Knowledge

Chinese musicology

Source 📝

567: 1317: 1313:, putting together a competent team to choose the most representative repertoire and creative backbone to do so. China took part in seven World Youth Festivals consecutively during the course of the 14-year period from the second World Youth Festival in 1949 to the eighth World Youth Festival in 1962. Each festival's Chinese art Troupe performances feature fresh highlights that showcase the globe the distinctive charm of New China's music while fervently advancing literature, art, and people's diplomacy. 23: 1392:(琵琶), with Western orchestral instruments (see the external link section). At the same time, the boundary of music research is continually expanding, and it naturally interacts with and exchanges ideas with other social humanities disciplines, improving the meaning of musicology and raising that subject's status. 473:(a traditional instrument) all of the dotted positions are equal string length divisions related to the open string like 1/2, 1/3, 2/3, 1/4, 3/4, etc. and are quite easy to recognize on this instrument. The Guqin has a scale of 13 positions all representing a natural harmonic position related to the open string. 1289:, He Luting wrote this piece for a composition competition in Shanghai. A recording of this music is shared as an external link for readers to get a feeling of this style (see the external link section). An example shows how important the piano, a Western instrument, is for modern Chinese music that during the 687:
era, Chinese music was closely influenced by and influenced other cultures. In the ancient period, music was often associated with various factors, such as singing and dancing. It was a comprehensive art form, conveying themes including production, sacrifice, and anticipation for a better life. After
1308:
Chinese musical creations during the founding years of the People's Republic of China, from 1949 to 1976, continue to serve the political utilitarian purpose, yet have new advancements due to a unified China. Institutional change gave academic research a rather stable atmosphere, Chinese music was
1068:
is a comprehensive variety of art combining foreign and local arts, and it has a long production history, which absorbed the essence of Chinese song, dance, and drama in its development to form a unique artistic style. In Kabuki, the performers often use some techniques from opera, such as makeup,
570:
How the scales are produced: Start with a fundamental frequency. (440 hertz is used here.) Apply the ratios to make the first column. Copy the second and all further elements in this column to the respective heads of the other eleven columns. Apply the ratios to make the second through the twelfth
1375:
international new literary trend, and how to apply the academic vision to the global field of music theory research. Since then, tremendous changes have taken place in the academic vision of musicology research in China, and new methods and achievements of musicology research in foreign countries
1362:
The next period was marked by the reform and opening up that ushered in a significant turning point for Chinese music. It is when China and foreigners frequently interacted with each other; it can be called the "new traditional" music period of China. We can divide the academic music research in
1021:
also absorbed elements of ancient Chinese music, and their similarities largely contributed to the fusion and exchange of musical styles between the two countries. However, Korean folk music also retains its inherent national characteristics, giving it a unique charm in musical style.
1379:
After this, the academic outlook on musicology research in China has significantly changed, and the music community is now concentrating on cutting-edge techniques and international musicology research accomplishments. As an example of this time period, in 2000, composer
1225:
The twentieth century saw numerous successes and challenges for Chinese music due to people's changing perceptions of music culture. Modern Chinese music during and after this age not only relied on traditional Chinese music but also absorbed the advantages and skills of
1270:, music made great progress under the strong drive of political utilitarian purpose. People call for "national salvation", in the face of this politics, all social resources should be unreservedly for the service. This notion of music criticism is condensed in Chairman 768:, music culture was improved unprecedentedly. The court collected and organized the existing music, established a musical hierarchy based on application, built music institutions, and conducted musical education. For the first time in China, a system of " 571:
columns. So doing produces 144 frequencies (with some duplications). From each column five different selections of non-adjacent frequencies can be made. (See the colored blocks at the far left.) So each column can produce 60 different pentatonic scales.
643: 663: 772:" (雅乐) was established for rituals and ceremonies. At the same time, the Zhou emperors and the noble class incorporated foreign music into sacrificial ceremonies and feast performances. This promoted the inflow of music from surrounding areas. 603: 623: 1251:. Most of the content was taught orally and via rote practice. In the late 1800s and early 1900s, the introduction of western music theory and instruments also influenced how traditional music is taught. The National Music Conservatory (the 583: 1309:
open to the whole society, and the whole society had access to all kinds of musical sources. During this time, Chinese music started to slowly gain popularity outside. For instance, New China places a high value on participating in the
1238:
In the early 20th century, Chinese and Western music cultures slowly merged, driven by the external forces of art, to create a new style of Chinese music that was based on both cultures. Then, it was not until March 2, 1930, when the
699:
Due to the restriction of China's geographical location, social development, and other conditions, music communication with the outside world first occurred in the east, south, and west of China. Early exchanges occurred among the
1366:
A significant point in this period is the meeting "Forum of Young and middle-aged music Theorists" held in 1986, which was an excellent discussion of liberating the mind and pioneering the Chinese musicology circle after the
1274:'s Speech at the Yan'an Forum on Literature and Art, published in May 1942. This work is also the most important work of music criticism and music practice from the early to long period after the formation of New China. 696:, the class division produced an occupational division of labor, and the initial stage of professional musicians appeared. Music was also used as a technique for the ruling class to show their power and social status. 1246:
One main change in the early 20th century happens in music education. In the pre-revolutionary ages, musicians did not have a high social status and they did not have a formal, standard way of training due to the
1328:
is another great advancement. Ensembles are not new in Chinese music history, as large-scale ensembles are often used in important rituals or at the court. However, the Chinese orchestra based on the
993:
Dynasties, China had extensive musical interaction with the world. During this period, the Chinese brought their own music to the world and drew inspiration from foreign music. During the
1255:
today) was founded in 1927, and soon became a role model for other music programs in China. The conservatory introduced a systematic way of training in Chinese music, including using
1230:. Chinese people's attitudes toward music have altered throughout this age of communication and integration, and the general public acknowledges its worth and spiritual significance. 1338:(江南丝竹) ensembles and to compose music for each specific section. His idea was not popular in his time, but it laid the foundation for the modern Chinese orchestra. Different from 918:
to the south; and frequent wars, regime changes, internal migration of ethnic minorities in the North. The political and social turmoil significantly accelerated the decline of "
906:
dynasties and the deepening of the relationship between different ethnic groups provided favorable conditions for the further integration of music culture. From the fall of the
528:羽. By starting from a different point of this sequence, a scale (named after its starting note) with a different interval sequence is created, similar to the construction of 429:. This discipline has a very long history. Traditional Chinese music can be traced back to around 8,000 years ago during the Neolithic age. The concept of music, called 乐 ( 453:(lost during the Han dynasty). Chinese music has always been interacting with different cultures throughout its long history, dating back to the Xia and Shang dynasties. 1142:
knowledge in Chinese literature. These two books explained European music's fundamental theories and practical techniques in an in-depth, easy-to-understand manner.
1138:
period, two books, "Lv Lv Zuan Yao" (律吕纂要) written by Xu Risheng and "Lv Lv Zheng Yi – Continuation," (律吕正义·续编) became the earliest formal introduction of European
447:), stands among the oldest categories of Chinese thought; however, in the known sources, it does not receive a fairly clear definition until the writing of the 961:
incorporated various foreign music, such as Indian, Korean, and Middle Eastern music, into its court music. During that period, there was immigration to the
383: 348: 328: 922:" and the cultural exchanges between the Han nationality and other ethnic groups inside and outside China, especially in the Western regions, including 313: 1205:. This instrument gained widespread acceptance and popularity in Europe and quickly led to the invention of three new, more popular instruments: the 273: 298: 278: 551:
will occupy a different point in the scale. The effect of changing the starting point of a song can be rather like the effect of shifting from a
57: 1277:
In the same period, while the politicians were making manifestos, musicians started to write Chinese music for western music instruments. Take
1243:" was founded and its corresponding music criticism and music social activities, that the development of Chinese music entered the next stage. 1179:, who came to China in the latter half of the 18th century, also made significant contributions to Chinese music. He introduced Chinese 563:, based on 2:3 ratios (8:9, 16:27, 64:81, etc.), are a western near-parallel to the earlier calculations used to derive Chinese scales. 1332:
model first appeared in the 20th century, as the Shanghai-based musician Zheng Zhiwen's attempt to enlarge the size of traditional
409: 223: 174: 973:, these countries also sent oversea students and diplomats to China to bring back advanced music knowledge and other culture. 480:), meaning twelve lǜ, from which various sets of five or seven frequencies were selected to make the sort of "do re mi" major 1384:(谭盾) wrote the famous music piece Crouching Tiger Hidden Dragon (卧虎藏龙), which mixed traditional Chinese instruments, such as 839:(today's India) around the 1st century AD (Han dynasty). In the following centuries, religious believers often incorporated 1310: 1084:
introduced Chinese music to Europe and European music to China. Because of their profound musical attainments, the Western
1187:
and Europe and wrote many articles explaining this knowledge in detail. In particular, he translated the Chinese scholar
666: 646: 626: 606: 586: 1069:
costumes, and postures, all of which reflect the importance of Chinese culture in Kabuki. In conclusion, Chinese music,
1285:
wrote a piece for piano called "A Shepherd’s Flute," which later became famous internationally. As a student at the
492:
approximate the frequencies known in the West as the chromatic scale, from A, then B-flat, through to G and A-flat.
1363:
China over this time into three stages: Chinese vision, global vision, and global vision under the Chinese vision.
859: 825: 1293:
when most Western music instruments were banned, the piano was among the allowed instruments for the so-called "
1169:. Over time, these instruments gained popularity in court and society, becoming a vital part of musical events. 1286: 1252: 716:, China had a vast territory and prosperous economy, which laid the foundation for music communication between 430: 1342:
traditional Chinese music of traditional ensembles, most pieces composed for a modern Chinese orchestra are
1217:. The invention of these three instruments brought new elements and techniques to European musical culture. 1618: 402: 1633: 1354:, the same as Western instruments, rather than following the traditional sonic system introduced before. 1240: 662: 642: 622: 602: 582: 851: 797: 709: 208: 160: 1191:'s "Interpretation of Ancient Chinese Music Classics," (古乐经传) which aroused great interest among the 970: 744:, there were local noble children coming from neighboring regions to study, and the content includes 543:
nearest to A will not necessarily sound the same as playing the same melody starting from some other
40: 941:
refers to the music of palace parties in East Asia. A large portion of Yan's music, which includes
338: 179: 1628: 1613: 1368: 1302: 1202: 1176: 669: 649: 629: 609: 589: 466: 395: 308: 218: 1088:
could play various Western musical instruments and had an in-depth study and understanding of
508:) almost the same as those of the major pentatonic scale. The notes of this scale are called 283: 1145:
Chinese musical culture interacted with European musical culture through the efforts of the
1192: 745: 8: 1623: 1294: 1290: 907: 847: 820:(箜篌) were imported. One of the representative works of national cultural exchange is the 106: 1371:. The core topic of the conference is Chinese music theory, researching how to face the 529: 1372: 1198: 1077:'s cultural development and promoted the exchange and integration of the two cultures. 829: 293: 258: 1580: 1195:
pioneers in Europe at the time and brought more people to the field of Chinese music.
1351: 1325: 373: 67: 1300: 843:
content into folk music to appeal to their followers and propagate their teachings.
792:(匈奴) in the north and music exchanges with the Western regions. For example, in the 477: 962: 840: 501: 485: 449: 363: 353: 343: 318: 268: 263: 1316: 1033:(三弦) was given special attention. This instrument was not only widely used in the 1329: 1227: 1097: 836: 575:
Putting the highlighted scales from the above image into musical notation gives:
566: 378: 358: 248: 111: 1334: 1260: 1146: 1135: 1116: 1109: 1101: 1042: 1034: 1026: 804:
to form the trumpeting music of early China. New instruments such as the Qiang
721: 717: 693: 536: 368: 333: 323: 303: 288: 253: 243: 30: 1591: 1585: 740:, frontier nationalities came to the court to perform music and dance. In the 476:
The ancient Chinese defined, by mathematical means, a gamut or series of 十二律 (
1607: 1070: 1046: 938: 919: 761: 741: 548: 481: 462: 426: 116: 1597: 1248: 1180: 1154: 1139: 1131: 1093: 1089: 994: 990: 986: 982: 958: 946: 931: 927: 903: 757: 132: 101: 1201:(笙), a Chinese instrument with a "free spring," was exported to Europe by 1112:, who made outstanding contribution to the exchange of music and culture. 1256: 1120: 942: 911: 899: 801: 793: 785: 781: 737: 725: 713: 95: 1496:明言 (Ming, Yan). "百年奏鸣——20世纪中国音乐历史研究的若干问题." Edited by 黄钟 (Zhong Huang). 1271: 1214: 1188: 1173: 1162: 1158: 1150: 1127: 1123: 1105: 1085: 1081: 1050: 1018: 560: 1061:, music, and dance, and has a solid national style and exotic flavor. 678: 1401: 1343: 1339: 1282: 1220: 1210: 1206: 1013:
had reached a significant level. However, "Yayue" was not revived in
915: 887: 871: 556: 552: 1049:
art form and developed a unique form of musical performance called "
832:," (箜篌引) which originated in Korea (see the external link section). 923: 765: 91: 87: 1381: 1166: 1054: 1030: 855: 817: 789: 689: 684: 22: 1184: 1065: 1058: 1014: 1009:
Dynasties, indicating that musical exchanges between China and
1006: 1002: 867: 438: 213: 1347: 1278: 1074: 1038: 1010: 998: 966: 954: 950: 875: 863: 821: 813: 805: 769: 705: 701: 470: 137: 83: 1516:
Music in China : Experiencing Music, Expressing Culture
1350:, the instruments of the Chinese orchestra were tuned to be 1157:
dynasty, a large number of European envoys to China brought
1389: 1385: 883: 879: 809: 1233: 1134:
to China in an entire and systematical manner. During the
1267: 1104:(康熙) both trusted and valued the learning of the Western 668:
Audio playback is not supported in your browser. You can
648:
Audio playback is not supported in your browser. You can
628:
Audio playback is not supported in your browser. You can
608:
Audio playback is not supported in your browser. You can
588:
Audio playback is not supported in your browser. You can
870:
music were further integrated with the Han music of the
1402:陈应时 (Chen Yingshi, Shanghai Conservatory). "一种体系 两个系统 1025:
Among the many Chinese instruments introduced to the
828:(胡笳十八拍). In addition, the Han music bureau recorded " 997:, Chinese emperors presented musical instruments of 800:
in the northwest was combined with the music of the
1119:learned music theory and other knowledge from many 1073:, dance, and other art forms profoundly influenced 679:
Interactions with the world before the 20th century
1259:and building a universal standard for scoring and 1221:Interactions with the world after the 20th century 976: 1605: 1346:. More importantly, after the foundation of the 854:in the northwest to migrate south. As a result, 484:familiar to those who have been formed with the 1546:李岩松 (Li, Yansong). "论新中国成立初期中国音乐文化对外交流的特点及作用." 1053:." (クミヲゥドゥイ) This performance form is based on 1376:have become the focus of the music community. 1357: 914:, there were migration of Han people from the 1017:for some reason. In addition, ancient Korean 403: 1301:After People's Republic of China and Before 1592:https://www.youtube.com/watch?v=5N4cDt3Ukrg 1564:王次炤 (Wang, Cizhao). "音乐学的历史地位和中国音乐学的未来发展." 850:, the turbulence of history stimulated the 539:tuning, playing a melody starting from the 1518:. New York: Oxford University Press, 2008. 1281:for example, in 1934 the Chinese composer 410: 396: 21: 1598:https://m.youtube.com/watch?v=S5AjtMNnWf0 1530:乔建中 (Qiao, Jianzhong). "论中国音乐学百年来之三大阶段." 1315: 731: 565: 559:in Western music. The scalar tunings of 1588:Eighteen Songs of a Nomad Flute (胡笳十八拍) 1234:Before People's Republic of China (PRC) 893: 1606: 835:Buddhism was introduced to China from 775: 788:dynasties had frequent contacts with 495: 425:is the academic study of traditional 1600:Crouching Tiger Hidden Dragon (卧虎藏龙) 1560: 1558: 1556: 1542: 1540: 1526: 1524: 1510: 1508: 1506: 1492: 1490: 1488: 1486: 1472: 1470: 1468: 1466: 1464: 1462: 1460: 1446: 1444: 1442: 1440: 1438: 1436: 1434: 1432: 1430: 1428: 1041:instrument makers. In addition, the 957:, is foreign. The internationalized 1581:More details and recorded examples. 535:Since the Chinese system is not an 13: 504:, with the intervals (in terms of 14: 1645: 1574: 1553: 1537: 1521: 1503: 1483: 1457: 1425: 1130:introduced European knowledge of 878:(腰鼓), Capricorn drum (羯鼓), Gong, 192:Nationalistic and patriotic songs 1404:Yi zhong ti-xi, liang ge xi-tong 1037:but was also copied and made by 886:(五弦琵琶) were introduced into the 1320:A Chinese orchestra in Edmonton 1057:'s music, combines elements of 826:Eighteen Songs of a Nomad Flute 751: 456: 1253:Shanghai Conservatory of Music 977:Yuan and Ming and Qing dynasty 443: 434: 224:Three Principles of the People 1: 1419: 1266:From 1930 to the founding of 1172:At the same time, the French 937:A particular category called 708:, southwestern, and northern 1586:https://youtu.be/bIWh1MHqTeQ 910:to the establishment of the 683:After being invented in the 665: 645: 625: 605: 585: 7: 1358:After Reform and Opening Up 1287:National Music Conservatory 1241:League of Left-Wing Writers 969:. Influenced deeply by the 10: 1650: 1395: 500:Most Chinese music uses a 161:Midi Modern Music Festival 1480:. Beijing: 人民音乐出版社, 1981. 1454:. Beijing: 人民音乐出版社, 2013. 764:and China began to enter 532:in modern Western music. 486:Western Standard notation 214:Patriotic / Revolutionary 874:. Instruments including 180:China Record Corporation 1594:The Song of Harps (箜篌引) 1550:, no. 4 (2012): 146–49. 898:The unification of the 816:(笳), the Jiao (角), the 728:, and other countries. 670:download the audio file 650:download the audio file 630:download the audio file 610:download the audio file 590:download the audio file 219:March of the Volunteers 1534:, no. 5 (2019): 35–39. 1321: 572: 465:were derived from the 1568:, no. 4 (2019): 7–13. 1500:, no. 4 (2004): 4–10. 1369:reform and opening up 1324:The invention of the 1319: 1303:Reform and Opening Up 934:, and ancient India. 732:Xia and Shang dynasty 569: 146:Media and performance 1476:杨荫浏 (Yang, Yinliu). 1311:World Youth Festival 894:Sui and Tang dynasty 846:From the end of the 1619:Philosophy of music 1450:冯文慈 (Feng, Wenci). 1408:Musicology in China 1291:Cultural Revolution 1153:. During the early 908:Eastern Han dynasty 848:Western Han dynasty 796:, the music of the 776:Qin and Han dynasty 1634:Chinese philosophy 1322: 1249:Confucian ideology 1183:systematically to 1177:Joseph-Marie Amiot 1080:In China, Western 1045:also absorbed the 947:instrumental music 884:Five-stringed pipa 573: 496:Scale and tonality 423:Chinese musicology 209:Historical anthems 1330:Western orchestra 1326:Chinese orchestra 971:tributary systems 852:ethnic minorities 798:ethnic minorities 694:primitive society 674: 654: 634: 614: 594: 420: 419: 231: 230: 187: 186: 1641: 1569: 1562: 1551: 1544: 1535: 1528: 1519: 1514:Lau, Frederick. 1512: 1501: 1494: 1481: 1474: 1455: 1448: 1415: 1297:" at that time. 1149:and the Western 963:Korean peninsula 830:Song of the Harp 688:China entered a 502:pentatonic scale 450:Classic of Music 445: 436: 412: 405: 398: 198: 197: 152: 151: 25: 18: 17: 1649: 1648: 1644: 1643: 1642: 1640: 1639: 1638: 1604: 1603: 1577: 1572: 1563: 1554: 1545: 1538: 1529: 1522: 1513: 1504: 1495: 1484: 1475: 1458: 1449: 1426: 1422: 1398: 1360: 1306: 1236: 1223: 979: 896: 778: 754: 734: 681: 676: 675: 673: 656: 655: 653: 636: 635: 633: 616: 615: 613: 596: 595: 593: 498: 467:harmonic series 459: 416: 201:National anthem 155:Music festivals 45: 12: 11: 5: 1647: 1637: 1636: 1631: 1629:Musical scales 1626: 1621: 1616: 1614:Music of China 1602: 1601: 1595: 1589: 1583: 1576: 1575:External links 1573: 1571: 1570: 1552: 1536: 1520: 1502: 1482: 1456: 1423: 1421: 1418: 1417: 1416: 1397: 1394: 1359: 1356: 1352:equal-tempered 1335:Jiangnan Sizhu 1305: 1299: 1235: 1232: 1222: 1219: 1165:into China as 1147:Kangxi Emperor 1117:Kangxi Emperor 1043:Ryukyu Kingdom 1035:Ryukyu Kingdom 978: 975: 916:Central Plains 895: 892: 888:Central Plains 872:Central Plains 777: 774: 766:feudal society 753: 750: 733: 730: 680: 677: 667: 664: 647: 644: 627: 624: 607: 604: 587: 584: 537:equal tempered 497: 494: 463:musical scales 458: 455: 418: 417: 415: 414: 407: 400: 392: 389: 388: 387: 386: 381: 376: 371: 366: 361: 356: 351: 346: 341: 336: 331: 326: 321: 316: 311: 309:Inner Mongolia 306: 301: 296: 291: 286: 281: 276: 271: 266: 261: 256: 251: 246: 238: 237: 236:Regional music 233: 232: 229: 228: 227: 226: 221: 216: 211: 203: 202: 194: 193: 189: 188: 185: 184: 183: 182: 177: 175:Radio stations 169: 168: 164: 163: 157: 156: 148: 147: 143: 142: 141: 140: 135: 127: 126: 125:Specific forms 122: 121: 120: 119: 114: 109: 104: 99: 78: 77: 73: 72: 71: 70: 65: 60: 52: 51: 50:General topics 47: 46: 44: 43: 37: 34: 33: 31:Music of China 27: 26: 9: 6: 4: 3: 2: 1646: 1635: 1632: 1630: 1627: 1625: 1622: 1620: 1617: 1615: 1612: 1611: 1609: 1599: 1596: 1593: 1590: 1587: 1584: 1582: 1579: 1578: 1567: 1561: 1559: 1557: 1549: 1543: 1541: 1533: 1527: 1525: 1517: 1511: 1509: 1507: 1499: 1493: 1491: 1489: 1487: 1479: 1473: 1471: 1469: 1467: 1465: 1463: 1461: 1453: 1452:中外音乐交流史:先秦~清末 1447: 1445: 1443: 1441: 1439: 1437: 1435: 1433: 1431: 1429: 1424: 1414:(4): 109–116. 1413: 1409: 1405: 1400: 1399: 1393: 1391: 1387: 1383: 1377: 1374: 1370: 1364: 1355: 1353: 1349: 1345: 1341: 1337: 1336: 1331: 1327: 1318: 1314: 1312: 1304: 1298: 1296: 1292: 1288: 1284: 1280: 1275: 1273: 1269: 1264: 1262: 1258: 1257:printed music 1254: 1250: 1244: 1242: 1231: 1229: 1228:Western music 1218: 1216: 1212: 1208: 1204: 1200: 1196: 1194: 1193:Enlightenment 1190: 1186: 1182: 1178: 1175: 1170: 1168: 1164: 1160: 1156: 1152: 1148: 1143: 1141: 1137: 1133: 1129: 1125: 1122: 1118: 1113: 1111: 1108:, especially 1107: 1103: 1099: 1095: 1091: 1087: 1083: 1078: 1076: 1072: 1067: 1062: 1060: 1056: 1052: 1048: 1047:Chinese opera 1044: 1040: 1036: 1032: 1028: 1023: 1020: 1016: 1012: 1008: 1004: 1000: 996: 992: 988: 984: 974: 972: 968: 964: 960: 956: 952: 948: 944: 940: 935: 933: 929: 925: 921: 920:elegant music 917: 913: 909: 905: 901: 891: 889: 885: 881: 877: 873: 869: 865: 861: 857: 853: 849: 844: 842: 838: 833: 831: 827: 823: 819: 815: 811: 807: 803: 799: 795: 791: 787: 783: 773: 771: 767: 763: 762:Shang dynasty 760:replaced the 759: 749: 747: 743: 742:Shang dynasty 739: 729: 727: 723: 719: 715: 711: 707: 703: 697: 695: 691: 690:slave society 686: 671: 661: 660: 651: 641: 640: 631: 621: 620: 611: 601: 600: 591: 581: 580: 576: 568: 564: 562: 558: 554: 550: 549:wolf interval 546: 542: 538: 533: 531: 527: 523: 519: 515: 511: 507: 503: 493: 491: 487: 483: 479: 474: 472: 468: 464: 454: 452: 451: 446: 440: 432: 428: 427:Chinese music 424: 413: 408: 406: 401: 399: 394: 393: 391: 390: 385: 382: 380: 377: 375: 372: 370: 367: 365: 362: 360: 357: 355: 352: 350: 347: 345: 342: 340: 337: 335: 332: 330: 327: 325: 322: 320: 317: 315: 312: 310: 307: 305: 302: 300: 297: 295: 292: 290: 287: 285: 282: 280: 277: 275: 272: 270: 267: 265: 262: 260: 257: 255: 252: 250: 247: 245: 242: 241: 240: 239: 235: 234: 225: 222: 220: 217: 215: 212: 210: 207: 206: 205: 204: 200: 199: 196: 195: 191: 190: 181: 178: 176: 173: 172: 171: 170: 166: 165: 162: 159: 158: 154: 153: 150: 149: 145: 144: 139: 136: 134: 131: 130: 129: 128: 124: 123: 118: 115: 113: 110: 108: 105: 103: 100: 97: 93: 89: 85: 82: 81: 80: 79: 75: 74: 69: 66: 64: 61: 59: 56: 55: 54: 53: 49: 48: 42: 39: 38: 36: 35: 32: 29: 28: 24: 20: 19: 16: 1565: 1547: 1531: 1515: 1497: 1477: 1451: 1411: 1407: 1403: 1378: 1373:contemporary 1365: 1361: 1333: 1323: 1307: 1276: 1265: 1245: 1237: 1224: 1197: 1181:music theory 1171: 1151:missionaries 1144: 1140:music theory 1132:music theory 1128:missionaries 1124:missionaries 1114: 1106:missionaries 1092:. The early 1090:music theory 1086:missionaries 1082:missionaries 1079: 1063: 1024: 1001:(雅乐) to the 995:Ming dynasty 980: 959:Tang dynasty 936: 928:Central Asia 897: 882:(曲项琵琶), and 880:Quxiang pipa 845: 834: 779: 758:Zhou dynasty 755: 752:Zhou dynasty 746:martial arts 735: 712:. After the 698: 682: 658: 657: 638: 637: 618: 617: 598: 597: 578: 577: 574: 547:, since the 544: 540: 534: 525: 521: 517: 513: 509: 505: 499: 489: 475: 460: 457:Music scales 448: 442: 422: 421: 284:Heilongjiang 133:Taoist music 62: 15: 1295:Model opera 1163:clavichords 1159:pipe organs 981:During the 943:vocal music 912:Sui dynasty 802:Han dynasty 794:Han dynasty 748:and music. 738:Xia dynasty 736:During the 726:Middle East 714:Han dynasty 599:Shang scale 167:Music media 107:Heavy metal 96:Hokkien pop 58:Instruments 1624:Musicology 1608:Categories 1420:References 1344:polyphonic 1340:monophonic 1272:Mao Zedong 1215:reed organ 1213:, and the 1189:Li Guangdi 1174:missionary 1064:In Japan, 1051:kumi odori 1019:folk music 876:Waist drum 812:(琵琶), the 808:(羌笛), the 710:minorities 619:Gong scale 561:Pythagoras 461:The first 63:Musicology 1388:(二胡) and 1283:He Luting 1211:accordion 1207:harmonica 1100:(顺治) and 1096:emperors 939:Yan music 932:West Asia 659:Zhi scale 639:Jue scale 557:minor key 488:. The 12 478:Shí-èr-lǜ 469:. On the 339:Northeast 294:Hong Kong 259:Guangdong 68:Orchestra 1498:武汉音乐学院学报 1478:中国古代音乐史稿 1167:tributes 1126:. These 1121:Catholic 1039:Japanese 924:Xinjiang 841:Buddhist 702:Japanese 579:Yu scale 384:Zhejiang 374:Xinjiang 349:Shandong 329:Liaoning 92:Mandopop 88:Cantopop 41:Timeline 1396:Sources 1382:Dun Tan 1098:Shunzhi 1055:Sanshin 1031:Sanshin 860:Xiliang 856:Xianbei 837:Tianzhu 818:Konghou 790:Xiongnu 756:As the 692:from a 685:pre-Qin 431:Chinese 364:Sichuan 354:Shaanxi 344:Qinghai 319:Jiangxi 314:Jiangsu 269:Guizhou 264:Guangxi 112:Hip hop 1261:tuning 1209:, the 1185:France 1136:Kangxi 1110:Kangxi 1102:Kangxi 1066:Kabuki 1059:poetry 1029:, the 1027:Ryukyu 1015:Joseon 1007:Joseon 1003:Goryeo 989:, and 953:, and 868:Goryeo 866:, and 724:, the 706:Korean 524:徵 and 441:: 439:pinyin 433:: 379:Yunnan 359:Shanxi 274:Hainan 249:Fujian 76:Genres 1548:学习与探索 1279:piano 1203:Amiot 1199:Sheng 1075:Japan 1071:opera 1011:Korea 999:Yayue 967:Japan 955:opera 951:dance 864:Qiuzi 824:song 822:Guqin 806:flute 770:Yayue 722:India 718:China 555:to a 553:major 530:modes 514:shāng 482:scale 471:Guqin 369:Tibet 334:Macau 324:Jilin 304:Hubei 299:Hunan 289:Henan 279:Hebei 254:Gansu 244:Anhui 138:Yayue 117:Opera 84:C-pop 1566:音乐研究 1532:音乐研究 1412:2002 1390:Pipa 1386:Erhu 1161:and 1155:Qing 1115:The 1094:Qing 1005:and 991:Qing 987:Ming 983:Yuan 965:and 904:Tang 902:and 810:Pipa 784:and 780:The 720:and 510:gōng 102:Rock 1406:". 1348:PRC 1268:PRC 900:Sui 814:Jia 786:Han 782:Qin 522:zhǐ 520:角, 518:jué 516:商, 512:宫, 444:yuè 86:: ( 1610:: 1555:^ 1539:^ 1523:^ 1505:^ 1485:^ 1459:^ 1427:^ 1410:. 1263:. 985:, 949:, 945:, 930:, 926:, 890:. 862:, 858:, 704:, 545:lǜ 541:lǜ 526:yǔ 506:lǜ 490:lü 437:; 94:, 90:, 1239:" 672:. 652:. 632:. 612:. 592:. 435:樂 411:e 404:t 397:v 98:)

Index


Music of China
Timeline
Instruments
Musicology
Orchestra
C-pop
Cantopop
Mandopop
Hokkien pop
Rock
Heavy metal
Hip hop
Opera
Taoist music
Yayue
Midi Modern Music Festival
Radio stations
China Record Corporation
Historical anthems
Patriotic / Revolutionary
March of the Volunteers
Three Principles of the People
Anhui
Fujian
Gansu
Guangdong
Guangxi
Guizhou
Hainan

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.