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At Ground Zero

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up with his advances until he too is ejected from his own car as the two free themselves from all restraint. Aysha starts a real spiral into heroin, as Tom joins in, but spirits are high. They run into a hilarious character, Carman, who they enlist in their fun, as the trip escalates into the threesomes' investigation of freedom, drugs, and abandonment. Carman leaves the duo, and Aysha falls into a drug appetite Tom can't understand and in frustration he hurts her. Together, but separate, they endure the car ride as they head for Minneapolis and home. In the end, the couples explore the detritus of their family, and lives, and even in betrayal have passion for each other. On a final, bittersweet note, Carman continues his self-destructive ways, as some hope endures.
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acknowledged that he was exploring aspects of his own character in the two leads, and saw in Tom and Aysha a chance for them to use their own experiences in the central love story, and changed the names of the leads, slightly, to let Tom and Aysha use their own names as tools for character. Unable to cast the quirky part of Carman, at the last minute Craig went to
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Craig has said the production technique of using the ups and downs and emotional swings of being with 'strangers' for a month on the road was a conscious decision to expand the emotional swings of the lead characters and their disintegrating relationship, and was helpful for the actors as the story, and everyone's patience, headed for the culminating scenes.
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feel of this film was intentional, and pushed as far as possible considering the budget available. All the actors were given great leeway with the script and encouraged to use their improvisational skills to expand the characters, keep the energy high, and heighten the 'realistic' tone of this story.
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Tom and Aysha (character names) are at the economic bottom of the LA scene; no money, on drugs, and selling themselves to exist. Tom brains his drug dealer, steals his drugs and the two split town by bus and thumb, heading 'home'. Hitching a ride from a quixotic, dangerous character, Bubba, they put
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peculiar to our contemporary world. It follows an alienated couple as they run across America, the characters they become involved with, and the ultimate disintegration of their relationship. Its gritty, contemporary feel, dark humor, uncompromising realism and visual strength evoke a metaphysical,
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for another director in which Tom and Aysha were the leads. Craig has said he knew they were perfect for the parts and approached them about being in the film by handing them scripts. A day later he got enthusiastic calls from Tom and Aysha excited to do the parts and be in the film. Craig has
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were handed the script and asked to make their decision to work on the film based on their reaction to the script, and a realistic understanding of the 'budget' they had to work with. Craig has said the edgy,
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surreal tone. At its heart this is a driven, existential love story in which the audience spends some time with 'fringe' characters, normally shunned by society. It has been compared, visually, to
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Life on the road with a couple of junkies doesn't get much more interesting than in this impressive first feature by Craig Schlattman. This is a small treasure of independent filmmaking.
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Powerful and distinctive. Impressive. ... a raw, edgy tale, shot through with dark humor ... Schlattman directs with terrific wit and immediacy. Well acted ... winning portrayals.
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at its best. Barely any production budget, some credit cards, a car, some gas, and a desire to finish the film is what motivated everyone. Cast and crew of
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with Craig as director and crew, where the culminating scenes were shot. On the return to LA they grabbed scenes and stole locations along the way.
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to enthusiastic, full houses, and went on an extensive festival run in the US and Europe, garnering very positive reviews along the way โ€“
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was given no advertising and a small release by a minor distributor, Filmopolis Pictures. It has since gone on to be an Indie favorite.
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LA apartment and let him read for the part. Craig cast him on the spot and they prepared to go on the road in the next couple of days.
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An impressive debut. With dark, dead-pan humor, experimental visual techniques and solid performances,
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daughter), as a couple on the run across America to find 'home'. Also featured in the film are
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where part of the cast and all of the crew returned to LA. Tom and Aysha then proceeded to
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It may require cleanup to comply with Knowledge's content policies, particularly
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as Bubba. After receiving critical praise in the European and American press,
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feature film (released in 1994) directed and written by
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A major contributor to this article appears to have a
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Please discuss further on the 230: 177: 72: 31: 50:or discuss these issues on the 13: 1: 658:is a promising first feature. 567: 757:1990s English-language films 638: 587:while shooting a scene from 7: 541: 87:to establish the subject's 10: 783: 451: 441: 418: 408: 398: 388: 370: 358:(credited as Tom Elliott) 351: 341: 333: 323: 311: 306: 556:Michelangelo Antonioni's 84:sufficient sources exist 727:โ€“ official film website 718:Internet Movie Database 510: 501: 186:Some of this article's 703: 687: 671: 688: 672: 652: 617:is a fine example of 249:neutral point of view 762:1990s American films 731:Proletariat Pictures 619:guerrilla filmmaking 318:Original film poster 95:improve this article 590:Hiroshima Mon Amour 413:Filmopolis Pictures 682:Los Angeles Times 646:premiered at the 459: 458: 299: 298: 291: 281: 280: 273: 244:with its subject. 224: 223: 216: 171: 170: 163: 145: 65: 16:(Redirected from 774: 701: 685: 669: 663:Jamie Painter โ€“ 577:Craig Schlattman 551:American culture 535:Craig Schlattman 525:as Aysha Almouth 472:Craig Schlattman 434: 432: 347:Craig Schlattman 337:Craig Schlattman 328:Craig Schlattman 316: 304: 303: 294: 287: 276: 269: 265: 262: 256: 242:close connection 234: 233: 226: 219: 212: 208: 205: 199: 181: 173: 166: 159: 155: 152: 146: 144: 110:"At Ground Zero" 103: 76: 68: 57: 35: 34: 27: 21: 18:Craig Schlattman 782: 781: 777: 776: 775: 773: 772: 771: 737: 736: 708: 702: 695:Matt Langdon โ€“ 694: 686: 679:Kevin Thomas โ€“ 678: 670: 662: 641: 570: 544: 513: 504: 490:as Carman, and 444: 437: 430: 428: 421: 381: 377: 363: 359: 346: 319: 302: 295: 284: 283: 282: 277: 266: 260: 257: 246: 235: 231: 220: 209: 203: 200: 197: 182: 167: 156: 150: 147: 104: 102: 92: 77: 36: 32: 23: 22: 15: 12: 11: 5: 780: 770: 769: 764: 759: 754: 749: 735: 734: 728: 724:At Ground Zero 720: 713:At Ground Zero 707: 706:External links 704: 692: 676: 660: 656:At Ground Zero 644:At Ground Zero 640: 637: 623:At Ground Zero 615:At Ground Zero 607:Corpus Christi 596:Brian Brophy's 573:At Ground Zero 569: 566: 547:At Ground Zero 543: 540: 539: 538: 532: 526: 520: 512: 509: 503: 500: 496:At Ground Zero 484:Rutger Hauer's 463:At Ground Zero 457: 456: 453: 449: 448: 445: 442: 439: 438: 436: 435: 424: 422: 419: 416: 415: 410: 409:Distributed by 406: 405: 400: 396: 395: 390: 386: 385: 375:Bubba Bukowski 372: 371:Cinematography 368: 367: 353: 349: 348: 343: 339: 338: 335: 331: 330: 325: 321: 320: 317: 309: 308: 307:At Ground Zero 300: 297: 296: 279: 278: 238: 236: 229: 222: 221: 188:listed sources 185: 183: 176: 169: 168: 80: 78: 71: 66: 40: 39: 37: 30: 9: 6: 4: 3: 2: 779: 768: 765: 763: 760: 758: 755: 753: 750: 748: 745: 744: 742: 732: 729: 726: 725: 721: 719: 715: 714: 710: 709: 700: 699: 691: 684: 683: 675: 668: 667: 659: 657: 651: 649: 645: 636: 633: 632:direct cinema 629: 624: 620: 616: 612: 608: 604: 599: 597: 592: 591: 586: 582: 578: 574: 565: 563: 562: 557: 552: 548: 536: 533: 530: 527: 524: 521: 518: 515: 514: 508: 499: 497: 493: 489: 485: 481: 477: 473: 469: 465: 464: 454: 450: 446: 440: 426: 425: 423: 417: 414: 411: 407: 404: 401: 397: 394: 391: 387: 384: 383:Kevin Hudnell 380: 379:Jock Petersen 376: 373: 369: 366: 362: 357: 354: 350: 344: 340: 336: 332: 329: 326: 322: 315: 310: 305: 293: 290: 275: 272: 264: 254: 250: 245: 243: 237: 228: 227: 218: 215: 207: 195: 194: 189: 184: 180: 175: 174: 165: 162: 154: 143: 140: 136: 133: 129: 126: 122: 119: 115: 112: โ€“  111: 107: 106:Find sources: 100: 96: 90: 86: 85: 79: 75: 70: 69: 64: 62: 55: 54: 49: 48: 43: 38: 29: 28: 19: 723: 712: 696: 689: 680: 673: 664: 655: 653: 643: 642: 622: 614: 600: 588: 572: 571: 559: 549:explores an 546: 545: 529:Brian Brophy 505: 495: 488:Brian Brophy 462: 461: 460: 443:Running time 420:Release date 365:Brian Brophy 285: 267: 258: 239: 210: 201: 190: 157: 148: 138: 131: 124: 117: 105: 93:Please help 82: 58: 51: 45: 44:Please help 41: 666:Film Threat 628:documentary 611:Minneapolis 603:Los Angeles 585:Aysha Hauer 581:Thomas Jane 523:Aysha Hauer 517:Thomas Jane 480:Aysha Hauer 476:Thomas Jane 468:Independent 403:Fran Banish 393:Lester Fatt 361:Aysha Hauer 356:Thomas Jane 345:Ivon Vasali 342:Produced by 324:Directed by 204:August 2020 191:may not be 151:August 2020 747:1994 films 741:Categories 568:Production 561:Easy Rider 492:Schlattman 466:is a 1993 334:Written by 301:1994 film 261:March 2024 121:newspapers 89:notability 47:improve it 698:LA Weekly 639:Reception 389:Edited by 253:talk page 53:talk page 693:โ€”  677:โ€”  661:โ€”  542:Analysis 537:as Bubba 452:Language 447:112 min. 399:Music by 352:Starring 193:reliable 716:at the 455:English 429: ( 135:scholar 531:Carman 137:  130:  123:  116:  108:  142:JSTOR 128:books 583:and 511:Cast 502:Plot 431:1994 427:1994 114:news 605:to 97:by 743:: 630:, 564:. 56:. 482:( 433:) 292:) 286:( 274:) 268:( 263:) 259:( 255:. 217:) 211:( 206:) 202:( 196:. 164:) 158:( 153:) 149:( 139:ยท 132:ยท 125:ยท 118:ยท 91:. 63:) 59:( 20:)

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Craig Schlattman
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