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Escape to Victory

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In the end, the POWs can leave the German camp only to play the match; they are to be imprisoned again afterward. The resistance's tunnelers break through to the Allied dressing room at halftime with the POWs trailing, 4–1. However, the team persuades Hatch to return to the pitch for the second half
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Hatch is indeed recaptured. However, he is placed in solitary confinement, and thus the prisoners do not know if the French underground will help them. Colby tells the Germans that he needs Hatch on the team because Hatch is the backup goalkeeper and the starting goalkeeper has broken his arm. Colby
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Colby's superior officers repeatedly try to convince him to use the match as an opportunity for an escape attempt, but Colby consistently refuses, fearing that such an attempt will only result in getting his players killed. Meanwhile, Hatch has been planning his unrelated escape attempt, and Colby's
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The P.O.W. camp scenes were filmed in a field in FĂłt, approximately 13 kilometers northeast from Budapest, situated behind the Mafilm Studios. The set with the POW barracks and soccer field took two months to construct. Other Budapest locations in the film included
925:.) Though Shostakovich's Symphony No. 7 was purportedly meant to represent the resistance to repressive Nazism when it debuted during World War II, he privately commented that it was a musical criticism of all tyranny and oppression, including in his native 1241: 473:, they plan the escape using a tunnel from the Parisian sewer system to the showers in the players' changing room. They convince Hatch to let himself be recaptured so that he can pass this information back to the leading British officers at the prison camp. 871:
in Paris. MTK Stadium was chosen because it was the largest stadium without floodlights (which were largely unknown in the 1940s) the producers could find and was also structurally similar to Continental stadiums that were around during World War II.
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After Hatch preserves the draw, the crowd storms the field and swarms the players. Some of the spectators help the Allied players disguise themselves in the chaos so that they can escape, and they all burst through the gates to freedom.
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being heavily biased towards the Germans, and the German team causing several deliberate injuries to the Allied players, a 4–4 draw is achieved after great performances from Luis Fernandez, Carlos Rey and Terry Brady. Hatch plays
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and makes excellent saves, including a save of a penalty kick as time expires to deny the Germans the win. An Allied goal had been blatantly disallowed earlier in the match, so the POWs should have won, 5–4.
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Hatch succeeds in escaping the prison camp and finding the Resistance in Paris. The Resistance initially believes it will be too risky to aid the team's escape, but once they realise the game will be at the
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exultant ending explicitly, it is believed Shostakovich wrote the ending to his symphony to imply forced rejoicing under an authoritarian force. More prosaically, the music also pays tribute to
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is considerably more complex, as the team played a series of matches against German teams, emerging victorious in all of them, before any of them were sent to prison camps by the
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defeated German soldiers while Ukraine was occupied by German troops in World War II. According to myth, as a result of their victory, the Ukrainians were all shot.
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Colby is the captain and essentially the manager of the team and thus chooses his squad of players. Another POW, Robert Hatch, an American who is serving with the
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himself actually has to break the starting goalkeeper's arm because the Germans want proof of the injury before they will allow Hatch to join the Allied lineup.
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particularly the march theme of the first movement, which is quoted almost verbatim. (Conti would later employ a similar practice when repurposing much of
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Since the movie is set in the early years of the German occupation of France (post August 1942 as reference is made to being ‘captured at Dieppe’),
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The whole audio recording of the second half of the match played in the film has been broadcast from a radio inside the Italian Pavilion of the
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featured a great many professional footballers as both the POW team and the German team. Many of the footballers came from the
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is also used to signify the triumphant conclusion of the story. However, while the music may fulfil the final moments of
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prisoners of war (POWs), coached and led by English Captain John Colby, a professional footballer for
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In 2005, the Prometheus Records label issued a limited edition soundtrack album of Conti's score.
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wrote that the movie "...wavers between insulting and uproariously stupid." Film historian
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for Sylvester Stallone. Yabo Yablonsky wrote the script and the film was entered into the
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The film received great attention upon its theatrical release, as it starred professional
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seemed to agree: "...Only the rightly-celebrated soccer scenes redeem this silly bore."
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teams in Europe. Despite not appearing on screen, English World Cup-winning goalkeeper
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and Anthony Tambakis writing the script. In March 2019, it was announced that
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was in talks to direct, with Tambakis doing a further rewrite of the script.
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wrote the score, which borrows heavily from the first and last movements of
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Filmed in Hungary, the film is based on the 1962 Hungarian film drama
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The film was inspired by the now discredited story of the so-called
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against a German team, only to find themselves involved in a German
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and Alan Thatcher were closely involved in the film, working with
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superiors agree to help him if he in return agrees to journey to
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and won the critics' award at the 1962 Boston Cinema Festival.
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59° Esposizione Internazionale d'Arte La Biennale di Venezia
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and try to convince them to help the football team escape.
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until late August 1942, with the first contingents of the
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At the end of the film, the last part of Shostakovich's
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the film has a 70% rating based on reviews from 10. On
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magazine said "the game is marvelously photographed by
1425:. Escapetovictory.spodrum.co.uk. December 12, 2014. 1301: 734:("Two half-times in Hell"), which was directed by 2056: 801:PelĂ© received a credit for designing the "soccer 2446: 1211:"12th Moscow International Film Festival (1981)" 2042: 1697: 1024:, made by Gian Maria Tosatti and curated by 824:arriving in Italy in July, 1944. Similarly, 772:squad, who were at the time one of the most 1571:Tatiana Siegel; Borys Kit (June 28, 2014). 2049: 2035: 1704: 1690: 723: 29: 2515:World War II films based on actual events 1203: 607:as Hauptmann Rainer Mueller, German coach 390:players were also in the film, including 1598: 1179:"Victory (1981) - Financial Information" 1111: 1109: 1107: 1105: 481:rather than lead the escape as planned. 1451:"KĂ©t fĂ©lidƑnyi Hollywood az MTK pĂĄlyĂĄn" 1322:from the original on September 25, 2021 420:12th Moscow International Film Festival 2447: 1370: 1299: 1171: 2030: 1685: 1497:Maltin's TV, Movie, & Video Guide 1266: 1248:from the original on November 8, 2020 1127:from the original on October 30, 2020 1102: 1085: 1083: 1004:was in talks to direct a remake with 2290:The Life and Times of Judge Roy Bean 2011: 1599:Gonzalez, Umberto (March 12, 2019). 1508:"Escape to Victory (Victory) (1981)" 1463:Prometheus Records CD, 2005: PCR520. 1304:Dynamo: Defending the Honour of Kiev 1281:from the original on August 19, 2018 1000:In June 2014, it was announced that 965: 2470:American association football films 1613:from the original on March 13, 2019 1520:from the original on August 5, 2020 1191:from the original on March 19, 2018 1159:from the original on March 19, 2018 1139: 524:as Corporal Luis Fernandez (Brazil) 13: 2520:World War II prisoner of war films 1453:. 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London. 1044:References 1002:Doug Liman 990:Metacritic 902:Bill Conti 774:successful 719:Production 707:as Farrell 491:goalkeeper 444:propaganda 430:A team of 286:Box office 228:1981-07-30 179:Production 172:Bill Conti 58:Evan Jones 2162:Moby Dick 2106:Key Largo 1617:March 13, 1584:March 26, 1540:"Victory" 1405:"Victory" 1285:March 28, 1195:March 19, 1163:March 19, 1072:March 19, 961:Reception 826:Argentine 745:in which 666:as Viktor 660:as Claude 576:John Wark 392:John Wark 250:Countries 181:companies 160:Edited by 16:1981 film 2362:The Dead 2282:Fat City 2006:Category 1983:PelĂ© law 1978:FIFA 100 1946:(father) 1944:Dondinho 1653:AllMovie 1611:Archived 1606:The Wrap 1556:July 28, 1550:Archived 1518:Archived 1383:Archived 1356:July 25, 1350:Archived 1346:BBC News 1320:Archived 1279:Archived 1246:Archived 1189:Archived 1157:Archived 1131:March 9, 1125:Archived 1032:See also 845:Budapest 814:Trinidad 701:as Pyrie 672:as RenĂ©e 648:as AndrĂ© 564:Co Prins 350:football 311:war film 270:Language 168:Music by 119:Starring 92:Based on 70:Story by 2424:Related 2330:Victory 2016:Commons 1817:Hotshot 1777:Pele FC 1673:at the 1662:at the 1524:July 9, 1094:at the 863:in the 849:Hungary 836:Filming 755:Gestapo 446:stunt. 303:Victory 273:English 226: ( 190:Lorimar 2416:(1976) 2408:(1946) 2400:(1945) 2392:(1943) 2384:(1942) 2365:(1987) 2357:(1985) 2349:(1984) 2341:(1982) 2333:(1981) 2325:(1980) 2322:Phobia 2317:(1979) 2309:(1975) 2301:(1973) 2293:(1972) 2285:(1972) 2277:(1970) 2269:(1969) 2261:(1969) 2253:(1967) 2245:(1967) 2237:(1966) 2229:(1964) 2221:(1963) 2213:(1962) 2205:(1961) 2197:(1960) 2189:(1958) 2181:(1958) 2173:(1957) 2165:(1956) 2157:(1953) 2149:(1952) 2141:(1951) 2133:(1951) 2125:(1950) 2117:(1949) 2109:(1948) 2101:(1948) 2093:(1942) 2085:(1942) 2077:(1941) 1950:Edinho 1925:(1996) 1898:(1977) 1879:(1994) 1871:(1993) 1863:(1981) 1844:(2021) 1836:(2016) 1828:(2004) 1820:(1986) 1812:(1986) 1804:(1981) 1765:Eponym 1312:  1016:In art 996:Remake 929:under 886:Mafilm 646:Amidou 432:Allied 342:German 335:Allied 308:sports 278:Budget 2338:Annie 2066:Films 1952:(son) 1887:Music 1868:PelĂ©! 1793:Films 1786:Media 896:Music 853:Paris 828:star 803:plays 459:Paris 262:Italy 2525:PelĂ© 1895:PelĂ© 1841:PelĂ© 1713:PelĂ© 1642:IMDb 1619:2019 1586:2024 1558:2018 1526:2023 1485:2024 1409:IMDb 1391:2018 1358:2021 1328:2018 1310:ISBN 1287:2011 1254:2020 1227:2013 1215:MIFF 1197:2018 1165:2018 1133:2021 1074:2018 855:and 810:PelĂ© 522:PelĂ© 502:Cast 426:Plot 406:and 331:PelĂ© 329:and 141:PelĂ© 1651:at 1640:at 984:On 973:of 805:". 798:." 101:by 2451:: 1609:. 1603:. 1575:. 1548:. 1542:. 1516:. 1510:. 1476:. 1407:. 1381:. 1375:. 1344:. 1318:. 1271:. 1213:. 1187:. 1181:. 1155:. 1149:. 1123:. 1119:. 1104:^ 1082:^ 1060:. 1028:. 954:. 933:. 892:. 847:, 422:. 402:, 398:, 394:, 382:, 378:, 374:, 370:, 366:, 362:, 325:, 321:, 2050:e 2043:t 2036:v 1705:e 1698:t 1691:v 1621:. 1588:. 1560:. 1528:. 1487:. 1393:. 1360:. 1330:. 1289:. 1256:. 1229:. 1199:. 1167:. 1135:. 1076:. 913:, 230:)

Index


John Huston
Evan Jones
Jeff Maguire
Two Half Times in Hell
ZoltĂĄn FĂĄbri
Freddie Fields
Sylvester Stallone
Michael Caine
Max von Sydow
Pelé
Gerry Fisher
Bill Conti
Lorimar
Paramount Pictures
sports
war film
John Huston
Sylvester Stallone
Michael Caine
Max von Sydow
Pelé
Allied
prisoners of war
German
Second World War
football
footballers
Bobby Moore
Osvaldo Ardiles

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