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40:(History of Learned Women) simply as "excellent in music, she lived in 1470." Little is known about her life, and what is available has come from 15th-century archival material. She is thought to have originally come from England and hence was referred to as "Inglese" (Italian for "English"). She was also referred to as "Madamma (or Madama) Anna". Her actual surname is unknown.
66:(a musician who accompanied the singer on the lute or violin). They remained there for several months and were lodged in the house of Donato Cagnola, one of the permanent singers at Galeazzo Sforza's court. During that time Cagnola wrote a letter to Sforza complaining at having to host Anna's "brigade" at his own expense. On her departure from Milan, the Duke paid Anna 100
62:'s impending wedding festivities. Monferrato, who had been Galeazzo Sforza's tutor, noted in his letter that in addition to singing, Anna could also devise entertainments and was an honourable person. Anna arrived in Milan in the Spring of 1468 with a sizable retinue that also included at least one
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in the palace gardens. Anna was mentioned on the payrolls of the
Neapolitan court again in 1476, twice more in the 1480s, and finally in 1499 when she was paid 150 ducats for her services. Also listed on the 1499 payroll was a certain "Galderi de Madamma Anna", whom Allan Atlas speculates was most
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Blackburn and other musicologists have also found possible references to Anna prior to 1468. Blackburn has speculated that she may have been the young
English woman who entertained the 11-year-old Galeazzo Sforza in Venice in 1455. A letter by one of Galeazzo's tutors to his father stated that
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and John Nádas have proposed that Anna
Inglese may have been a relative (wife or sister) of another English musician at the Ferrara court, Robertus de Anglia (Robert of England), also known as Roberto Inglese. Robertus was at the Ferrara court from 1454 until 1467 and then went to Bologna as
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The next existing record of her is in 1471 when she was listed as a singer employed at the court of
Ferdinand I of Naples and referred to as "Madamma Anna". The following year a letter to Galeazzo Sforza from the Milanese ambassador to Naples described Anna dancing with Ferdinand's daughter
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amongst the group of "very notable singers" at a banquet in the boy's honour was "an
English damsel who sang so sweetly and suavely that it seemed not a human voice, but divine."
325:
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Blackburn, Bonnie (2012). "Anna
Inglese and Other Women Singers in the Fifteenth Century: Gleanings from the Sforza Archives" in
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and one of the very few professional women singers working in 15th-century Italy. Over two centuries later, she was listed in
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has noted that there are no other surviving records which mention
Galderi and he may have simply been Anna's
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One of the earliest documentations of her activity was in 1468 when she was recommended by
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in 1465 for "Anna, cantarina
Anglica" ("Anna, English singer"). On this basis,
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Naples in the late 15th century when Anna
Inglese was a singer at the court of
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184:"The Medici, the Signoria, the pope: sacred polyphony in Florence, 1432-1448"
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190:, Vol. 20, No. 1/2. Fondazione Italiana per la Musica Antica. Retrieved via
116:. He remained in Bologna until 1474 when he apparently returned to England.
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157:"Professional Women Singers in the 15th Century: A Tale of two Annas"
209:"Noblewomen and Music in Italy, c. 1430–1520: Looking Past Isabella"
159:, pp. 476–485 in Anna Maria Busse Berger and Jesse Rodin (eds.).
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notes (as does
Blackburn) a payment record at the court of
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Sleuthing the Muse: Essays in Honor of William F. Prizer
211:, pp. 31–32 in Lisa Colton and Catherine Haworth (eds.)
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1468 – 1499) was a prominent singer at the courts of
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161:The Cambridge History of Fifteenth-Century Music
243:, Vol. 55, No. 2, pp. 346-353. Retrieved via
241:Journal of the American Musicological Society
237:, by Paul A. Merkley and Lora L. M. Merkley"
266:, pp. 104–106. Cambridge University Press.
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58:as a singer for Galeazzo Maria Sforza and
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235:Music and Patronage in the Sforza Court
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263:Music at the Aragonese Court of Naples
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290:, pp. 237–252. Pendragon Press.
182:Haar, James and Nádas, John (2008).
30:Galeazzo Maria Sforza, Duke of Milan
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213:Gender, Age and Musical Creativity
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326:Medieval Italian women musicians
341:Medieval German women musicians
231:Lubkin, Gregory (Summer 2002).
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83:probably her son. However,
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316:15th-century Italian women
311:15th-century women singers
155:Blackburn, Bonnie (2015).
132:Alberti, Marcello (1740).
331:Medieval Italian singers
260:Atlas, Allan W. (2008).
249:(subscription required)
196:(subscription required)
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56:Gugliemo di Monferrato
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207:Shepherd, Tim (2015)
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