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Some authors claim that the angelica was invented in
England. But that claim is based on the misinterpretation of its name (M. H. Fuhrmann, Musicalischer Trichter, Frankfurt/Spree 1706, p. 91). James Talbot correctly interpreted angelica as “angel lute“ because of its lovely sound (ms. Oxford
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The angelica was tuned diatonically, like a harp: C – E – F – G – A – B – c – d – e – f – g – a – b – c’ – d’ – e’. That range is the same as that of the French or lesser theorbo, but the latter differs in that its tuning is reentrant: C – D – E – F – G – A – B – c – d – g – c' – e'– a – d'. The
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Little surviving music for the angelica as well as few surviving instruments indicate that the angelica flourished during the second half of the 17th and the beginning of the 18th centuries.
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It shares the form of its pear-shaped body as well as its vibrating string length of 54 to 70 cm with the lute. Differing from the lute, the 16 string angelica was single-strung like a
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Music for the angelica is notated in French tablature, with the designation of bass courses varying according to respective authors. The
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diatonic tuning limited its compass, but produced a full and clear tone by the increased use of open strings.
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Laute, Theorbe, Chitarrone: die
Instrumente, ihre Musik und Literatur von 1500 bis zur Gegenwart
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Gitarrenmusik des 16-18. Jahrhunderts 2, nach
Tabulaturen für Colascione, Mandora und Angelica
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Ausgewählte Stücke aus einer
Angelica- und Gitarrentabulatur, Musik Alter Meister Heft 17
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M. Prynne: ‘James Talbot’s
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Joachim Tielke: ein
Hamburger Lauten- und Violenmacher der Barockzeit
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Desperate
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family of the baroque era. It combines features of the
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344:Musicalische Gemüths-Ergoetzung oder Arien ...
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109:Learn how and when to remove this message
407:E. Vogl: ‘Die Angelika und ihre Musik’,
287:) is a plucked string instrument of the
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425:(Berlin/München, 2011), 108–111, 123-8
374:Le séjour de Christian Huygens à Paris
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379:F. Lesure: ‘The angélique in 1653’,
178:sounded with bare hands and fingers)
47:adding citations to reliable sources
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349:Adalbert Quadt (Hg.),
283:(French, from Italian
388:Le luth et sa musique
430:Oeuvres de Gumprecht
43:improve this article
839:Baroque instruments
718:Related instruments
432:(Paris, 1993), xvii
421:F. und B. Hellwig,
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397:, xiv (1961), 52–68
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356:Hans Radtke (Hg.),
192:Related instruments
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54:Find sources:
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32:This article
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764:Other topics
690:Swedish lute
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414:G. Hellwig,
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41:Please help
36:verification
33:
176:chordophone
174:(Composite
813:Categories
437:References
364:Praetorius
299:, and the
99:April 2021
69:newspapers
771:Composers
660:Angélique
280:angélique
183:Developed
125:Angélique
665:Archlute
619:Shamisen
569:Kutiyapi
314:Overview
285:angelica
262:Tiorbino
237:Mandolin
217:Charango
212:Bouzouki
202:Archlute
797:Commons
781:Players
740:Gittern
730:Cittern
705:Vihuela
700:Theorbo
685:Mandora
680:Mandore
604:Sanxian
599:Sanshin
559:Dramyin
308:theorbo
301:theorbo
257:Theorbo
247:Pandura
232:Mandola
172:321.321
83:scholar
725:Citole
695:Torban
653:Europe
644:Yueqin
629:Tanbur
589:Qinqin
584:Qanbūs
549:Dombra
534:Barbat
506:Africa
331:Torban
295:, the
267:Torban
85:
78:
71:
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829:Lutes
675:Kobza
670:Cobza
639:Veena
624:Sitar
614:Setar
609:Sapeh
594:Rubab
564:Komuz
554:Dutar
518:Xalam
90:JSTOR
76:books
755:Laúd
579:Pipa
544:Biwa
539:Bipa
527:Asia
513:Goje
492:Lute
297:harp
293:lute
289:lute
277:The
252:Pipa
227:Lute
62:news
634:Tar
574:Oud
395:GSJ
381:GSJ
242:Oud
45:by
815::
409:HV
366:,
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484:e
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470:v
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