press;
1181:, whom she mentored. Brodsky, arrested in 1963 and interned for
630:, civil war, revolution and totalitarian repression for Russia.
563:
In 1912, the Guild of Poets published Akhmatova's book of verse
3724:
1221:
1001:
957:
854:
402:
359:
123:
99:
2634:] and Mullingar Connection”. Broadcast on RTÉ, 4 May 2008
2606:
1941:
1903:
1260:
After being displayed in an open coffin, she was interred at
1166:
869:
831:
765:
649:
Akhmatova had a relationship with the mosaic artist and poet
466:
442:, leaving a year later to study literature in St Petersburg.
427:
354:
Akhmatova was born at Bolshoy Fontan, a resort suburb of the
343:
230:
1441:
Anna Akhmatova is the main character of the Australian play
1339:
miniatures on the theme of love, shot through with sadness.
270:
11 June] 1889 – 5 March 1966), better known by the
1965:
1959:
1950:
1915:
1909:
1891:
435:
3556:
The poetry of Anna Akhmatova: living in different mirrors
3158:
3033:. Oxford University Press, 1999. Oxford Reference Online.
2281:(18th ed.). Cambridge University Press. p. 12.
948:
in spring of 1942 and then to greener, safer Tashkent in
756:
was prosecuted for his alleged role in a monarchist anti-
393:
they had been a wealthier and more distinguished family.
3676:
3161:
Imitations of life: two centuries of melodrama in Russia
434:. She studied at the Mariinskaya High School, moving to
1863:
861:
would follow them in 1941, after returning from exile.
2338:
Norris, Stephen M.; Sunderland, Willard, eds. (2012).
999:
patriotic poems found their way to the front pages of
3504:
Akhmatova, Anna (1989) Trans. Mayhew and McNaughton.
2452:
A Russian Psyche: The Poetic Mind of Marina Tsvetaeva
1974:
1944:
1938:
1924:
1894:
956:. During her time away she became seriously ill with
523:
anti-symbolist school, concurrent with the growth of
2845:
Akhmatova, Trans. Kunitz and Hayward (1973) pp.15–16
2607:
Profile of Anna Akhmatova, Academy of American Poets
1962:
1956:
1912:
1906:
936:(now St Petersburg). In 1940, Akhmatova started her
3518:Akhmatova, Anna (1992) Trans. Judith Hemschemeyer
2124:
river in St Petersburg, is now an Akhmatova museum.
1953:
1947:
1900:
1897:
1236:, accompanied by her lifelong friend and secretary
503:In late 1910, she came together with poets such as
3317:
2995:Akhmatova, Trans. Kunitz and Hayward (1998) p. 115
2796:
1663:Stikhotvoreniya 1909–1960/ Стихотворения 1909-1960
777:and others appealed for leniency, but by the time
3733:The Anna Akhmatova File (1989)- English Subtitles
3534:Anna of all the Russias: A life of Anna Akhmatova
3824:
1754:(trans. Nancy Anderson). Yale University Press.
1270:described the impact of her life, as he saw it:
704:A voice came to me. It called out comfortingly.
699:Akhmatova wrote of her own temptation to leave:
543:, was born in 1912, and would become a renowned
3863:People from the Russian Empire of Tatar descent
3522:. Ed. R. Reeder, Boston: Zephyr Press; (2000);
3145:
3143:
2763:
2761:
2759:
2757:
2650:
2575:
2573:
3718:
3216:
3214:
2948:
2315:
2313:
1531:
722:Would not be stained by those shameful words.
3455:Original Akhmatova poems in Russian at niv.ru
3263:International Encyclopedia of Women Composers
2226:The Flight of Time: Collected Works 1909–1965
1986:
1826:
1726:(trans. Richard McKane); Bloodaxe Books Ltd;
1678:The Flight of Time: Collected Works 1909–1965
976:through which a hundred million people shout,
3231:
3159:McReynolds, Louise; Neuberger, Joan (2002).
3140:
2893:
2848:
2754:
2570:
2543:
1196:As one of the last remaining major poets of
661:), in 1917, a volume which poet and critic
519:. Over time, they developed the influential
302:(1935–40), her tragic masterpiece about the
3432:The Facts on File Companion to World Poetry
3211:
3041:
3039:
3007:
3005:
3003:
3001:
2310:
2300:
2298:
1800:Anna Akhmatova Literary and Memorial Museum
1281:Anna Akhmatova Literary and Memorial Museum
1232:prize and an honorary doctoral degree from
714:Root out the black shame from your heart,
675:You are a traitor, and for a green island,
3425:
3423:
3294:
3248:The Oxford Companion to English Literature
3113:
3111:
3101:
3099:
3097:
3063:
3061:
3059:
3057:
3055:
3053:
3051:
2982:
2980:
2839:
2832:
2830:
2828:
2826:
2824:
2788:
2702:
2700:
2616:
2614:
2479:
2472:
2470:
2468:
2397:
2395:
2393:
2391:
2389:
1487:set several of Akhmatova's poems to music.
1306:group of poets in 1910 with poets such as
1256:) was published in complete form in 1965.
1127:the secret of secrets is inside me again.
592:first published under the sofa cushions".
296:to intricately structured cycles, such as
72:
3719:Landauer, Helga; Naiman, Anatoly (2008).
2679:
2677:
2675:
2673:
2563:
2561:
2559:
2557:
2555:
2511:
2509:
2454:, University of Wisconsin Press, p. 224;
2120:Their home in The Fountain House, on the
1874:[ˈɑnːɐɐnˈd⁽ʲ⁾r⁽ʲ⁾ijiu̯nɐɦoˈrɛnko]
1768:(trans. D. M. Thomas); Penguin Classics;
1536:
974:If a gag should blind my tortured mouth,
790:There's an ominous knock behind the wall:
677:Have betrayed, yes, betrayed your native
401:tells us that this marked the end of the
3506:Poem Without a Hero & Selected Poems
3429:
3377:Woman in the Window, The | Alma De Groen
3288:
3177:
3128:Encyclopedia of the Literature of Empire
3036:
2998:
2957:
2913:Joseph Stalin: a biographical companion.
2794:
2646:
2644:
2642:
2527:
2525:
2523:
2521:
2492:. Simon and Schuster. pp. 162–163.
2441:, Anderson, Nancy; Yale University Press
2422:
2295:
2278:Cambridge English Pronouncing Dictionary
1290:
1208:
979:then let them pray for me, as I do pray
636:
554:
471:
349:
3587:The Diaries of Nikolay Punin: 1904–1953
3420:
3108:
3094:
3048:
2977:
2857:
2821:
2770:
2697:
2611:
2591:
2582:
2465:
2386:
1816:
712:I will wash the blood from your hands,
14:
3825:
3742:
3311:
3163:. Duke University Press. p. 293.
3025:
3023:
3021:
3019:
3017:
2928:
2670:
2552:
2506:
2485:
2404:
2053:"Poem Without a Hero" was inspired by
1837:[ˈanːəɐnˈdrʲe(j)ɪvnəɡɐˈrʲɛnkə]
1318:school, concurrent with the growth of
786:Terror fingers all things in the dark,
744:, who set many of her poems to music.
3709:
3536:. London: Weidenfeld & Nicolson;
3400:
3373:
3259:
3120:
2747:; Journal article by Roberta Reeder;
2715:Kenyon, Jane (Tans, ed.) (1985) From
2639:
2600:
2518:
2322:
2259:
1995:
1880:
1872:
1835:
1694:Ed. and trans. Stanley Kunitz, Boston
1420:Translations of some of her poems by
1407:
1112:Sand on the bottom whiter than chalk,
830:was deported and then sentenced to a
685:And the pine tree over a quiet lake.
3520:The Complete Poems of Anna Akhmatova
3318:Erin Lyndal Martin (6 August 2015).
3076:Akhmatova. "A land not mine" (trans
2216:
2214:
2212:
2104:
2102:
2028:
2026:
2008:
2006:
1782:(trans. Walter Arndt); Overlook TP;
1738:The Complete Poems of Anna Akhmatova
1701:(trans. D. M. Thomas); Penguin Books
1335:and her next four books were mostly
1026:He banned her poems from publication
952:, along with other artists, such as
752:In 1921, Akhmatova's former husband
618:Akhmatova became close friends with
373:with close ties to Kiev. She wrote:
3873:Women poets from the Russian Empire
3784:
3696:
3635:Journal article by Roberta Reeder;
3578:, Vol. 4 April 2007 Journal of the
3224:Journal article by Roberta Reeder;
3192:Hemschemeyer and Reeder (1992) p.46
3014:
2305:Nomination archive – Anna Achmatova
1595:). 60 pages, 1000 copies published.
1428:are set to music on the 2015 album
887:Flung myself at the hangman's feet.
864:Akhmatova was a common-law wife to
681:Abandoned all our songs and sacred
469:surname 'Akhmatova' as a pen name.
292:Akhmatova's work ranges from short
24:
3968:Noblewomen from the Russian Empire
3958:Russian poets of Ukrainian descent
3868:20th-century Russian women writers
3791:200+ poems translated into English
3434:. Infobase Publishing. p. 8.
3082:Room to Room: Poems by Jane Kenyon
3031:Who's Who in the Twentieth Century
1712:); Eighties Press and Ally Press;
1625:Izbrannoe Stikhi/ Избранные Стишки
1286:
932:, Akhmatova witnessed the 900-day
747:
25:
3979:
3948:20th-century pseudonymous writers
3657:
2489:St Petersburg: A Cultural History
2209:
2196:
2183:
2162:
2145:
2127:
2114:
2099:
2086:
2065:
2047:
2023:
2003:
1684:
1507:Akhmatova appears prominently in
718:I covered my ears with my hands,
708:Leave your deaf and sinful land,
3858:Nobility from the Russian Empire
3813:
3797:Works by or about Anna Akhmatova
3633:Anna Akhmatova: The Stalin Years
3619:Anna Akhmatova: Poet and Prophet
3222:Anna Akhmatova: The Stalin Years
2745:Anna Akhmatova: The Stalin Years
2723:. Eighties Press and Ally Press
1934:
1887:
1476:set Akhmatova's poetry to music.
1417:set Akhmatova's poetry to music.
1173:was frequented by such poets as
1118:the rosy limbs of the pinetrees.
476:Anna Akhmatova with her husband
253:
211:
182:
3943:Russian people of Tatar descent
3703:300 Women Who Changed the World
3448:
3394:
3367:
3342:
3253:
3240:
3195:
3186:
3152:
3070:
2989:
2966:
2902:
2884:
2875:
2866:
2779:
2733:
2709:
2651:Michael Specter (6 June 1995).
2623:
2444:
2413:
2240:). See Martin (2007) pp. 12–13.
1631:). Tashkent, government-edited.
1613:– compiled but never published.
1524:1965 – honorary doctorate from
1511:'s play "Black Sail White Sail"
1193:(1991) as an exile in the U.S.
595:Akhmatova's second collection,
207:
178:
78:Akhmatova in 1922 (portrait by
3888:Censorship in the Soviet Union
2721:Twenty Poems of Anna Akhmatova
2377:
2368:
2331:
2253:
1706:Twenty Poems of Anna Akhmatova
1699:Anna Akhmatova: Selected Poems
1652:Stikhotvoreniya/ Стихотворения
1125:is ending, or the world, or if
960:(she had suffered from severe
641:Portrait of Anna Akhmatova by
532:her, including several nudes.
13:
1:
3923:Ukrainian–Russian translators
3765:5 miniature poems (1911–1917)
3601:Anna Akhmatova and Her Circle
3599:Polivanov, Konstantin (1994)
3554:Harrington, Alexandra (2006)
3295:Ken Tucker (12 August 2015).
3130:, Infobase Publishing, p. 9;
3126:Snodgrass, Mary Ellen (2010)
2246:
2142:text of the play is extant. .
1647:) – not separately published
1641:Sed'maya kniga/ Седьмая Книга
1314:, working in response to the
1121:Sunset in the ethereal waves:
1114:and the air drunk, like wine,
1095:
940:, finishing a first draft in
883:Seventeen months I've pleaded
814:and pursued academic work on
792:A ghost, a thief or a rat...
720:So that my sorrowing spirit
550:
39:Eastern Slavic naming customs
2739:From Akhmatova, Anna (1918)
2342:. Indiana University Press.
2094:New Zealand Slavonic Journal
1485:Yudif Grigorevna Rozhavskaya
1264:Cemetery in St. Petersburg.
911:
895:Who's beast, and who's man?
893:Now all's eternal confusion.
589:I don't need my legs anymore
7:
3918:Chinese–Russian translators
3898:Russian literary historians
3812:(public domain audiobooks)
3721:"Film About Anna Akhmatova"
3430:Victoria, R. Arana (2008).
3084:. Alice James Books, 1964;
2630:In “Ana Achmatova [
1864:
1793:
1532:Selected poetry collections
1481:Inna Abramovna Zhvanetskaia
1153:, 20 years in the writing.
788:Leads moonlight to the axe.
338:and her common-law husband
326:Akhmatova's first husband,
141:Poet, translator, memoirist
10:
3984:
3933:Pseudonymous women writers
3893:Soviet literary historians
3644:Anna Akhmatova: Her Poetry
3544:; Alfred A. Knopf, (2006)
3532:Feinstein, Elaine. (2005)
3470:
3407:forbiddenmusicregained.org
1637:– not separately published
1521:1964 – Etna-Taormina prize
1515:
1228:, in order to receive the
1215:Komarovo, Saint Petersburg
872:in 1953. Her tragic cycle
716:calmly and indifferently,
643:Olga Della-Vos-Kardovskaya
418:Her family moved north to
37:In this name that follows
36:
29:
3878:Russian World War I poets
3853:People from Odessky Uyezd
3668:Academy of American Poets
3571:Collecting Anna Akhmatova
3508:. Oberlin College Press;
2795:Rayfield, Donald (2004).
2077:Christ the King Mullingar
1987:
1854:А́нна Андрі́ївна Горе́нко
1853:
1828:А́нна Андре́евна Горе́нко
1827:
1187:Nobel Prize in Literature
1185:, would go on to win the
1073:Stikhotvoreniya 1909–1960
1010:Central Committee of CPSU
993:Trans. Kunitz and Hayward
906:, trans. A.S. Kline, 2005
897:How long till execution?
279:Nobel Prize in Literature
252:
247:
237:
222:
155:
145:
137:
113:
87:
71:
64:
3928:20th-century translators
3705:. Encyclopedia Britanna.
3631:Reeder, Roberta. (1997)
3617:Reeder, Roberta. (1994)
3460:25 November 2011 at the
3401:trilobiet, acdhirr for.
3260:Cohen, Aaron I. (1987).
2803:. Random House. p.
2741:When in suicidal anguish
2549:Harrington (2006), p. 14
2486:Volkov, Solomon (2010).
2374:Polivanov (1994) pp. 6–7
2363:from Ukrainian cossacks.
1810:
1674:Beg vremeni/ Бег Времени
1574:Belaya Staya/ Белая Стая
1246:The Way of All the Earth
1213:Anna Akhmatova's grave,
1123:I cannot tell if the day
835:outside a stone prison:
729:When in suicidal anguish
710:Leave Russia forever,
573:Song of the Last Meeting
342:spent many years in the
27:Russian poet (1889–1966)
3806:Works by Anna Akhmatova
3743:Zholkovsky, Alexander.
3374:Groen, Alma De (1999).
2854:Harrington (2006) p. 17
2579:Harrington (2006) p. 15
2450:Dinega, Alyssa (2001)
2319:Harrington (2006) p. 11
1865:Ánna Andríyivna Horénko
1585:Podorozhnik/ Подорожник
1443:The Woman in the Window
1415:Ivana Marburger Themmen
1385:and the devastation of
1295:Poem by Akhmatova on a
1107:the waters of its ocean
1040:Union of Soviet Writers
891:And I can't understand.
264:Anna Andreyevna Gorenko
3913:Translators to Russian
3776:: CS1 maint: others (
3605:University of Arkansas
3582:; accessed 31 May 2010
3237:Wells (1996) pp. 70–74
3149:Harrington (2006) p.20
2899:Harrington (2006) p.18
2799:Stalin and his Hangmen
2785:Feinstein (2005) p. 83
2767:Harrington (2006) p.16
2383:Harrington (2006) p.13
2073:here for mosaic images
1537:Published by Akhmatova
1299:
1277:
1217:
1130:
1103:A land not mine, still
984:
909:
857:committed suicide and
846:
795:
734:
697:
646:
609:Soul of the Silver Age
560:
559:Anna Akhmatova in 1914
488:She met a young poet,
485:
416:
330:, was executed by the
308:condemned and censored
97:11 June] 1889
91:Anna Andreevna Gorenko
3673:Anna Akhmatova poetry
3621:. New York: Picador;
3569:Martin, Eden (2007)
3080:). Trans from (1978)
2934:Booker, M.K. (2005),
1387:Mary, Mother of Jesus
1302:Akhmatova joined the
1294:
1272:
1212:
1100:
971:
889:My terror, oh my son.
885:for you to come home.
880:
837:
783:
706:It said, "Come here,
701:
672:
640:
558:
475:
375:
350:Early life and family
3727:on 13 February 2009.
3710:Simon, John (1994).
3642:Wells, David (1996)
3494:. Houghton Mifflin;
3480:. Houghton Mifflin;
2683:Bayley, John (1984)
2096:1 (1980): pp. 25–34.
1629:Selections of Poetry
1479:Ukrainian composers
1383:Christ's crucifixion
842:And I said: 'I can.'
731:, trans. Jane Kenyon
694:, trans. Jane Kenyon
346:, where Punin died.
332:Soviet secret police
233:labour camp in 1953)
210: 1918;
181: 1910;
3963:Russian women poets
3908:Russian translators
3692:Poetic translations
3246:"Akhmatova, Anna"
3045:Martin (2007) p. 11
3029:"Akhmatova, Anna"
3011:Martin (2007) p. 12
2872:Monas (1999) p. 216
2430:Harvard Book Review
1997:[ɐxˈmatəvə]
1805:Akhmatova's Orphans
1692:Poems of Akhmatova.
1457:, in 1998; Sydney:
1431:The Trackless Woods
1402:Poem Without a Hero
1367:Poem without a Hero
1283:in St. Petersburg.
1151:Poem without a hero
1105:forever memorable,
938:Poem without a Hero
808:Rabindranath Tagore
762:Kronstadt rebellion
613:Poem Without a Hero
266:(23 June [
104:Kherson Governorate
80:Kuzma Petrov-Vodkin
3953:Soviet women poets
3938:World War II poets
3903:Soviet translators
3848:Writers from Odesa
3697:Freidin, Gregory.
3637:New England Review
3492:Poems of Akhmatova
3478:Poems of Akhmatova
3380:. Currency Press.
3226:New England Review
3183:Martin (2007) p.13
2963:Martin (2007) p.10
2954:Wells (1996) p. 67
2749:New England Review
2657:The New York Times
2620:Martin (2007) p. 5
2588:Martin (2007) p. 4
2540:, 5 February 2007.
2476:Martin (2007) p. 3
2109:Anno Domini MCMXXI
1600:Anno Domini MCMXXI
1413:American composer
1408:Cultural influence
1300:
1218:
1189:(1987) and become
1116:late sun lays bare
1084:The flight of time
1076:(Poems: 1909–1960)
1014:Mikhail Zoshchenko
934:Siege of Leningrad
647:
561:
513:the Guild of Poets
486:
93:23 June [
3785:Kneller, Andrey.
3751:on 28 April 2005.
3687:Poetry Foundation
3683:Profile and poems
3664:Profile and poems
3652:978-1-85973-099-7
3646:Berg Publishers;
3564:978-1-84331-222-2
3207:978-1-880909-70-6
3117:(1996) Wells p.23
3105:Wells (1996) p.22
3067:Wells (1996) p.21
2986:Wells (1996) p.18
2938:Greenwood p. 21;
2881:Monas (1999) pxli
2863:Wells (1996) p.15
2836:Martin (2007) p.7
2776:Wells (1996) p.11
2706:Martin (2007) p.6
2597:Wells (1996) p.10
2567:Wells (1996) p. 6
2499:978-1-4516-0315-6
2410:Wells (1996) p. 4
2401:Martin (2007) p.2
2349:978-0-253-00176-4
2328:Wells (1996) p. 2
2288:978-0-521-15255-6
2055:Alexander Pushkin
1862:
1658:) (25,000 copies)
1526:Oxford University
1467:978-0-86819-593-3
1312:Sergey Gorodetsky
1238:Lydia Chukovskaya
1234:Oxford University
1183:social parasitism
1062:Nikita Khrushchev
922:Lydia Chukovskaya
738:Vladimir Shilejko
634:came to a close.
509:Sergey Gorodetsky
498:Amedeo Modigliani
459:Evgeny Baratynsky
455:Alexander Pushkin
261:
260:
196:Vladimir Shilejko
146:Literary movement
16:(Redirected from
3975:
3817:
3816:
3801:Internet Archive
3793:
3787:"Anna Akhmatova"
3781:
3775:
3767:
3752:
3747:. Archived from
3734:
3728:
3723:. Archived from
3715:
3712:"Anna Akhmatova"
3706:
3699:"Anna Akhmatova"
3558:. Anthem Press;
3464:
3452:
3446:
3445:
3427:
3418:
3417:
3415:
3413:
3398:
3392:
3391:
3371:
3365:
3364:
3362:
3360:
3346:
3340:
3339:
3337:
3335:
3326:. Archived from
3315:
3309:
3308:
3306:
3304:
3292:
3286:
3285:
3257:
3251:
3244:
3238:
3235:
3229:
3220:Reeder, Roberta
3218:
3209:
3199:
3193:
3190:
3184:
3181:
3175:
3174:
3156:
3150:
3147:
3138:
3124:
3118:
3115:
3106:
3103:
3092:
3074:
3068:
3065:
3046:
3043:
3034:
3027:
3012:
3009:
2996:
2993:
2987:
2984:
2975:
2970:
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2909:Rappaport, Helen
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2891:
2890:Monas (1999) pxi
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2515:Wells (1996) p.8
2513:
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2420:
2419:Wells (1996) p.3
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2204:Izbrannoe Stikhi
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2045:
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2010:
2001:
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1994:
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1989:
1981:
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1968:
1967:
1964:
1961:
1958:
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1949:
1946:
1943:
1940:
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1918:
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1911:
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1867:
1857:
1855:
1847:
1846:
1845:
1839:
1834:
1830:
1829:
1820:
1667:Poems: 1909–1960
1138:
1109:chill and fresh.
1058:Union of Writers
1028:in the journals
994:
907:
859:Marina Tsvetaeva
812:Giacomo Leopardi
732:
695:
447:Nikolay Nekrasov
387:Posadnitsa Marfa
371:Russian nobility
328:Nikolay Gumilyov
304:Stalinist terror
257:
215:
213:
209:
186:
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120:
76:
62:
61:
21:
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3974:
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3823:
3822:
3814:
3769:
3768:
3755:
3732:
3660:
3639:, Vol. 18, 1997
3473:
3468:
3467:
3462:Wayback Machine
3453:
3449:
3442:
3428:
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3409:
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3354:ausstage.edu.au
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3228:, Vol. 18, 1997
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3037:
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3010:
2999:
2994:
2990:
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2978:
2971:
2967:
2962:
2958:
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2822:
2815:
2793:
2789:
2784:
2780:
2775:
2771:
2766:
2755:
2751:, Vol. 18, 1997
2738:
2734:
2714:
2710:
2705:
2698:
2685:Selected Essays
2682:
2671:
2661:
2659:
2649:
2640:
2628:
2624:
2619:
2612:
2605:
2601:
2596:
2592:
2587:
2583:
2578:
2571:
2566:
2553:
2548:
2544:
2530:
2519:
2514:
2507:
2500:
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2480:
2475:
2466:
2449:
2445:
2427:
2423:
2418:
2414:
2409:
2405:
2400:
2387:
2382:
2378:
2373:
2369:
2350:
2336:
2332:
2327:
2323:
2318:
2311:
2303:
2296:
2289:
2258:
2254:
2249:
2244:
2219:
2210:
2201:
2197:
2188:
2184:
2167:
2163:
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2146:
2132:
2128:
2119:
2115:
2107:
2100:
2091:
2087:
2070:
2066:
2052:
2048:
2031:
2024:
2011:
2004:
1992:
1988:А́нна Ахма́това
1985:; Russian:
1979:
1975:
1937:
1933:
1926:
1890:
1886:
1885:
1881:
1869:
1841:
1840:
1832:
1821:
1817:
1813:
1796:
1687:
1539:
1534:
1518:
1472:Dutch composer
1449:, premiered at
1422:Babette Deutsch
1410:
1308:Osip Mandelstam
1289:
1287:Work and themes
1250:Woman of Kitezh
1140:
1137:
1134:A land not mine
1132:
1129:
1126:
1124:
1122:
1120:
1119:
1117:
1115:
1113:
1111:
1110:
1108:
1106:
1104:
1098:
1066:Stikhotvoreniya
996:
992:
986:
983:
980:
978:
977:
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914:
908:
902:
899:
896:
894:
892:
890:
888:
886:
884:
843:
841:
794:
791:
789:
787:
754:Nikolay Gumilev
750:
748:1920s and 1930s
733:
727:
724:
721:
719:
717:
715:
713:
711:
709:
707:
705:
696:
690:
687:
684:
682:
680:
678:
676:
620:Boris Pasternak
553:
545:Neo-Eurasianist
505:Osip Mandelstam
490:Nikolay Gumilev
480:and their son,
478:Nikolay Gumilev
440:Kiev University
352:
218:
217:
214: 1926)
205:
201:
198:
188:
185: 1918)
176:
172:
169:
167:Nikolay Gumilev
122:
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3833:Anna Akhmatova
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3782:
3753:
3740:
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3716:
3707:
3694:
3689:
3680:
3670:
3659:
3658:External links
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2533:Slate Magazine
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2307:nobelprize.org
2294:
2287:
2251:
2250:
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2245:
2243:
2242:
2234:Sed’maya kniga
2208:
2195:
2191:From Six Books
2182:
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2144:
2126:
2113:
2098:
2085:
2064:
2046:
2022:
2002:
1879:
1814:
1812:
1809:
1808:
1807:
1802:
1795:
1792:
1791:
1790:
1780:Selected Poems
1776:
1766:Selected Poems
1762:
1748:
1734:
1724:Selected Poems
1720:
1702:
1695:
1686:
1685:Later editions
1683:
1682:
1681:
1670:
1659:
1648:
1638:
1632:
1621:
1618:From Six Books
1614:
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1470:
1459:Currency Press
1451:Fairfax Studio
1439:
1418:
1409:
1406:
1396:Her essays on
1391:Mary Magdalene
1349:Alexander Blok
1297:wall in Leiden
1288:
1285:
1240:. Akhmatova's
1198:the Silver Age
1179:Joseph Brodsky
1101:
1099:
1097:
1094:
1022:Andrei Zhdanov
972:
970:
918:From Six Books
913:
910:
900:
881:
784:
749:
746:
725:
702:
688:
673:
663:Joseph Brodsky
632:The Silver Age
624:Alexander Blok
585:Over the Water
577:Grey-eyed king
552:
549:
424:St. Petersburg
420:Tsarskoye Selo
414:didn't fit me.
351:
348:
334:, and her son
275:Anna Akhmatova
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66:Anna Akhmatova
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32:Anna Akhmanova
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3624:
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3613:1-557-28309-5
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3595:9780292765894
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3576:The Caxtonian
3573:
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3557:
3553:
3551:
3550:1-4000-4089-2
3547:
3543:
3542:0-297-64309-6
3539:
3535:
3531:
3529:
3528:0-939010-27-5
3525:
3521:
3517:
3515:
3514:0-932440-51-7
3511:
3507:
3503:
3501:
3500:0-395-86003-2
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3486:9780316507004
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3387:9780868195933
3383:
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3345:
3330:on 2 May 2016
3329:
3325:
3324:No Depression
3321:
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3273:0-9617485-2-4
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2729:0-915408-30-9
2726:
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2693:0-521-27845-7
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2060:Eugene Onegin
2056:
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2040:or literally
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1565:or literally
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1559:Chetki/ Чётки
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2269:Setter, Jane
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132:Soviet Union
128:Russian SFSR
119:(1966-03-05)
117:5 March 1966
59:
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3843:1966 deaths
3838:1889 births
3580:Caxton Club
3412:4 September
3403:"Marjo Tal"
3078:Jane Kenyon
2538:Clive James
2222:Beg vremeni
2170:Podorozhnik
2157:White Flock
2135:Enûma Elish
1710:Jane Kenyon
1578:White Flock
1497:Nobel Prize
1436:Iris DeMent
1353:Andrey Bely
1327:(1912) and
1146:Enûma Elish
1080:Beg vremeni
820:Dostoyevsky
804:Victor Hugo
775:Maxim Gorky
659:White Flock
651:Boris Anrep
547:historian.
451:Jean Racine
395:Khan Akhmat
379:Anna Bunina
294:lyric poems
242:Lev Gumilev
51:family name
3827:Categories
3761:Off Course
3677:Stihipoeta
3350:"AusStage"
3334:23 October
3303:23 October
3170:0822327902
2814:0375757716
2247:References
2139:Kafkaesque
2081:Compassion
1426:Lyn Coffin
1254:Kitezhanka
1096:Last years
962:bronchitis
950:Uzbekistan
851:Mayakovsky
828:Mandelstam
597:The Rosary
551:Silver Age
517:Symbolists
463:Symbolists
432:Sevastopol
138:Occupation
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43:patronymic
3359:20 August
2358:866835267
1859:romanized
1850:Ukrainian
1474:Marjo Tal
1455:Melbourne
1316:Symbolist
1078:in 1961.
1071:and then
1036:Leningrad
981:for them
946:Chistopol
912:1939–1960
758:Bolshevik
628:world war
364:Ukrainian
356:Black Sea
320:Stalinism
312:Stalinist
248:Signature
229:(died in
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3458:Archived
3282:16714846
2916:ABC-CLIO
2275:(eds.).
2263:(2011).
2178:Plantain
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1794:See also
1708:(trans.
1635:Iva/ Ива
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1516:Honours
1398:Pushkin
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