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about her great beauty, her passionate acting and singing as Dido, although she had not sufficient voice wholly to realise his ideal heroine, and her generosity in accepting the engagement at a pecuniary loss to herself, a more lucrative offer having been made her for an engagement in Madrid. On the
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in Paris, she adopted the
Italian stage, and appeared successfully in St Petersburg, Vienna, in North and South America, and in Paris at the Théâtre-Italien as Desdemona in Rossini's
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wrote: "She made an impression when singing in French comic opera by her pleasing voice and appearance and by a certain cosiness of manner which was very charming".
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In 1847 she married Jules-Antoine Demeur, a flautist from
Belgium, whom she met at Drury Lane. He subsequently travelled with his wife on her engagements.
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conclusion of the run of the opera she sang at Madrid, but afterwards returned to the
Lyrique, where, in May 1866, she played Donna Anna in
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in London, and became highly popular in various light parts, many of which were new to
England. These included Angèle, Henriette in
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After formally retiring from singing about 1869, she appeared occasionally in concerts. She died in Paris in 1892.
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79:. She sang in Toulouse and in 1846 in Brussels. In July of the same year she made a successful début at
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33:(5 March 1824 – 30 November 1892) was a French opera singer. Classified by different authors as a
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In August of that year, Anne
Charton-Demeur played the heroine in the original production of
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41:, she appeared in leading roles in many operas, particularly in the original productions of
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238:, so much to the composer's satisfaction that he requested her to play Dido in
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341:, website of the Association l'Art Lyrique Français. Retrieved 23 June 2022.
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This article incorporates text from a publication now in the
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Having sung with little success in 1849 and 1853 at the
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In 1849 and 1850 she was the principal female singer in
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in
England in July, and with great success as Angèle in
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445:19th-century French women opera singers
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413:A Dictionary of Music and Musicians
373:A Dictionary of Music and Musicians
145:, the Queen of LĂ©on in Boisselot's
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329:. Oxford University Press, 2008.
194:In 1852 she appeared in July at
327:The Grove Book of Opera Singers
23:Anne Arsène Charton-Demeur, by
16:French opera singer (1824–1892)
450:French operatic mezzo-sopranos
1:
455:People from Charente-Maritime
325:Laura Williams Macy, editor.
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206:the Duke of Saxe-Coburg-Gotha
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184:Les diamants de la couronne
111:'s French opera company at
83:in London, as Madeleine in
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31:Anne Arsène Charton-Demeur
148:Ne touchez pas Ă la reine
86:Le postillon de Lonjumeau
244:, first produced at the
400:Chitty, Alexis (1900).
360:Chitty, Alexis (1900).
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323:"Charton-Demeur, Anne"
298:. Munich: K. G. Saur.
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418:Macmillan and Company
378:Macmillan and Company
196:Her Majesty's Theatre
130:Richard Coeur-de-lion
89:and also appeared in
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403:"Demeur, Anne"
363:"Demeur, Anne"
291:Großes Sängerlexikon
235:Béatrice et Bénédict
136:Le concert Ă la cour
48:Béatrice et Bénédict
339:Mme Charton-Demeur"
204:, and in August in
133:, Adèle in Auber's
76:Lucia di Lammermoor
294:, fourth edition,
181:, and Catarina in
151:, The Countess in
113:St James's Theatre
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169:, Rose de Mai in
124:Le pré aux clercs
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139:, Lucrezia in
121:, Isabelle in
118:L'ambassadrice
98:Le domino noir
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25:Édouard Dubufe
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368:Grove, George
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217:Opéra-Comique
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201:La sonnambula
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189:Henry Chorley
187:. The critic
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163:, Camille in
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198:as Amina in
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440:1892 deaths
435:1824 births
389:Attribution
296:(in German)
286:Leo Riemens
241:Les Troyens
54:Les Troyens
429:Categories
416:. London:
376:. London:
266:References
157:, Anna in
81:Drury Lane
45:'s operas
225:in 1862.
288:(2003),
250:MĂ©moires
92:La Juive
410:(ed.).
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370:(ed.).
230:Berlioz
210:Casilda
178:Le caĂŻd
43:Berlioz
35:soprano
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222:Otello
142:Actéon
67:Saujon
406:. In
366:. In
166:Zampa
37:or a
300:ISBN
61:Life
51:and
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