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36: 1944: 210:, Thraso is attended by a flatterer or parasite who follows him round and attends to his wishes. Like Pyrgopolinices, Thraso is wealthy and is a rival of the young man in the story for the love of a courtesan. 371:, he was often the father of the hero and so his rival. More frequently since, he has been the father of the heroine who insists on her union with the bad fiancé; as such, he appears in both 171:
brags openly and often about his supposed greatness, while the rest of the characters feign their admiration and secretly plot against him. Heavily borrowing from Plautus, the
1871: 311:, the main character, Ignatius J. Reilly, believes himself to be better than everyone because of his apathy towards modern society and his Medievalist views. 2046: 530:
Victor L. Cahn, Shakespeare the Playwright: A Companion to the Complete Tragedies, Histories, Comedies, and Romances, Praeger, Westport, 1996. p.468.
185: 149:). The term "Miles Gloriosus" is occasionally applied in a contemporary context to refer to a posturing and self-deceiving boaster or bully. 608: 1864: 639: 1992: 1330: 1857: 573: 2056: 1894: 592: 548: 518: 480: 1849: 1952: 334: 490:, which means imposter, someone who pretends or tries to be something more than he is. The most popular types of 338:, there is a non-playable character named Miles Gloriosus, willing to brag about his accomplishments as soldier. 1834: 632: 2051: 1885: 373: 367:, and his power to do so stems from his greater social position and his increased control of cash. In the 246: 1527: 1222: 1082: 2010: 1789: 1578: 913: 268: 240: 228: 142: 625: 68: 581:
Poetics with Tractatus Coislinianus, Reconstruction of Poetics II and the Fragments of the On Poets.
2015: 1973: 895: 659: 307: 126: 35: 1748: 1254: 1077: 946: 159: 52: 27: 605: 1779: 1358: 390: 291: 1212: 402: 64: 8: 1880: 1468: 1366: 836: 566:
Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present.
360:, manifesting himself through his rages and threats, his obsessions and his gullibility. 213: 1753: 1743: 1543: 1455: 1237: 410:
considered all blocking humors in comedy to be variations on the basic function of the
364: 1879: 1723: 1674: 1563: 1072: 969: 903: 734: 588: 569: 544: 514: 476: 1769: 1758: 1647: 1427: 1391: 1381: 1125: 1052: 1016: 988: 941: 819: 379: 284: 262: 256: 222: 172: 60: 1593: 1583: 1414: 1399: 1282: 908: 648: 612: 321: 277: 119: 1819: 1794: 1371: 1302: 1217: 1130: 234: 217: 176: 123: 115: 2040: 1961: 1829: 1774: 1606: 1568: 1553: 1514: 1029: 828: 798: 724: 709: 407: 180: 1804: 1738: 1687: 1637: 1627: 1522: 1343: 1315: 1292: 1247: 1092: 1067: 1034: 996: 923: 856: 803: 767: 749: 442: 146: 1943: 1622: 1558: 1504: 1376: 1338: 1310: 1287: 1232: 1154: 841: 777: 729: 704: 295: 216:
uses the type most notably with the bombastic and self-glorifying ensign
1655: 1601: 1814: 1763: 1463: 1445: 1148: 1120: 1062: 1057: 977: 918: 880: 429: 368: 238:. Other examples are "fashion's own knight", the Spaniard Armardo, in 39:
The "braggart soldier" Pyrgopolynices in a 2012 production of the play
1227: 1207: 167:, the term applies to the main character Pyrgopolynices. This foolish 2025: 1824: 1728: 1662: 1491: 1482: 1437: 1422: 1144: 1115: 1024: 1006: 1001: 872: 868: 846: 793: 772: 744: 719: 664: 584: 386: 383:, where his acts are successful enough to render the play a tragedy. 353: 273: 326: 1809: 1799: 1784: 1573: 1320: 1272: 1192: 759: 714: 617: 423: 251: 202: 82: 1682: 1632: 1499: 1404: 1242: 1140: 1044: 960: 884: 876: 739: 357: 193: 164: 134: 20: 1348: 1087: 1733: 1548: 1277: 1135: 864: 471:
Frye, Northrop (1973) . "First Essay: Historical Criticism".
436: 130: 73: 26:"Miles Gloriosus" redirects here. For the Plautus play, see 689: 1264: 356:
character who belongs to the alazon or impostor group in
16:
Comedic stock character in the theatre of Ancient Greece
568:
Expanded. Ithaca and London: Cornell University Press.
85:
that sees himself as greater than he actually is. The
129:, and variations on this character have appeared in 377:, where he fails and so the play is a comedy, and 2038: 363:His usual function is to impede the love of the 1660: 498:and the learned crank or obsessed philosopher. 186:A Funny Thing Happened on the Way to the Forum 1865: 633: 461:Carlson (1993, 23) and Janko (1987, 45, 170). 137:ever since. The character derives from the 1872: 1858: 678: 640: 626: 475:. Princeton University Press. p. 39. 189:features a warrior named Miles Gloriosus. 2047:Stock characters in ancient Greek comedy 97:(the braggart soldier) are two types of 34: 541:Commedia dell'Arte: An Actor's Handbook 2039: 1853: 1712: 1181: 1180: 677: 621: 152: 647: 470: 244:, the worthless Captain Parolles in 503: 114:(literally, "braggart-soldier", in 13: 558: 352:or heavy father figure is a comic 104: 14: 2068: 599: 511:Anatomy of Criticism: Four Essays 473:Anatomy of Criticism: Four Essays 1942: 335:The Elder Scrolls III: Morrowind 329:is an example of the character. 1157:(self styled captain, braggart) 341: 122:of a boastful soldier from the 533: 524: 464: 455: 314: 1: 579:Janko, Richard, trans. 1987. 448: 206:. Like Pyrgopolinices in the 319:In music, the title role of 71:. He is the opponent of the 7: 1661: 1528:Elderly martial arts master 1223:Hooker with a heart of gold 417: 200:character is Thraso in the 91:(the angry father) and the 10: 2073: 2057:Male characters in theatre 2011:Shakespearean problem play 1713: 269:The Merry Wives of Windsor 229:The Merry Wives of Windsor 56: 25: 18: 2003: 1993:All's Well That Ends Well 1984: 1951: 1940: 1893: 1886:All's Well That Ends Well 1719: 1708: 1673: 1646: 1615: 1592: 1536: 1513: 1490: 1481: 1454: 1436: 1413: 1390: 1357: 1329: 1301: 1263: 1200: 1191: 1187: 1176: 1103: 1043: 1015: 986: 968: 959: 934: 894: 855: 827: 818: 786: 758: 697: 688: 684: 673: 655: 513:. London: Penguin, 1990. 374:A Midsummer Night's Dream 247:All's Well That Ends Well 69:theatre of ancient Greece 163:("Boastful Soldier") by 564:Carlson, Marvin. 1993. 308:A Confederacy of Dunces 287:is a braggart soldier. 127:theatre of ancient Rome 1905:Countess of Roussillon 1255:Manic Pixie Dream Girl 679:By ethics and morality 587:. Cambridge: Hackett. 509:Frye, Northrop. 1957. 43: 28:Miles Gloriosus (play) 141:or "braggart" of the 38: 403:Anatomy of Criticism 281:also fits the mold. 241:Love's Labour's Lost 2052:Fictional impostors 1881:William Shakespeare 1469:Princess and dragon 1367:Princesse lointaine 867:(servants, clowns: 837:Gentleman detective 606:Character Functions 19:For the river, see 1974:Palace of Pleasure 1754:Identity formation 1544:American mappillai 1456:Damsel in distress 1238:Magical girlfriend 1143:(wealthy old men, 611:2009-03-18 at the 391:Commedia dell'arte 292:Commedia dell'arte 153:Literary instances 59:) is one of three 44: 2034: 2033: 1847: 1846: 1843: 1842: 1724:Adolescent clique 1704: 1703: 1700: 1699: 1696: 1695: 1477: 1476: 1213:Farmer's daughter 1182:By sex and gender 1172: 1171: 1168: 1167: 1164: 1163: 955: 954: 814: 813: 735:Mythological king 574:978-0-8014-8154-3 2064: 1946: 1926:Duke of Florence 1874: 1867: 1860: 1851: 1850: 1770:Little green men 1759:Imaginary friend 1710: 1709: 1666: 1488: 1487: 1428:Mammy stereotype 1382:Yamato nadeshiko 1198: 1197: 1189: 1188: 1178: 1177: 1053:Bug-eyed monster 1017:Social Darwinist 966: 965: 942:Good cop/bad cop 825: 824: 695: 694: 686: 685: 675: 674: 649:Stock characters 642: 635: 628: 619: 618: 552: 537: 531: 528: 522: 507: 501: 500: 468: 462: 459: 380:Romeo and Juliet 365:hero and heroine 294:, the figure of 285:Baron Munchausen 272:. 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János 2026:Bed trick 1825:Truck-kun 1729:Barbarian 1663:Otokonoko 1616:Primitive 1492:Harlequin 1483:Masculine 1438:Geek girl 1423:Columbina 1359:Queen bee 1145:Pantalone 1116:Archenemy 1025:Dark lord 1007:Terrorist 1002:Evil twin 873:Brighella 869:Harlequin 847:Trickster 794:Cyberhero 773:Man alone 745:Superhero 720:Folk hero 665:Archetype 585:Aristotle 387:Pantalone 354:archetype 1810:Tokenism 1800:Sidekick 1790:Redshirt 1785:Pop icon 1602:BishĹŤnen 1574:Nice guy 1321:Tsundere 1273:Cat lady 1193:Feminine 1083:Vampires 1073:Skeleton 1045:Monsters 961:Villains 760:Antihero 715:Everyman 609:Archived 494:are the 424:Boasting 418:See also 278:Endymion 252:Falstaff 203:Eunuchus 183:musical 83:impostor 2004:Related 1953:Sources 1935:Mariana 1917:Paroles 1914:Lavatch 1911:Rinaldo 1902:Bertram 1683:Pachuco 1675:Bad boy 1633:Caveman 1500:Pierrot 1405:Laotong 1400:Class S 1243:Catgirl 1228:IngĂ©nue 1208:BishĹŤjo 1141:Vecchio 1088:Zombies 904:Bad boy 885:Pierrot 879:,  877:Scapino 875:,  871:,  740:Paladin 400:In his 358:theater 235:Henry V 196:of the 194:Terence 165:Plautus 135:fiction 118:) is a 67:of the 21:Alazani 2021:AlazĂ´n 1977:(1566) 1714:Others 1349:Virago 1111:Alazon 914:Pirate 896:Outlaw 820:Rogues 690:Heroes 591:  572:  547:  517:  492:alazon 488:alazon 479:  327:Kodály 266:, and 263:Part 2 250:, and 198:alazon 145:(e.g. 139:alazáą“n 99:alazáą“n 81:is an 79:alazáą“n 77:. 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Index

Alazani
Miles Gloriosus (play)

Ancient Greek
stock characters
comedy
theatre of ancient Greece
eirĂ´n
impostor
Latin
stock character
comic
theatre of ancient Rome
drama
fiction
Greek Old Comedy
Aristophanes
Miles Gloriosus
Plautus
Stephen Sondheim
Burt Shevelove
Larry Gelbart
A Funny Thing Happened on the Way to the Forum
Terence
Eunuchus
Shakespeare
Ancient Pistol
Henry IV, Part 2
The Merry Wives of Windsor
Henry V

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