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Classical fencing

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811: 240:, on June 25, 1896: "Every one who has watched a bout with the foils knows that the task of judging the hits is with a pair of amateurs difficult enough, and with a well-matched pair of maîtres d’escrime well-nigh impossible." There also were problems with bias: well-known fencers were often given the benefit of mistakes (so-called "reputation touches"), and in some cases, there was outright cheating. Aldo Nadi complained about this in his autobiography 831: 25: 262:
masters in sport fencing, or, as time passed, simply retired. However, enough classically oriented fencers remained to keep traditional, classical fencing alive. Many people self-identify as classical fencers, but do not share the concept of classical fencing described in this article, preferring the early to mid-20th-century style of competitive fencing (which, in the United States, was formalized and governed by the
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the end of each action, after calling "Halt!", the director (or, formally, the president of the jury) would describe the action ("Attack is from my left. Parry and riposte from my right."), and then poll the judges in turn ("Does the attack land?"). The judges would answer "Yes", "Yes, but off-target", "No", or "Abstain". If the judges differed or abstained, the director could overrule them with his vote.
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protection in the form of cups or a chest plate (as do some male fencers, albeit a flat chest plate in that case). Male fencers often wear an athletic cup. Fencers of both genders wear an underarm protector called a plastron worn on the side of the fencer facing the opponent. This provides additional
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Dueling went into sharp decline after World War I, following the wartime deaths of many members of the classes that practiced it, and the social changes following the war's mass carnage. After World War II, dueling went out of use in Europe except for rare exceptions. Training for a duel, once almost
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A classical fencer is supposed to be one who observes a fine position, whose attacks are fully developed, whose hits are marvelously accurate, his parries firm, and his ripostes executed with precision. One must not forget that this regularity is not possible unless the adversary is a party to it. It
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described a new invention, the electrical scoring machine, that would revolutionize fencing. Starting with épée in the 1930s (foil was electrified in the 1950s, sabre in the 1980s), side judges were replaced by an electrical scoring apparatus, with an audible tone and a red or green light indicating
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Scoring was done by means of four judges who determined if a hit was made. Two side judges stood behind and to the side of each fencer, and watched for hits made by that fencer on the opponent's target. A director followed the fencing from a point several feet away from the center of the action. At
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Today, classical fencing clubs (and classical fencing instructors and masters) can be found in Europe, the United States, Canada, and Australia. Because there is no agreement as to the exact rules of classical fencing and because competition is de-emphasized, what competitions exist are generally
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The advent of the electrical scoring apparatus had far-reaching consequences. The electrical scoring apparatus and the 20th century's overall modernization of athletic activities occurred alongside an increase in the emphasis on fencing as a sport. The electrical scoring apparatus encouraged an
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At the time electronic scoring was introduced, all fencers were classically trained, but there were differences in accepting 20th-century changes in fencing practice. The fencing masters who rejected these changes either preserved their tradition, abandoned it in favor of employment as fencing
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In the United States (and elsewhere), renewed interest in Western martial arts (beginning in the 1990s) has led some groups—often peer-led—to attempt to study classical fencing (e.g. from books or instructional videos) without the guidance of a classically trained instructor, creating further
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Olympic and classical fencing differ in the use of weapon grips for foil and épée. In sport fencing, the most used handle for foil and épée is the pistol grip, with the French retaining significant use in épée. Classical fencing prohibits the pistol grip and uses the Italian and French grips
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and widely practiced at schools and domestic competitions. Additionally, there were professional fencers competing for prize money. Fencing tournaments were extremely popular events, with spectators flocking to see the most celebrated swordsmen battle it out on the
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First of these is the expression that "classical fencing is a frank encounter between two opponents" where the object is to touch the other fencer without being touched. Even though the "weapons" are blunt, the fencers treat them as though they were in fact sharp.
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mandatory for males of aristocratic backgrounds, all but disappeared, along with the classes themselves. Fencing continued as a sport like boxing or karate, with tournaments and championships. However, the need to prepare for a duel with "sharps" all but vanished.
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emphasis on the athletic and offensive (rather than defensive) aspects of fencing by altering the ways in which a touch would be considered valid. The result was an eventual schism between sport and classical fencing, both stylistically and philosophically.
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when a touch landed. The scoring box reduced the bias in judging and permitted more accurate scoring of faster actions, lighter touches, and more touches to the back and flank than were possible with human judges.
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variation in the classical fencing community. These groups, in an effort to become more historically authentic, sometimes shift their focus to older, pre-19th-century weapons and techniques—i.e.
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Fencers also usually wear breeches of material similar to the jacket, with knee-high white socks, or long pants and athletic shoes. There should be no exposed flesh.
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Classical fencing still uses the same weapons that have been used in fencing since the early 19th century—namely, the standard (non-electric)
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A white fencing jacket, which may be canvas duck, stretch nylon, or some other puncture-resistant material; and
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This method was universally used but had limitations. As described in an article in the London newspaper,
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Safety equipment for classical fencing is essentially the same as used in Olympic fencing. It includes:
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as it existed during the 19th and early 20th centuries. According to the 19th-century fencing master
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is a conventional bout, which consists of parries, attacks, and returns, all rhyming together.
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HEMACS Scotland is the Scottish Governing Body for HEMA, including Classical Swordsmanship
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However, there are a number of generalizations that unify contemporary classical fencing.
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local or regional in nature, with the rules depending upon where the tournament is held.
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focusing on the 19th- and early 20th-century national fencing schools, especially in
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During the classical period, fencing was used both for sport and preparation for the
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Schools and Masters of Fencing : From the Middle Ages to the Eighteenth Century
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Foil and sabre; a grammar of fencing in detailed lessons for professor and pupil
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A fencing glove, which protects the hand and overlaps the sleeve of the jacket.
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protection in the event of a broken blade penetrating the fencing jacket.
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have developed. Masters and legendary fencing figures such as
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are today considered typical practitioners of this period.
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Used in this sense, classical fencing is a style of
49:. Unsourced material may be challenged and removed. 274:(USFA) in 1981, which is affiliated with the FIE. 246:in regard to his famous match with Lucien Gaudin. 486:, an essay by classical fencing master A.A. Crown 847: 419:Fencing with the Foil: Instruction and Technique 188:Classical fencing weapons included the standard 327:A fencing mask, typically made of a wire mesh; 317:primarily, and occasionally the Spanish grip. 505: 512: 498: 407:, 1st ed. (Narrative Tension Inc., 2002), 270:(AFLA), which was renamed to the current 109:Learn how and when to remove this message 463:International Masters at Arms Federation 337:In addition, female fencers wear rigid 848: 309:(equipped with a pointe d'arret), and 493: 820: 47:adding citations to reliable sources 18: 542:FĂ©dĂ©ration Internationale d'Escrime 13: 447:Association for Historical Fencing 364:, Estes and Lauriat, Boston, 1892. 14: 877: 432: 272:United States Fencing Association 268:Amateur Fencers League of America 829: 819: 810: 809: 576: 23: 830: 34:needs additional citations for 593:Fencing at the Summer Olympics 352: 1: 345: 196:(using pointes d'arret), and 483:Why study classical fencing? 7: 598:World Fencing Championships 519: 10: 882: 453:Crown Academy of the Sword 277: 203: 805: 759: 719: 642: 611: 585: 574: 550: 527: 469:Martinez Academy of Arms 264:American Fencing League 139: 612:Modern fencing topics 134: 43:improve this article 797:Martial arts manual 629:High school fencing 537:Glossary of fencing 249:The article in the 58:"Classical fencing" 861:Historical fencing 634:Wheelchair fencing 624:Collegiate fencing 532:History of fencing 475:Starting with Foil 397:(2006). (reissues) 285:historical fencing 143:historical fencing 843: 842: 772:Modern pentathlon 603:Fencing World Cup 586:Main competitions 358:Rondelle, Louis, 238:The Daily Courier 171:Masaniello Parise 163:Giuseppe Radaelli 122:Classical fencing 119: 118: 111: 93: 873: 833: 832: 825:Commons category 823: 822: 813: 812: 760:Related articles 580: 514: 507: 500: 491: 490: 417:Roger Crosnier, 377:Egerton Castle, 365: 356: 243:The Living Sword 124:is the style of 114: 107: 103: 100: 94: 92: 51: 27: 19: 16:Style of fencing 881: 880: 876: 875: 874: 872: 871: 870: 846: 845: 844: 839: 801: 767:List of fencers 755: 715: 638: 619:Olympic fencing 607: 581: 572: 546: 523: 518: 435: 369: 368: 357: 353: 348: 280: 206: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 879: 869: 868: 863: 858: 841: 840: 838: 837: 827: 817: 806: 803: 802: 800: 799: 794: 789: 784: 779: 774: 769: 763: 761: 757: 756: 754: 753: 748: 743: 738: 733: 727: 725: 717: 716: 714: 713: 708: 703: 698: 693: 688: 683: 678: 673: 668: 663: 658: 652: 650: 640: 639: 637: 636: 631: 626: 621: 615: 613: 609: 608: 606: 605: 600: 595: 589: 587: 583: 582: 575: 573: 571: 570: 565: 560: 554: 552: 548: 547: 545: 544: 539: 534: 528: 525: 524: 517: 516: 509: 502: 494: 488: 487: 479: 471: 466: 460: 455: 450: 444: 434: 433:External links 431: 430: 429: 415: 398: 374: 373: 367: 366: 350: 349: 347: 344: 332: 331: 328: 325: 279: 276: 205: 202: 181:and his rival 175:Greco brothers 167:Louis Rondelle 159:sports fencing 130:Louis Rondelle 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 878: 867: 866:Swordsmanship 864: 862: 859: 857: 854: 853: 851: 836: 828: 826: 818: 816: 808: 807: 804: 798: 795: 793: 790: 788: 787:Swordsmanship 785: 783: 780: 778: 775: 773: 770: 768: 765: 764: 762: 758: 752: 749: 747: 744: 742: 739: 737: 734: 732: 729: 728: 726: 723: 718: 712: 709: 707: 704: 702: 699: 697: 694: 692: 689: 687: 684: 682: 679: 677: 674: 672: 669: 667: 664: 662: 659: 657: 654: 653: 651: 649: 645: 641: 635: 632: 630: 627: 625: 622: 620: 617: 616: 614: 610: 604: 601: 599: 596: 594: 591: 590: 588: 584: 579: 569: 566: 564: 561: 559: 556: 555: 553: 549: 543: 540: 538: 535: 533: 530: 529: 526: 522: 515: 510: 508: 503: 501: 496: 495: 492: 485: 484: 480: 477: 476: 472: 470: 467: 464: 461: 459: 456: 454: 451: 448: 445: 442: 441: 440:Art or sport? 437: 436: 428: 427:0-571-04594-4 424: 420: 416: 414: 413:0-8129-6966-9 410: 406: 402: 401:Richard Cohen 399: 396: 395:1-4286-0940-7 392: 388: 387:0-486-42826-5 384: 380: 376: 375: 371: 370: 363: 362: 355: 351: 343: 340: 335: 329: 326: 323: 322: 321: 318: 314: 312: 308: 304: 299: 295: 292: 288: 286: 275: 273: 269: 265: 259: 255: 252: 251:Daily Courier 247: 245: 244: 239: 234: 230: 226: 224: 220: 215: 214:Olympic Games 211: 201: 199: 195: 191: 186: 184: 183:Lucien Gaudin 180: 176: 172: 168: 164: 160: 156: 152: 148: 144: 138: 133: 131: 127: 123: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 792:Dueling scar 706:Displacement 701:Prise de fer 482: 474: 439: 418: 405:By The Sword 404: 378: 359: 354: 336: 333: 319: 315: 300: 296: 293: 289: 281: 263: 260: 256: 250: 248: 241: 237: 235: 231: 227: 207: 187: 154: 140: 135: 121: 120: 105: 99:January 2021 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 777:Knife fight 720:Equipment ( 305:, standard 850:Categories 782:Half-sword 346:References 69:newspapers 731:Body cord 648:Bladework 179:Aldo Nadi 815:Category 722:glossary 711:Priority 644:Footwork 421:(1951), 389:(2005), 856:Fencing 835:Outline 681:Riposte 551:Weapons 521:Fencing 372:Sources 278:Revival 204:History 126:fencing 83:scholar 691:Flèche 676:Remise 671:Attack 425:  411:  393:  385:  339:breast 173:, the 151:France 85:  78:  71:  64:  56:  746:Forte 736:Piste 696:Flick 666:Feint 661:Lunge 656:Parry 568:Sabre 311:sabre 223:duels 219:piste 198:sabre 147:Italy 90:JSTOR 76:books 751:Grip 741:LamĂ© 686:Ward 563:Foil 558:ÉpĂ©e 423:ISBN 409:ISBN 391:ISBN 383:ISBN 307:Ă©pĂ©e 303:foil 210:duel 194:Ă©pĂ©e 190:foil 149:and 62:news 155:i.e 45:by 852:: 646:/ 403:, 381:, 287:. 225:. 192:, 177:, 169:, 165:, 153:, 132:, 724:) 513:e 506:t 499:v 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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"Classical fencing"
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fencing
Louis Rondelle
historical fencing
Italy
France
sports fencing
Giuseppe Radaelli
Louis Rondelle
Masaniello Parise
Greco brothers
Aldo Nadi
Lucien Gaudin
foil
épée
sabre
duel
Olympic Games
piste
duels

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