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730:. While musicians may have played from this vantage point, its true purpose was to admit an audience; at the time of the Banqueting House's construction, kings still lived in "splendour and state", or publicly. The less exalted and the general public would be permitted to crowd the gallery in order to watch the king dine. The lower status of those in the gallery was emphasised by the lack of an internal staircase, the gallery only being accessible by an external staircase. The building was, however, later extended to accommodate an internal staircase.
764:. It became his ambition to find a comparable painter for his own court. Rubens while in England as a diplomat was asked to design and paint the Banqueting House ceiling which was sketched in London but completed at his studio in Antwerp due to the scale of the job. It was probably commissioned in 1629–30, and finally installed in 1636, the ceiling having been completely remodelled to frame the various sections. The subject, commissioned by the king, was the glorification of his father, titled
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849:, was a particular favourite. Provincial architects began to recreate the motifs of the Banqueting House throughout England, with varying degrees of competence. Examples of the style's popularity can be found throughout England; the then-remote county of Somerset alone contains three 17th-century versions of the Banqueting House:
879:. Following the fire which destroyed Whitehall Palace, the Banqueting Hall became redundant for the purpose for which it was designed, and it was converted to a chapel to replace the Chapel Royal of Whitehall, which had been destroyed in the fire and was used to host concerts. It remained a chapel before being given to the
887:
in 1893. Highly controversial plans to partition the large mansion house space in the service of offices for the
Institution were quickly dropped in favour of the creation of a museum which displayed personal items of famous commanders and included the skeleton of Napoleon's horse. The museum closed
836:
almost every
English county was to have some buildings in the classical style. The Banqueting House and its features became much copied. A much-favoured motif was the placing of pediments above not only the focal point of a façade but also its windows. The use of alternating segmental and triangular
633:
In 1638, Jones drew the designs for a new and massive palace at
Whitehall in which his banqueting house was to be incorporated as one wing enclosing a series of seven courtyards, visible on the monumental main façade as only a small flanking wing. These revealed the ideas behind Jones' concept of
816:
Although
English architecture had been influenced, mostly indirectly, by Italian classicism for a century or so, resulting in the use of classical forms and motifs in late Tudor, Elizabethan and Jacobean buildings, on his return from Italy Jones brought with him far more thorough and up to date
776:, leaving Anthony van Dyck, lured not only with a knighthood but also a pension and a house, to remain in England as the court painter. The panels for the ceiling were all painted in Rubens' atelier in Antwerp and sent to London by ship. Inigo Jones later designed another double-cube room at
335:, known as York Place. The king was determined that his new palace should be the "biggest palace in Christendom", a place befitting his newly created status as the Supreme Head of the Church of England. All evidence of the disgraced Wolsey was eliminated and the building rechristened the
562:
The building is on three floors: The ground floor, a warren of cellars and store rooms, is low; its small windows indicating by their size the lowly status and usage of the floor, above which is the double-height banqueting hall, which falsely appears from the outside as a first-floor
792:. The actual window no longer exists, as it was not in the main hall but just outside it in an adjacent part of the building which has now gone. Seen from the outside, it would have been the next window along at the north end, roughly above the current visitors' entrance.
436:. King James visited the construction site in September 1607 and was displeased with the placing of pillars which obscured the windows. A Venetian diplomat, Orazio Busino, praised the proportions of the space, and the decoration and carving of the wooden columns (in two
787:
Although
Charles I lavished attention and effort on the Banqueting House, it was the scene of his death. On the afternoon of 30 January 1649, he stepped out of a first-floor window of Banqueting House onto the scaffold that had been erected outside for the purpose of
800:
Unlike the architecture of the more southern
European countries, English architecture went through no period of evolution to classicism. Through Jones it arrived suddenly and fully formed. Before this, English architecture had still been based on the styles of the
509:' 1638 plan for a new palace at Whitehall, "one of the grandest architectural conceptions of the renaissance in England"; the Banqueting House is incorporated to the near left of the central courtyard (for the most part, Jones's plan was ultimately never executed)
747:
James I, for whom the
Banqueting House was created, died in 1625 and was succeeded by his son, Charles I. The accession of Charles I heralded a new era in the cultural history of England. The new king was a great patron of the arts. He added to the
375:
described the building, with its timbered structure covered with canvas painted in imitation of stone, and a painted ceiling including the queen's devices and heraldry. The new building was intended as the venue for entertaining
805:, if for the previous century influenced by Netherlandish and French renaissance classicism, which had resulted in an English renaissance style during the late Elizabethan and Jacobean periods. However, as can be seen at
342:
During Henry's reign, the palace had no designated banqueting house, the king preferring to banquet in a temporary structure purpose-built in the gardens. The Keeper of the
Banqueting House was a position enhanced by
711:, James I was so unprepossessing, neither Pocahontas nor Tomocomo realized whom they had met until it was explained to them afterward. Such masques were later augmented with French musicians, whom Queen
910:
at
Greenwich is often referred to as England's first consciously classical building, its completion was delayed until 1635, some thirteen years after the completion of the Banqueting House. Halliday, p
493:
on 6 January 1617. The banqueting house was destroyed by fire in
January 1619, when workmen, clearing up after New Year's festivities, decided to incinerate the rubbish or oil rags inside the building.
610:: "the figure cut in alabaster kneels at my husband's tomb." Like Inigo Jones, Stone was well aware of Florentine art and introduced to England a more delicate classical form of sculpture inspired by
861:. Following the fall of the monarchy, Jones' career was effectively ended, his style seen as royalist. He died in 1652, never having seen the popularity of the architectural concepts he introduced.
1351:
The completed palace would have been 1,280 by 950 feet (390 by 290 m) and the central courtyard would have been twice the size of the courtyard of the Louvre. Fletcher, p 711 & 715
256:, the residence of English monarchs from 1530 to 1698. The building is important in the history of English architecture as the first structure to be completed in the classical style of
689:. The entertainments given there would have been among the finest in Europe, for, during this period, England was considered the area's leading musical country. On 5 January 1617,
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in the 19th century, though the details of the original façade were faithfully preserved. Today, the Banqueting House is a national monument, open to the public and preserved as a
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was something of a misnomer. The hall within the house was, in fact, used not only for banqueting, but also royal receptions, ceremonies, and the performance of
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Inside the building is a single two-storey, double-cube room. The double-cube, in which the length of the room is twice its equal width and height, is another
459:
in February 1609 included "sundry seats above for the Queen and ladies to sit on and be turned round about". Alterations for staging masques were made by
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813:, one of England's first purpose-built "Renaissance" houses, even during this era, English domestic architecture never quite lost its "castle air".
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was performed in the Banqueting House on 1 November 1605 by the King's Players. One of the last functions in this structure was a banquet for the
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A contemporaneous German print showing the execution of Charles I on 30 January 1649 outside the Banqueting House, which is inaccurately depicted
88:
726:, where all proportions are mathematically related. At the upper level, the room is surrounded by what is sometimes mistakenly referred to as a
420:
King James began building a new banqueting house in 1607, which was destined to only have a short life. The building was probably designed by
1672:
653:
In January 1698, the Tudor Palace was razed by fire that raged for 17 hours. All that remained was the Banqueting House, Whitehall Gate, and
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English Renaissance with a more pure, classical design, which made no attempt to harmonise with the Tudor palace of which it was to be part.
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638:, who commissioned the plans, never amassed the resources to execute them; his lack of funds and the tensions that eventually led to the
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beinge in Lengthe 110 foote, and in breadth 55 foote, the under story being arched 16 foote in haight, the upper story 55 foote highe
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618:. This is evident in his swags on the street façade of the Banqueting House, similar to that which adorns the plinth of his
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mason who had trained in Holland. It has been said that, until this time, English sculpture resembled that described by the
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673:, been alive, with her appreciation of the historical significance of Whitehall, he would have insisted on the rebuilding.
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715:, the wife of Charles I, brought to the court. The masques began a slow decline, however, after the death in 1625 of
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and encouraged the great painters of Europe to come to England. In 1623 he visited Spain where he was impressed by
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with a secondary floor above. The lower windows of the hall are surmounted by alternating triangular and segmental
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orders, the former above the latter, stand atop a high, rusticated basement and divide the seven bays of windows.
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880:
525:, and returned to England with what were, at the time, revolutionary ideas: to replace the eclectic style of the
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Hart, V. (2002). '"Immaginacy set free": Aristotelian Ethics and Inigo Jones's Banqueting House at Whitehall',
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and was an allegory of his own birth. To the king's chagrin, Rubens took his knighthood and decamped back to
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453:, wrote that "the apparatus and the cunning of the stage machinery was a miracle". Stage mechanisms for
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was beheaded on a scaffold in front of it in January 1649. The building was controversially re-faced in
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were asked to design a new palace, but nothing came of the scheme. It has been said that the widowed
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and masks suggest the feasting and revelry associated with the concept of a royal banqueting hall.
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575:, which projects to emphasize the central three bays, the capitals of the pilasters are linked by
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understanding of the underlying principles of late Renaissance classicism. With his work at the
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architecture of England, where Renaissance motifs were still filtered through the engravings of
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The design of the Banqueting House is classical in concept. It introduced a refined Italianate
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A more permanent Banqueting house was built at Whitehall in 1581, costing £1,744-19 shillings.
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355:, which has since been demolished and instead marks the site of a footpath junction of the
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252:, constructed for elaborate entertaining. It is the only large surviving component of the
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made a drawing of the ground plan. An adjacent chamber was built to host events for the
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made a special auger to hollow out the columns. The interior was painted and gilded by
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424:. A "geometrical model" for the roof was made by a Scottish designer, James Acheson.
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Oliver Jones, 'Evidence for Indoor Theatre', Andrew Gurr & Farah Karim-Cooper,
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in June 1607, for which new linen was bought to dress the two cupboards of estate.
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719:, who died on a trip to meet the newly married Henrietta Maria and her musicians.
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The replacement Banqueting House was commissioned from the fashionable architect
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1215:
Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse
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in Greenwich, and the Banqueting House, Jones transformed English architecture.
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Wikimedia photograph of Banqueting House Junction in the forest of Nonsuch Park
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359:. This house was used to entertain the French agent in London and ambassador
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103:
90:
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Europe's Indians, Indians in Europe: European Perceptions and Appropriations
517:. Jones had spent time in Italy studying the architecture evolving from the
303:
27:
Former palace banqueting rooms, later chapel of Whitehall in London, England
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Survey of London: volume 13: St Margaret, Westminster, part II: Whitehall I
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615:
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576:
571:, while the upper windows are unadorned casements. Immediately beneath the
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in 1962, and the great south window, closed up by the RUSI, was restored.
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were brought before the king at the Banqueting House, at a performance of
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designers. The roof is essentially flat and the roofline is defined by a
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76:
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Edward Town, 'A Biographical Dictionary of London Painters, 1547-1625',
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1811:
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Today, the banqueting hall is open for tours and use as a venue space.
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698:
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548:
480:
733:
295:, which receives no funding from the British Government or the Crown.
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241:
72:
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Palaces of the Revolution, Life, Death & Art at the Stuart Court
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Palaces of the Revolution, Life, Death & Art at the Stuart Court
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outside Banqueting House following the defeat of Royalist forces.
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The overthrow of the monarch and establishment of the puritanical
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380:. In subsequent years, the decorative scheme was enhanced by the
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by designating it in relation to a building of the same name at
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584:
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wedding of Princess Elizabeth and Frederick V of the Palatinate
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The ceiling of this Elizabethan banqueting house, inherited by
603:
1854:
832:, which delayed its spread; but within a few years of the
275:, the Banqueting House was completed in 1622 at a cost of
875:
preferred to live elsewhere and eventually reconstructed
598:
Much of the work on the Banqueting House was overseen by
536:
style that was unparalleled in the free and picturesque
642:
intervened and the plans were permanently shelved. The
1142:
John Orrell, 'Architecture of the Fortune Playhouse',
780:, to display Van Dyck's portraits of the aristocratic
1232:
The Language of Space in Court Performance, 1400-1625
583:, above which the entablature is supported by dental
551:. On the street façade, the engaged columns, of the
440:) which supported viewing galleries on three sides.
331:, expanding an earlier mansion that had belonged to
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Grade I listed buildings in the City of Westminster
1687:
1594:
A History of Architecture on the Comparative Method
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1329:
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1505:. Royal United Services Institute. Archived from
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1217:(Cambridge, 2014), 75–76: Herford & Simpson,
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994:
992:
416:The first Jacobean banqueting house at Whitehall
1999:
1968:
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1324:
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1157:Dudley Carleton to John Chamberlain, 1603-1624
226:Location of Banqueting House in Central London
2596:
1673:
1087:Extracts from the Accounts of Revels at Court
989:
669:never cared for the area, but, had his wife,
291:. It is cared for by an independent charity,
2610:
2216:Old Operating Theatre Museum and Herb Garret
1608:RES: Journal of Anthropology and Aesthetics
1014:A History of the County of Surrey: Volume 3
1007:
867:was the last monarch to live at Whitehall;
443:The new banqueting house was the venue for
2603:
2589:
1945:Museum of Domestic Design and Architecture
1907:
1680:
1666:
1245:Whitehall Palace: An Architectural History
449:in January 1608, the Venetian ambassador,
319:, showing the Banqueting House to the left
47:
2060:Estorick Collection of Modern Italian Art
1454:History of the Great Civil War: 1642–1649
1294:HMC 12th report part I, Earl Cowper, Coke
1465:Plaque above doorway on Banqueting House
1284:(University Press of America, 2007), 16.
1267:Thomas Birch & Folkestone Williams,
1175:(Oxford: Clarendon Press, 1968), p. 257.
973:. Historic Royal Palaces. Archived from
732:
624:
501:
310:
302:
218:
1570:
1456:(Volume 4), Longmans, 1893, at page 321
1360:
1098:
740:, the central panel of the ceiling, by
14:
2805:
1257:RIBA Banqueting House, Robert Smythson
1103:. London: British Museum. p. 165.
837:pediments, an arrangement employed by
2584:
1998:
1955:Petrie Museum of Egyptian Archaeology
1906:
1699:
1661:
1540:Wimborne, Dorset: The Dovecote Press.
1700:
2853:Neoclassical architecture in London
2539:Ranger's House (Wernher Collection)
2130:Museum of Immigration and Diversity
1615:Inigo Jones: The Architect of Kings
24:
2818:Museums in the City of Westminster
2110:London Museum of Water & Steam
1269:Court and Times of James the First
1221:, 10 (Oxford, 1965), pp. 494, 548.
1120:(William Collins, 2021), pp. 91-3.
1016:. Institute of Historical Research
963:
949:National Heritage List for England
378:Francis, Duke of Anjou and Alençon
25:
2889:
2858:Palladian architecture in England
1642:
1579:, Sutton: Sutton Publishing Ltd,
841:as early as 1550 at the Medicis'
32:Banqueting House (disambiguation)
2813:Historic house museums in London
2565:
2564:
2115:Markfield Beam Engine and Museum
1271:, vol. 1 (London, 1848), p. 229.
1061:English Court Theatre, 1558-1642
463:, paymaster of the royal works.
367:The Elizabethan banqueting house
217:
210:
1689:Museums and galleries in London
1554:Her Majesty's Stationery Office
1523:
1495:
1486:
1477:
1468:
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1194:
1191:(William Collins, 2021), p. 92.
1178:
1173:The Jacobean and Caroline Stage
1162:
1149:
1136:
1123:
1107:
1101:Jewels and Plate of Elizabeth I
1092:
1079:
1066:
1053:
1048:Dress in the Age of Elizabeth I
881:Royal United Services Institute
828:caused the style to be seen as
497:
469:was performed in January 1610.
307:Interior of the Banqueting Hall
2863:1622 establishments in England
2524:Kenwood House (Iveagh Bequest)
2211:Museum of the Order of St John
2100:Institute of Contemporary Arts
2085:Handel & Hendrix in London
1603:. London: Thames & Hudson.
1550:The Banqueting House Whitehall
1546:Department for the Environment
1099:Collins, A. Jefferies (1955).
1040:
1028:
1001:
932:
923:
914:
900:
267:Begun in 1619 and designed by
13:
1:
2145:Royal Academy of Music Museum
1596:. London: B.T. Batsford, Ltd.
1234:(Cambridge, 2010), pp. 145-6.
1063:(Cambridge, 1999), pp. 133-4.
894:
398:, was painted with clouds by
279:15,618, 27 years before King
2025:Ben Uri Gallery & Museum
2010:Arsenal Football Club Museum
1529:Copplestone, Trewin (1963).
1312:, 2 (London, 1839), 187–188.
1204:, 10 (Oxford, 1965), p. 457.
944:"Banqueting House (1357353)"
7:
2373:Banqueting House, Whitehall
2196:Florence Nightingale Museum
2000:Other museums and galleries
1601:Cultural History of England
1247:(London: HRP, 1999), 79–80.
1146:, 47 (Cambridge, 1992), 17.
676:
18:Banqueting House, Whitehall
10:
2894:
2282:Headstone Manor and Museum
2065:Fashion and Textile Museum
1878:Victoria and Albert Museum
1794:Imperial War Museum London
1627:Williams, Neville (1971).
1610:, vol.39, pp. 151–67.
1575:The Last Days of Charles I
1159:(Rutgers UP, 1972), p. 99.
298:
29:
2823:Royal buildings in London
2779:
2664:
2618:
2560:
2489:
2401:
2363:
2340:
2262:Greenwich Heritage Centre
2229:
2183:
2005:
1994:
1915:
1902:
1876:
1853:
1835:
1802:
1771:
1743:National Portrait Gallery
1708:
1695:
1617:. Yale University Press.
1503:"History of the Building"
1050:(Batsford, 1988), p. 126.
1008:H.E. Malden, ed. (1911).
795:
738:The Apotheosis of James I
648:Charles I's own execution
351:, near the south edge of
271:in a style influenced by
205:
201:
197:
187:
179:
171:
161:
157:
147:
137:
127:
119:
82:
68:
58:
46:
41:
2843:Houses completed in 1622
2612:British royal residences
2035:Bow Street Police Museum
1817:National Maritime Museum
1599:Halliday, F. E. (1967).
1571:Edwards, Graham (1999),
1538:Somerset Country Houses.
1536:Dunning, Robert (1991).
1452:Samuel Rawson Gardiner,
644:Second English Civil War
2787:Former royal residences
2030:Benjamin Franklin House
1978:London Museum Docklands
1940:London Transport Museum
1925:Dulwich Picture Gallery
1804:Royal Museums Greenwich
1758:Sir John Soane's Museum
1296:(London, 1888), p. 103.
1200:Herford & Simpson,
1133:(London, 1836), p. 302.
1131:Issues of the Exchequer
634:Palladianism. However,
620:Francis Holles memorial
487:came to see the masque
466:Prince Henry's Barriers
428:was the carpenter, and
289:Grade I listed building
260:which was to transform
2838:Historic Royal Palaces
2833:Grade I listed palaces
2792:Historic Royal Palaces
2365:Historic Royal Palaces
2342:Royal Collection Trust
2175:William Morris Gallery
2160:Sherlock Holmes Museum
2040:Charles Dickens Museum
2015:Bank of England Museum
1909:Designated collections
1753:Royal Air Force Museum
1748:Natural History Museum
1404:"The Banqueting House"
1074:Walpole Society Volume
1037:. Retrieved 2013-10-25
1010:"Parishes: Cuddington"
744:
630:
510:
363:and his wife in 1556.
320:
308:
293:Historic Royal Palaces
258:Palladian architecture
152:Historic Royal Palaces
138:Architectural style(s)
2848:Inigo Jones buildings
2230:Local history museums
2187:Health & Medicine
2185:The London Museums of
2135:Orleans House Gallery
2105:Leighton House Museum
2075:Guildhall Art Gallery
1960:Royal Academy of Arts
1950:Museum of Freemasonry
1631:. Lutterworth Press.
736:
704:The Vision of Delight
628:
505:
490:The Vision of Delight
314:
306:
2873:Charles I of England
2746:Thatched House Lodge
2431:Eastbury Manor House
2378:Hampton Court Palace
2317:Valence House Museum
2155:Serpentine Galleries
2045:Dennis Severs' House
2020:Barbican Art Gallery
1837:Science Museum Group
1773:Imperial War Museums
1733:National Army Museum
1592:Fletcher, B (1921).
1169:Gerald Eades Bentley
1089:(London, 1842), 203.
877:Hampton Court Palace
456:The Masque of Queens
446:The Masque of Beauty
327:was the creation of
281:Charles I of England
262:English architecture
30:For other uses, see
2636:Hillsborough Castle
2416:575 Wandsworth Road
2322:Vestry House Museum
2307:Museum of Wimbledon
2221:Wellcome Collection
2170:Whitechapel Gallery
1781:Churchill War Rooms
1310:Court of King James
1306:John Sherren Brewer
1280:Dagmar Wernitznig,
1076:, 76 (2014), p. 83.
1059:John H. Astington,
977:on 1 September 2011
410:Prince of Joinville
396:Union of the Crowns
361:Antoine de Noailles
337:Palace of Whitehall
325:Palace of Whitehall
317:Palace of Whitehall
254:Palace of Whitehall
246:City of Westminster
100: /
2707:Nottingham Cottage
2698:Kensington Palace
2302:Museum of Richmond
2055:Dr Johnson's House
1763:Wallace Collection
1728:Museum of the Home
1531:World Architecture
1509:on 18 January 2012
1483:Coppelstone, p 249
1144:Shakespeare Survey
1085:Peter Cunningham,
920:Coppelstone, p 835
745:
728:minstrels' gallery
663:Nicholas Hawksmoor
631:
587:. Under the upper
511:
426:William Portington
387:and Lewis Lizard.
321:
309:
188:Reference no.
104:51.5044°N 0.1256°W
2800:
2799:
2724:Sandringham House
2651:St James's Palace
2646:Kensington Palace
2626:Buckingham Palace
2578:
2577:
2556:
2555:
2552:
2551:
2544:Winchester Palace
2534:Marble Hill House
2383:Kensington Palace
2327:Wandsworth Museum
2312:Twickenham Museum
2297:Museum of Croydon
1990:
1989:
1986:
1985:
1920:Courtauld Gallery
1898:
1897:
1894:
1893:
1827:Royal Observatory
1613:Hart, V. (2011).
1586:978-0-7509-2679-9
1533:. London: Hamlyn.
1129:Frederick Devon,
851:Brympton d'Evercy
790:his own execution
742:Peter Paul Rubens
373:Raphael Holinshed
250:banqueting houses
234:
233:
16:(Redirected from
2885:
2764:Frogmore Cottage
2754:Adelaide Cottage
2605:
2598:
2591:
2582:
2581:
2568:
2567:
2491:English Heritage
2456:Morden Hall Park
2332:Whitehall Museum
2287:Islington Museum
2267:Gunnersbury Park
2201:Foundling Museum
2181:
2180:
2165:Two Temple Place
2125:Museum of Brands
2120:Migration Museum
1996:
1995:
1970:Museum of London
1966:
1965:
1930:Hunterian Museum
1904:
1903:
1769:
1768:
1738:National Gallery
1702:National museums
1697:
1696:
1682:
1675:
1668:
1659:
1658:
1654:
1653:
1651:Official website
1589:
1578:
1567:
1518:
1517:
1515:
1514:
1499:
1493:
1490:
1484:
1481:
1475:
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1457:
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1364:
1358:
1352:
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1343:
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1334:
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1322:
1319:
1313:
1303:
1297:
1291:
1285:
1278:
1272:
1265:
1259:
1254:
1248:
1241:
1235:
1230:Janette Dillon,
1228:
1222:
1211:
1205:
1198:
1192:
1182:
1176:
1166:
1160:
1153:
1147:
1140:
1134:
1127:
1121:
1111:
1105:
1104:
1096:
1090:
1083:
1077:
1070:
1064:
1057:
1051:
1046:Jane Ashelford,
1044:
1038:
1032:
1026:
1025:
1023:
1021:
1005:
999:
996:
987:
986:
984:
982:
967:
961:
960:
958:
956:
940:Historic England
936:
930:
927:
921:
918:
912:
904:
750:Royal Collection
683:Banqueting House
667:King William III
659:Christopher Wren
608:Duchess of Malfi
451:Zorzi Giustinian
438:Classical orders
422:Robert Stickells
238:Banqueting House
221:
220:
214:
175:Banqueting House
115:
114:
112:
111:
110:
109:51.5044; -0.1256
105:
101:
98:
97:
96:
93:
63:Banqueting house
53:Whitehall facade
51:
42:Banqueting House
39:
38:
21:
2893:
2892:
2888:
2887:
2886:
2884:
2883:
2882:
2803:
2802:
2801:
2796:
2775:
2694:Highgrove House
2682:Craigowan Lodge
2672:Balmoral Castle
2660:
2641:Holyrood Palace
2614:
2609:
2579:
2574:
2548:
2485:
2426:Carlyle's House
2421:Blewcoat School
2397:
2393:Tower of London
2359:
2336:
2292:Kingston Museum
2277:Havering Museum
2225:
2186:
2179:
2150:Saatchi Gallery
2095:Hogarth's House
2090:Hayward Gallery
2001:
1982:
1964:
1911:
1890:
1872:
1849:
1831:
1798:
1767:
1723:Horniman Museum
1713:British Library
1704:
1691:
1686:
1649:
1648:
1645:
1587:
1564:
1526:
1521:
1512:
1510:
1501:
1500:
1496:
1491:
1487:
1482:
1478:
1474:Halliday, p 148
1473:
1469:
1464:
1460:
1451:
1447:
1443:Halliday, p 152
1442:
1435:
1430:
1426:
1413:
1411:
1402:
1401:
1397:
1393:Halliday, p 156
1392:
1388:
1384:Great Buildings
1383:
1379:
1374:
1367:
1359:
1355:
1350:
1346:
1342:Halliday, p 154
1341:
1337:
1333:Fletcher, p 716
1332:
1325:
1321:Fletcher, p 715
1320:
1316:
1304:
1300:
1292:
1288:
1279:
1275:
1266:
1262:
1255:
1251:
1243:Simon Thurley,
1242:
1238:
1229:
1225:
1212:
1208:
1199:
1195:
1183:
1179:
1167:
1163:
1154:
1150:
1141:
1137:
1128:
1124:
1112:
1108:
1097:
1093:
1084:
1080:
1071:
1067:
1058:
1054:
1045:
1041:
1033:
1029:
1019:
1017:
1006:
1002:
997:
990:
980:
978:
969:
968:
964:
954:
952:
937:
933:
928:
924:
919:
915:
905:
901:
897:
798:
717:Orlando Gibbons
713:Henrietta Maria
707:. According to
679:
523:Andrea Palladio
500:
473:Robert Smythson
418:
369:
333:Cardinal Wolsey
329:King Henry VIII
301:
273:Andrea Palladio
230:
229:
228:
227:
224:
223:
222:
183:1 December 1987
167:
164:Listed Building
108:
106:
102:
99:
94:
91:
89:
87:
86:
54:
35:
28:
23:
22:
15:
12:
11:
5:
2891:
2881:
2880:
2875:
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2865:
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2855:
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2798:
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2774:
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2748:
2743:
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2716:
2715:
2714:
2709:
2704:
2696:
2691:
2686:
2685:
2684:
2679:
2668:
2666:
2662:
2661:
2659:
2658:
2656:Windsor Castle
2653:
2648:
2643:
2638:
2633:
2631:Clarence House
2628:
2622:
2620:
2616:
2615:
2608:
2607:
2600:
2593:
2585:
2576:
2575:
2573:
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2554:
2553:
2550:
2549:
2547:
2546:
2541:
2536:
2531:
2526:
2521:
2516:
2511:
2506:
2504:Chiswick House
2501:
2495:
2493:
2487:
2486:
2484:
2483:
2478:
2473:
2468:
2463:
2458:
2453:
2452:
2451:
2443:
2441:The George Inn
2438:
2433:
2428:
2423:
2418:
2413:
2407:
2405:
2403:National Trust
2399:
2398:
2396:
2395:
2390:
2385:
2380:
2375:
2369:
2367:
2361:
2360:
2358:
2357:
2352:
2350:King's Gallery
2346:
2344:
2338:
2337:
2335:
2334:
2329:
2324:
2319:
2314:
2309:
2304:
2299:
2294:
2289:
2284:
2279:
2274:
2272:Hackney Museum
2269:
2264:
2259:
2254:
2249:
2244:
2239:
2233:
2231:
2227:
2226:
2224:
2223:
2218:
2213:
2208:
2203:
2198:
2192:
2190:
2178:
2177:
2172:
2167:
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2147:
2142:
2137:
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2127:
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2117:
2112:
2107:
2102:
2097:
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2072:
2067:
2062:
2057:
2052:
2047:
2042:
2037:
2032:
2027:
2022:
2017:
2012:
2006:
2003:
2002:
1992:
1991:
1988:
1987:
1984:
1983:
1981:
1980:
1974:
1972:
1963:
1962:
1957:
1952:
1947:
1942:
1937:
1932:
1927:
1922:
1916:
1913:
1912:
1900:
1899:
1896:
1895:
1892:
1891:
1889:
1888:
1882:
1880:
1874:
1873:
1871:
1870:
1865:
1859:
1857:
1851:
1850:
1848:
1847:
1845:Science Museum
1841:
1839:
1833:
1832:
1830:
1829:
1824:
1819:
1814:
1808:
1806:
1800:
1799:
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1766:
1765:
1760:
1755:
1750:
1745:
1740:
1735:
1730:
1725:
1720:
1718:British Museum
1715:
1709:
1706:
1705:
1693:
1692:
1685:
1684:
1677:
1670:
1662:
1656:
1655:
1644:
1643:External links
1641:
1640:
1639:
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1611:
1604:
1597:
1590:
1585:
1568:
1562:
1541:
1534:
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1433:
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1395:
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1377:
1375:Williams, p 50
1365:
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1000:
998:Williams, p 45
988:
962:
931:
922:
913:
898:
896:
893:
885:Queen Victoria
843:Palazzo Uffizi
811:Hatfield House
807:prodigy houses
797:
794:
678:
675:
636:King Charles I
600:Nicholas Stone
499:
496:
417:
414:
368:
365:
353:Greater London
349:Nonsuch Palace
300:
297:
285:Portland stone
232:
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225:
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2689:Gatcombe Park
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2446:Lindsey House
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2411:2 Willow Road
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2250:
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2238:
2237:Barnet Museum
2235:
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2140:Postal Museum
2138:
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2070:Garden Museum
2068:
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2050:Design Museum
2048:
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1935:Jewish Museum
1933:
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1886:Young V&A
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1563:0-86056-106-2
1559:
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1492:Dunning, p 21
1489:
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1363:, p. 176
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1190:
1186:
1185:Simon Thurley
1181:
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1170:
1165:
1158:
1155:Maurice Lee,
1152:
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1126:
1119:
1115:
1114:Simon Thurley
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2759:Bagshot Park
2719:Llwynywermod
2499:Apsley House
2481:Sutton House
2466:Rainham Hall
2436:Fenton House
2242:Bruce Castle
2206:Freud Museum
1863:Tate Britain
1787:
1628:
1614:
1607:
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1593:
1574:
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1524:Bibliography
1511:. Retrieved
1507:the original
1497:
1488:
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1461:
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1427:
1419:
1412:. Retrieved
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1361:Edwards 1999
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1018:. Retrieved
1013:
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979:. Retrieved
975:the original
971:"Who We Are"
965:
953:. Retrieved
947:
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916:
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859:Ashton Court
855:Hinton House
826:Commonwealth
823:
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778:Wilton House
765:
746:
737:
724:Palladianism
721:
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682:
680:
655:Holbein Gate
652:
646:resulted in
632:
616:Medici tombs
612:Michelangelo
597:
585:corbel table
565:piano nobile
561:
531:
521:and that of
512:
498:Architecture
488:
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430:Peter Street
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392:King James I
389:
385:George Gower
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345:Queen Mary I
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235:
36:
2769:Royal Lodge
2702:Ivy Cottage
2529:London Wall
2519:Jewel Tower
2476:Roman Baths
2247:Burgh House
1868:Tate Modern
1629:Royal Homes
869:William III
834:Restoration
803:Middle Ages
770:of James I,
573:entablature
534:Renaissance
519:Renaissance
515:Inigo Jones
507:Inigo Jones
357:London Loop
269:Inigo Jones
132:Inigo Jones
107: /
83:Coordinates
77:Westminster
2878:Pocahontas
2807:Categories
2729:Anmer Hall
2712:Wren House
2509:Down House
2450:restricted
2388:Kew Palace
2355:Royal Mews
2257:Forty Hall
2189:(selected)
2080:Hall Place
1812:Cutty Sark
1513:2012-01-31
1219:Ben Jonson
1202:Ben Jonson
1020:25 October
981:31 January
955:3 November
906:While the
895:References
768:Apotheosis
709:John Smith
701:'s masque
699:Ben Jonson
691:Pocahontas
604:Devonshire
553:Corinthian
549:balustrade
481:Pocahontas
180:Designated
92:51°30′16″N
2868:Whitehall
2734:Wood Farm
2471:Red House
762:Velázquez
681:The term
640:Civil War
569:pediments
545:Mannerist
479:in 1613.
402:in 1604.
242:Whitehall
166:– Grade I
142:Palladian
128:Architect
95:0°07′32″W
73:Whitehall
2780:See also
2750:Windsor
2741:Tamarisk
2677:Birkhall
2619:Official
2570:Category
1548:(1983).
1431:Halliday
865:James II
847:Florence
830:Royalist
784:family.
782:Pembroke
695:Tomocomo
677:Interior
593:festoons
538:Jacobean
527:Jacobean
485:Tomocomo
382:painters
315:The old
69:Location
2665:Private
1788:Belfast
1414:17 July
873:Mary II
774:Antwerp
687:masques
671:Mary II
542:Flemish
405:Othello
394:at the
299:History
244:in the
192:1357353
1635:
1621:
1583:
1560:
1410:. 1930
857:, and
839:Vasari
796:Legacy
760:, and
758:Rubens
754:Titian
589:frieze
581:relief
809:like
577:swags
557:Ionic
240:, on
120:Built
1855:Tate
1786:HMS
1633:ISBN
1619:ISBN
1581:ISBN
1558:ISBN
1544:The
1416:2009
1022:2013
983:2012
957:2019
871:and
766:The
693:and
661:and
602:, a
555:and
483:and
323:The
236:The
123:1622
59:Type
911:149
883:by
845:in
614:'s
579:in
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