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Charlemagne et ses Leudes

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24: 322: 342:. The legend has them both dying in 778, when Charlemagne was still young and a generation before he would be crowned Emperor. Charlemagne's insignia of power were not to be carried on the battlefield. The Imperial Crown, in any case, was not created until more than a century after Charlemagne's death. As for the scepter, it dates from the 14th century. 226:
shortly after the death of Louis Rochet. By that time, however, the political climate was much less favorable to the celebration of Charlemagne given the latter's monarchical and German associations. Charles Rochet offered to cover the cost of the 15-ton group's erection in order to facilitate its
231:'s recommendation and after some controversy, the Paris municipal council accepted the offer in January 1879 and endorsed the Parvis Notre-Dame as a "provisional" location. The group was erected there in 1882, on a wooden pedestal designed by Viollet-le-Duc. 373:. Simultaneously, the presence of Roland and Oliver anchor Charlemagne in French territory and tradition against the competing claims of Belgium, then a young nation in search of iconic heroes of its own, and especially of Germany, which was starting its 234:
Eventually the City of Paris acquired the ownership of the statue in 1895 and reimbursed the founders. In 1908 the current pedestal was built in stone. Unlike many bronze statues in Paris and elsewhere, the monument was spared by the
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The representation is fictional and anachronistic on multiple levels, which was probably intentional to emphasize its allegorical character. Their hairstyles and clothes are those traditionally associated with
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at the same time as the statue was being designed. The theatrical gesture of Charlemagne, holding his "French" scepter above his "German" crown, can be viewed as significant along those lines.
236: 170: 318:. At the same time, Charlemagne's majestic and confident attitude points to his achievements beyond the two paladins' sacrifice, and to his enduring legacy. 510: 345:
The composition abounds in political and nationalistic symbolism, reflecting the Rochet brothers' intent to claim Charlemagne's legacy for France and
166: 155: 40: 569: 256: 134: 589: 484:"CDXXIV : La statue de "Charlemagne et ses leudes"... une autre statue en bronze qui a eu du mal à trouver une place !" 422: 267: 594: 534: 564: 554: 195:, referring to a Frankish aristocrat who has pledged fidelity to the monarch and belongs to his retinue. It is synonymous of 599: 544: 386: 549: 456: 353:. The implied claim of imperial affinity between Charlemagne and Napoleon was a way to downplay the prominence of the 579: 175: 391: 362: 314:. The two standing figures' watchfulness creates a sense of foreboding that presages their heroic demise at the 223: 216: 455:
Alain Dierkens (2015). "La Statue de Charlemagne à Liège, au boulevard d'Avroy (Louis Jéhotte, 1855-1868)".
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in the centuries in between, and thus to neuter the pretentions of the French royalist parties of the time:
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because of Charlemagne's salience in their own nationalistic ideology. In 1973, its replacement by the
539: 370: 315: 228: 303: 374: 584: 240: 350: 283: 271: 8: 335: 260: 192: 139: 97: 282:, both looking out for potential enemies on the sides. Roland carries his trademark 354: 275: 321: 160: 23: 528: 311: 55: 42: 358: 346: 366: 208: 439: 196: 291: 274:, traditionally known as "Scepter of Charlemagne". He is guarded by 299: 207:
The Rochet brothers first conceived the project of a monument to
339: 295: 287: 279: 212: 151: 129: 79: 259:, close to the river Seine on the right-hand side when facing 331: 147: 75: 307: 244: 423:"Monument à Charlemagne et ses leudes – Paris (75004)" 306:. Oliver is also heavily armed, carrying a Frankish 302:, modeled on the sword of the same name kept at the 266:Charlemagne is represented in old age, wearing the 440:Geneviève Bührer-Thierry; Charles Mériaux (2010). 420: 250: 526: 481: 222:The completed bronze group was exhibited at the 255:The statue is located on the south side of the 454: 505: 503: 464:. Institut du Patrimoine Wallon. p. 63. 169:(1815-1900), it was cast at the art foundry 114: 28:View of the statue from the Notre-Dame plaza 511:"La statue de Charlemagne et de ses Leudes" 488:L'Indépendant du 4e Arrondissement de Paris 294:and mythically associated with the ancient 215:. They presented a plaster version at the 22: 500: 477: 475: 473: 471: 416: 414: 412: 227:location on a suitable Parisian site. On 448: 320: 211:in 1853. They initially intended it for 268:Imperial Crown of the Holy Roman Empire 527: 468: 409: 349:in alignment with the ideology of the 290:but known in 19th-century France as a 257:Parvis Notre-Dame – Place Jean-Paul-II 421:Dominique Perchet (17 January 2012). 286:, a double-headed axe (technically a 442:La France avant la France, (481–888) 387:List of equestrian statues in France 237:German occupiers during World War II 247:were debated, but not implemented. 13: 570:Cultural depictions of Charlemagne 14: 611: 482:Emmanuel Delarue (28 June 2009). 590:Prince Philippe, Count of Paris 278:, who guides his horse, and by 154:. A joint work by the brothers 433: 325:Detail of the monument's horse 251:Description and interpretation 191:is a word associated with the 132:statue situated on the plaza ( 1: 595:Exposition Universelle (1878) 535:1878 establishments in France 402: 392:Statue of Charlemagne (Liège) 338:rather than late-8th-century 565:Statues of military officers 555:Equestrian statues in France 444:. Paris: Belin. p. 639. 224:Universal Exposition of 1878 217:Universal Exposition of 1867 126:Charlemagne and His Paladins 7: 600:Outdoor sculptures in Paris 545:4th arrondissement of Paris 380: 10: 616: 550:Bronze sculptures in Paris 397:Iconography of Charlemagne 202: 122:Charlemagne and His Guards 120:, generally translated as 116:Charlemagne et ses Leudes 103: 93: 85: 71: 37: 33: 21: 17:Charlemagne et ses Leudes 580:Henri, Count of Chambord 371:Henri, Count of Chambord 363:Philippe, Count of Paris 316:battle of Roncevaux Pass 171:Fonderie Thiébaut Frères 89:Louis and Charles Rochet 304:Royal Armoury of Madrid 183: 326: 115: 324: 298:), and his legendary 241:Pillar of the Boatmen 229:Eugène Viollet-le-Duc 351:Second French Empire 272:Scepter of Charles V 270:and brandishing the 261:Notre-Dame cathedral 104:Completion date 56:48.8531°N 2.348215°E 560:Statues of monarchs 458:Figures de Wallonie 375:unification process 52: /  18: 327: 243:and relocation to 144:4th arrondissement 128:, is a monumental 16: 111: 110: 98:Equestrian statue 61:48.8531; 2.348215 607: 519: 518: 507: 498: 497: 495: 494: 479: 466: 465: 463: 452: 446: 445: 437: 431: 430: 418: 355:Capetian dynasty 179: 165:(1813-1878) and 164: 118: 67: 66: 64: 63: 62: 57: 53: 50: 49: 48: 45: 26: 19: 15: 615: 614: 610: 609: 608: 606: 605: 604: 540:1878 sculptures 525: 524: 523: 522: 509: 508: 501: 492: 490: 480: 469: 461: 453: 449: 438: 434: 419: 410: 405: 383: 253: 205: 193:Merovingian era 186: 173: 158: 60: 58: 54: 51: 46: 43: 41: 39: 38: 29: 12: 11: 5: 613: 603: 602: 597: 592: 587: 582: 577: 575:Île de la Cité 572: 567: 562: 557: 552: 547: 542: 537: 521: 520: 499: 467: 447: 432: 407: 406: 404: 401: 400: 399: 394: 389: 382: 379: 310:and holding a 252: 249: 204: 201: 185: 182: 167:Charles Rochet 138:) in front of 109: 108: 105: 101: 100: 95: 91: 90: 87: 83: 82: 73: 69: 68: 35: 34: 31: 30: 27: 9: 6: 4: 3: 2: 612: 601: 598: 596: 593: 591: 588: 586: 583: 581: 578: 576: 573: 571: 568: 566: 563: 561: 558: 556: 553: 551: 548: 546: 543: 541: 538: 536: 533: 532: 530: 516: 512: 506: 504: 489: 485: 478: 476: 474: 472: 460: 459: 451: 443: 436: 428: 427:e-monumen.net 424: 417: 415: 413: 408: 398: 395: 393: 390: 388: 385: 384: 378: 376: 372: 368: 364: 360: 356: 352: 348: 343: 341: 337: 333: 323: 319: 317: 313: 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 264: 262: 258: 248: 246: 242: 238: 232: 230: 225: 220: 218: 214: 210: 200: 198: 194: 190: 181: 177: 172: 168: 162: 157: 153: 149: 145: 141: 137: 136: 131: 127: 123: 119: 117: 106: 102: 99: 96: 92: 88: 84: 81: 77: 74: 70: 65: 36: 32: 25: 20: 585:Napoleon III 514: 491:. Retrieved 487: 457: 450: 441: 435: 426: 347:Napoleon III 344: 336:Merovingians 328: 265: 254: 233: 221: 206: 188: 187: 156:Louis Rochet 133: 125: 121: 113: 112: 367:Legitimists 209:Charlemagne 174: [ 159: [ 59: / 529:Categories 515:Paristoric 493:2020-04-14 403:References 359:Orléanists 197:antrustion 140:Notre-Dame 44:48°51′11″N 308:scramasax 292:francisca 142:, in the 47:2°20′54″E 381:See also 300:Durendal 86:Designer 72:Location 284:olifant 203:History 365:, and 340:Franks 296:Franks 288:labrys 280:Roland 276:Oliver 213:Aachen 152:France 135:parvis 130:bronze 80:France 462:(PDF) 369:with 361:with 332:Gauls 189:Leude 178:] 163:] 148:Paris 76:Paris 312:pike 245:Metz 184:Name 107:1878 94:Type 334:or 146:of 124:or 531:: 513:. 502:^ 486:. 470:^ 425:. 411:^ 263:. 219:. 199:. 180:. 176:fr 161:fr 150:, 78:, 517:. 496:. 429:.

Index


48°51′11″N 2°20′54″E / 48.8531°N 2.348215°E / 48.8531; 2.348215
Paris
France
Equestrian statue
bronze
parvis
Notre-Dame
4th arrondissement
Paris
France
Louis Rochet
fr
Charles Rochet
Fonderie Thiébaut Frères
fr
Merovingian era
antrustion
Charlemagne
Aachen
Universal Exposition of 1867
Universal Exposition of 1878
Eugène Viollet-le-Duc
German occupiers during World War II
Pillar of the Boatmen
Metz
Parvis Notre-Dame – Place Jean-Paul-II
Notre-Dame cathedral
Imperial Crown of the Holy Roman Empire
Scepter of Charles V

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