161:
47:
963:
315:
Schubert intended it for usage in
Catholic church service. However, censorship prevented this from taking place; it was not approved for liturgical use. The work has since gained popularity, and has been translated into other languages.
304:
style, suitable for congregational singing. Schubert commenced the work in
December 1826, completing and publishing it in 1827. Neumann had previously written the
939:
935:
807:
210:, who commissioned Schubert's music, one or more of which could be used separately during Mass. A ninth hymn, given as an appendix, treats the
850:
802:
798:
774:
Franz
Schubert's Music in Performance: Compositional ideals, notational intent, historical realities, pedagogical foundations
296:, who was interested in simple music designed to appeal to "the widest possible congregation". Neumann wrote the German
51:
Hand-written transcription, from 1870 (long after
Schubert's death), of the first page of the movement "Zum Eingang" (
988:
782:
761:
740:
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674:
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214:, bringing the length to about 35 minutes when the music is performed, as it often now is, as one big concert work.
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74:
191:
written in 1827. Neither a Mass nor strictly speaking German, it was published in Vienna as what it is:
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with organ accompaniment. Decades after
Schubert died, a grander edition was published: SATB choir, 2
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359:. Performance time is approximately 40 minutes, if performed as a cycle with all the verses.
8:
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348:) tempo, reflecting the solemnity of the service as well as consideration of church
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508:, E minor ending in parallel major, 6/8: "Anbetend Deine Macht und Größe"
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16:
This article is about
Schubert's work. For the Lutheran service, see
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languages in
Austria and southern Germany. It was commissioned by
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249:
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Germany: A reference guide from the
Renaissance to the present
392:, B-flat major, common time: "Ehre, Ehre sei Gott in der Höhe"
221:
297:
225:
218:
135:
608:
452:, G major, common time: "Betrachtend Deine Huld und Güte"
771:
Montgomery, David (1994). "Tempo, Time, and
Character".
620:
200:(Hymns for the Celebration of the Holy Offering of Mass)
584:
523:
521:
574:
572:
557:
545:
533:
420:, C major, 3/4: "Du gabst, o Herr, mir Sein und Leben"
951:
466:, B-flat major, 6/8: "Mein Heiland, Herr und Meister"
136:
518:
484:, F major, 3/4: "Herr, Du hast mein Flehn vernommen"
378:, F major, common time: "Wohin soll ich mich wenden"
596:
569:
406:, G major, 6/8: "Noch lag die Schöpfung formlos da"
355:Each of the hymns has a Latin counterpart in the
975:
196:Gesänge zur Feier des heiligen Opfers der Messe
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434:, E-flat major, 3/4: "Heilig, heilig, heilig"
202:. It sets a sequence of eight non-liturgical
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300:, which Schubert scored in a block-chordal,
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851:
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750:Foley, Edward; Bangert, Mark Paul (2000).
626:
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803:International Music Score Library Project
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336:. Most of the work is set in a moderate (
260:, the cycle is also sometimes called the
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217:The cycle's original scoring was plain:
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819:Franz Schubert: Deutsche Messe, D.872
256:. Besides the now standard misnomer
808:Free scores of Deutsche Messe, D872
753:Worship Music: A concise dictionary
270:in this just-listed orchestration.
13:
732:Musical Life in Biedermeier Vienna
14:
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308:for Schubert's unfinished opera,
288:, settings of religious texts in
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663:Glover, Raymond F., ed. (1990).
690:Schubert: The Music and the Man
332:, including eight hymns and an
320:arranged a version in English.
164:Portrait of Franz Schubert by
1:
708:Biesinger, Joseph A. (2006).
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812:Choral Public Domain Library
323:
266:due to the preponderance of
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729:Hanson, Alice Mary (1985).
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284:stems from a tradition of
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666:The Hymnal 1982 Companion
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989:Masses by Franz Schubert
615:Foley & Bangert 2000
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397:Zum Evangelium und Credo
187:872, is a hymn-cycle by
642:Shrock, Dennis (2009).
328:The work contains nine
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109:Johann Philipp Neumann
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799:Deutsche Messe, D.872
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936:List of compositions
495:Das Gebet des Herrn
126:8, with an appendix
170:
984:1827 compositions
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645:Choral Repertoire
542:, pp. 70–71.
439:Nach der Wandlung
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879:No. 1 in F major
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801:: Scores at the
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481:Nicht zu langsam
476:Recessional hymn
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403:Nicht zu langsam
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268:wind instruments
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411:Zum Offertorium
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793:External links
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318:Richard Proulx
281:Deutsche Messe
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258:Deutsche Messe
254:basso continuo
189:Franz Schubert
177:Deutsche Messe
156:
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153:basso continuo
151:, timpani and
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134:STB soloists,
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564:Newbould 1999
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500:Lord's Prayer
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457:Zum Agnus Dei
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357:Order of Mass
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181:(German Mass)
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492:(Appendix):
471:Schlußgesang
449:Sehr langsam
444:consecration
431:Sehr langsam
417:Sehr langsam
389:Mit Majestät
354:
327:
314:
309:
277:
262:
261:
257:
216:
193:
192:
174:
173:
171:
145:Instrumental
64:
22:
603:Hanson 1985
579:Glover 1990
540:Glover 1990
528:Shrock 2009
442:(After the
425:Zum Sanctus
365:Zum Eingang
342:) to slow (
65:German Mass
978:Categories
916:No. 6 in E
905:No. 5 in A
889:No. 3 in B
636:References
383:Zum Gloria
310:Shakuntala
302:homophonic
290:vernacular
286:low masses
274:Background
166:Franz Eybl
100:Hymn cycle
350:acoustics
330:movements
324:Structure
263:Wind Mass
246:trombones
230:clarinets
206:poems by
123:Movements
71:Catalogue
940:by genre
919:♭
908:♭
892:♭
687:(1999).
368:(At the
334:appendix
306:libretto
242:trumpets
234:bassoons
115:Language
824:YouTube
810:in the
370:Introit
345:langsam
250:timpani
87: (
61:English
53:Introit
954:Portal
860:Masses
781:
760:
739:
718:
697:
673:
652:
489:Anhang
204:German
168:(1827)
118:German
922:major
911:major
895:major
513:Notes
505:Mäßig
498:(The
463:Mäßig
375:Mäßig
339:mäßig
298:hymns
238:horns
226:oboes
222:choir
140:choir
131:Vocal
779:ISBN
758:ISBN
737:ISBN
716:ISBN
695:ISBN
671:ISBN
650:ISBN
278:The
252:and
244:, 3
240:, 2
236:, 2
232:, 2
228:, 2
219:SATB
172:The
137:SATB
105:Text
97:Form
89:1827
85:1827
82:Year
862:by
822:on
502:),
478:),
446:),
372:),
77:872
37:by
980::
777:.
756:.
735:.
714:.
693:.
669:.
648:.
571:^
520:^
460:,
428:,
414:,
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386:,
352:.
312:.
248:,
183:,
956::
942:)
938:(
852:e
845:t
838:v
787:.
766:.
745:.
724:.
703:.
679:.
658:.
474:(
185:D
91:)
75:D
55:)
20:.
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