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973:(1921–22). The rural Catalan scene it depicts is augmented by an avant-garde French newspaper in the center, showing Miró sees this work transformed by the Modernist theories he had been exposed to in Paris. The concentration on each element as equally important was a key step towards generating a pictorial sign for each element. The background is rendered in flat or patterned in simple areas, highlighting the separation of figure and ground, which would become important in his mature style.
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Miró's familiar shapes, there's an unusual emphasis on texture." The critic continued, "I was instantly attracted to these four prints, to an emotional lushness, that's in contrast with the cool surfaces of so much of Miró's work. Their poignancy is even greater, I think, when you read how they came to be. The artist met and became friends with Desnos, perhaps the most beloved and influential surrealist writer, in 1925, and before long, they made plans to collaborate on a
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528:, who later purchased the piece, described it by saying, "It has in it all that you feel about Spain when you are there and all that you feel when you are away and cannot go there. No one else has been able to paint these two very opposing things." Miró annually returned to Mont-roig and developed a symbolism and nationalism that would stick with him throughout his career. Two of Miró's first works classified as Surrealist,
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670:, Miró habitually returned to Spain in the summers. Once the war began, he was unable to return home. Unlike many of his surrealist contemporaries, Miró had previously preferred to stay away from explicitly political commentary in his work. Though a sense of (Catalan) nationalism pervaded his earliest surreal landscapes and
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The spectacle of the sky overwhelms me. I'm overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains – everything which is bare has always greatly impressed me. —Joan Miró, 1958,
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He tried to paint the chaos he experienced in his mind, the desperation of wanting to leave that chaos behind and the pain created because of that. Miró painted the symbol of the ladder here which is also visible in multiple other paintings after this painting. It is supposed to symbolize escaping.
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Miró did not completely abandon subject matter, though. Despite the
Surrealist automatic techniques that he employed extensively in the 1920s, sketches show that his work was often the result of a methodical process. Miró's work rarely dipped into non-objectivity, maintaining a symbolic, schematic
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Miró initially went to business school as well as art school. He began his working career as a clerk when he was a teenager, although he abandoned the business world completely for art after suffering a nervous breakdown. His early art, like that of the similarly influenced Fauves and
Cubists, was
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art, which he believed was used as a way to promote propaganda and cultural identity among the wealthy. Specifically, Miró responded to Cubism in this way, which by the time of his quote had become an established art form in France. He is quoted as saying "I will break their guitar," referring to
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In 2006 the book was displayed in "Joan Miró, Illustrated Books" at the Vero Beach Museum of Art. One critic said it is "an especially powerful set, not only for the rich imagery but also for the story behind the book's creation. The lithographs are long, narrow verticals, and while they feature
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espoused by the group. Much of Miró's work lost the cluttered chaotic lack of focus that had defined his work thus far, and he experimented with collage and the process of painting within his work so as to reject the framing that traditional painting provided. This antagonistic attitude towards
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The large retrospectives devoted to Miró in his old age in places like New York (1972), London (1972), Saint-Paul-de-Vence (1973) and Paris (1974) were a good indication of the international acclaim that had grown steadily over the previous half-century; further major retrospectives took place
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The relation between creativity and mental illness is very well studied. It has been argued that creative people have a higher chance of suffering from a manic depressive illness or schizophrenia, as well as higher chance of transmitting this genetically. Even though we know Miró suffered from
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In 1939, with
Germany's invasion of France looming, Miró relocated to Varengeville in Normandy, and on 20 May of the following year, as Germans invaded Paris, he narrowly fled to Spain (now controlled by Francisco Franco) for the duration of the Vichy Regime's rule. In Varengeville, Palma, and
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Running until July 2019, the exhibit showcases 60 pieces of work from the inception of Miró's career, and including the influence of the World Wars. The exhibit features 60-foot canvasses as well as smaller 8-foot paintings, and the influences range from cubism to abstraction.
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as an art movement. However, Miró chose not to become an official member of the
Surrealists to be free to experiment with other artistic styles without compromising his position within the group. He pursued his own interests in the art world, ranging from automatic drawing and
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In 1922, Miró explored abstracted, strongly coloured surrealism in at least one painting. From the summer of 1923 in Mont-roig, Miró began a key set of paintings where abstracted pictorial signs, rather than the realistic representations used in The Farm, are predominant. In
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series, Previte composed a series of short pieces (none longer than about 3 minutes) to parallel the small size of Miró's paintings. Privete's compositions for an ensemble of up to ten musicians was described by critics as "unconventionally light, ethereal, and dreamlike".
710:, who seventeen years later wrote a series of poems, named after and inspired by Miró's series. Features of this work revealed a shifting focus to the subjects of women, birds, and the moon, which would dominate his iconography for much of the rest of his career.
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How did I think up my drawings and my ideas for painting? Well I'd come home to my Paris studio in Rue Blomet at night, I'd go to bed, and sometimes I hadn't any supper. I saw things, and I jotted them down in a notebook. I saw shapes on the
1277:, saying, they "are more concerned with being philosophers than anything else. They form a preconceived opinion, then they look at the work of art. Painting merely serves as a cloak in which to wrap their emaciated philosophical systems."
3574:"Joan Miro (1893–1983) | Painting-Poem ("le corps de ma brune puisque je l'aime comme ma chatte habillée en vert salade comme de la grêle c'est pareil") | Impressionist & Modern Art Auction | Christie's"
1175:, yet he rejected membership in any artistic movement in the interwar European years. André Breton described him as "the most Surrealist of us all." Miró confessed to creating one of his most famous works,
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In 1924, Miró joined the
Surrealist group. The already symbolic and poetic nature of Miró's work, as well as the dualities and contradictions inherent to it, fit well within the context of dream-like
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building in Paris. He also made temporary window paintings (on glass) for an exhibit. In the last years of his life Miró wrote his most radical and least known ideas, exploring the possibilities of
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1588:(1927) brought nearly 23.6 million pounds with fees, more than twice what it had sold for at a Paris auction in 2007 and a record price for the artist at auction. On 21 June 2017, the work
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In
October 2018, the Grand Palais in Paris opened the largest retrospective devoted to the artist until this date. The exhibition included nearly 150 works and was curated by Jean Louis Prat.
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Miró made many attempts to promote this work, but his surrealist colleagues found it too realistic and apparently conventional, and so he soon turned to a more explicitly surrealist approach.
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1241:. Four-dimensional painting was a theoretical type of painting Miró proposed in which painting would transcend its two-dimensionality and even the three-dimensionality of sculpture.
401:). He began drawing classes at the age of seven at a private school at Carrer del Regomir 13, a medieval mansion. To the dismay of his father, he enrolled at the fine art academy at
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A few years after Miró's 1918 Barcelona solo exhibition, he settled in Paris where he finished a number of paintings that he had begun on his parents' summer home and farm in
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Starting in 1920, Miró developed a very precise style, picking out every element in isolation and detail and arranging them in deliberate composition. These works, including
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movement in
America. From the outset Matisse represented Joan Miró and introduced his work to the United States market by frequently exhibiting Miró's work in New York.
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in Madrid. In 1993, the year of the hundredth anniversary of his birth, several exhibitions were held, among which the most prominent were those held in the
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published the first monograph on Miró in 1940. In 1948–49 Miró lived in
Barcelona and made frequent visits to Paris to work on printing techniques at the
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and the use of sexual symbols (for example, ovoids with wavy lines emanating from them), Miró's style was influenced in varying degrees by
Surrealism and
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He used painting as a way of dealing with depression, and it supposedly made him calmer his thoughts less dark. Miró said that without painting he became
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seen as postcard reproductions, the paintings reveal the influence of a trip to
Holland taken by the artist. These paintings share more in common with
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opened an art gallery in New York City. The Pierre Matisse Gallery (which existed until Matisse's death in 1989) became an influential part of the
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pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting
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Victoria Combalia, "Miró's Strategies: Rebellious in Barcelona, Reticent in Paris", from Joan Miró: Snail Woman Flower Star, Prestel 2008
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Miró's surrealist origins evolved out of "repression" much like all Spanish surrealist and magic realist work, especially because of his
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posthumously. Political changes in his native country led in 1978 to the first full exhibition of his painting and graphic work, at the
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Throughout the 1960s, Miró was a featured artist in many salon shows assembled by the Maeght Foundation that also included works by
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Jacques Lassaigne, Miró: biographical and critical study. Tr. Stuart Gilbert. (Paris: Editions d'Art Albert Skira, 1963) pp. 24–25.
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999:(1923–24), these flat shapes and lines (mostly black or strongly coloured) suggest the subjects, sometimes quite cryptically. For
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Jacques Lassaigne, Miró: biographical and critical study. Tr. Stuart Gilbert. (Paris: Editions d'Art Albert Skira, 1963) pp. 5–8.
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episodic depression, it is uncertain whether he also experienced manic episodes, which is often referred to as bipolar disorder.
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Miró had many episodes of depression throughout his life. He experienced his first depression when he was 18 in 1911. Miró said,
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Painting-Poem ("le corps de ma brune puisque je l'aime comme ma chatte habillée en vert salade comme de la grêle c'est pareil")
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3548:"As reported on APF Google, Miró painting fetches record price of US$ 17million at Christie's New York auction on May 6, 2008"
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Through the mid-1920s Miró developed the pictorial sign language which would be central throughout the rest of his career. In
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In the final decades of his life Miró accelerated his work in different media, producing hundreds of ceramics, including the
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Today, Miró's paintings sell for between US$ 250,000 and US$ 26 million; US$ 17 million at a U.S. auction for the
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from 30 September 2015 – 10 January 2016 (respectively), showing works made by Miró between 1963 and 1981, on loan from the
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forms and flattened picture planes drawn with a sharp line. Generally thought of as a Surrealist because of his interest in
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society, and declared an "assassination of painting" in favour of upsetting the visual elements of established painting.
1073:("The Penalties of Hell or The New Hebrides"). It was a set of 25 lithographs, five in black, and the others in colors.
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Algorithmic emulation of the most basic aspects of the works of Joan Miró using random numbers and Bézier functions
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mind, reflected in his re-creation of the childlike. His difficult-to-classify works also had a manifestation of
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painting manifested itself when Miró referred to his work in 1924 ambiguously as "x" in a letter to poet friend
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Robin Adele Greeley, Surrealism and the Spanish Civil War. (New Haven: Yale University press, 2006) pp. 14–22.
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ethnicity, which was subject to special persecution by the Franco regime. He drew on Catalan folk art such as
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3165:"Colour of Gobelins. Contemporary Gobelins from the "Mobilier national" collection in France - Art Museums"
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I was demoralized and suffered from a serious depression. I fell really ill, and stayed three months in bed
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2440:"Joan Miró (Spanish), 1893–1983: Featured artist works, exhibitions and biography from Walton Fine Arts"
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3223:"Museum of Decorative Arts and Design in Riga looks into the textile collection of Mobilier national"
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religion through his travels before going into exile. This led to his signature style of art making.
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exhibitions in Barcelona and abroad, Miró was drawn towards the arts community that was gathering in
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paintings, with the intent to attack the popularity and appropriation of Picasso's art by politics.
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3465:"The 23 Constellations of Joan Miró – Bobby Previte | Songs, Reviews, Credits | AllMusic"
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Exposició d'Art francès d'Avantguarda, Galeries Dalmau, 26 October – 15 November 1920 (catalogue)
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series of works. These simple collages, were like a conceptual counterpoint to his paintings. In
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2119:. Homage to Joan Miró. Ed. G. di San Lazzaro. New York: Tudor Publishing Company, 1972. pp. 34.
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was displayed at the building and was one of the most expensive works of art lost during the
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2974:, André Sauret, Prestel Verlag, Monte-Carlo, Munich, 1960, re-edition 1980, Taschen, 1998,
2204:, Galerie la Licorne, catalogue, 1934, pp. 21–36, Gallica, Bibliothèque nationale de France
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Miró has been a significant influence on late 20th-century art, in particular the American
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Colour of Gobelins: Contemporary Gobelins from the 'Mobilier national' collection in France
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3251:"В Риге проходит выставка французских гобеленов - Культура, искусство - Latvijas reitingi"
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From the Playful to a Denunciation of Violence: Miró's deformations of the 1920s and 1930s
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and that resulted in the production of over one thousand different lithographic editions.
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1570:(1938) on 6 May 2008, at the time the highest amount paid for one of his works. In 2012,
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very depressed, gloomy and I get 'black ideas', and I do not know what to do with myself
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Delgado, Monteserrat; Bogousslavsky, Julien (2018). "Joan Miró and Cyclic Depression".
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796:—was unveiled. This large, mixed media sculpture is situated outdoors in the downtown
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571:. This early painting, a complex arrangement of objects and figures, was Miró's first
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2018:
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and watchmaker, Miquel Miró Adzerias, and mother Dolores Ferrà., Miró grew up in the
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322:; 20 April 1893 – 25 December 1983) was a Catalan Spanish painter, sculptor and
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Gibson, M (1980). "Miró: When I see a tree ... I can feel that tree talking to me".
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Joan Miró, Galerie La Licorne, 29 April – 14 May, 1921, París (exhibition catalogue)
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In Paris, under the influence of poets and writers, he developed his unique style:
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Miró Painting Sets Record on Otherwise Lackluster Opening Night of London Auctions
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Women, Birds and Stars Shine in Joan Miró: Instinct & Imagination at the DAM
2217:. Ed. Agnes De la Beaumelle. London: Paul Holberton Publishing, 2004. pp. 61–69.
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2005:, biography, Works, Fundació Joan Miró, Premi Joan Miró, Text and image sources
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1038:(1928) he combines a cork, a feather and a hatpin onto a blank sheet of paper.
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arranged Miró's first Parisian solo exhibition, at Galerie la Licorne in 1921.
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2321:, Miró and Breton. Yale French Studies, No. 31, Surrealism (1964). pp. 52–59.
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as a way to undo previous established techniques in painting, and thus, with
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area of Chicago, across the street from another large public sculpture, the
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3479:"Biography from ArtNet lists Miro's Gold Medal award from King Juan Carlos"
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Painting as Universal Poetry – the connection of painting and word in Miró.
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Painting as Universal Poetry – the connection of painting and word in Miró.
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474:. Exhibited at Galerie La Licorne, Paris, 1921, reproduced in the catalogue
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2649:. Joseph J. Schildkraut, Aurora Otero. Chichester . 1996. pp. 117–8.
2563:. Joseph J. Schildkraut, Aurora Otero. Chichester . 1996. pp. 110n1.
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than with the minimalistic dream paintings produced a few years earlier.
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Umland, Anne. "A Challenge to Painting: Miró and Collage in the 1920s."
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in American public collections, on the French Sculpture Census website
3027:, Joan Miró, Museum of Modern Art, New York, NY; Centre Pompidou, Paris
2511:. Joseph J. Schildkraut, Aurora Otero. Chichester . 1996. p. 116.
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2753:. Joseph J. Schildkraut, Aurora Otero. Chichester . 1996. p. 7.
2701:. Joseph J. Schildkraut, Aurora Otero. Chichester . 1996. p. 6.
2202:: bulletin mensuel d'actualité artistique / director Christian Zervos
1652:
Oiseau lunaire (Moon Bird) (1966), exhibited at the Museo Reina Sofia
1482:
1481:
and others. His work has also influenced modern designers, including
1249:
1189:
1090:
612:
590:
426:
402:
374:
362:
358:
101:
3760:
3739:
3718:
2371:"Art treasures lost in trade center rubble – World – NZ Herald News"
1555:, housed in the four studios that Miró had donated for the purpose.
894:
437:
4671:
4391:
3090:
834:. The artist, who suffered from heart failure, died in his home in
809:
559:
393:
1089:. Desnos' bold criticism of the latter led to his imprisonment in
779:
In 1977, Miró and Royo finished a tapestry to be exhibited in the
425:
and in 1920 moved to Paris, but continued to spend his summers in
4656:
1637:
1548:
1497:
1193:
839:
689:
631:
414:
387:
346:
341:
Earning international acclaim, his work has been interpreted as
42:
2750:
Depression and the spiritual in modern art : homage to Miró
2698:
Depression and the spiritual in modern art : homage to Miró
2646:
Depression and the spiritual in modern art : homage to Miró
2629:
Miró, Joan (August 1947). "In Francis Lee Interview with Miró".
2560:
Depression and the spiritual in modern art : homage to Miró
2508:
Depression and the spiritual in modern art : homage to Miró
1540:
print making prize, in 1958 the Guggenheim International Award.
1417:", took place during the sixth edition of the Riga Textile Art.
1015:(1924–25), there is a clear continuation of the line begun with
688:
Mont-roig, between 1940 and 1941, Miró created the twenty-three
1751:
1630:
1410:
1291:
1041:
957:
603:
Miró returned to a more representational form of painting with
418:
5245:
2887:
Miró's Strategies – Rebellious in Barcelona, Reticent in Paris
2003:
Joan Miró a la Viquipèdia, Estat de la qüestió el juny de 2016
1385:
in Madrid. In 2018, he was exhibited alongside, among others,
1061:
Miró created over 250 illustrated books. These were known as "
842:) on 25 December 1983 at age 90. He was later interred in the
288:
4721:
4341:
1420:
In Spring 2019, the Museum of Modern Art, New York, launched
148:
3800:
3115:
Following Miró to the brilliant, and colorful, end in Denver
2084:. Guggenheimcollection.org. 25 December 1983. Archived from
498:, 26 October – 15 November 1920, reproduced in the catalogue
353:. He was notable for his interest in the unconscious or the
5201:
1469:
paintings were precursors of that style by artists such as
1406:
1358:, Fundación Joan Miró (2013). And two exhibitions in 2014,
1172:
297:
257:
137:
Escola d'Art de Francesc Galí, Cercle Artístic de Sant Lluc
684:, that Miró's work took on a politically charged meaning.
583:
language. This was perhaps most prominent in the repeated
385:
surname indicates some possible Jewish roots (in terms of
248:
2993:
Drawing and Painting: Children and Visual Representation
2082:"Collection Online | Joan Miró – Guggenheim Museum"
1777:
The American Heritage Dictionary of the English Language
413:, where his work was ridiculed and defaced. Inspired by
731:
In 1959, André Breton asked Miró to represent Spain in
345:
but with a personal style, sometimes also veering into
3136:"McNay exhibits a glimpse into soul of Spanish master"
3040:"The Collection | Joan Miró (Spanish, 1893–1983)"
2800:
Delgado, Montserrat G.; Bogousslavsky, Julien (2018).
1828:"Joan Miro | Biography, Paintings, Style, & Facts"
1373:
and "Miró: The Experience of Seeing" were held at the
589:
series of 1924 to 1925. In 1926, he collaborated with
5222:
3689:, Hudson, NY, 2017. Reprint of 1964 limited edition.
306:
266:
16:
Spanish painter, sculptor, and ceramicist (1893–1983)
2799:
2460:
294:
254:
1578:London for $ 26.6 million. Later that year at
291:
285:
251:
245:
53:; both are generally joined by the conjunction "i".
3741:The true story of Joan Miró and his Constellations
3550:. Agence France-Presse. 6 May 2008. Archived from
2017:, Joan Miró, Edicions 62, Barcelona, 1992, p. 20,
1968:
1071:Les pénalités de l'enfer ou les nouvelles Hébrides
762:in New York City together with the Catalan artist
3671:, Da Capo Press Inc; New edition (1 August 1992)
2806:Neurological Disorders in Famous Artists – Part 4
1970:"Joan Miró images in Barcelona – Europe – Travel"
1212:Joan Miró was among the first artists to develop
5270:
3919:Ciphers and Constellations, in Love with a Woman
1855:(London: Thames & Hudson, 1987) pp. 114–116.
1006:
3431:
3303:"Miró's Greatness? It Was There From the Start"
2995:, SAGE Publications Ltd, 2003, pp. 51–60,
1596:, sold at Sotheby's London for 24,571,250 GBP.
1150:. Pictured is Miró's former workshop, built by
49: and the second or maternal family name is
3756:Joan Miró works at the National Gallery of Art
3701:Joan Miró. El niño que hablaba con los árboles
3334:
1081:. Those plans were put on hold because of the
409:and he had his first solo show in 1918 at the
4357:
3903:Man and Woman in Front of a Pile of Excrement
3816:
2076:
2074:
2072:
1958:, 16 February – 3 March 1918, Galeries Dalmau
1045:
680:, for the Spanish Republican Pavilion at the
3669:Joan Miró: Selected Writing & Interviews
2881:
2879:
1998:
1996:
868:His mental state is visible in his painting
3935:Woman, Bird, Star (Homage to Pablo Picasso)
3611:"Joan Miro painting smashes auction record"
3437:
3338:NY Magazine, Sept. 11, 1972, Vol. 5, No. 37
2808:. Frontiers of Neurology and Neuroscience.
1881:
1879:
1853:Joan Mirό: Selected Writings and Interviews
19:"Miró" redirects here. For other uses, see
5192:London International Surrealist Exhibition
4364:
4350:
3951:Hands Flying off Toward the Constellations
3823:
3809:
3788:
2781:: CS1 maint: location missing publisher (
2729:: CS1 maint: location missing publisher (
2677:: CS1 maint: location missing publisher (
2591:: CS1 maint: location missing publisher (
2539:: CS1 maint: location missing publisher (
2234:display caption. Retrieved on 30 May 2008.
2132:. Guggenheimcollection.org. Archived from
2069:
2047:
1951:
1949:
334:, was established in his adoptive city of
68:
3385:"Joan Miró's Influence on Graphic Design"
3352:
3335:New York Media, LLC (11 September 1972).
2991:"The Beginning of Painting and Drawing",
2876:
2349:"Art Works Lost in WTC Attacks Valued at"
1993:
1511:In 2002, American percussionist/composer
1489:, and influenced recent painters such as
1383:Museo Nacional Centro de Arte Reina Sofía
1340:Museo Nacional Centro de Arte Reina Sofía
1328:Museo Nacional Centro de Arte Reina Sofía
1158:
758:In 1974, Miró created a tapestry for the
724:. He developed a close relationship with
472:Museo Nacional Centro de Arte Reina Sofía
5187:Exposition Internationale du Surréalisme
1897:In Majorca, Atoning for the Sins of 1691
1876:
1377:from 22 March – 28 June 2015 and at the
1138:
1119:
1095:
1040:
884:
558:
477:
457:
436:
3662:Library of Congress Catalog Card Number
3133:
2463:Frontiers of Neurology and Neuroscience
2418:"Fundació Pilar i Joan Miró a Mallorca"
2182:"The Guggenheim Museums and Foundation"
1946:
1864:
1770:
1428:
755:, France, which was completed in 1964.
649:In 1932 he created a scenic design for
188:
5271:
4290:Fundació Pilar i Joan Miró in Mallorca
3737:
3720:La odisea de Miró y sus Constelaciones
3716:
3681:Joan Miró and Robert Lubar (preface),
2609:
2351:. Insurancejournal.com. 8 October 2001
1364:Masterpieces from the Kunsthaus Zürich
819:
804:. Miró had created a bronze model of
634:) on 12 October 1929. Their daughter,
486:, oil on canvas, 82.6 × 74.9 cm,
326:. A museum dedicated to his work, the
5374:Honorary members of the Royal Academy
4345:
3804:
3411:
3300:
3245:
3243:
3216:
3214:
3187:
3185:
3159:
3157:
3080:Joan Miró: Instinct & Imagination
3061:Joan Miró: Instinct & Imagination
2966:
2964:
2186:The Guggenheim Museums and Foundation
2154:
1553:Fundació Pilar i Joan Miró a Mallorca
1371:Joan Miró: Instinct & Imagination
1207:
638:, was born on 17 July 1930. In 1931,
492:Exposició d'Art francès d'Avantguarda
317:
3452:The paintings sing to each other ...
3220:
2958:(Los Angeles: Taschen, 2003), p. 43.
2628:
1403:Museum of Decorative Arts and Design
956:(1920), show the clear influence of
924:. These works show the influence of
3600:, New York Times Blog, 19 June 2012
2930:"Joan Miro – The Illustrated Books"
2917:Joan Miró – Snail Woman Flower Star
2891:Joan Miró – Snail Woman Flower Star
2871:Joan Miró – Snail Woman Flower Star
2854:Joan Miró – Snail Woman Flower Star
2037:, Debate, Madrid, 1992, pp. 48–54,
1056:
1021:The Happiness of Loving My Brunette
1019:. But in subsequent works, such as
979:
214:1980 Gold Medal of Fine Arts, Spain
211:1958 Guggenheim International Award
13:
4120:Personnage Gothique, Oiseau-Eclair
3660:, publisher, New York City, 1962,
3646:
3438:Silverstein, Joel (1 April 2001).
3240:
3211:
3182:
3154:
3063:Denver Art Museum, 22 March 2015.
2961:
1928:
1613:"Les Fusains": 22, rue Tourlaque,
1517:The 23 Constellations of Joan Miró
1244:Miró's oft-quoted interest in the
967:The culmination of this style was
954:The Table – Still Life with Rabbit
935:
906:His early modernist works include
824:In 1979 Miró received a doctorate
14:
5385:
5141:The Surrealist Group in Stockholm
3749:
3683:Joan Miró: I Work Like a Gardener
3134:Bennett, Steve (2 October 2015).
2802:"Joan Miró and Cyclic Depression"
1273:, Miró expressed his dislike for
1108:in Barcelona. The building is by
133:Escola de Belles Arts de la Lotja
5369:Spanish people of Jewish descent
5256:
5244:
5232:
4053:Naked Woman Climbing a Staircase
3576:. Christies.com. 7 February 2012
3301:Smith, Roberta (14 March 2019).
3029:, Art in America, September 1994
2157:"Joan Miró: A life in paintings"
1981:from the original on 9 June 2022
1710:
1698:
1683:
1669:
1657:
1645:
1622:
1606:
1269:In an interview with biographer
1264:Twentieth-Century Artists on Art
1030:Soon after, Miró also began his
901:
897:, Segona sèrie, N. 4, March 1918
849:
607:of 1928. Crafted after works by
281:
241:
226:
4319:Joan Miró: The Ladder of Escape
4177:The World Trade Center Tapestry
3625:
3603:
3588:
3566:
3540:
3510:
3493:
3471:
3457:
3405:
3377:
3328:
3294:
3277:"Joan Miró: Birth of the World"
3269:
3127:
3124:The Denver Post, 27 March 2015.
3108:
3096:
3073:
3054:
3032:
3016:
2984:
2948:
2932:. Letubooks.com. Archived from
2922:
2905:
2896:
2859:
2842:
2793:
2741:
2689:
2637:
2622:
2603:
2551:
2499:
2454:
2432:
2410:
2388:
2363:
2341:
2324:
2312:
2303:
2294:
2277:
2254:
2237:
2220:
2207:
2192:
2174:
2148:
2122:
2109:
2100:
2058:
2027:
2008:
1961:
1872:. The Arts Council. p. 11.
1298:and four-dimensional painting.
1220:, represented the beginning of
1179:, under similar circumstances:
381:neighborhood of Barcelona. The
184:
4371:
3723:. Madrid: Visor. p. 397.
1956:Joan Miró exhibition catalogue
1909:
1888:
1858:
1845:
1820:
1805:Merriam-Webster.com Dictionary
1792:
1764:
1735:
1531:
1422:Joan Miró: Birth of the World.
1366:, National Art Center, Tokyo.
1301:
1144:Pilar and Joan Miró Foundation
1001:Catalan Landscape (The Hunter)
992:Catalan Landscape (The Hunter)
806:The Sun, the Moon and One Star
788:The Sun, the Moon and One Star
706:earned the artist praise from
626:Miró married Pilar Juncosa in
530:Catalan Landscape (The Hunter)
470:), oil on canvas, 65 x 73 cm,
397:Iberian Jews who converted to
1:
5324:20th-century Catalan painters
5299:20th-century Spanish painters
5086:Bureau of Surrealist Research
3830:
3687:Princeton Architectural Press
3467:– via www.allmusic.com.
3360:"Artist Profile of Joan Miro"
1918:Mallorca's Jews Get Their Due
1780:(5th ed.). HarperCollins
1729:
1561:
1248:is derived from a dislike of
1007:Surrealist pictorial language
5319:Burials at Montjuïc Cemetery
2155:Adams, Tim (20 March 2011).
1615:18th arrondissement of Paris
569:Solomon R. Guggenheim Museum
468:The House with the Palm Tree
407:Cercle Artístic de Sant Lluc
368:
208:Grand Prize for Graphic Work
41:, the first or paternal
7:
3959:The Hope of a Condemned Man
3847:Portrait of Vincent Nubiola
3025:Miro's defiance of painting
2228:The Tilled Field, 1923–1924
1617:where Miró settled in 1927.
1413:. This exhibition, titled "
1346:, London, and travelled to
909:Portrait of Vincent Nubiola
769:World Trade Center Tapestry
661:Ballet Russe de Monte-Carlo
405:in 1907. He studied at the
10:
5390:
5364:Spanish surrealist artists
3706:, Barcelona, Spain, 2018.
2902:Estate of Raymond C. Hagel
2398:. Nga.gov. 10 October 1977
2261:Matisse, Father & Son,
1717:Mural installation at the
1599:
950:Horse, Pipe and Red Flower
870:Carnival of the Harlequin.
666:Until the outbreak of the
488:Philadelphia Museum of Art
484:Horse, Pipe and Red Flower
332:Fundació Pilar i Joan Miró
319:[ʒuˈanmiˈɾojfəˈra]
36:
25:
18:
5304:20th-century male artists
5212:Paranoiac-critical method
5149:
5058:
4755:
4379:
4298:
4277:
4230:
4203:
4154:
4063:
4044:
3978:Head of a Catalan Peasant
3969:
3838:
3781:Directory of online works
3771:Olga's Gallery: Joan Miró
3257:(in Russian). 1 June 2024
2420:. Miro.palmademallorca.es
1536:In 1954 he was given the
1362:at Albertina Museum, and
1246:assassination of painting
672:Head of a Catalan Peasant
609:Hendrik Martenszoon Sorgh
586:Head of a Catalan Peasant
432:
225:
220:
198:
168:
158:
143:
128:
109:
83:
67:
60:
5329:Sculptors from Catalonia
5096:Chicago Surrealist Group
5081:British Surrealist Group
4193:Tapestry of the Fundació
4026:Triptych Bleu I, II, III
3911:Still Life with Old Shoe
3871:The Harlequin's Carnival
3504:11 December 2009 at the
3281:The Museum of Modern Art
3140:San Antonio Express News
3001:10.4135/9781446216521.n4
2288:19 February 2009 at the
1052:, 1982, Barcelona, Spain
893:, drawing, published in
880:
733:The Homage to Surrealism
373:Born into a family of a
5349:Painters from Barcelona
5344:Spanish modern painters
4249:Josep Llorens i Artigas
4112:His Highness the Prince
3887:Dog Barking at the Moon
3738:Orozco, Miguel (2018).
3717:Orozco, Miguel (2016).
3654:Joan Miró Life and Work
3637:1940, Sotheby's London"
3105:, Westword, 6 May 2015.
1832:Encyclopedia Britannica
1758:Oxford University Press
1585:Peinture (Etoile Bleue)
1360:Miró: From Earth to Sky
1352:National Gallery of Art
832:University of Barcelona
781:National Gallery of Art
449:National Gallery of Art
5339:French stamp designers
5294:20th-century sculptors
5207:Abstract expressionism
5076:Birmingham Surrealists
4765:Maxime Moses Alexandre
4742:Radojica Živanović Noe
4407:Jacques-André Boiffard
3879:The Birth of the World
2375:The New Zealand Herald
2248:17 August 2007 at the
1664:Hakone open-air museum
1568:La Caresse des étoiles
1500:'s 1930s photographs,
1437:artists that include:
1435:abstract expressionist
1356:Joan Miró, Printmaking
1267:
1186:
1159:Styles and development
1155:
1136:
1117:
1053:
1046:
898:
593:on designs for ballet
579:
499:
475:
455:
174:Pilar Juncosa Iglésias
5309:Spanish male painters
5177:Surrealist techniques
5162:Surrealist automatism
5106:Fighting Cock Society
4845:Roger Gilbert-Lecomte
4830:Vratislav Effenberger
4770:Guillaume Apollinaire
4231:Family and colleagues
4104:Her Majesty the Queen
3994:Paintings on Masonite
3658:Harry N. Abrams, Inc.
2865:Christa Lichtenstein
2785:) CS1 maint: others (
2733:) CS1 maint: others (
2681:) CS1 maint: others (
2595:) CS1 maint: others (
2543:) CS1 maint: others (
1754:UK English Dictionary
1636:by the artist on the
1523:. Inspired by Miró's
1369:Exhibitions entitled
1259:
1181:
1142:
1123:
1099:
1044:
1025:Painting (Fratellini)
888:
735:exhibition alongside
682:1937 Paris Exhibition
562:
518:. One such painting,
481:
464:La casa de la palmera
461:
440:
147:Painting, sculpture,
26:For other Miros, see
21:Miró (disambiguation)
5354:People of Montmartre
5157:Surrealist Manifesto
5111:The Firesign Theatre
4895:Comte de Lautréamont
4096:His Majesty the King
4088:The Caress of a Bird
4034:The Navigator's Hope
3895:Painting (Blue Star)
3765:Museum of Modern Art
3390:Museum of Modern Art
3364:Nancy Doyle Fine Art
1463:lyrical abstractions
1429:Legacy and influence
1354:, Washington, D.C..
1336:Museum of Modern Art
1239:Color Field painting
1177:Harlequin's Carnival
1013:Harlequin's Carnival
942:House with Palm Tree
814:Milwaukee Art Museum
774:September 11 attacks
621:Harlequin's Carnival
5045:Marianne Van Hirtum
5020:Simon Watson Taylor
4482:Christian Dotremont
4220:Personnages Oiseaux
3613:. BBC. 20 June 2012
3193:""Gobelēnu krāsas""
3085:18 May 2015 at the
3067:10 May 2015 at the
3042:. MoMA. 16 May 1924
2885:Victoria Combalia,
2335:26 May 2008 at the
2130:"Collection Online"
2115:Hemingway, Ernest.
1752:Oxford Dictionaries
1723:Terrace Plaza Hotel
1592:(1940), one of his
1574:(1925) was sold at
1515:released the album
1471:Helen Frankenthaler
1235:Lyrical Abstraction
891:Carrer de Pedralbes
820:Late life and death
812:now resides in the
783:in Washington, DC.
753:Saint-Paul-de-Vence
698:. Revolving around
605:The Dutch Interiors
4522:Alberto Giacometti
4512:Gordon Onslow Ford
4447:Leonora Carrington
4326:Mont-roig del Camp
4285:Fundació Joan Miró
4264:Joan Gardy Artigas
4238:María Dolores Miró
3522:www.grandpalais.fr
3414:"Miro at the Tate"
3412:Hemingway, Wayne.
3307:The New York Times
3120:3 May 2015 at the
2911:Stephan von Wiese
2848:Stephan von Wiese
2319:Renee Riese Hubert
2088:on 22 October 2014
2033:Georges Raillard,
1903:The New York Times
1692:Fundació Joan Miró
1551:) established the
1348:Fundació Joan Miró
1332:Fundació Joan Miró
1208:Experimental style
1156:
1137:
1133:Reina Sofia Museum
1118:
1102:Fundació Joan Miró
1054:
946:Nude with a Mirror
922:Painting of Toledo
914:Siurana (the path)
899:
760:World Trade Center
722:Atelier Lacourière
636:María Dolores Miró
580:
516:Mont-roig del Camp
500:
476:
456:
328:Fundació Joan Miró
104:, Catalonia, Spain
5314:Abstract painters
5220:
5219:
5197:Women surrealists
5167:Surrealist cinema
5015:Philippe Soupault
4647:Benjamín Palencia
4339:
4338:
3730:978-84-989-5675-7
3704:Galaxia Gutenberg
3695:978-1-616-89628-7
3677:978-0-306-80485-4
3528:on 6 October 2018
3440:"Curious Terrain"
3142:. Expressnews.com
3023:Robert S. Lubar,
2827:978-3-318-06393-6
2818:10.1159/000490400
2484:978-3-318-06393-6
2475:10.1159/000490400
2396:"Art Object Page"
2226:Spector, Nancy. "
1977:. 13 April 2011.
1894:Doreen Carvajal,
1808:. Merriam-Webster
1375:Denver Art Museum
1334:, Barcelona, the
1214:automatic drawing
1148:Palma de Mallorca
1083:Spanish Civil War
1063:Livres d' Artiste
962:The Farmer's Wife
844:Montjuïc Cemetery
749:Maeght Foundation
668:Spanish Civil War
565:The Tilled Field,
482:Joan Miró, 1920,
462:Joan Miró, 1918,
237:Joan Miró i Ferrà
234:
233:
88:Joan Miró i Ferrà
5381:
5261:
5260:
5259:
5249:
5248:
5237:
5236:
5235:
5228:
5172:Surrealist music
5091:Chicago Imagists
5071:Les Automatistes
5010:Louis Scutenaire
4950:Vítězslav Nezval
4790:Georges Bataille
4707:Dorothea Tanning
4692:Jindřich Štyrský
4667:Aminollah Rezaei
4562:Jacqueline Lamba
4552:Gerome Kamrowski
4497:Curt Echtermeyer
4452:Ithell Colquhoun
4366:
4359:
4352:
4343:
4342:
4306:Fondation Maeght
4254:Josep Lluís Sert
4169:Wall of the Moon
4018:Barcelona Series
3863:The Tilled Field
3825:
3818:
3811:
3802:
3801:
3792:
3745:
3734:
3641:
3640:
3635:Femme et Oiseaux
3629:
3623:
3622:
3620:
3618:
3607:
3601:
3592:
3586:
3585:
3583:
3581:
3570:
3564:
3563:
3561:
3559:
3544:
3538:
3537:
3535:
3533:
3524:. Archived from
3514:
3508:
3497:
3491:
3490:
3488:
3486:
3475:
3469:
3468:
3461:
3455:
3454:
3449:
3447:
3435:
3429:
3428:
3426:
3424:
3409:
3403:
3402:
3400:
3398:
3381:
3375:
3374:
3372:
3370:
3356:
3350:
3349:
3347:
3345:
3332:
3326:
3325:
3323:
3321:
3298:
3292:
3291:
3289:
3287:
3273:
3267:
3266:
3264:
3262:
3247:
3238:
3237:
3235:
3233:
3218:
3209:
3208:
3206:
3204:
3189:
3180:
3179:
3177:
3175:
3161:
3152:
3151:
3149:
3147:
3131:
3125:
3112:
3106:
3100:
3094:
3093:, 22 March 2015.
3077:
3071:
3058:
3052:
3051:
3049:
3047:
3036:
3030:
3020:
3014:
3013:
2988:
2982:
2968:
2959:
2952:
2946:
2945:
2943:
2941:
2936:on 25 April 2012
2926:
2920:
2909:
2903:
2900:
2894:
2883:
2874:
2863:
2857:
2846:
2840:
2839:
2797:
2791:
2790:
2780:
2772:
2745:
2739:
2738:
2728:
2720:
2693:
2687:
2686:
2676:
2668:
2641:
2635:
2634:
2626:
2620:
2619:
2607:
2601:
2600:
2590:
2582:
2555:
2549:
2548:
2538:
2530:
2503:
2497:
2496:
2458:
2452:
2451:
2449:
2447:
2436:
2430:
2429:
2427:
2425:
2414:
2408:
2407:
2405:
2403:
2392:
2386:
2385:
2383:
2381:
2367:
2361:
2360:
2358:
2356:
2345:
2339:
2328:
2322:
2316:
2310:
2307:
2301:
2298:
2292:
2281:
2275:
2258:
2252:
2241:
2235:
2224:
2218:
2211:
2205:
2196:
2190:
2189:
2178:
2172:
2171:
2169:
2167:
2152:
2146:
2145:
2143:
2141:
2136:on 9 August 2014
2126:
2120:
2113:
2107:
2104:
2098:
2097:
2095:
2093:
2078:
2067:
2062:
2056:
2051:
2045:
2031:
2025:
2015:Rosa Maria Malet
2012:
2006:
2000:
1991:
1990:
1988:
1986:
1972:
1965:
1959:
1953:
1944:
1943:
1932:
1926:
1913:
1907:
1892:
1886:
1883:
1874:
1873:
1862:
1856:
1849:
1843:
1842:
1840:
1838:
1824:
1818:
1817:
1815:
1813:
1796:
1790:
1789:
1787:
1785:
1768:
1762:
1761:
1739:
1714:
1702:
1687:
1677:Grande Maternite
1673:
1661:
1649:
1626:
1610:
1590:Femme et Oiseaux
1379:McNay Art Museum
1338:, New York, the
1314:, Brach, Cesar,
1283:Wall of the Moon
1152:Josep Lluís Sert
1114:Josep Lluís Sert
1057:Livres d'Artiste
1051:
1017:The Tilled Field
987:The Tilled Field
980:Early surrealism
786:In 1981, Miró's
598:Sergei Diaghilev
535:The Tilled Field
526:Ernest Hemingway
505:Vincent van Gogh
453:Washington, D.C.
321:
316:
310:
304:
303:
300:
299:
296:
293:
290:
287:
280:
270:
264:
263:
260:
259:
256:
253:
250:
247:
230:
192:
190:
186:
116:
113:25 December 1983
97:
95:
76:Carl Van Vechten
72:
58:
57:
5389:
5388:
5384:
5383:
5382:
5380:
5379:
5378:
5359:School of Paris
5269:
5268:
5267:
5257:
5255:
5243:
5233:
5231:
5223:
5221:
5216:
5145:
5054:
4985:Raymond Queneau
4980:Jacques Prévert
4970:Rastko Petrović
4930:Robert Melville
4910:Georges Limbour
4890:Philip Lamantia
4795:Monny de Boully
4757:
4751:
4737:James F. Walker
4727:Albert Valentin
4717:Kristians Tonny
4687:Martin Stejskal
4662:Toni del Renzio
4642:Wolfgang Paalen
4637:Méret Oppenheim
4617:E. L. T. Mesens
4582:Georges Malkine
4517:Esteban Francés
4477:Óscar Domínguez
4432:Jacques Brunius
4427:Emmy Bridgwater
4375:
4370:
4340:
4335:
4294:
4273:
4226:
4199:
4165:Wall of the Sun
4156:
4150:
4059:
4040:
3986:Dutch Interiors
3965:
3927:Women and Birds
3834:
3829:
3752:
3744:. Academia.edu.
3731:
3667:Margit Rowell,
3652:Jacques Dupin,
3649:
3647:Further reading
3644:
3631:
3630:
3626:
3616:
3614:
3609:
3608:
3604:
3593:
3589:
3579:
3577:
3572:
3571:
3567:
3557:
3555:
3546:
3545:
3541:
3531:
3529:
3516:
3515:
3511:
3506:Wayback Machine
3498:
3494:
3484:
3482:
3477:
3476:
3472:
3463:
3462:
3458:
3445:
3443:
3436:
3432:
3422:
3420:
3410:
3406:
3396:
3394:
3393:(Audio lecture)
3383:
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3378:
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3358:
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3343:
3341:
3333:
3329:
3319:
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3229:
3219:
3212:
3202:
3200:
3191:
3190:
3183:
3173:
3171:
3163:
3162:
3155:
3145:
3143:
3132:
3128:
3122:Wayback Machine
3113:
3109:
3101:
3097:
3087:Wayback Machine
3078:
3074:
3069:Wayback Machine
3059:
3055:
3045:
3043:
3038:
3037:
3033:
3021:
3017:
3011:
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2910:
2906:
2901:
2897:
2884:
2877:
2864:
2860:
2847:
2843:
2828:
2798:
2794:
2774:
2773:
2761:
2747:
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2709:
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2670:
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2584:
2583:
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2519:
2505:
2504:
2500:
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2459:
2455:
2445:
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2437:
2433:
2423:
2421:
2416:
2415:
2411:
2401:
2399:
2394:
2393:
2389:
2379:
2377:
2369:
2368:
2364:
2354:
2352:
2347:
2346:
2342:
2337:Wayback Machine
2329:
2325:
2317:
2313:
2308:
2304:
2299:
2295:
2290:Wayback Machine
2282:
2278:
2259:
2255:
2250:Wayback Machine
2242:
2238:
2225:
2221:
2212:
2208:
2197:
2193:
2180:
2179:
2175:
2165:
2163:
2153:
2149:
2139:
2137:
2128:
2127:
2123:
2114:
2110:
2105:
2101:
2091:
2089:
2080:
2079:
2070:
2063:
2059:
2052:
2048:
2032:
2028:
2013:
2009:
2001:
1994:
1984:
1982:
1975:The Independent
1967:
1966:
1962:
1954:
1947:
1940:Totally History
1934:
1933:
1929:
1925:, 13 April 2012
1915:Sarah Wildman,
1914:
1910:
1893:
1889:
1884:
1877:
1866:Penrose, Roland
1863:
1859:
1850:
1846:
1836:
1834:
1826:
1825:
1821:
1811:
1809:
1798:
1797:
1793:
1783:
1781:
1769:
1765:
1745:
1740:
1736:
1732:
1725:
1715:
1706:
1703:
1694:
1688:
1679:
1674:
1665:
1662:
1653:
1650:
1641:
1627:
1618:
1611:
1602:
1564:
1538:Venice Biennale
1534:
1431:
1304:
1287:Wall of the Sun
1210:
1161:
1079:livre d'artiste
1059:
1009:
982:
938:
936:Magical realism
904:
883:
852:
822:
802:Chicago Picasso
790:—later renamed
745:Eugenio Granell
726:Fernand Mourlot
718:Mourlot Studios
714:Shuzo Takiguchi
496:Galeries Dalmau
435:
411:Galeries Dalmau
371:
314:
308:
284:
275:
274:
268:
244:
240:
206:Venice Biennale
194:
182:
178:
175:
124:
121:Palma, Mallorca
118:
114:
105:
99:
93:
91:
90:
89:
79:
63:
54:
35:
24:
17:
12:
11:
5:
5387:
5377:
5376:
5371:
5366:
5361:
5356:
5351:
5346:
5341:
5336:
5331:
5326:
5321:
5316:
5311:
5306:
5301:
5296:
5291:
5286:
5281:
5266:
5265:
5253:
5241:
5218:
5217:
5215:
5214:
5209:
5204:
5199:
5194:
5189:
5184:
5182:Surreal humour
5179:
5174:
5169:
5164:
5159:
5153:
5151:
5147:
5146:
5144:
5143:
5138:
5133:
5128:
5123:
5118:
5113:
5108:
5103:
5098:
5093:
5088:
5083:
5078:
5073:
5068:
5062:
5060:
5056:
5055:
5053:
5052:
5047:
5042:
5037:
5032:
5027:
5022:
5017:
5012:
5007:
5005:Georges Sadoul
5002:
4997:
4995:Pierre Reverdy
4992:
4987:
4982:
4977:
4972:
4967:
4965:Benjamin Péret
4962:
4957:
4952:
4947:
4945:Pierre Naville
4942:
4937:
4932:
4927:
4922:
4917:
4912:
4907:
4902:
4900:Marcel Lecomte
4897:
4892:
4887:
4882:
4877:
4872:
4867:
4865:Georges Hugnet
4862:
4857:
4852:
4847:
4842:
4840:Renée Gauthier
4837:
4832:
4827:
4822:
4817:
4812:
4807:
4805:Roger Caillois
4802:
4797:
4792:
4787:
4782:
4780:Antonin Artaud
4777:
4772:
4767:
4761:
4759:
4753:
4752:
4750:
4749:
4744:
4739:
4734:
4729:
4724:
4719:
4714:
4709:
4704:
4699:
4697:Maurice Tabard
4694:
4689:
4684:
4679:
4677:Kurt Seligmann
4674:
4669:
4664:
4659:
4654:
4652:Roland Penrose
4649:
4644:
4639:
4634:
4629:
4627:Desmond Morris
4624:
4619:
4614:
4609:
4604:
4599:
4594:
4589:
4584:
4579:
4574:
4569:
4564:
4559:
4554:
4549:
4544:
4542:Valentine Hugo
4539:
4537:Jacques Hérold
4534:
4529:
4527:Julio González
4524:
4519:
4514:
4509:
4504:
4499:
4494:
4492:Marcel Duhamel
4489:
4487:Marcel Duchamp
4484:
4479:
4474:
4469:
4464:
4459:
4454:
4449:
4444:
4439:
4434:
4429:
4424:
4419:
4417:Victor Brauner
4414:
4409:
4404:
4399:
4394:
4389:
4383:
4381:
4377:
4376:
4369:
4368:
4361:
4354:
4346:
4337:
4336:
4334:
4333:
4328:
4323:
4315:
4308:
4302:
4300:
4296:
4295:
4293:
4292:
4287:
4281:
4279:
4275:
4274:
4272:
4271:
4266:
4261:
4256:
4251:
4246:
4241:
4234:
4232:
4228:
4227:
4225:
4224:
4216:
4207:
4205:
4201:
4200:
4198:
4197:
4189:
4181:
4173:
4160:
4158:
4152:
4151:
4149:
4148:
4140:
4132:
4128:Miró's Chicago
4124:
4116:
4108:
4100:
4092:
4084:
4076:
4067:
4065:
4061:
4060:
4058:
4057:
4048:
4046:
4042:
4041:
4039:
4038:
4030:
4022:
4014:
4010:Constellations
4006:
3998:
3990:
3982:
3973:
3971:
3967:
3966:
3964:
3963:
3955:
3947:
3939:
3931:
3923:
3915:
3907:
3899:
3891:
3883:
3875:
3867:
3859:
3851:
3842:
3840:
3836:
3835:
3828:
3827:
3820:
3813:
3805:
3799:
3798:
3793:
3782:
3774:
3767:
3758:
3751:
3750:External links
3748:
3747:
3746:
3735:
3729:
3714:
3697:
3679:
3665:
3648:
3645:
3643:
3642:
3624:
3602:
3587:
3565:
3554:on 12 May 2008
3539:
3509:
3492:
3470:
3456:
3442:. Reviewny.com
3430:
3404:
3376:
3351:
3327:
3293:
3268:
3239:
3210:
3197:laikraksts.com
3181:
3153:
3126:
3107:
3095:
3072:
3053:
3031:
3015:
3009:
2983:
2970:Walter Erben,
2960:
2947:
2921:
2904:
2895:
2875:
2858:
2841:
2826:
2792:
2759:
2740:
2707:
2688:
2655:
2636:
2621:
2602:
2569:
2550:
2517:
2498:
2483:
2453:
2431:
2409:
2387:
2362:
2340:
2323:
2311:
2302:
2293:
2276:
2253:
2236:
2219:
2206:
2191:
2173:
2147:
2121:
2108:
2099:
2068:
2057:
2046:
2026:
2007:
1992:
1960:
1945:
1942:. 7 June 2011.
1927:
1908:
1887:
1875:
1857:
1844:
1819:
1791:
1763:
1733:
1731:
1728:
1727:
1726:
1716:
1709:
1707:
1704:
1697:
1695:
1689:
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1680:
1675:
1668:
1666:
1663:
1656:
1654:
1651:
1644:
1642:
1628:
1621:
1619:
1612:
1605:
1601:
1598:
1594:Constellations
1563:
1560:
1547:City Council (
1533:
1530:
1525:Constellations
1521:Tzadik Records
1502:Miró with Rope
1430:
1427:
1399:Éric Sandillon
1303:
1300:
1209:
1206:
1200:art and Cuban
1198:Haitian Voodoo
1160:
1157:
1058:
1055:
1036:Spanish Dancer
1032:Spanish Dancer
1008:
1005:
981:
978:
937:
934:
903:
900:
882:
879:
851:
848:
846:in Barcelona.
821:
818:
793:Miró's Chicago
737:Enrique Tábara
704:Constellations
695:Constellations
656:Jeux d'enfants
640:Pierre Matisse
434:
431:
370:
367:
232:
231:
223:
222:
218:
217:
216:
215:
212:
209:
200:
196:
195:
180:
176:
173:
172:
170:
166:
165:
160:
156:
155:
145:
144:Known for
141:
140:
130:
126:
125:
119:
117:(aged 90)
111:
107:
106:
100:
87:
85:
81:
80:
73:
65:
64:
61:
28:Miró (surname)
15:
9:
6:
4:
3:
2:
5386:
5375:
5372:
5370:
5367:
5365:
5362:
5360:
5357:
5355:
5352:
5350:
5347:
5345:
5342:
5340:
5337:
5335:
5332:
5330:
5327:
5325:
5322:
5320:
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5315:
5312:
5310:
5307:
5305:
5302:
5300:
5297:
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5292:
5290:
5287:
5285:
5282:
5280:
5277:
5276:
5274:
5264:
5254:
5252:
5247:
5242:
5240:
5230:
5229:
5226:
5213:
5210:
5208:
5205:
5203:
5200:
5198:
5195:
5193:
5190:
5188:
5185:
5183:
5180:
5178:
5175:
5173:
5170:
5168:
5165:
5163:
5160:
5158:
5155:
5154:
5152:
5148:
5142:
5139:
5137:
5134:
5132:
5129:
5127:
5126:La Mandrágora
5124:
5122:
5119:
5117:
5114:
5112:
5109:
5107:
5104:
5102:
5099:
5097:
5094:
5092:
5089:
5087:
5084:
5082:
5079:
5077:
5074:
5072:
5069:
5067:
5064:
5063:
5061:
5057:
5051:
5048:
5046:
5043:
5041:
5040:Jacques Vaché
5038:
5036:
5035:Tristan Tzara
5033:
5031:
5028:
5026:
5025:André Thirion
5023:
5021:
5018:
5016:
5013:
5011:
5008:
5006:
5003:
5001:
4998:
4996:
4993:
4991:
4988:
4986:
4983:
4981:
4978:
4976:
4975:Francis Ponge
4973:
4971:
4968:
4966:
4963:
4961:
4958:
4956:
4953:
4951:
4948:
4946:
4943:
4941:
4938:
4936:
4933:
4931:
4928:
4926:
4923:
4921:
4920:Joyce Mansour
4918:
4916:
4913:
4911:
4908:
4906:
4905:Michel Leiris
4903:
4901:
4898:
4896:
4893:
4891:
4888:
4886:
4885:Jacques Lacan
4883:
4881:
4878:
4876:
4873:
4871:
4868:
4866:
4863:
4861:
4858:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
4838:
4836:
4833:
4831:
4828:
4826:
4825:Robert Desnos
4823:
4821:
4818:
4816:
4813:
4811:
4810:Nicolas Calas
4808:
4806:
4803:
4801:
4798:
4796:
4793:
4791:
4788:
4786:
4785:Jacques Baron
4783:
4781:
4778:
4776:
4773:
4771:
4768:
4766:
4763:
4762:
4760:
4754:
4748:
4745:
4743:
4740:
4738:
4735:
4733:
4732:Remedios Varo
4730:
4728:
4725:
4723:
4720:
4718:
4715:
4713:
4710:
4708:
4705:
4703:
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4698:
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4678:
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4673:
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4640:
4638:
4635:
4633:
4630:
4628:
4625:
4623:
4620:
4618:
4615:
4613:
4612:John Melville
4610:
4608:
4605:
4603:
4602:Mikuláš Medek
4600:
4598:
4597:Roberto Matta
4595:
4593:
4590:
4588:
4587:Marcel Mariën
4585:
4583:
4580:
4578:
4577:René Magritte
4575:
4573:
4572:Conroy Maddox
4570:
4568:
4565:
4563:
4560:
4558:
4555:
4553:
4550:
4548:
4545:
4543:
4540:
4538:
4535:
4533:
4532:Jane Graverol
4530:
4528:
4525:
4523:
4520:
4518:
4515:
4513:
4510:
4508:
4505:
4503:
4500:
4498:
4495:
4493:
4490:
4488:
4485:
4483:
4480:
4478:
4475:
4473:
4470:
4468:
4467:Jean Dallaire
4465:
4463:
4462:Salvador Dalí
4460:
4458:
4455:
4453:
4450:
4448:
4445:
4443:
4440:
4438:
4435:
4433:
4430:
4428:
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4423:
4422:Fanny Brennan
4420:
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4408:
4405:
4403:
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4398:
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4393:
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4355:
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4309:
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4297:
4291:
4288:
4286:
4283:
4282:
4280:
4276:
4270:
4267:
4265:
4262:
4260:
4259:Joaquim Gomis
4257:
4255:
4252:
4250:
4247:
4245:
4242:
4239:
4236:
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4233:
4229:
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4209:
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4113:
4109:
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4028:
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4023:
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4019:
4015:
4012:
4011:
4007:
4004:
4003:
4002:Metamorphosis
3999:
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3995:
3991:
3988:
3987:
3983:
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3975:
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3778:Artcyclopedia
3775:
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3754:
3753:
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3742:
3736:
3732:
3726:
3722:
3721:
3715:
3713:
3712:9788417355012
3709:
3705:
3702:
3699:Josep Massot
3698:
3696:
3692:
3688:
3684:
3680:
3678:
3674:
3670:
3666:
3663:
3659:
3655:
3651:
3650:
3638:
3636:
3628:
3612:
3606:
3599:
3598:
3595:Carol Vogel,
3591:
3575:
3569:
3553:
3549:
3543:
3527:
3523:
3519:
3513:
3507:
3503:
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3480:
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3466:
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3441:
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3415:
3408:
3392:
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3339:
3331:
3316:
3312:
3308:
3304:
3297:
3282:
3278:
3272:
3256:
3252:
3246:
3244:
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3224:
3217:
3215:
3198:
3194:
3188:
3186:
3170:
3166:
3160:
3158:
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3137:
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3070:
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3019:
3012:
3010:9780761947868
3006:
3002:
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2987:
2981:
2977:
2973:
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2965:
2957:
2951:
2935:
2931:
2925:
2919:Prestel, 2008
2918:
2914:
2908:
2899:
2893:Prestel, 2006
2892:
2888:
2882:
2880:
2873:Prestel, 2006
2872:
2868:
2862:
2856:Prestel, 2006
2855:
2851:
2845:
2837:
2833:
2829:
2823:
2819:
2815:
2811:
2807:
2803:
2796:
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2784:
2778:
2770:
2766:
2762:
2760:0-471-95403-9
2756:
2752:
2751:
2744:
2736:
2732:
2726:
2718:
2714:
2710:
2708:0-471-95403-9
2704:
2700:
2699:
2692:
2684:
2680:
2674:
2666:
2662:
2658:
2656:0-471-95403-9
2652:
2648:
2647:
2640:
2632:
2631:Possibilities
2625:
2617:
2613:
2606:
2598:
2594:
2588:
2580:
2576:
2572:
2570:0-471-95403-9
2566:
2562:
2561:
2554:
2546:
2542:
2536:
2528:
2524:
2520:
2518:0-471-95403-9
2514:
2510:
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2297:
2291:
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2284:
2280:
2274:
2273:0-8109-4378-6
2270:
2266:
2262:
2257:
2251:
2247:
2244:
2240:
2233:
2229:
2223:
2216:
2210:
2203:
2201:
2200:Cahiers d'art
2195:
2187:
2183:
2177:
2162:
2158:
2151:
2135:
2131:
2125:
2118:
2112:
2103:
2087:
2083:
2077:
2075:
2073:
2066:
2061:
2055:
2050:
2044:
2043:84-7444-605-8
2040:
2036:
2030:
2024:
2023:84-297-3568-2
2020:
2016:
2011:
2004:
1999:
1997:
1980:
1976:
1971:
1964:
1957:
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1950:
1941:
1937:
1931:
1924:
1920:
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1833:
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1748:
1743:
1738:
1734:
1724:
1720:
1713:
1708:
1701:
1696:
1693:
1690:Sculpture at
1686:
1681:
1678:
1672:
1667:
1660:
1655:
1648:
1643:
1639:
1635:
1632:
1625:
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1591:
1587:
1586:
1581:
1577:
1573:
1569:
1559:
1556:
1554:
1550:
1546:
1543:In 1981, the
1541:
1539:
1529:
1526:
1522:
1518:
1514:
1513:Bobby Previte
1509:
1507:
1503:
1499:
1494:
1492:
1491:Julian Hatton
1488:
1484:
1480:
1476:
1472:
1468:
1464:
1460:
1456:
1452:
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1444:
1440:
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1426:
1423:
1418:
1416:
1412:
1408:
1404:
1400:
1396:
1395:Raymond Hains
1392:
1388:
1387:Henri Matisse
1384:
1380:
1376:
1372:
1367:
1365:
1361:
1357:
1353:
1349:
1345:
1341:
1337:
1333:
1329:
1323:
1321:
1317:
1313:
1309:
1299:
1297:
1296:gas sculpture
1293:
1289:
1288:
1284:
1278:
1276:
1272:
1266:
1265:
1258:
1256:
1251:
1247:
1242:
1240:
1236:
1232:
1231:expressionism
1228:
1223:
1219:
1215:
1205:
1203:
1199:
1195:
1191:
1185:
1180:
1178:
1174:
1170:
1166:
1153:
1149:
1145:
1141:
1134:
1130:
1126:
1122:
1115:
1111:
1107:
1103:
1098:
1094:
1092:
1088:
1084:
1080:
1074:
1072:
1068:
1067:Robert Desnos
1064:
1050:
1049:
1043:
1039:
1037:
1033:
1028:
1026:
1022:
1018:
1014:
1004:
1002:
998:
994:
993:
988:
977:
974:
972:
971:
965:
963:
959:
955:
951:
947:
943:
933:
931:
927:
923:
919:
915:
911:
910:
902:Early fauvist
896:
892:
887:
878:
874:
871:
866:
864:
859:
857:
850:Mental health
847:
845:
841:
837:
833:
829:
828:
827:honoris causa
817:
815:
811:
808:in 1967. The
807:
803:
799:
795:
794:
789:
784:
782:
777:
775:
771:
770:
765:
761:
756:
754:
750:
746:
742:
741:Salvador Dalí
738:
734:
729:
727:
723:
719:
715:
711:
709:
705:
701:
697:
696:
691:
685:
683:
679:
678:
673:
669:
664:
662:
658:
657:
652:
647:
645:
641:
637:
633:
629:
624:
622:
618:
614:
610:
606:
601:
599:
596:
592:
588:
587:
577:
574:
570:
567:(1923–1924),
566:
561:
557:
555:
554:Michel Leiris
550:
545:
543:
539:
537:
536:
531:
527:
523:
522:
517:
512:
510:
506:
497:
493:
489:
485:
480:
473:
469:
465:
460:
454:
450:
446:
444:
439:
430:
428:
424:
420:
416:
412:
408:
404:
400:
396:
395:
390:
389:
384:
380:
376:
366:
364:
360:
356:
352:
351:Expressionism
348:
344:
339:
337:
333:
329:
325:
320:
312:
311:
302:
278:
272:
271:
262:
238:
229:
224:
219:
213:
210:
207:
203:
202:
201:
197:
171:
167:
164:
161:
157:
154:
150:
146:
142:
138:
134:
131:
127:
122:
112:
108:
103:
98:20 April 1893
86:
82:
77:
71:
66:
59:
56:
52:
48:
44:
40:
33:
29:
22:
5136:Refus Global
5131:Monty Python
5050:Roger Vitrac
5030:Dylan Thomas
5000:Marko Ristić
4990:Herbert Read
4875:Nelly Kaplan
4870:Alfred Jarry
4860:Irène Hamoir
4855:Julien Gracq
4800:André Breton
4775:Louis Aragon
4682:André Souris
4631:
4607:Oscar Mellor
4592:André Masson
4472:Paul Delvaux
4442:Claude Cahun
4402:Hans Bellmer
4397:Eugène Atget
4318:
4310:
4218:
4210:
4191:
4183:
4175:
4168:
4164:
4157:and textiles
4144:Dona i Ocell
4142:
4134:
4126:
4118:
4110:
4102:
4094:
4086:
4078:
4070:
4051:
4032:
4024:
4016:
4008:
4000:
3992:
3984:
3976:
3957:
3949:
3941:
3933:
3925:
3917:
3909:
3901:
3893:
3885:
3877:
3869:
3861:
3853:
3845:
3831:
3777:
3770:
3740:
3719:
3700:
3682:
3668:
3653:
3634:
3633:"Joan Miro,
3627:
3615:. Retrieved
3605:
3596:
3590:
3578:. Retrieved
3568:
3556:. Retrieved
3552:the original
3542:
3530:. Retrieved
3526:the original
3521:
3512:
3495:
3483:. Retrieved
3481:. Artnet.com
3473:
3459:
3451:
3444:. Retrieved
3433:
3421:. Retrieved
3417:
3407:
3395:. Retrieved
3388:
3379:
3367:. Retrieved
3363:
3354:
3342:. Retrieved
3337:
3330:
3318:. Retrieved
3306:
3296:
3284:. Retrieved
3280:
3271:
3259:. Retrieved
3254:
3230:. Retrieved
3226:
3201:. Retrieved
3199:(in Latvian)
3196:
3172:. Retrieved
3168:
3144:. Retrieved
3139:
3129:
3110:
3098:
3075:
3056:
3044:. Retrieved
3034:
3024:
3018:
2992:
2986:
2971:
2955:
2954:Janis Mink,
2950:
2938:. Retrieved
2934:the original
2924:
2916:
2915:, p. 58. In
2912:
2907:
2898:
2890:
2886:
2870:
2866:
2861:
2853:
2849:
2844:
2809:
2805:
2795:
2749:
2743:
2697:
2691:
2645:
2639:
2630:
2624:
2615:
2611:
2605:
2559:
2553:
2507:
2501:
2466:
2462:
2456:
2444:. Retrieved
2442:. Artnet.com
2434:
2422:. Retrieved
2412:
2400:. Retrieved
2390:
2378:. Retrieved
2374:
2365:
2353:. Retrieved
2343:
2326:
2314:
2305:
2296:
2279:
2265:John Russell
2260:
2256:
2239:
2222:
2214:
2209:
2199:
2194:
2185:
2176:
2164:. Retrieved
2161:The Guardian
2160:
2150:
2138:. Retrieved
2134:the original
2124:
2116:
2111:
2102:
2090:. Retrieved
2086:the original
2060:
2049:
2034:
2029:
2010:
1983:. Retrieved
1974:
1963:
1939:
1930:
1916:
1911:
1906:, 7 May 2011
1901:
1895:
1890:
1869:
1860:
1852:
1847:
1835:. Retrieved
1831:
1822:
1810:. Retrieved
1803:
1794:
1782:. Retrieved
1775:
1766:
1750:
1747:"Miró, Joan"
1742:"Miró, Joan"
1737:
1719:Gourmet Room
1705:Terrace view
1676:
1640:of Barcelona
1633:
1593:
1589:
1583:
1571:
1567:
1565:
1557:
1552:
1542:
1535:
1524:
1516:
1510:
1505:
1501:
1495:
1487:Lucienne Day
1461:, while his
1432:
1421:
1419:
1414:
1391:Le Corbusier
1370:
1368:
1363:
1359:
1355:
1324:
1308:Marc Chagall
1305:
1286:
1282:
1279:
1271:Walter Erben
1268:
1263:
1260:
1245:
1243:
1218:André Masson
1211:
1187:
1182:
1176:
1162:
1128:
1125:Pájaro lunar
1124:
1087:World War II
1078:
1075:
1070:
1060:
1048:Dona i Ocell
1035:
1031:
1029:
1024:
1020:
1016:
1012:
1010:
1000:
996:
990:
986:
983:
975:
968:
966:
961:
953:
952:(1920), and
949:
945:
941:
939:
929:
921:
917:
913:
907:
905:
890:
875:
869:
867:
862:
860:
855:
853:
825:
823:
805:
791:
787:
785:
778:
767:
757:
732:
730:
712:
708:André Breton
703:
694:
686:
675:
671:
665:
654:
648:
625:
620:
617:Tilled Field
616:
604:
602:
584:
581:
564:
546:
542:Josep Dalmau
540:
533:
529:
519:
513:
509:Paul Cézanne
503:inspired by
501:
491:
490:. Exhibited
483:
467:
463:
441:
423:Montparnasse
399:Christianity
392:
386:
382:
372:
355:subconscious
340:
236:
235:
136:
132:
115:(1983-12-25)
74:Portrait by
55:
50:
46:
39:Catalan name
5289:1983 deaths
5284:1893 births
5251:Visual Arts
4925:Dušan Matić
4835:Paul Éluard
4820:René Daumal
4815:René Crevel
4756:Writers and
4712:Karel Teige
4702:Yves Tanguy
4557:Wifredo Lam
4547:Frida Kahlo
4507:Leonor Fini
4437:Luis Buñuel
4412:Bill Brandt
4387:Eileen Agar
4223:(1972–1978)
4172:(1955–1958)
4139:(1961–1981)
4123:(1974–1977)
4075:(1944–1967)
4037:(1968–1973)
4021:(1939–1944)
4013:(1939–1941)
4005:(1935–1936)
3981:(1924–1925)
3946:(1968–1973)
3938:(1966–1973)
3874:(1924–1925)
3866:(1923–1924)
3858:(1921–1922)
3255:reitingi.lv
3227:artdaily.cc
3169:www.lnmm.lv
2633:. New York.
2166:22 November
1936:"Joan Miró"
1923:The Forward
1851:M. Rowell,
1634:Pla de l'Os
1582:in London,
1532:Recognition
1467:color field
1344:Tate Modern
1302:Exhibitions
1275:art critics
1110:rationalist
1023:(1925) and
920:(1917) and
889:Joan Miró,
702:symbolism,
576:masterpiece
563:Joan Miró,
447:1921–1922,
379:Barri Gòtic
139:, 1907–1913
5273:Categories
5121:Grup d'Elx
5101:Dau al Set
4955:Paul Nougé
4940:Max Morise
4935:René Ménil
4747:Unica Zürn
4622:Lee Miller
4373:Surrealism
4321:exhibition
4269:Josep Royo
4244:Joan Prats
4240:(daughter)
4212:The Reaper
4080:Solar Bird
4072:Lunar Bird
3664:: 62-19132
3221:Artdaily.
2980:3822873497
2232:Guggenheim
1730:References
1576:Christie's
1562:Art market
1439:Motherwell
1312:Giacometti
1262:quoted in
1227:surrealism
1222:Surrealism
1184:ceiling...
1169:automatism
1112:architect
1104:Museum on
764:Josep Royo
677:The Reaper
653:'s ballet
644:Modern art
595:impresario
573:Surrealist
549:automatism
343:Surrealism
163:Surrealism
94:1893-04-20
5279:Joan Miró
5239:Biography
5116:The Goons
4960:Paul Păun
4915:Léo Malet
4880:Petr Král
4850:Yvan Goll
4758:theorists
4632:Joan Miró
4567:Dora Maar
4502:Max Ernst
4457:Gala Dalí
4331:4329 Miró
4312:Miró otro
4185:Miró Wall
4136:Labyrinth
4064:Sculpture
3839:Paintings
3832:Joan Miró
3785:Joan Miró
3761:Joan Miró
3532:6 October
3446:1 January
3315:0362-4331
3261:6 January
3232:6 January
3203:6 January
3174:6 January
2777:cite book
2725:cite book
2673:cite book
2587:cite book
2535:cite book
2215:Joan Miró
1870:Joan Miró
1744:(US) and
1580:Sotheby's
1506:Minotaure
1483:Paul Rand
1255:Picasso's
1250:bourgeois
1131:), 1966,
1129:Moon Bird
1091:Auschwitz
1069:, titled
830:from the
700:celestial
613:Jan Steen
591:Max Ernst
427:Catalonia
403:La Llotja
375:goldsmith
369:Biography
363:bourgeois
338:in 1981.
221:Signature
129:Education
102:Barcelona
62:Joan Miró
5066:Acéphale
4672:Kay Sage
4392:Jean Arp
4155:Ceramics
4045:Drawings
3943:May 1968
3855:The Farm
3617:8 August
3580:8 August
3558:15 March
3502:Archived
3485:15 March
3418:Facebook
3344:15 March
3118:Archived
3091:Westword
3083:Archived
3065:Archived
3046:8 August
2940:15 March
2836:30336457
2769:33897959
2717:33897959
2665:33897959
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2579:33897959
2527:33897959
2493:30336457
2446:15 March
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2402:8 August
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2355:8 August
2333:Archived
2286:Archived
2246:Archived
2140:8 August
2117:The Farm
2092:8 August
1985:8 August
1979:Archived
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1350:and the
1320:Tal-Coat
1202:Santería
1194:siurells
1135:, Madrid
1106:Montjuïc
997:Pastoral
970:The Farm
948:(1919),
944:(1918),
930:Nord-Sud
918:Nord-Sud
912:(1917),
810:maquette
720:and the
521:The Farm
443:The Farm
394:converso
324:ceramist
315:Catalan:
159:Movement
153:ceramics
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5225:Portals
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4380:Artists
4299:Related
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3397:14 June
3369:14 June
3320:8 April
3286:8 April
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2612:ARTnews
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1721:at the
1638:Ramblas
1600:Gallery
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1498:Man Ray
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1290:at the
1190:Catalan
1165:organic
926:Cézanne
840:Majorca
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690:gouache
651:Massine
632:Majorca
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359:Catalan
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123:, Spain
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4180:(1974)
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1411:Latvia
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