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Cross-stitch

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120: 53: 1382: 1375: 411: 323: 159: 178: 2863: 227:. Different wool threads, metallic threads or other novelty threads are also used, sometimes for the whole work, but often for accents and embellishments. Hand-dyed cross-stitch floss is created just as the name implies—it is dyed by hand. Because of this, there are variations in the amount of color throughout the thread. Some variations can be subtle, while some can be a huge contrast. Some also have more than one color per thread. 38: 257: 249: 2850: 102:, and mixed-content fabrics called 'evenweave' such as jobelan. All cross-stitch fabrics are technically "evenweave" as the term refers to the fact that the fabric is woven to make sure that there are the same number of threads per inch in both the warp and the weft (i.e. vertically and horizontally). Fabrics are categorized by threads per inch (referred to as 'count'), which can range from 11 to 40 count. 174:(only a small portion of which would actually be embroidered, such as a border). Although there are many cross-stitchers who still employ it in this fashion, it is now increasingly popular to work the pattern on pieces of fabric and hang them on the wall for decoration. Cross-stitch is also often used to make greeting cards, pillow tops, or as inserts for box tops, coasters and trivets. 1389: 205:" and groups across the United States and Europe which offer classes, collaborate on large projects, stitch for charity, and provide other ways for local cross-stitchers to get to know one another. Individually owned local needlework shops (LNS) often have stitching nights at their shops, or host weekend stitching retreats. 142:
is called that because it was generally stitched by a young girl to learn how to stitch and to record alphabet and other patterns to be used in her household sewing. These samples of her stitching could be referred back to over the years. Often, motifs and initials were stitched on household items to
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The development of computer technology has also affected such a seemingly conservative craft as cross-stitch. With the help of computer visualization algorithms, it is now possible to create embroidery designs using a photograph or any other picture. Visualisation uses a drawing on a graphical grid,
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fabric with each cross worked over one square. These methods are referred to as "2 over 2" (2 embroidery threads used to stitch over 2 fabric threads) and "1 over 1" (1 embroidery thread used to stitch over 1 fabric thread or square), respectively. There are different methods of stitching a pattern,
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Counted cross-stitch projects are worked from a gridded pattern called a chart and can be used on any count fabric; the count of the fabric and the number of threads per stitch determine the size of the finished stitching. For example, if a given design is stitched on a 28 count cross-stitch fabric
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or tongue-in-cheek designs featuring retro images or contemporary sayings. It is linked to a concept known as 'subversive cross-stitch', which involves more risque designs, often fusing the traditional sampler style with sayings designed to shock or be incongruous with the old-fashioned image of
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stitch. Italian cross-stitch and Montenegrin stitch are reversible, meaning the work looks the same on both sides. These styles have a slightly different look than ordinary cross-stitch. These more difficult stitches are rarely used in mainstream embroidery, but they are still used to recreate
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videos detailing their hobby. Flosstubers, as they are known, typically cover WIPs (Works in Progress), FOs (Finished Objects), and Haul (new patterns, thread, and fabric, as well as cross-stitching accessories, such as needle minders). Other accessories include but are not limited to: Floss
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In the 21st century, an emphasis on feminist design has emerged within cross-stitch communities. Some cross-stitchers have commented on the way that the practice of embroidery makes them feel connected to the women who practised it before them. There is a push for all embroidery, including
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Stitching designs on other materials can be accomplished by using waste canvas. This is a temporary gridded canvas similar to regular canvas used for embroidery that is held together by a water-soluble glue, which is removed after completion of stitch design. Other crafters have taken to
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of the mid-nineteenth century. Besides designs created expressly for cross-stitch, there are software programs that convert a photograph or a fine art image into a chart suitable for stitching. One example of this is in the cross-stitched reproduction of the
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and cross-stitching have become more popular hobbies for a younger market, in contrast to its traditional reputation as a hobby for retirees. Sewing and craft groups such as Stitch and Bitch London have resurrected the idea of the traditional craft club. At
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including the cross-country method where one colour is stitched at a time, or the parking method where one block of fabric is stitched at a time and the end of the thread is "parked" at the next point the same colour occurs in the pattern.
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The cross-stitch can be executed partially such as in quarter-, half-, and three-quarter-stitches. A single straight stitch, done in the form of backstitching, is often used as an outline, to add detail or definition.
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historical pieces of embroidery or by the creative and adventurous stitcher. The double cross-stitch, also known as a Leviathan stitch or Smyrna cross-stitch, combines a cross-stitch with an upright cross-stitch.
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representing colors and / or symbols, which gives the user an indication of the possible use of colors, the position of those colors, and the type of stitch used, such as full cross or quarter stitch.
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Cross-stitch can be found all over the world since the Middle Ages. Many folk museums show examples of clothing decorated with cross-stitch, especially from continental
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identify their owner, or simply to decorate the otherwise-plain cloth. The earliest known cross stitch sampler made in the United States is currently housed at
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and other embellishments such as paillettes, charms, small buttons and specialty threads of various kinds may also be used. Cross stitch can often be used in
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Multicoloured, shaded, painting-like patterns as we know them today are a fairly modern development, deriving from similar shaded patterns of
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in order to distinguish it from other forms of cross-stitch. Sometimes cross-stitch is done on designs printed on the fabric (
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There are many stitches which are related structurally to cross-stitch. The best known are Italian cross-stitch (as seen in
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stitchery resembles the heavily shaded, opulent styles of cross-stitch, and sometimes also used charted patterns on paper.
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Cross-stitch has become increasingly popular with the younger generation of Europe in recent years. Retailers such as
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cross-stitching on all manner of gridded objects as well including old kitchen strainers or chain-link fences.
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with each cross worked over two threads, the finished stitching size is the same as it would be on a 14 count
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In a departure from the traditional designs associated with cross-stitch, there is a current trend for more
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Traditionally, cross-stitch was used to embellish items like household linens, tablecloths, dishcloths, and
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Cross-stitch is widely used in traditional Palestinian dressmaking. Palestinian cross stitch is called
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2010 there was a new area called "Sknitch" promoting modern sewing, knitting and embroidery.
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While cross stitch is traditionally a women's craft, it is growing in popularity among men.
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and Anchor, both of which have been manufacturing embroidery floss since the 1800s.
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pattern are used to form a picture. The stitcher counts the threads on a piece of
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Today, cotton floss is the most common embroidery thread. It is a thread made of
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experienced a 17% rise in sales of haberdashery products between 2009 and 2010.
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Cross-stitch is often combined with other popular forms of embroidery, such as
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An increasingly popular activity for cross-stitchers is to watch and make
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Detail of floral border pattern in cotton. Tea cloth (small tablecloth),
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Other materials used are pearl (or perle) cotton, Danish flower thread,
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Articles related to the recent comeback in popularity of cross stitch.
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Cross stitching using a hoop and showing use of enamel needle minder
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Threads of Life: A History of the World Through the eye of a Needle
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A cross-stitching created with the use of different color fabrics
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Giliforte, Brittany; Goulem, Brigid (September 18, 2018).
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cross-stitch, to be respected as a significant art form.
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Ukrainian girls in traditional-style embroidered costumes
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Traditional Palestinian Costume: Origins and Evolution
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For specific crossed stitches used in needlework, see
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charted and stitched by Joanna Lopianowski-Roberts.
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Archived from 24: 1387: 1380: 1373: 1156:Gillow, John, and Bryan Sentance: 1066:"The Feminist Power of Embroidery" 628:. Creativityjourney.blogspot.com. 562:Gillow, John, and Bryan Sentance: 25: 3705: 1187: 1145:, Van Norstrand Rheinhold, 1964, 869:"Hobbycraft sews up strong sales" 599:. pilgrimhall.org. 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2715: 2710: 2705: 2699: 2697: 2688: 2684: 2683: 2681: 2680: 2675: 2670: 2665: 2660: 2655: 2650: 2648:Cloth merchant 2644: 2642: 2640: 2639: 2636: 2630: 2627: 2626: 2624: 2623: 2618: 2613: 2608: 2603: 2598: 2593: 2588: 2583: 2578: 2573: 2571:Pinking shears 2568: 2563: 2558: 2553: 2548: 2543: 2538: 2532: 2530: 2526: 2525: 2523: 2522: 2517: 2512: 2510:Textile/fabric 2507: 2502: 2496: 2494: 2490: 2489: 2487: 2486: 2481: 2476: 2471: 2466: 2461: 2456: 2451: 2446: 2440: 2438: 2434: 2433: 2431: 2430: 2425: 2420: 2415: 2410: 2405: 2400: 2395: 2390: 2385: 2383:Grommet/eyelet 2380: 2375: 2370: 2365: 2359: 2357: 2355: 2354: 2349: 2343: 2340: 2339: 2337: 2336: 2331: 2329:Seam allowance 2326: 2321: 2315: 2313: 2307: 2306: 2304: 2303: 2298: 2293: 2288: 2283: 2278: 2273: 2268: 2263: 2258: 2253: 2248: 2243: 2238: 2233: 2228: 2223: 2218: 2213: 2208: 2203: 2198: 2192: 2190: 2178: 2177: 2175: 2174: 2169: 2164: 2159: 2154: 2152:Gore (fabrics) 2149: 2144: 2139: 2134: 2129: 2124: 2119: 2114: 2109: 2103: 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1438: 1436:Cross stitches 1433: 1428: 1423: 1418: 1413: 1408: 1402: 1400: 1396: 1395: 1372: 1370: 1368: 1367: 1362: 1357: 1352: 1347: 1342: 1337: 1332: 1327: 1322: 1317: 1312: 1307: 1302: 1297: 1292: 1287: 1285:Counted-thread 1282: 1277: 1272: 1270:Broderie perse 1267: 1262: 1257: 1252: 1247: 1241: 1239: 1235: 1234: 1227: 1226: 1219: 1212: 1204: 1198: 1197: 1189: 1188:External links 1186: 1185: 1184: 1169: 1158:World Textiles 1154: 1139: 1130: 1127: 1124: 1123: 1104: 1083: 1080:on 2022-01-01. 1056: 1029: 1001: 972: 943: 908: 889: 859: 838: 831: 813: 802:ich.unesco.org 789: 782: 764: 739: 721: 696: 671: 642: 624:(2010-08-27). 613: 588: 576: 564:World Textiles 555: 529: 522: 504: 497: 479: 472: 445: 444: 442: 439: 438: 437: 432: 427: 421: 420: 404: 401: 387: 384: 378: 375: 369: 366: 357:cross-stitch. 319: 316: 244:cross stitches 242:Main article: 239: 236: 196:Sistine Chapel 153:Myles Standish 116: 113: 32:Cross stitches 26: 9: 6: 4: 3: 2: 3706: 3695: 3692: 3690: 3687: 3686: 3684: 3669: 3666: 3664: 3661: 3659: 3656: 3654: 3651: 3649: 3646: 3644: 3641: 3639: 3638:Private press 3636: 3634: 3631: 3629: 3626: 3624: 3621: 3619: 3616: 3614: 3611: 3607: 3604: 3603: 3602: 3599: 3597: 3594: 3592: 3589: 3587: 3584: 3582: 3579: 3577: 3574: 3572: 3569: 3567: 3564: 3560: 3557: 3556: 3555: 3552: 3550: 3549:Faux painting 3547: 3545: 3544:Engraved gems 3542: 3540: 3537: 3535: 3532: 3530: 3527: 3525: 3522: 3520: 3517: 3515: 3512: 3510: 3507: 3506: 3504: 3500: 3494: 3491: 3489: 3486: 3484: 3481: 3479: 3476: 3474: 3471: 3469: 3466: 3464: 3461: 3459: 3456: 3454: 3451: 3449: 3446: 3445: 3443: 3441: 3437: 3431: 3430:Stained glass 3428: 3426: 3423: 3421: 3418: 3416: 3415:Glass etching 3413: 3411: 3408: 3406: 3403: 3401: 3398: 3397: 3395: 3393: 3389: 3383: 3380: 3378: 3375: 3373: 3370: 3368: 3365: 3363: 3360: 3358: 3355: 3353: 3350: 3348: 3345: 3344: 3342: 3340: 3336: 3330: 3327: 3325: 3322: 3320: 3317: 3315: 3312: 3310: 3307: 3305: 3302: 3300: 3297: 3295: 3292: 3290: 3287: 3285: 3282: 3280: 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2421: 2419: 2416: 2414: 2411: 2409: 2406: 2404: 2401: 2399: 2396: 2394: 2393:Passementerie 2391: 2389: 2386: 2384: 2381: 2379: 2376: 2374: 2371: 2369: 2366: 2364: 2361: 2360: 2358: 2353: 2350: 2348: 2345: 2344: 2341: 2335: 2332: 2330: 2327: 2325: 2322: 2320: 2317: 2316: 2314: 2312: 2308: 2302: 2299: 2297: 2294: 2292: 2289: 2287: 2284: 2282: 2279: 2277: 2274: 2272: 2269: 2267: 2264: 2262: 2259: 2257: 2254: 2252: 2249: 2247: 2244: 2242: 2239: 2237: 2234: 2232: 2229: 2227: 2224: 2222: 2219: 2217: 2214: 2212: 2209: 2207: 2204: 2202: 2199: 2197: 2194: 2193: 2191: 2188: 2183: 2179: 2173: 2170: 2168: 2165: 2163: 2160: 2158: 2155: 2153: 2150: 2148: 2145: 2143: 2140: 2138: 2135: 2133: 2130: 2128: 2127:Embellishment 2125: 2123: 2120: 2118: 2115: 2113: 2110: 2108: 2105: 2104: 2102: 2098: 2094: 2087: 2082: 2080: 2075: 2073: 2068: 2067: 2064: 2052: 2049: 2047: 2044: 2042: 2039: 2037: 2034: 2032: 2029: 2027: 2024: 2023: 2021: 2017: 2011: 2008: 2006: 2003: 2001: 1998: 1996: 1993: 1991: 1988: 1986: 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Index

Cross stitch
Cross stitches

sampler
Germany

counted-thread embroidery
raster-like
evenweave
linen
aida cloth
linen
aida cloth
aida cloth
Cross-stitch sampler by Sarah Littleton, 1868
Europe
Asia
sampler
Pilgrim Hall
Plymouth, Massachusetts
Myles Standish

Hungary
doilies

Surif
Berlin wool work
Sistine Chapel
guilds
mercerized cotton

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