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340:. He also eats his meal, watches some television and projected home movies, listens to music and seduces their maid. With the gun he enacts suicide a number of times. At dawn he shoots his wife thrice in the head as she sleeps. Then he drives to the seaside where he gets a job as a chef on a yacht bound for Tahiti.
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preparing himself a gourmet meal. While collecting ingredients he discovers an old revolver wrapped in a 1934 newspaper with the headline "Dillinger is dead" and an account of the famous
American gangster's death. Glauco cleans and restores the gun while continuing to cook his dinner, then paints it red with white
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Glauco, a middle-aged industrial designer of gas masks, is growing tired of his occupation. Having discussed alienation with a colleague at the factory, he returns home. His wife is in bed with a headache but has left him dinner, which has become cold. He is dissatisfied with the food and begins
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creations in a real world context. The home with its many luxuries, such as the gourmet dining and film projector, as well as the cleaning and decoration of the gun, are meaningless diversions which trap Glauco in a metaphorical prison and suffocate him. His isolation leads to death or an
366:"illusionary escape". As Italian film historian Paolo Bertetto explained, "The escape to Tahiti means a total closure of all horizons, the paralysis of all possibilities; we are brought down to zero, stripped of all perspectives, and restored to the original nothingness."
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is an attempt to "kill" something inside himself. Glauco repeatedly stages his own suicide throughout the film. The final murder, then, is a means to escape his life by eliminating the primary link to his bourgeois lifestyle, which he would otherwise be unable to leave.
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The film, and especially its finale in which the character Glauco leaves home and finds a job on a yacht, has been interpreted variously. Author Fabio Vighi approached it from a psychoanalytical standpoint, suggesting the
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praised the film, interviewed the director and translated two of his previous interviews from the
Italian magazine. The acclaim opened the resources of
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Ferreri, and he spent much of the next 15 years living there. During that time he made his internationally best known films, including
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near disappearance and it has been rarely seen since. It appeared in the 2006 Marco
Ferreri retrospective in
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535:(1978). Ferreri and Michel Piccoli became fast friends and worked together subsequently on films such as
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and hired him immediately. Piccoli has said
Ferreri did not direct his performance and only gave simple
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instructions. He played the character as solitary and volatile, comparing it to his role in
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Director Marco
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was the subject of controversy on its release for its violence and depiction of the
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Vighi, Fabio (2006). "Enjoying the Real: unconscious strategies of subversion".
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Writer Mira Liehm posits director Marco
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and did not apply psychology or logic to his characters but then placed his
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Traumatic
Encounters in Italian Film: Locating the Cinematic Unconscious
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set. Critics have also called it director Marco
Ferreri's masterpiece.
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Viano, Maurizio (2004). "La Grande
Abbuffata / La Grande Bouffe". In
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Liehm, Mira (March 1986). "The Glorious Sixties (1961 - 1969)".
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Passion and Defiance: Italian Film from 1942 to the Present
594:"Ecco i cento film italiani da salvare Corriere della Sera"
722:"The Actor and the Secret: Interview with Michel Piccoli"
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According to critic Viano Maurizio, by the mid-1980s
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46:. Unsourced material may be challenged and removed.
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475:(1968). Ferreri had Piccoli read a few pages from
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433:. Unsourced material may be challenged and
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453:Learn how and when to remove this message
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933:an essay by Michael Joshua Rowin at the
552:' effect on the film market resulted in
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692:"Festival de Cannes: Dillinger Is Dead"
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763:. Wallflower Press. p. 195.
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1198:Obscenity controversies in film
1188:Films directed by Marco Ferreri
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720:BĂ©ghin, Cyril (November 2005).
623:. Intellect Books. p. 67.
31:needs additional citations for
668:University of California Press
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501:The film was entered into the
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801:. Ciné Lumière. November 2006
796:"Marco Ferreri Retrospective"
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576:in America on June 26, 2016.
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325:100 Italian films to be saved
1178:1960s Italian-language films
1069:Don't Touch the White Woman!
855:. p. 20. Archived from
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1208:Films scored by Teo Usuelli
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822:. Vertigo Magazine. 2006
724:. Sally Shafto (trans).
566:The Criterion Collection
882:, Accessed July 6, 2016
853:Telluride Film Festival
842:"32: Dillinger Is Dead"
570:Telluride Film Festival
384:as Anita, Glauco's wife
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840:Kramer, Edith (2007).
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1193:Films about uxoricide
574:Turner Classic Movies
497:Release and reception
359:Theatre of the Absurd
935:Criterion Collection
670:. pp. 206–207.
427:improve this section
292:) is a 1969 Italian
40:improve this article
1203:1960s Italian films
1173:Italian drama films
1132:The House of Smiles
1118:The Future Is Woman
1004:"Il professore" in
760:The Cinema of Italy
696:festival-cannes.com
390:as Sabina, the maid
55:"Dillinger Is Dead"
1111:The Story of Piera
970:Films directed by
755:Giorgio Bertellini
572:. It premiered on
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1146:Diary of a Maniac
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1041:Il seme dell'uomo
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164:Ever Haggiag
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38:Please help
33:verification
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554:Dillinger's
550:Reaganomics
529:(1976) and
485:Agnès Varda
213:Teo Usuelli
166:Alfred Levy
161:Produced by
141:Directed by
1168:1969 films
1162:Categories
1125:I Love You
1006:Countersex
866:2007-09-08
826:2007-09-08
805:2007-09-08
781:2007-09-11
736:2007-09-09
706:2009-04-05
641:2009-07-01
603:2021-03-11
580:References
472:La Chamade
395:Production
338:polka dots
294:drama film
255:95 minutes
239:1969-01-23
151:Written by
66:newspapers
1139:The Flesh
1055:L'udienza
1034:Her Harem
984:El Pisito
880:TCM Forum
414:does not
378:as Glauco
363:absurdist
351:uxoricide
300:starring
201:Edited by
1020:Break Up
913:AllMovie
560:. A new
545:(1973).
493:(1966).
481:blocking
268:Language
209:Music by
173:Starring
757:(ed.).
512:parvenu
435:removed
420:sources
284:Italian
271:Italian
260:Country
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558:London
344:Themes
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799:(PDF)
562:print
521:Paris
263:Italy
87:JSTOR
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1062:Liza
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672:ISBN
625:ISBN
539:and
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331:Plot
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