230:’s addition to Hollywood altered local and international perceptions of popular culture through "Disneyfication " which is typically used to alter a topic in popular culture like stories, amusement parks, or fan conventions. Events like wars and other major world events became the driving forces behind these cultural shifts and can be held accountable for the push to "Disneyfy" the world, or as the definition insinuates, to make a safe space or thing in an unsafe environment or time. The Walt Disney Company was created as a result of creating something out of a desire to comfort scared individuals or to alter the appearance to appeal to family-friendly ideals in a controlled manner, but the term "Disneyfication" did not come until the 1970s.
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309:, one of the many themed parks from Disney, was opened in 1982 with the purpose to invite the public to explore a fun multicultural experience for families and friends. The attraction brings the chance to visit over 11 cultural experiences, including a variety of cuisines without having to travel far and the ability to have the comfort of knowing you are in a safe and controlled space. This "land" alone was able to bring more exposure to controlled cultural exposure by creating an Americanized vision of Asian and European architecture, food, music, clothing, and stories. It also provided the ability to expand "Disneyfication" into other countries like China and Japan with the openings of
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317:, despite the fact that people all over the world that have grown fearful over time that their own folk tales or myths would fall victim to a form of "Disneyfication". Walt Disney's rapid "Disneyfication" of nostalgic stories is often connected to American capitalism but still creates success in the ways in which Walt Disney presented the park and films to the American audience. The Walt Disney Company found a clever and comforting way in which "Disneyfication" was making its way into the entertainment business worldwide.
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276:, "Disneyfication" is the process in sociology in which a person, place, or things are simplified or altered to meet the same image requirements of Disney productions. Characters and stories created or used by Disney have been able to the ideas of stories, art, gender, sexuality, disability, race, and perspective of the ordinary. The Disney craze became so great and widespread that The Walt Disney Company was able to "Disneyfy" amusement parks for other countries. These places in
301:"The happiest place on earth can in the twenty-first century accommodate what in the twentieth represented the pure and abject horror that people fled to Disneyland to escape from". The Walt Disney Company was intricate in the way in which they pitched the theme park to their targeted audience, those who wanted an escape. In particular, The names of the parks were allocated ending in "world" or "land" to give the illusion that real-life stops and fantasy begin because the "
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entertainment industry is actually catered to its audience. Trends are influenced by the people of the time period in which it was being produced. The history of popular culture can be traced back to the start of early human communities and the addition of electricity in the home that really defined the modern concept of culture, with examples from the 1900s such as the radio, bright signs, automobiles, and the television.
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250:”, the company went broke and forced Disney to sell his camera in order to move in with an uncle in Hollywood. Disney became the epitome of the American Dream and started a billion-dollar company in a run-down garage. By 1928, Walt Disney began working with a distributor that allowed for the creations of the company to be recognized by hundreds, including the success of the famed character
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among all ages and was used in global platforms such as international political propaganda because of his popularity among people. Every artwork produced since then has been a clear trademark of the Disney name and, in turn, every cultural aspect in the Disney films or world has been changed to fit
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now have their own piece of the desired "Disneyfied" Western society. The major success of the media produced by the company is also an important key factor and attributed to the specific techniques of earlier films that left an impact on people, including psychologically affecting events like the
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to be associated with a statement about the cultural products of the Disney company itself, denoting the general process of rendering material (a fairy tale, novel, historical event) into a standardized format that is recognizable as being a product of the Walt Disney
Company according to Bryman.
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The term broadly describes the process of stripping a real place or thing of its original character and representing it in a sanitized format where references to anything negative or inconvenient are removed, and the facts are simplified with the intent of rendering the subject more pleasant and
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At the start of the twentieth century, popular culture was reaching its highest potential in terms of what it would become today by modern standards of overall
American culture. The mass production of pleasure and entertainment is meant for a profit-inducing audience and that change within the
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death of a family member or rules for being seen as beautiful. The term, "Disneyfication" was put in sociological studies in order to explain the process of the transformation of things to essentially sugarcoat the reality of unsafe environments or issues like the threat of a unique identity.
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For example, Walt Disney's creation of an amusement park is the embodiment of what "Disneyfication" was meant to describe, an escape from a harsh reality. Imagination was the original source of inspiration for Mr. Disney and, according to
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226:" or "Disneyfied" culture spread to other countries through film, songs, architecture, stories, and other real-world elements. Over time, each concept in popular culture defined the overall culture of the time it was developed and
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in 1918, the young Walt Disney took his first step in the animation world and got a job that allowed him to draw for a film company. By 1922, Disney spent his time recruiting animators in order to jumpstart his first company,
222:”. The company gained the ability to influence the world with the power of association and gradually created cultural shifts as a result of “Disneyfication” becoming so popular in the west. The desire and demand for "
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became the most famous character in the world and the new face of the Walt Disney
Company. Mickey’s success became far greater than anticipated by the Disney animators and his fame surpassed that of the actor
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describes the commercial transformation of things (e.g. entertainment) or environments into something simplified, controlled, and 'safe'—reminiscent of the
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easily grasped. In the case of physical places, this involves replacing the real with an idealized, tourist-friendly veneer—resembling the "
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because he takes the latter to be accompanied by negative connotations and described four dimensions of
Disneyization in particular:
738:"Reading" Disneyland: a historical look at the textual interpretation of the Disney Parks and the Study of American popular culture
580:"Reading" Disneyland: a historical look at the textual interpretation of the Disney Parks and the Study of American popular culture
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as well as the rest of the world." Though the two are largely used interchangeably, Bryman states his preference of
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Kehoe, Andre. 1991. "Christian
Contradictions and the World Revolution: Letters to my Son." Glendale Publishing.
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History of
Popular Culture : More of Everything, Faster, and Brighter
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A History of
Popular Culture : More of Everything, Faster, and Brighter
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Version: The Life, Times, Art, and Commerce of Walt Disney
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Disneyland and Culture : Essays on the Parks and Their Influence
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Disneyland and Culture : Essays on the Parks and Their Influence
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is mostly used derogatorily to imply the social and cultural
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Journal of Organisational Transformation & Social Change
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Gill, Brendan (April 1991). ""The Sky Line: Disneyitis."".
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Tearing down the streets : adventures in urban anarchy
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Cinderella's castle near Fantasyland in Disney Park
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Group dresses up as Disney characters at convention
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724:Jackson, Kathy Merlock; West, Mark I. (2011).
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578:Anne., Nestegard, Elizabeth (1994).
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781:. New York: Simon and Schuster.
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326:first appeared in 1959, while "
185:uniformity. More specifically,
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34:needs additional citations for
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264:the "Disneyfication" process.
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688:The Disneyization of Society.
520:The Disneyization of Society.
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292:Map to Epcot's World Showcase
268:The Disneyfication of society
628:. Rutgers University Press.
340:The Disneyization of Society
171:The Disneyization of Society
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772:(in German). Vs Verlag.
522:UK: SAGE Publications.
252:Oswald the Lucky Rabbit
1801:Cultural globalization
1760:Ellen Swallow Richards
1755:Consumers' Association
1743:Consumer organizations
1044:Shanghai Disney Resort
794:The Cultures of Cities
706:Ferrell, Jeff (2001).
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683:. New York: Routledge.
518:Bryman, Alan E. 2004.
502:The Cultures of Cities
408:New York City branding
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798:Blackwell Publishing
622:Wills, John (2017).
457:Celebration, Florida
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60: –
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54:Find sources:
48:
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32:This article
30:
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1415:Disney adult
1348:Marvel Press
1338:Disney Press
1303:Disney Store
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1153:Disney Dream
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1139:Disney Magic
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1128:Castaway Cay
875:Disney Parks
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567:. Routledge.
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315:Tokyo Disney
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256:Mickey Mouse
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224:Americanized
216:Mickey Mouse
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183:Americanized
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41:Please help
36:verification
33:
1765:Ralph Nader
1736:Key players
1610:Consumerism
1586:Consumerism
1524:Port Disney
1507:DisneyQuest
1502:Club Disney
1450:Team Disney
1167:Disney Wish
1093:Experiences
390:consumption
336:Alan Bryman
235:World War I
228:Walt Disney
159:consumerist
139:theme parks
131:Walt Disney
125:, the term
1785:Categories
1110:Golden Oak
1057:Disneytown
891:Disneyland
661:. Dublin:
485:References
479:Walmarting
303:imagineers
69:newspapers
1722:Euthenics
1529:DisneySea
1512:ESPN Zone
1477:Cancelled
1445:runDisney
1371:DCPI Labs
1091:Signature
971:licensee)
746:cite book
588:cite book
320:The term
141:, etc.).
123:sociology
99:June 2024
1664:Activism
1615:Consumer
1603:Concepts
1353:NG Media
500:. 1996.
421:See also
1821:Eponyms
1544:WestCOT
1435:FoxNext
1385:FoxNext
1380:Playdom
375:Theming
346:of the
83:scholar
1286:Disney
1212:Aulani
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398:Costco
278:Europe
85:
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1398:Other
1355:(70%)
924:Epcot
640:JSTOR
358:over
307:EPCOT
135:media
90:JSTOR
76:books
1748:list
752:link
696:ISBN
690:UK:
630:ISBN
594:link
524:ISBN
396:and
394:IKEA
313:and
282:Asia
280:and
210:The
157:and
62:news
547:doi
338:in
239:war
177:of
45:by
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242:“
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106:(
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97:(
87:·
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39:.
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