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the forest image represents the forest near Ernst's childhood home which inspired a sense of ‘enchantment and terror’ in the artist. The same analysis also states that the dove represents Ernst himself.
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199:. This technique involves scraping the paint across the canvas so that the paint takes on the imprints of objects placed beneath the canvas.
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Both the forest and dove themes have appeared several times in Ernst's works. According to an analysis by the
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The painting has a heavily textured and three-dimensional appearance. This is owed to a technique called
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100 cm × 82 cm (39.4 in × 32.3 in)
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Little
Machine Constructed by Minimax Dadamax in Person
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This article about a twentieth-century painting is a
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191:. Grattage was invented by Ernst and the
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538:Collection of the Tate galleries
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364:The Temptation of Saint Anthony
428:Dorothea Tanning (fourth wife)
308:Of This Men Shall Know Nothing
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471:. You can help Knowledge by
316:Pietà or Revolution by Night
162:(1927) is a painting by the
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348:Napoleon in the Wilderness
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32:This article includes a
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518:Paintings by Max Ernst
439:Portrait of Max Ernst
292:The Hat Makes the Man
268:Trophy, Hypertrophied
16:Painting by Max Ernst
523:Surrealist paintings
398:Une semaine de bonté
300:The Elephant Celebes
442:(c. 1939 painting)
416:Leonora Carrington
356:The Eye of Silence
284:Murdering Airplane
34:list of references
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433:Jimmy Ernst (son)
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38:related reading
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53:Please help
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195:surrealist
59:introducing
512:Categories
203:References
167:surrealist
134:Dimensions
418:(partner)
279:(1919-20)
252:Paintings
245:Max Ernst
197:Joan Miró
170:Max Ernst
110:Max Ernst
387:Grattage
382:Frottage
332:The Wood
189:grattage
142:Location
409:Related
193:Spanish
55:improve
401:(1934)
392:Loplop
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181:London
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106:Artist
40:, or
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119:1927
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