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342:. The legend has them both dying in 778, when Charlemagne was still young and a generation before he would be crowned Emperor. Charlemagne's insignia of power were not to be carried on the battlefield. The Imperial Crown, in any case, was not created until more than a century after Charlemagne's death. As for the scepter, it dates from the 14th century.
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shortly after the death of Louis Rochet. By that time, however, the political climate was much less favorable to the celebration of
Charlemagne given the latter's monarchical and German associations. Charles Rochet offered to cover the cost of the 15-ton group's erection in order to facilitate its
231:'s recommendation and after some controversy, the Paris municipal council accepted the offer in January 1879 and endorsed the Parvis Notre-Dame as a "provisional" location. The group was erected there in 1882, on a wooden pedestal designed by Viollet-le-Duc.
373:. Simultaneously, the presence of Roland and Oliver anchor Charlemagne in French territory and tradition against the competing claims of Belgium, then a young nation in search of iconic heroes of its own, and especially of Germany, which was starting its
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Eventually the City of Paris acquired the ownership of the statue in 1895 and reimbursed the founders. In 1908 the current pedestal was built in stone. Unlike many bronze statues in Paris and elsewhere, the monument was spared by the
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The representation is fictional and anachronistic on multiple levels, which was probably intentional to emphasize its allegorical character. Their hairstyles and clothes are those traditionally associated with
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at the same time as the statue was being designed. The theatrical gesture of
Charlemagne, holding his "French" scepter above his "German" crown, can be viewed as significant along those lines.
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318:. At the same time, Charlemagne's majestic and confident attitude points to his achievements beyond the two paladins' sacrifice, and to his enduring legacy.
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The composition abounds in political and nationalistic symbolism, reflecting the Rochet brothers' intent to claim
Charlemagne's legacy for France and
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484:"CDXXIV : La statue de "Charlemagne et ses leudes"... une autre statue en bronze qui a eu du mal à trouver une place !"
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353:. The implied claim of imperial affinity between Charlemagne and Napoleon was a way to downplay the prominence of the
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314:. The two standing figures' watchfulness creates a sense of foreboding that presages their heroic demise at the
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Alain
Dierkens (2015). "La Statue de Charlemagne à Liège, au boulevard d'Avroy (Louis Jéhotte, 1855-1868)".
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in the centuries in between, and thus to neuter the pretentions of the French royalist parties of the time:
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because of
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The Rochet brothers first conceived the project of a monument to
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423:"Monument à Charlemagne et ses leudes – Paris (75004)"
306:. Oliver is also heavily armed, carrying a Frankish
302:, modeled on the sword of the same name kept at the
266:Charlemagne is represented in old age, wearing the
440:Geneviève Bührer-Thierry; Charles Mériaux (2010).
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222:The completed bronze group was exhibited at the
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464:. Institut du Patrimoine Wallon. p. 63.
169:(1815-1900), it was cast at the art foundry
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28:View of the statue from the Notre-Dame plaza
511:"La statue de Charlemagne et de ses Leudes"
488:L'Indépendant du 4e Arrondissement de Paris
294:and mythically associated with the ancient
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349:in alignment with the ideology of the
290:but known in 19th-century France as a
257:Parvis Notre-Dame – Place Jean-Paul-II
421:Dominique Perchet (17 January 2012).
286:, a double-headed axe (technically a
442:La France avant la France, (481–888)
387:List of equestrian statues in France
237:German occupiers during World War II
247:were debated, but not implemented.
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570:Cultural depictions of Charlemagne
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482:Emmanuel Delarue (28 June 2009).
590:Prince Philippe, Count of Paris
278:, who guides his horse, and by
154:. A joint work by the brothers
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325:Detail of the monument's horse
251:Description and interpretation
191:is a word associated with the
132:statue situated on the plaza (
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595:Exposition Universelle (1878)
535:1878 establishments in France
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392:Statue of Charlemagne (Liège)
338:rather than late-8th-century
565:Statues of military officers
555:Equestrian statues in France
444:. Paris: Belin. p. 639.
224:Universal Exposition of 1878
217:Universal Exposition of 1867
126:Charlemagne and His Paladins
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600:Outdoor sculptures in Paris
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397:Iconography of Charlemagne
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122:Charlemagne and His Guards
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17:Charlemagne et ses Leudes
580:Henri, Count of Chambord
371:Henri, Count of Chambord
363:Philippe, Count of Paris
316:battle of Roncevaux Pass
171:Fonderie Thiébaut Frères
89:Louis and Charles Rochet
304:Royal Armoury of Madrid
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298:), and his legendary
241:Pillar of the Boatmen
229:Eugène Viollet-le-Duc
351:Second French Empire
272:Scepter of Charles V
270:and brandishing the
261:Notre-Dame cathedral
104:Completion date
56:48.8531°N 2.348215°E
560:Statues of monarchs
458:Figures de Wallonie
375:unification process
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243:and relocation to
144:4th arrondissement
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491:. Retrieved
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336:Merovingians
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367:Legitimists
209:Charlemagne
174: [
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59: /
529:Categories
515:Paristoric
493:2020-04-14
403:References
359:Orléanists
197:antrustion
140:Notre-Dame
44:48°51′11″N
308:scramasax
292:francisca
142:, in the
47:2°20′54″E
381:See also
300:Durendal
86:Designer
72:Location
284:olifant
203:History
365:, and
340:Franks
296:Franks
288:labrys
280:Roland
276:Oliver
213:Aachen
152:France
135:parvis
130:bronze
80:France
462:(PDF)
369:with
361:with
332:Gauls
189:Leude
178:]
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148:Paris
76:Paris
312:pike
245:Metz
184:Name
107:1878
94:Type
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176:fr
161:fr
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