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242:. Mozart submitted himself to the necessary; but to avenge himself for the trick Frau Duschek had played on him, he used various difficult-to-sing passages in the aria, and threatened his despotic friend that he would immediately destroy the aria if she could not succeed in performing it at sight without mistakes.
238:. On the summit of a hill near the villa stands a pavilion. In it, one day, Frau Duschek slyly imprisoned the great Mozart, after having provided ink, pen, and notepaper, and told him that he was not to regain his freedom until he had written an aria he had promised her to the words
250:(mm. 27–34) are set to an awesome tangle of chromatic sequences artfully calculated to test the singer's sense of intonation and powers of interpretation. Apparently Mme. Duschek survived the
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is well-known as the villa in which Mozart enjoyed staying with his musician friends, the
Duscheks, during his visit to Prague, and where he composed several numbers for his
531:, vol. 4, pp. 198–199. The journal attributed the story to "Mozart's son"; of Mozart's two sons, only Karl Thomas was alive at the time. The source of this translation is
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bears her name in Mozart's hand." In 1789, Duschek sang the work along with other arias at concerts given by Mozart in
Dresden and Leipzig during his
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Librarian
Bernard Wilson, commenting on the story, adds: "There seems to be some corroboration of this account in the aria itself. The words
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223:", K. 272, in Salzburg. The composition of this aria was somewhat unusual; the following tale is attributed to Mozart's son
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Neue
Ausgabe sämtlicher Werke, Serie II: Bühnenwerke, Werkgruppe 7: Arien, Szenen, Ensembles, und Chöre mit Orchester, Band 4
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Composed in Prague, dated 3 November 1787, the aria was dedicated to its original singer,
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147:. A typical performance lasts for around ten minutes. The aria contains
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in 1787. The text of this aria is taken from the 1772 opera
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643:, 2nd Ser., vol. 30, no. 4. (June 1974), pp. 856–857.
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541:, vol. 28, no. 2. (April–June 1967), pp. 249–258.
109:Sung by the character Titano, the aria is marked
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155:passages. The aria part of the work calls for a
535:(1967) "Child Mozart as an Aesthetic Symbol",
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248:Quest' affano, questo passo è terribile per me
310:Ah, tutto finisca il mio furor col morir mio.
219:, for whom Mozart previously wrote the aria "
480:"Bella mia fiamma, addio! – 3 November 1787"
375:before out knot of happiness could be bound
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471:
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296:Della giurata fede la mia morte t'assolve.
291:fra lor gl'animi nostri con il solo voler.
692:International Music Score Library Project
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462:International Music Score Library Project
382:My death absolves you from your promises.
371:Heaven has not planned for our happiness.
113:, and consists of 196 bars in the key of
428:Where is the temple, where is the altar?
411:A cruel death takes me from you, Oh God!
285:Non piacque al cielo di renderci felici.
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527:The story was published in 1856 in the
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379:Live, and submit to fate and your duty.
300:unita vivi piĂą lieta e piĂą felice vita.
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384:United to a better partner (Oh grief!)
633:Wilson, Bernard E. (1974) "Review of
386:You will have a better, happier life.
293:Vivi: Cedi al destin, cedi al dovere.
801:Music dedicated to family or friends
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392:by thoughts of unhappy former lover.
312:Cerere, Alfeo, diletta sposa, addio!
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287:Ecco reciso, prima d'esser compito,
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478:Steven Lacoste (3 November 2010).
289:quel purissimo nodo, che strinsero
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585:. 3rd ed. Bern: K. G. Saur, 1997.
347:Ah! Dov'è il tempio, dov'è l'ara?
302:Ricordati di me, ma non mai turbi
16:1787 concert aria by W. A. Mozart
786:Arias by Wolfgang Amadeus Mozart
763:
298:A piĂą degno consorte ... O pene!
184:
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556:. Minneapolis: Bearclaw. 2013.
538:Journal of the History of Ideas
377:by our spirit in a single will.
373:Those pure strands were snapped
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396:and death will end my ravings.
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175:. The time signature for the
353:Vieni, affretta la vendetta!
324:mi separa, Oh Dio ... da te!
308:Regina, io vado ad ubbidirti
62:. The aria was published by
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624:. New York: Harper Collins.
529:Berliner Musik-Zeitung Echo
363:Oh cara, addio per sempre!
343:Quest'affanno, questo passo
322:Resta, o cara, acerba morte
190:, then for the aria proper
39:and orchestra, composed in
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594:Salfellner, Harald (2003)
424:This distressing situation
369:Light of my life farewell!
306:rimembranza il tuo riposo.
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736:"Bella mia fiamma, addio"
713:"Bella mia fiamma, addio"
405:, beloved heart, goodbye.
332:consolarla almen procura.
330:Prendi cura di sua sorte,
304:d'un felice sposo la rara
745:Vienna Chamber Orchestra
697:Italian and English text
340:Addio, addio per sempre.
283:Bella mia fiamma, addio!
277:
806:Compositions in C major
673:Bella mia fiamma, addio
435:Can be borne no longer.
390:but do not be disturbed
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151:writing with difficult
33:Wolfgang Amadeus Mozart
21:Bella mia fiamma, addio
726:Concentus Musicus Wien
431:Come revenge, be quick
355:Questa vita così amara
275:
244:
240:bella mia fiamma addio
64:Breitkopf & Härtel
394:My Queen, I leave you
357:più soffribile non è!
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111:andante, then allegro
730:Nikolaus Harnoncourt
582:Großes Sängerlexikon
505:The New Grove Mozart
419:I go, alas, farewell
682:Neue Mozart-Ausgabe
345:è terribile per me.
338:Vado ... ahi lasso!
688:"Bella mia fiamma"
551:Freeman, Daniel E.
458:"Bella mia fiamma"
276:
89:. You can help by
811:Ceres (mythology)
796:1787 compositions
596:Mozart and Prague
562:978-0-9794223-1-7
438:Goodbye forever!
421:farewell forever.
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690:: Scores at the
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598:. Vitalis 2003;
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554:Mozart in Prague
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484:The Voice of God
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460:: Scores at the
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433:This bitter life
426:is hard to bear.
361:(To Proserpina):
320:(to Proserpina):
274:Score (15 pages)
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252:passo terribile
217:Josepha Duschek
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87:needs expansion
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53:Michele Sarcone
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664:External links
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622:Mozart: A Life
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414:Look after her
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262:of that year.
260:Berlin journey
221:Ah, lo previdi
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121:reaches from
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85:This section
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51:with text by
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747:, conductor
739:on YouTube,
728:, conductor
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488:. Retrieved
486:. Word Press
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416:Comfort her.
388:Remember me,
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351:(To Cerere):
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328:(to Cerere):
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254:, since the
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177:introduction
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91:adding to it
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29:concert aria
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577:Leo Riemens
336:(to Alfeo):
225:Karl Thomas
181:common time
119:vocal range
70:Description
56: [
780:Categories
533:Peter Kivy
517:0333341996
443:References
280:Recitativo
171:in C, and
98:March 2021
27:528, is a
511:, p. 114
490:March 31,
256:autograph
153:chromatic
134:tessitura
66:in 1881.
35:for solo
706:Ian Page
236:Don Juan
232:Petranka
165:bassoons
718:YouTube
679:in the
620:(1995)
507:(1980)
403:Alpheus
211:History
173:strings
149:bravura
132:with a
115:C major
37:soprano
756:Portal
708:, 2017
671:
656:897043
654:
637:". In
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560:
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167:, two
163:, two
159:, two
117:. The
41:Prague
770:Opera
702:Notes
677:Score
652:JSTOR
640:Notes
399:Ceres
161:oboes
157:flute
60:]
600:ISBN
575:and
558:ISBN
513:ISBN
492:2021
316:Aria
266:Text
143:to G
128:to A
716:on
704:by
645:doi
179:is
136:of
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31:by
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482:.
468:^
450:^
401:,
227::
58:it
25:K.
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494:.
199:4
145:5
140:4
138:D
130:5
125:4
123:D
100:)
96:(
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