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Fine-art photography

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There is not corresponding recognition in this country. The London Salon shows pictorial photography, but it is not generally understood as an art. Whether a work shows aesthetic qualities or not it is designated 'Pictorial Photography' which is a very ambiguous term. The photographer himself must have confidence in his work and in its dignity and aesthetic value, to force recognition as an Art rather than a Craft".
441:'s MoMA show was unframed, with simple prints pasted to thin plywood. From the mid-1950s to about 2000 most gallery exhibitions had prints behind glass. Since about 2000 there has been a noticeable move toward once again showing contemporary gallery prints on boards and without glass. In addition, throughout the twentieth century, there was a noticeable increase in the size of prints. 348: 250:
said, when he formed the Photographic Fine Art Association at that time: "At the moment, photography is not generally recognized as anything more than a craft. In the USA photography has been openly accepted as Fine Art in certain official quarters. It is shown in galleries and exhibitions as an Art.
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states that "fine art photography" (preferred term) or "art photography" or "artistic photography" is "the movement in England and the United States, from around 1890 into the early 20th century, which promoted various aesthetic approaches. Historically, has sometimes been applied to any photography
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study by Schwartz did not directly define "fine art photography" but did compare it with "camera club photography". It found that fine art photography "is tied to other media" such as painting; "responds to its own history and traditions" (as opposed to "aspir to the same achievements made by their
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In 1996 it was stated that there had been a "recent blurring of lines between commercial illustrative photography and fine art photography," especially in the area of fashion. Evidence for the overlap of fine art photography and fashion photography includes lectures, exhibitions, trade fairs such as
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Until the mid-1950s it was widely considered vulgar and pretentious to frame a photograph for a gallery exhibition. Prints were usually simply pasted onto blockboard or plywood, or given a white border in the darkroom and then pinned at the corners onto display boards. Prints were thus shown without
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As printing technologies have improved since around 1980, a photographer's art prints reproduced in a finely-printed limited-edition book have now become an area of strong interest to collectors. This is because books usually have high production values, a short print run, and their limited market
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consists of a photographic image that has been subsequently painted over with oil paints and/or contains some political or historical significance beyond the image itself. The existence of "photographically-projected painting" now blurs the line between painting and photography which traditionally
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annual price rise from 1994 and 2004. Around 80 percent were sold in the United States, although auction sales only record a fraction of total private sales. There is now a thriving collectors' market for which the most sought-after art photographers will produce high quality archival prints in
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On the concept of limited-reproduction, in the French legal system, there is a very precise legal definition regarding fine art photography being considered as an artwork. The tax code states they, "are considered as artworks the photographs taken by the artist, printed by him/herself or under
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created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion. This stands in contrast to representational photography, such as
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provides an example. Adams is one of the most widely recognized fine art photographers of the 20th century, and was an avid promoter of conservation. While his primary focus was on photography as art, some of his work raised public awareness of the beauty of the
620:"Artistic photography": "A frequently used but somewhat vague term. The idea underlying it is that the producer of a given picture has aimed at something more than a merely realistic rendering of the subject, and has attempted to convey a personal impression". 317:. Before the spread of computers and the use of image processing software the process of creating chemograms can be considered an early form of analog post-production, in which the original image is altered after the enlarging process. Unlike works of 515:
opened, with emphases on both "humanitarian photojournalism" and "art photography". By 1987, "pictures that were taken on assignments for magazines and newspapers now regularly reappear – in frames – on the walls of museums and galleries".
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In addition to the "digital movement" towards manipulation, filtering, or resolution changes, some fine artists deliberately seek a "naturalistic", including "natural lighting" as a value in itself. Sometimes the art work as in the case of
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strictly limited editions. Attempts by online art retailers to sell fine photography to the general public alongside prints of paintings have had mixed results, with strong sales coming only from the traditional major photographers such as
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visual account of specific subjects and events, literally representing objective reality rather than the subjective intent of the photographer; and commercial photography, the primary focus of which is to advertise products or services.
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founded the Photographic Fine Art Association, and he was its chairman. Their definition of Fine Art was "Creating images that evoke emotion by a photographic process in which one's mind and imagination are freely but competently
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Definitions of "fine art photography" on photographers' static Web pages vary from "the subset of fine art that is created with a camera" to "limited-reproduction photography, using materials and techniques that will outlive the
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predecessors"); "has its own vocabulary"; "conveys ideas" (e.g., "concern with form supersedes concern with subject matter"); "is innovative"; "is personal"; "is a lifestyle"; and "participates in the world of commerce."
145:(1907) was an early work of artistic modernism, and considered by many historians to be the most important photograph ever made. Stieglitz was notable for introducing fine art photography into museum collections. 970: 511:
Photojournalism and fine art photography overlapped beginning in the "late 1960s and 1970s, when... news photographers struck up liaisons with art photography and painting". In 1974 the
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Catherine Atherton: The fine art of fashion photography. From a talk given at the Museum of Modern Art by the senior lecturer in art, publishing and music at Oxford Brookes University.
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has proved beyond all doubt that the camera need not be a cold mechanical device. Like the pen, it is as good as the man who uses it. It can be the extension of mind and heart...
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The reactions of artists and writers have contributed significantly to perceptions of photography as fine art. Prominent painters have asserted their interest in the medium:
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Fine art photography is created primarily as an expression of the artist's vision, but as a byproduct it has also been important in advancing certain causes. The work of
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I have always been very interested in photography. I have looked at far more photographs than I have paintings. Because their reality is stronger than reality itself.
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use "art photography" as "photography of art," and "artistic photography" (i.e., "Photography, artistic") as "photography as a fine art, including aesthetic theory".
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An exhibition in Washington, D.C., more than a century ago played a major role in the establishment and acceptance of art photography in America (from the
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Two studies by Christopherson in 1974 defined "fine art photographers" as "those persons who create and distribute photographs specifically as 'art.
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There is now a trend toward a careful staging and lighting of the picture, rather than hoping to "discover" it ready-made. Photographers such as
599:"Fine art photography": "A picture that is produced for sale or display rather than one that is produced in response to a commercial commission". 623:"Fine art photography": Also called "decor photography," or "photo decor," this "involves selling large photos... that can be used as wall art". 605:"Art photography": A definition "is elusive," but "when photographers refer to it, they have in mind the photographs seen in magazines such as 1459: 830:
Hannes Schmidt: "Bemerkungen zu den Chemogrammen von Josef Neumann. Ausstellung in der Fotografik Studio Galerie von Prof. Pan Walther". in:
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means they are almost never reprinted. The collector's market in photography books by individual photographers is developing rapidly.
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were instrumental in making photography a fine art, and Stieglitz was especially notable in introducing it into museum collections.
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La magia de la química fotográfica: El quimigrama. Conceptos, técnicas y procedimientos del quimigrama en la expresión artística
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Such photography has also had effects in the area of censorship law and free expression, due to its concern with the nude body.
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whose intention is aesthetic, as distinguished from scientific, commercial, or journalistic; for this meaning, use 'photography
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Goldberg, Vicki. Picture this - magazine photography, in just a few decades, has changed the way life itself is regarded.
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Here is a list of definitions of the related terms "art photography", "artistic photography", and "fine art photography".
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Until the late 1970s several genres predominated, such as nudes, portraits, and natural landscapes (exemplified by
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Christopherson, Richard W. From Folk Art To Fine Art: A Transformation in the Meaning of Photographic Work.
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One photography historian claimed that "the earliest exponent of 'Fine Art' or composition photography was
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pictures. Additionally, new technological trends in digital photography have opened a new direction in
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as its first curator are often cited as institutional confirmation of photography's status as an art.
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The Focal encyclopedia of photography: digital imaging, theory and applications, history, and science
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Although fine art photography may overlap with many other genres of photography, the overlaps with
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his/her control, signed and numbered in maximum thirty copies, including all sizes and mountings."
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Christopherson, Richard W. Making Art With Machines: Photography's Institutional Inadequacies.
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Illustrated dictionary of photography: the professional's guide to terms and techniques
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School of Visual Arts, September 6, 2007 – October 6, 2007. Retrieved August 6, 2008.
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7,000 photographs were sold in auction rooms in 2004, and photographs averaged a 7.6
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In the UK as recently as 1960, photography was not really recognised as a fine art.
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Noted authors, similarly, have responded to the artistic potential of photography:
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Camera clubs and fine art photography: the social construction of an elite code.
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exhibition was unframed, the pictures pasted to panels. Even as late as 1966
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Museum of Modern Art, April 16 – June 28, 2004. Retrieved August 6, 2008.
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Phillips, Christopher (Autumn 1982). "The Judgment Seat of Photography".
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Fine art photography: creating beautiful images for sale and display
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Among the definitions that can be found in scholarly articles are:
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Art & Architecture Thesaurus Online. Retrieved August 6, 2008.
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Among the definitions that can be found in reference books are:
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has been one of the dominating themes in fine-art photography.
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and helped to build political support for their protection.
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The 1896 Washington Salon & Art Photographic Exhibition
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Truth and photography: notes on looking and photographing
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Gabriele Richter: "Joseph H. Neumann. Chemogramme". in:
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any glass reflections obscuring them. Steichen's famous
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The idealizing vision: the art of fashion photography
1466:. 1st edition. Milano: Apogeo La Feltrinelli, 2012. 867:. Photographie Verlag, Schaffhausen 1987, pp. 94–95. 60:. Unsourced material may be challenged and removed. 1497:. 4th edition. New York: Abbeville Press, 2007. 732:List of photographs considered the most important 3175: 1024:Click chic: the fine art of fashion photography. 800:Creative photography: aesthetic trends 1839–1960 669:Among the definitions that can be found on the 1554: 1379:Bytesmiths Editions Newsletter December 2000. 1000:"Striking poses: is fashion photography art?" 986:Fashioning fiction in photography since 1990. 523:sometimes are used for fine-art photography. 1429: 1199:Lynch-Johnt, Barbara, and Michelle Perkins. 976:, June 12, 2001. Retrieved October 21, 2008. 818: 487: 3106:Conservation and restoration of photographs 1310: 1308: 1193: 1091: 1089: 2833:Comparison of digital and film photography 1561: 1547: 1302:, Vol. 3, No. 2, July 1974, pages 123–157. 194: 3058:Photographs considered the most important 1108: 949: 947: 425: 120:Learn how and when to remove this message 1305: 1289:, Vol. 3, No. 1, April 1974, pages 3–34. 1153: 1086: 902: 878:"Die Hochglanzwelt des Josef H. Neumann" 664: 627: 530: 448: 380: 346: 284: 173: 131: 1322:vol. 15, no. 2 (July 1986), pp.165–195. 1218: 1216: 1183:. Mies, Switzerland: RotoVision, 2003. 1072:. New York: Aperture Foundation. 1991. 771: 342: 14: 3176: 1269:The Royal Photographic Society Journal 1262: 1042: 944: 579: 211:in 1851. Successful attempts to make 1542: 997: 587: 1244:Cassell's cyclopaedia of photography 1213: 1203:. Buffalo, NY: Amherst Media, 2008. 1173: 955:Fashion: Photography in the Nineties 679:Library of Congress Subject Headings 527:Attitudes of artists in other fields 327:American organizations, such as the 58:adding citations to reliable sources 29: 3053:Museums devoted to one photographer 1533:National Museum of American History 1430:Ramos Molina, Antonio Luis (2018). 513:International Center of Photography 370:are noted for the quality of their 24: 2595:Timeline of photography technology 1439: 1109:Grundberg, Andy (April 12, 1987). 722:List of most expensive photographs 324:each chemogram is a unique piece. 25: 3205: 1522: 3156: 3146: 3145: 1043:Trebay, Guy (December 6, 2007). 802:. New York: Dover, 1991, p. 73. 778:. New Riders. pp. 563–564. 686:Art & Architecture Thesaurus 34: 3157: 1568: 1391: 1371: 1351: 1338: 1325: 1292: 1279: 1263:Jouhar, Sultan (October 1964). 1256: 1236: 1128: 1102: 1062: 1036: 1017: 998:Naves, Mario (April 23, 2004). 991: 979: 964: 274:, still relied heavily on such 45:needs additional citations for 1511:. Chicago: Ivan R. Dee, 2003. 1495:A world history of photography 1224:Sell & re-sell your photos 931: 896: 870: 850: 837: 824: 792: 765: 458:The Tetons and the Snake River 13: 1: 2645:Painted photography backdrops 2577:Golden triangle (composition) 1857:35 mm equivalent focal length 1359:What Is Fine Art Photography? 754: 305:, which are products of both 215:photography can be traced to 1449:. New York: Aperture, 2005. 1163:. New York: Schirmer, 1999. 1161:The photography encyclopedia 1159:McDarrah, Gloria S., et al. 289:Josef H. Neumann: Chemogram 7: 2355:Intentional camera movement 961:, February 15, 1997, p.131. 717:Black and White Photography 705: 563:...it does seem to me that 444: 10: 3210: 3048:Most expensive photographs 2400:Multi-exposure HDR capture 1423: 1344:Getty Research Institute. 1333:Authority headings search. 169: 3141: 3098: 3040: 2940: 2883: 2789: 2673: 2585: 2537: 2282: 2049: 1849: 1576: 1388:Retrieved August 6, 2008. 1368:Retrieved August 6, 2008. 1335:Retrieved August 6, 2008. 1099:magazine, April 15, 1999. 500:merit special attention. 488:Overlap with other genres 376:full spectrum photography 231:and others. In the U.S. 2982:Digital image processing 1318:Originally published in 1265:"The Work of Dr. Jouhar" 1246:. New York: Arno, 1973. 953:Bryant, Eric. Review of 759: 519:Smartphone apps such as 508:Miami Beach, and books. 225:Charles Lutwidge Dodgson 3090:Photography periodicals 2650:Photography and the law 307:photographic processing 229:Oscar Gustave Rejlander 195:Invention through 1940s 3184:Fine art photographers 3002:Gelatin silver process 2026:Science of photography 2011:Photographic processes 1989:Perspective distortion 1476:Peres, Michael R. ed. 1300:Urban Life and Culture 1287:Urban Life and Culture 939:Art Market Trends 2004 891:Westdeutscher Rundfunk 847:, no. 12, 1976, p. 24. 737:Nude photography (art) 712:Conceptual photography 577: 557: 540: 461: 426:Framing and print size 402:Art Market Trends 2004 393: 359: 294: 221:Julia Margaret Cameron 219:practitioners such as 191: 146: 69:"Fine-art photography" 2455:Schlieren photography 1999:Photographic printing 1922:Exposure compensation 1331:Library of Congress. 834:, no. 22, 1976, p. 6. 772:Winters, Dan (2014). 727:List of photographers 665:On the World Wide Web 628:In scholarly articles 561: 545: 534: 452: 384: 350: 288: 177: 135: 3189:Photography by genre 2244:Straight photography 1882:Chromatic aberration 1045:"Work with me, baby" 865:Filme kreativ nutzen 343:1950s to present day 333:Museum of Modern Art 150:Fine-art photography 54:improve this article 27:Genre of photography 3116:photographic plates 2791:Digital photography 1974:Hyperfocal distance 1887:Circle of confusion 1507:Thompson, Jerry L. 1464:Fotografia Fine Art 1447:Art photography now 821:, pp. 293–297. 798:Gernsheim, Helmut. 611:Popular Photography 580:List of definitions 494:fashion photography 329:Aperture Foundation 264:Robert Mapplethorpe 184:Nude composition 19 161:, which provides a 3194:Visual arts genres 2610:Autochrome Lumière 2605:Analog photography 2430:Pigeon photography 2224:Social documentary 1703:discontinued films 1384:2016-11-25 at the 1364:2016-03-04 at the 1242:Jones, Bernard E. 1115:The New York Times 1049:The New York Times 1029:2012-02-24 at the 588:In reference books 541: 462: 394: 386:Vasiliy Ryabchenko 360: 315:photographic paper 295: 280:snapshot aesthetic 192: 147: 137:Alfred Stieglitz's 3171: 3170: 2962:Collodion process 2898:Chromogenic print 2885:Color photography 2395:Multiple exposure 2370:Lo-fi photography 1902:Color temperature 1503:978-0-7892-0937-5 1486:978-0-240-80740-9 1472:978-88-503-1397-6 1403:Art Photo Limited 1357:Beck, Stephen G. 1209:978-1-58428-222-8 1142:. 28 October 2015 1140:stevegiovinco.com 819:Ramos Molina 2018 785:978-0-13-315420-7 434:The Family of Man 297:In the mid-1970s 207:illustrating the 203:", who exhibited 201:John Edwin Mayall 130: 129: 122: 104: 16:(Redirected from 3201: 3160: 3159: 3149: 3148: 3022:Print permanence 2967:Cross processing 2925:CMYK color model 2910:Color management 2863:Foveon X3 sensor 2858:Three-CCD camera 2502:Miniature faking 2460:Sabattier effect 2077:Astrophotography 1932:Zebra patterning 1563: 1556: 1549: 1540: 1539: 1491:Rosenblum, Naomi 1435: 1418: 1417: 1415: 1414: 1405:. Archived from 1395: 1389: 1375: 1369: 1355: 1349: 1346:Art photography. 1342: 1336: 1329: 1323: 1314:Schwartz, Dona. 1312: 1303: 1296: 1290: 1283: 1277: 1276: 1260: 1254: 1240: 1234: 1220: 1211: 1197: 1191: 1177: 1171: 1157: 1151: 1150: 1148: 1147: 1132: 1126: 1125: 1123: 1121: 1106: 1100: 1093: 1084: 1083: 1066: 1060: 1059: 1057: 1055: 1040: 1034: 1021: 1015: 1014: 1012: 1010: 995: 989: 983: 977: 968: 962: 951: 942: 935: 929: 928: 900: 894: 879: 874: 868: 861:Josef H. Neumann 854: 848: 841: 835: 828: 822: 816: 810: 796: 790: 789: 769: 692: 647: 575: 555: 364:Gregory Crewdson 337:Beaumont Newhall 299:Josef H. 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Holland Day 205:daguerreotypes 196: 193: 171: 168: 128: 127: 42: 40: 33: 26: 9: 6: 4: 3: 2: 3206: 3195: 3192: 3190: 3187: 3185: 3182: 3181: 3179: 3164: 3155: 3153: 3144: 3143: 3140: 3134: 3131: 3129: 3126: 3124: 3121: 3117: 3114: 3112: 3109: 3108: 3107: 3104: 3103: 3101: 3097: 3091: 3088: 3084: 3081: 3079: 3076: 3074: 3071: 3069: 3066: 3065: 3064: 3063:Photographers 3061: 3059: 3056: 3054: 3051: 3049: 3046: 3045: 3043: 3039: 3033: 3030: 3028: 3025: 3023: 3020: 3018: 3015: 3013: 3010: 3008: 3005: 3003: 3000: 2998: 2995: 2993: 2990: 2988: 2985: 2983: 2980: 2978: 2975: 2973: 2970: 2968: 2965: 2963: 2960: 2958: 2955: 2953: 2952:Bleach bypass 2950: 2949: 2947: 2945: 2939: 2931: 2928: 2926: 2923: 2921: 2920:primary color 2918: 2916: 2913: 2912: 2911: 2908: 2906: 2905:Reversal film 2903: 2899: 2896: 2895: 2894: 2891: 2890: 2888: 2886: 2882: 2876: 2873: 2871: 2870:Image sharing 2868: 2864: 2861: 2859: 2856: 2854: 2851: 2849: 2846: 2845: 2844: 2841: 2839: 2836: 2834: 2831: 2829: 2826: 2822: 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Alfred Stieglitz's
The Steerage
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nudity
Jaan Künnap
John Edwin Mayall
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Lord's Prayer
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Victorian era
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