1856:
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33:
2089:“Following Ernest Mandel's periodization in his book Late Capitalism (1975), Jameson claims that "there have been three fundamental moments in capitalism, each one marking a dialectical expansion over the previous stage. These are market capitalism, the monopoly stage or the stage of imperialism, and our own, wrongly called postindustrial, but what might better be termed multinational, capital". To these forms of society correspond the cultural forms realism, modernism, and postmodernism.”
785:: the theory that adequate description and criticism of a philosophical or cultural text must be carried out in the same terms that text itself employs, in order to develop its internal inconsistencies in a manner that allows intellectual advancement. Marx highlighted immanent critique in his early writings, derived from Hegel's development of a new form of dialectical thinking that would attempt, as Jameson comments, "to lift itself mightily up by its own bootstraps".
951:". And since postmodernism —as was mentioned above —represents the form of an enormous cultural expansion into an economy of spectacle and style, rather than the production of goods, Jameson argued that parody (which implies a moral judgment or a comparison with societal norms) was replaced by pastiche (
2241:
The caustic edge of
Jameson's theory, which had described postmodernism as "the cultural logic of late capitalism", was abandoned for a contented or even enthusiastic endorsement of mass culture, which saw as a new space of popular freedom. According to these critics, intellectuals, who conceived of
974:
Jameson's analysis of postmodernism attempts to view it as historically grounded; he therefore explicitly rejects any moralistic opposition to postmodernity as a cultural phenomenon. Instead, Jameson insists upon a
Hegelian immanent critique that would "think the cultural evolution of late capitalism
1316:
described
Jameson as an "intellectual giant" responsible for an "enduring legacy that has inspired generations of thinkers, activists and scholars". They praised Jameson for his "militant commitment to a materialist reading of moments of struggle and revolt, utopia and liberation in cultural texts."
1265:
This debate over postmodernism, in part fueled by
Jameson, was at its most intense from 1994 to 1997, carried on by Chinese intellectuals both inside and outside the mainland; particularly important contributions came from Zhao Yiheng in London, Xu Ben in the United States, and Zhang Xudong, also in
896:
Jameson developed this form of analysis during a time when “an art-historical debate had wondered for several years whether our age had moved beyond modern art and on to ‘postmodern’ art”. Jameson joined in on the debate in 1984 with his article titled "Postmodernism, or, the
Cultural Logic of Late
856:
Jameson's establishment of history as the only pertinent factor in this analysis, which derived the categories governing artistic production from their historical framework, was paired with a bold theoretical claim. His book claimed to establish
Marxian literary criticism, centered in the notion of
911:
Jameson’s argument centered around his assertion that the various phenomena of the postmodern had been, or could have been, understood successfully within a modernist framework. This differed from the most prominent views of the postmodern condition that existed at that time. In
Jameson’s view,
931:, Jameson discussed this phenomenon in his critical discussion of architecture, film, narrative, and visual arts, as well as in his strictly philosophical work. For Jameson, postmodernism, as a form of mass-culture driven by capitalism, pervades every aspect of our daily lives.
586:
as
Professor of Literature and Professor of Romance Studies. He established the literary studies program at Duke and held the William A. Lane Professorship of Comparative Literature, renamed in 2013 as Knut Schmidt Nielsen Distinguished Professorship of Comparative Literature.
2242:
themselves as the bearers of modernity, were reacting with shock and anxiety at their loss of control with the arrival of postmodern consumer society, uttering cries of "quixotic hysteria", panic-stricken by the realization of what they had once called for during the eighties.
1326:
observed that
Jameson has emerged as a figure who “not only amassed one of the most impressive bodies of work within his field but who also was, fundamentally, someone who believed in criticism as a discourse, between teacher and pupil, between the work and the public.”
888:
that has had the most impact in its breadth and reach. At the time of his death in 2024, it was generally recognized that he was the preeminent critic of postmodernism. Jameson’s contention was that postmodernism is the cultural expression of our own current period of
1158:
The latter has remained a landmark publication in its field since it was published in 1991, and is still Duke
University Press’s all-time bestseller (as of 2024). Jameson was again recognized by the MLA, this time in 2012, with its MLA Lifetime Achievement Award.
966:
Relatedly, Jameson argues that the postmodern era suffers from a crisis in historicity: "there no longer does seem to be any organic relationship between the history we learn from schoolbooks and the lived experience of the current, multinational, high-rise,
844:(whether blue-collar or intellectual) as the focal point of analysis. Jameson's readings exploited both the explicit formal and thematic choices of the writer and the unconscious framework guiding these. Artistic choices that were ordinarily viewed in purely
848:
terms were recast in terms of historical literary practices and norms, in an attempt to develop a systematic inventory of the constraints they imposed on the artist as an individual creative subject. To further this meta-commentary, Jameson described the
1030:'s words, to "provide a general history of aesthetic forms, at the same time seeking to show how this history can be read in tandem with a history of social and economic formations". While the individual works are formally named on the flyleaf of
1286:
One would be hard put to find a humanities scholar who is more widely visible and more frequently cited across the disciplines, and who has sustained national and international critical attention for a more extended period of time than Fred
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postmodernity's merging of all discourse into an undifferentiated whole was the result of the colonization of the cultural sphere—which had retained at least partial autonomy during the prior modernist era—by a newly organized
777:, the Western Marxists critically analyzed culture as a historical and social phenomenon alongside economic production and distribution or political power relationships. They held that culture must be studied using the
2595:, 1940; Gloucester City, Camden, New Jersey; roll T627 2321, page 61A , line 15, enumeration district 52, National Archives film number 131751142. Retrieved on September 25, 2024.
1305:
at the height of his powers, carving out his novel alternative ... ... for over five decades, Fredric Jameson has been the leading Marxist literary and cultural critic in the United States, if not the
853:, or "the smallest intelligible unit of the essentially antagonistic collective discourses of social classes", the smallest legible residue of the real-life, ongoing struggles occurring between social classes.
2225:
Its popularity may be partially due to the fact that it was not written in a dense style and so it was possible to use the text as both praise and/or criticism of the Chinese manifestation of postmodernity.
2077:. Kristeva defined it as "the intersection of a given textual arrangement ... with the utterances ... that it either assimilates into its own space or to which it refers in the space of exterior texts ...".
3030:
Kristeva, Julia. "Desire in Language: A Semiotic Approach to Literature and Art". Ed. Leon S. Roudiez. Trans. Thomas Gora, Alice Jardine, and Leon S. Roudiez. New York: Columbia UP, 1980. pp. 2, 36.
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1207:. Jameson was given credit for his ”significant role in introducing to an English reading audience the rich theorizations of Utopia found in German critical theory, in works written by
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Jameson's dissertation, though it drew on a long tradition of European cultural analysis, differed markedly from the prevailing trends of Anglo-American academia (which were
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1918:
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Jameson was the Knut Schmidt Nielsen Professor of Comparative Literature, Professor of Romance Studies (French), and Director of the Institute for Critical Theory at
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Jameson has had an influence on the theorization of the postmodern in China. In mid-1985, shortly after the beginning of the cultural fever (early 1985 to the
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1034:, its more nuanced structure—six volumes comprising seven publications grouped into three subdivisions—can be gleaned from mentions in the books themselves.
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1282:, then chair of Duke University's literature program, reflected on Jameson's career on the occasion of presenting him with a lifetime achievement award:
1171:
in recognition of his career-long research "on the relation between social formations and cultural forms". The prize, which was worth 4.6 million
1262:
was to become a keystone text in that engagement; as scholar Wang Ning writes, its influence on Chinese thinkers would be impossible to overestimate.
861:, as the most all-inclusive and comprehensive theoretical framework for understanding literature. According to Vincent B. Leitch, the publication of
718:, which Jameson took as a sign that "Marxism was alive and well as a collective movement and a culturally productive force". His research focused on
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4080:
1938:
893:. Postmodernism represents the form of an enormous cultural expansion into an economy of spectacle and style, rather than the production of goods.
2238:'s interpretation of events, Jameson's work was mostly used to support and praise, and therefore amounted to a fundamental misreading of Jameson:
5566:
5571:
4963:(1983), "Capitalising History: Notes on The Political Unconscious", in Barker, Francis; Hulme, Peter; Iversen, Margaret; Loxley, Diana (eds.),
3259:
963:
cultural texts indiscriminately cannibalize these elements, erasing any sense of critical or historical distance, resulting in pure pastiche.
5501:
2617:, 1950; Haddon Heights, Camden, New Jersey; page 7, line 6, enumeration district 125. Retrieved on September 25, 2024.
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793:
History came to play an increasingly central role in Jameson's interpretation of both the reading (consumption) and writing (production) of
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Carter, Stephen D. (2016), "The Dialectic of War and Utopia: Systemic Closure and Embattled Social Life in the Work of Fredric Jameson",
1228:
4803:
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1065:
3921:
Zhang, Xudong (Summer 1994). "On some motifs in the Chinese "Cultural Fever" of the late 1980s: social change, ideology, and theory".
5551:
2940:
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5119:
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Kouvelakis, Stathis (2007), "Fredric Jameson: An Unslaked Thirst for Totalisation", in Bidet, Jacques; Kouvelakis, Stathis (eds.),
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1992:
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graduate who did not work. Both his parents had non-wage income over $ 50 in 1939. By April 1935 he moved with his parents to
4627:
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4165:
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Jameson's work focused on the relation between the style of Sartre's writings and the political and ethical positions of his
591:
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takes as its object not the literary text itself, but rather the interpretive frameworks by which it is now constructed. As
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754:, and Sartre, who viewed cultural criticism as an integral feature of Marxist theory. In 1969, Jameson co-founded the
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and Zhang Xudong, scholars whose work would come to play an important role in the analysis of postmodernity in China.
258:
32:
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5521:
1311:
1258:
Although the Chinese intelligentsia's engagement with postmodernism would not begin in earnest until the nineties,
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2677:"Moorestown Friends School Alum Wins Capote Award for Book on Realism; Frederic Jameson won $ 30,000 for his book
5611:
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5511:
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3154:
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aspects of Sartre's work were glossed over in this book; Jameson would return to them in the following decade.
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4255:
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2197:
1977:
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778:
152:
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Auerbach would prove to be a lasting influence on Jameson's thought. This was already apparent in Jameson's
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1204:
1144:
459:
415:
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Vázquez-Arroyo, Antonio Y. (2023), "Fredric Jameson: Dialectical Criticism and the Politics of Theory",
4090:
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5546:
5506:
5476:
5135:
4736:
Millay, Thomas J. "Always Historicize! On Fredric Jameson, the Tea Party, and Theological Pragmatics."
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2066:
1148:
467:
284:
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2408:
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1127:
471:
403:
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83:
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2017:
1967:
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1093:
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691:, partly through the influence of the many European intellectuals who had sought refuge from the
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135:
2157:(1991), "the third and last section of the penultimate subdivision of a larger project entitled
978:
Jameson's philosophical contributions include the concepts of "cognitive mapping" (adapted from
5070:
4637:
The Success and Failure of Fredric Jameson: Writing, the Sublime, and the Dialectic of Critique
2693:
755:
706:
Jameson's shift toward Marxism was also driven by his increasing political connection with the
660:
517:
4828:
1243:, and related disciplines—Jameson discussed the idea of postmodernism in China in lectures at
4434:
4367:
Consciousness and the Neoliberal Subject: A Theory of Ideology via Marcuse, Jameson and Žižek
4209:
Literary Theory and the Claims of History: Postmodernism, Objectivity, Multicultural Politics
4043:
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3932:
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1779:
603:
4489:
3970:
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2255:
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Jameson's ideas as presented at Peking University had an impact on some students, including
1795:
Jameson, Fredric (1972), "The Great American Hunter, or, Ideological Content in the Novel",
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8:
5352:
4841:
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4711:(1983), "Marxism in the Textual Maelstrom: Fredric Jameson's The Political Unconscious",
3520:, ed. John Orr and Olga Taxidou, Edinburgh: Edinburgh University Press 2000, pp. 119–132.
3474:
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1827:
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and other forms of juxtaposition without a normative grounding). Jameson recognized that
508:(2002) is dedicated. After graduation in 1954 he briefly traveled to Europe, studying at
1219:.” It was also noted that “the question of Utopia is central to all of Jameson’s work.”
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The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism
1844:
1814:
1784:
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The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism
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notion of distinct regional pathways of capitalism, linked to the political project of
995:
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frequently "quotes" from different cultures and historical periods, but he argues that
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376:
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The Seeds of Time. The Wellek Library lectures at the University of California, Irvine
622:. Jameson would follow in these steps, examining the articulation of poetry, history,
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Jameson was married to Susan Willis, and had three daughters. He died at his home in
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95:
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Imaginary Relations: Aesthetics and Ideology in the Theory of Historical Materialism
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1987:
1927:
1898:
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1806:
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the United States, who had gone on to study under Jameson as a doctoral student at
928:
837:
833:
762:
758:
with a number of his graduate students at the University of California, San Diego.
723:
715:
692:
627:
478:
439:
304:
229:
99:
2881:
1540:
1147:(MLA) recognized Jameson throughout his career. In 1971, Jameson earned the MLA’s
703:
was still largely unknown in American academia in the late-1950s and early-1960s.
5312:
5262:
5257:
5237:
4930:
4925:(1996), "Jameson's Project of Cognitive Mapping", in Paulston, Rolland G. (ed.),
4884:
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1997:
1982:
1946:
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309:
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1727:
Mimesis, Expression, Construction: Fredric Jameson's Seminar on Aesthetic Theory
1532:
Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions
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5164:
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Periodizing Jameson: Dialectics, the University, and the Desire for Narrative
4721:
4513:
4426:
4307:
3594:
3435:
3164:
2763:
2737:
2542:
2490:
2446:
2022:
1151:. Twenty years later, it awarded him its 1991 James Russell Lowell Prize for
991:
794:
727:
657:
521:
493:
388:
344:
299:
294:
2925:
Fredric Jameson, "Interview with Srinivas Aramudan and Ranjanna Khanna," in
2529:"Fredric Jameson, Critic Who Linked Literature to Capitalism, Is Dead at 90"
5425:
5420:
5252:
5174:
5022:
4960:
4922:
4905:
4869:
Singh, Iona (2004), "Vermeer, materialism, and the transcendental in art",
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Critical Genealogies: Historical Situations for Postmodern Literary Studies
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2850:
2460:
2235:
1764:
1751:
1738:
1721:
1708:
1176:
482:
463:
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The Content of the Form: Narrative Discourse and Historical Representation
4378:
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3702:
1695:
1682:
1664:
1649:
1634:
1619:
1604:
1589:
1573:
5247:
5194:
5149:
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4915:
4395:
4300:
4284:
4276:
4005:
3923:
3584:
3495:, reprinted as 'The Vanishing Mediator; or, Max Weber as Storyteller' in
3439:
3404:
2741:
1972:
1431:
1419:
The Ideologies of Theory. Essays 1971–1986. Vol. 2: The Syntax of History
1216:
1103:
1027:
968:
948:
903:. He later expanded the article into a book, which he published in 1991.
735:
653:
572:
501:
248:
4927:
Social Cartography: Mapping Ways of Seeing Social and Educational Change
4862:
4419:
1788:
1410:
The Ideologies of Theory. Essays 1971–1986. Vol. 1: Situations of Theory
1310:
A memorial piece published by the editorial team of the Marxist journal
5322:
5184:
4994:
4279:(1992), "Jameson's Rhetoric of Otherness and the 'National Allegory'",
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3121:
3080:
2653:"Brother, Can You Spare a Dime? The 1940 Census: Employment and Income"
1840:
1322:
960:
645:
392:
5046:
5015:
4792:
4561:
4525:
Jameson, Althusser, Marx: An Introduction to the Political Unconscious
3948:
3491:
1848:
1818:
1351:
Marxism and Form: Twentieth Century Dialectical Theories of Literature
1022:, are part of what he called both a "sequence" and "project" entitled
5169:
4591:
4411:
4370:
2929:, ed. Ian Buchanan (Durham, NC: Duke University Press, 2007), p. 204.
2012:
2002:
1962:
1057:
1053:
956:
845:
684:
623:
611:
532:
in pursuit of a PhD, which was awarded in 1959 for a dissertation on
427:
324:
319:
314:
60:
4804:"Grand narratives then and now: Can we still conceptualise history?"
4649:
Hullot-Kentor, Robert. "Suggested Reading: Jameson on Adorno". In
824:
The book's argument emphasized history as the "ultimate horizon" of
5204:
5038:
5007:
4953:
4784:
4608:
Fredric Jameson: neomarxismo, dialettica e teoria della letteratura
4553:
3940:
3483:
1810:
1584:(anthology; altered one-volume re-edition, with additional essays)
1405:). Tr. Tang Xiaobing. Xi'an: Shaanxi Normal University Press. 1987.
1279:
1071:
Alongside this project, Jameson published three related studies of
944:
865:"rendered Jameson the leading Marxist literary critic in America."
821:
emerged as an alternative method to interpret literary narratives.
798:
711:
707:
451:
2793:
2135:(2002), "the theoretical section of the antepenultimate volume of
1194:
3019:
The Political Unconscious: Narrative as a Socially Symbolic Act.
2007:
1744:
Inventions of a Present: The Novel in its Crisis of Globalization
1504:. Ed. Michael Hardt and Kathi Weeks. Oxford: Blackwell. 2000.
1494:
The Cultural Turn: Selected Writings on the Postmodern, 1983–1998
1299:
Inventions of a Present: The Novel in Its Crisis of Globalization
952:
544:
From 1959 to 1967 he taught French and Comparative Literature at
418:
gave Jameson its sixth Award for Lifetime Scholarly Achievement.
384:
380:
288:
4839:
Simons, Jon (2000), "Postmodern paranoia? Pynchon and Jameson",
4651:
Things Beyond Resemblance: Collected Essays on Theodor W. Adorno
3512:
The Geopolitical Aesthetic: Cinema and Space in the World System
2744:(2000), "Introduction", in Hardt, Michael; Weeks, Kathi (eds.),
1469:
The Geopolitical Aesthetic: Cinema and Space in the World System
1301:, published three weeks before his death, described Jameson as:
832:. It borrowed notions from the structuralist tradition and from
807:
The Political Unconscious: Narrative as a Socially Symbolic Act,
442:-born medical doctor with his own private practice, and Bernice
434:, on April 14, 1934. He was the only child of Frank S. Jameson (
5058:, Baltimore: Johns Hopkins University Press, 1987, pp. 142–168)
3041:
The Political Unconscious: Narrative as a Socially Symbolic Act
3005:"The Political Unconscious by Fredric Jameson | Paperback"
2205:
2032:
1777:
Jameson, Fredric (1969–1970), "Walter Benjamin, or Nostalgia",
1394:
1376:
The Political Unconscious: Narrative as a Socially Symbolic Act
1188:
1184:
1041:
513:
277:
216:
4325:"On Fredric Jameson: Marxism, Postmodernism, and Architecture"
2052:
By his own account, he only arrived in San Diego in late 1968.
884:
It is Jameson’s contribution to a conception and analysis of
4738:
2683:, Moorestown Patch, November 11, 2014. Accessed May 18, 2020.
1656:
The Ancients and the Postmoderns: On the Historicity of Forms
1367:
Fables of Aggression: Wyndham Lewis, the Modernist as Fascist
1003:
4431:
The Jamesonian Unconscious: The Aesthetics of Marxist Theory
809:
the opening slogan of which is "always historicize" (1981).
2528:
1313:
Historical Materialism: Research in Critical Marxist Theory
431:
64:
4769:(1992), "A Marxism for the Postmodern? Jameson's Adorno",
4729:
Eds. Jerrold E. Hogle and Andrew Smith. Special issue of
4490:"The Theory Variations: An Interview with Fredric Jameson"
3533:
A Singular Modernity: Essay on the Ontology of the Present
3514:, Bloomington, IN: Indiana University Press, pp. 9–84
3467:"The Vanishing Mediator: Narrative Structure in Max Weber"
2809:
1757:
The Years of Theory: Postwar French Thought to the Present
1516:
A Singular Modernity: Essay on the Ontology of the Present
1443:
Late Marxism: Adorno, or, The Persistence of the Dialectic
975:
dialectically, as catastrophe and progress all together".
5052:
Getting Out of History: Jameson's Redemption of Narrative
4967:, Colchester: University of Essex Press, pp. 248–264
3873:"Professor Fredric R. Jameson awarded Holberg Prize 2008"
3841:"Lyman Tower Sargent Award for Distinguished Scholarship"
3377:"Postmodernism, or The Cultural Logic of Late Capitalism"
3338:"Postmodernism, or The Cultural Logic of Late Capitalism"
3224:"Postmodernism, or The Cultural Logic of Late Capitalism"
2895:
2419:
5345:
Postmodernism, or, the Cultural Logic of Late Capitalism
4715:, Ithaca, NY: Cornell University Press, pp. 234–267
3362:
Postmodernism, or, The Cultural Logic of Late Capitalism
3142:
Postmodernism, or, the Cultural Logic of Late Capitalism
2431:. Durham, NC: Duke University Press. 1991. p. 438.
2428:
Postmodernism, or, the Cultural Logic of Late Capitalism
2289:
1825:
Jameson, Fredric (1976), "On Goffman's Frame Analysis",
1460:
Postmodernism, or, the Cultural Logic of Late Capitalism
1153:
Postmodernism, or, The Cultural Logic of Late Capitalism
941:
Postmodernism, or, the Cultural Logic of Late Capitalism
875:
Postmodernism, or, the Cultural Logic of Late Capitalism
524:. He returned to America the following year to study at
462:, and by 1949 the family occupied a house in the nearby
398:
Postmodernism, or, The Cultural Logic of Late Capitalism
4992:(1982–1983), "Fredric Jameson's Marxist Hermeneutics",
4653:. New York: Columbia University Press, 2008. 220–233.
2907:
2491:"Fredric Jameson to Receive Lifetime Achievement Award"
1175:(approximately $ 648,000), was presented to Jameson by
1162:
1079:(2009), which includes Jameson's critical responses to
679:
His interest in Sartre led Jameson to intense study of
3895:"American cultural theorist awarded the Holberg Prize"
3539:
3445:
998:", totality as conspiracy, "alternate modernity" (the
971:
city of the newspapers and of our own everyday life".
375:(April 14, 1934 – September 22, 2024) was an American
4911:
Fredric Jameson: The Project of Dialectical Criticism
4644:
Fredric Jameson: Marxism, Hermeneutics, Postmodernism
4008:
and Xudong Zhang. Durham: Duke University Press, 2001
3050:
2927:
Jameson on Jameson: Conversations on Cultural Marxism
2821:
1901:, Durham, NC: Duke University Press, 2003, pp. 55–62)
1759:. Ed. Carson Welch. London and New York: Verso. 2024
1671:
An American Utopia: Dual Power and the Universal Army
1562:
Jameson on Jameson: Conversations on Cultural Marxism
1235:
characterized in part by intense interest in Western
1133:
383:. He was best known for his analysis of contemporary
5527:
Fellows of the American Academy of Arts and Sciences
4660:. Albany: State University of New York Press. 2005.
4481:
Dialectical Passions: Negation in Postwar Art Theory
3145:. Durham, NC: Duke University Press. 1991. pp.
2649:
For a brief explanation, see the Column 33 entry in
2563:
1891:
Dissent from the Homeland: Essays after September 11
1611:
The Hegel Variations: On the Phenomenology of Spirit
897:
Capitalism" that was first published in the journal
4639:. Albany: State University of New York Press. 2001.
4466:"Urban renaissance and the spirit of postmodernism"
4000:Wang Ning. "The Mapping of Chinese Postmodernity."
3510:Jameson, Fredric (1992), "Totality as Conspiracy",
1916:Jameson, Fredric (2009), "War and Representation",
1421:. Minneapolis: University of Minnesota Press. 1988.
1412:. Minneapolis: University of Minnesota Press. 1988.
4538:(1982), "Fredric Jameson: The Politics of Style",
4398:(2008), "Religion and Utopia in Fredric Jameson",
3312:The Icon Critical Dictionary of Postmodern Thought
3197:Avilés Espinoza, David Elías (December 20, 2022).
1626:Representing 'Capital': A Commentary on Volume One
1203:Distinguished Scholar Award by the North American
3403:Jameson, Fredric (1988), "Cognitive Mapping", in
3364:, Durham, NC: Duke University Press, 1991, p. 47.
3085:"Glimmers of Totality: Fredric Jameson at Ninety"
2124:(2013), "the third volume of the sequence called
1369:. Berkeley: University of California Press. 1979.
16:American academic and literary critic (1934–2024)
5438:
4322:
4046:Previously published, in an earlier version, as
797:. Jameson marked his full-fledged commitment to
687:was becoming an important influence in American
667:). It nevertheless earned Jameson a position at
610:. Auerbach's concerns were rooted in the German
4658:On Jameson: From Postmodernism to Globalization
4081:"How Fredric Jameson Remade Literary Criticism"
3296:Purdue University. Accessed: September 28, 2024
3196:
3184:Purdue University. Accessed: September 28, 2024
1378:. Ithaca, N.Y.: Cornell University Press. 1981.
1195:Lyman Tower Sargent Distinguished Scholar Award
840:, and joined them to a largely Marxist view of
5134:
4937:
3964:
3962:
3960:
3958:
3678:"Fredric Jameson receives Truman Capote Award"
2537:. Vol. 173, no. 60288. p. A19.
1471:. Bloomington: Indiana University Press. 1992.
1361:. Princeton: Princeton University Press. 1972.
1353:. Princeton: Princeton University Press. 1971.
5120:
4487:
3733:Representing Capital: A Reading of Volume One
2815:
1099:Representing Capital: A Reading of Volume One
1018:Several of Jameson’s later works, along with
943:are that post-modernity is characterized by "
555:from 1967 to 1976, where he worked alongside
5592:University of California, Santa Cruz faculty
4567:Against the Grain: Selected Essays 1975–1985
4346:
3518:Post-war Cinema and Modernity: A Film Reader
2216:), translated into Chinese by Tang Xiaobing.
1776:
1688:Raymond Chandler: The Detections of Totality
1479:. New York: Columbia University Press. 1994.
1320:At the time of his death in September 2024,
868:
5587:University of California, San Diego faculty
5067:The Marxian Hermeneutics of Fredric Jameson
4191:American Literary Criticism since the 1930s
3996:
3994:
3992:
3955:
3914:
1568:. Durham, NC: Duke University Press. 2007.
1254:In 1987, Jameson published a book entitled
1130:, on September 22, 2024, at the age of 90.
630:, who was the subject of his dissertation.
5127:
5113:
4690:Critical Companion to Contemporary Marxism
4687:
4667:. Washington, DC: Maisonneuve Press. 1989.
4494:Transatlantica. Revue d'études américaines
4031:, London New York: Verso, pp. 55–87,
3253:
3251:
3249:
3117:"The Gifts of Fredric Jameson (1934–2024)"
2736:
2407:Sotiris, Panagiotis (September 22, 2024).
1463:. Durham, NC: Duke University Press. 1991.
1121:
1066:Truman Capote Award for Literary Criticism
990:that corresponds to the era of capitalist
516:, where he learned of new developments in
31:
4988:
4614:
4126:
4124:
4122:
4120:
3413:Marxism and the Interpretation of Culture
3192:
3190:
3179:"Modules on Jameson: On Late Capitalism."
3110:
3108:
3106:
3104:
2071:The Formal Method in Literary Scholarship
1453:. New York & London: Routledge. 1990.
1345:. New Haven: Yale University Press. 1961.
765:view of ideology held that the cultural "
559:and was the initial doctoral advisor for
4890:
4572:
4534:
4488:Demers, Jason; Jameson, Fredric (2023),
4310:(1987), "Frederic Jameson and Marxism",
4291:
4281:In Theory: Classes, Nations, Literatures
4211:, Ithaca, NY: Cornell University Press,
4173:
4152:
4118:
4116:
4114:
4112:
4110:
4108:
4106:
4104:
4102:
4100:
3989:
3852:
3850:
3835:
3833:
3831:
3611:
3609:
3545:
3451:
3286:
3284:
3075:
3073:
3071:
3069:
3067:
3065:
2913:
2901:
2794:Office of the Provost, Duke University.
2371:
2343:
2061:The term "ideologeme" was first used by
1436:Nationalism, Colonialism, and Literature
1167:In 2008, Jameson was awarded the annual
1138:
939:Two of Jameson's best-known claims from
788:
699:, the literary and critical work of the
674:
5562:People from Gloucester City, New Jersey
4798:
4765:
4725:, or, Fredric Jameson's Gothic Plots."
4707:
4670:Kellner, Douglas, and Sean Homer, eds.
4519:
4425:
4254:
4206:
4011:
3530:
3509:
3464:
3442:, Oxford: Blackwell, 2000, pp. 277–288.
3402:
3374:
3335:
3246:
3221:
2969:
2569:
2522:
2520:
2518:
2516:
2514:
2512:
2485:
2483:
2481:
2406:
2295:
1915:
1854:
1824:
1794:
1172:
614:tradition; his works on the history of
500:. His professors at Haverford included
5567:People from Haddon Heights, New Jersey
5439:
5385:The Dictionary of Fashionable Nonsense
4971:
4838:
4674:. New York: Palgrave Macmillan. 2004.
4440:
4364:
4232:
4188:
3336:Jameson, Fredric (November 21, 2023).
3315:. Cambridge: Icon Books. p. 150.
3294:Introductory Guide to Critical Theory.
3187:
3182:Introductory Guide to Critical Theory.
3114:
3101:
3056:
2827:
2604:
2602:
2582:
2580:
2578:
2402:
2400:
2398:
2106:(unpublished at the time of his death)
2104:Categories of the Narrative-Historical
722:: thinkers of, and influenced by, the
5572:People from Killingworth, Connecticut
5108:
5076:
5021:
4959:
4921:
4904:
4868:
4745:
4622:, Durham, NC: Duke University Press,
4605:
4483:, New York: Columbia University Press
4460:
4275:
4097:
4075:
3920:
3847:
3828:
3675:
3606:
3557:
3281:
3079:
3062:
3021:Ithaca, NY: Cornell UP, 1982., p. 76
2877:American Academy of Arts and Sciences
2650:
2526:
2310:
2308:
2306:
2304:
1658:. London & New York: Verso. 2015.
1643:. London & New York: Verso. 2013.
1628:. London & New York: Verso. 2011.
1613:. London & New York: Verso. 2010.
1598:. London & New York: Verso. 2009.
1582:. London & New York: Verso. 2009.
1534:. London & New York: Verso. 2005.
1518:. London & New York: Verso. 2002.
1496:. London & New York: Verso. 1998.
1487:. London & New York: Verso. 1998.
1445:. London & New York: Verso. 1990.
1222:
906:
592:American Academy of Arts and Sciences
395:. Jameson's best-known books include
387:trends, particularly his analysis of
5502:American speculative fiction critics
5061:
4590:
4394:
4306:
3968:
3900:Ministry of Foreign Affairs (Norway)
3856:
3818:"James Russell Lowell Prize Winners"
3790:
3765:
3728:
2509:
2478:
2367:
2365:
2344:Orthofer, M.A. (December 22, 2014),
2322:, September 12, 2022, archived from
2146:(2007), " are meant to accompany my
1770:
1716:. London and New York: Verso. 2020.
1703:. London and New York: Verso. 2019.
1690:. London and New York: Verso. 2016.
1677:. London and New York: Verso. 2016.
1550:. London & New York Verso. 2007.
1256:Postmodernism and Cultural Theories.
1169:Holberg International Memorial Prize
1163:Holberg International Memorial Prize
1087:, and other contemporary theorists;
577:University of California, Santa Cruz
4656:Irr, Caren and Ian Buchanan, eds.
4478:
4160:, Oxford: Oxford University Press,
4047:
4017:
3676:Clair, Christopher (May 23, 2014),
3499:, London: Verso, 2008, pp. 309–343.
3350:from the original on April 3, 2023.
3305:
3264:Douglas Kellner (professional site)
3257:
3115:Wagner, Kate (September 26, 2024).
2599:
2575:
2395:
2320:The Encyclopedia of Science Fiction
1746:. London and New York: Verso. 2024
1383:Postmodernism and Cultural Theories
1260:Postmodernism and Cultural Theories
553:University of California, San Diego
426:Frederick Ruff Jameson was born in
13:
5472:21st-century American philosophers
5462:20th-century American philosophers
5025:(1982), "Getting Out of History",
4702:10.1163/ej.9789004145986.i-813.195
4672:Fredric Jameson: a Critical Reader
4586:. II/59. New Left Review: 123–137.
4569:, London: Verso, 1986, pp. 65–78).
4474:. I/151. New Left Review: 106–113.
4268:
3857:Sell, Laura (September 23, 2024).
3583:
2527:Risen, Clay (September 25, 2024).
2301:
2168:(2005), "the concluding volume of
1181:Minister of Education and Research
1134:Recognition, influence, and legacy
1010:as the principle of totalisation.
14:
5628:
5487:American critics of postmodernism
4193:(2 ed.), London: Routledge,
3791:Ross, Alex (September 22, 2024).
3291:"Modules on Jameson: On pastiche"
2938:
2362:
1939:"Badiou and the French Tradition"
1278:Thirteen years before his death,
1199:In 2009, Jameson was awarded the
626:, and philosophy in the works of
539:
421:
5552:Moorestown Friends School alumni
4021:(2003), "The new criticism", in
3875:. Norway.org. September 16, 2008
2409:"Fredric R. Jameson (1934–2024)"
2375:Aspects of Góngora's "Soledades"
1091:(2010), a commentary on Hegel's
5497:American political philosophers
5467:21st-century American essayists
5457:20th-century American essayists
4713:Rethinking Intellectual History
4158:A Dictionary of Critical Theory
4145:
4069:
3887:
3865:
3810:
3784:
3759:
3722:
3707:
3692:
3669:
3657:
3645:
3633:
3621:
3577:
3551:
3535:, London: Verso, pp. 12–13
3523:
3502:
3457:
3367:
3354:
3329:
3299:
3215:
3171:
3133:
3033:
3024:
3011:
2997:
2963:
2932:
2919:
2864:
2833:
2787:
2756:
2730:
2708:
2686:
2669:
2643:
2621:
2465:Duke University – Scholars@Duke
2271:Pamphlets by the three authors.
2261:
2247:
2228:
2219:
2212:Hòuxiàndàizhǔyì yǔ wénhuà lǐlùn
2190:
2177:
2094:
2080:
2055:
2046:
1401:Hòuxiàndàizhǔyì yǔ wénhuà lǐlùn
1330:
1110:An overview of Jameson's work,
934:
4719:Link, Alex. "The Mysteries of
4665:Jameson/Postmodernism/Critique
4610:, Soveria Mannelli: Rubbettino
4323:Arkaraprasertkul, Non (2009),
3969:Wang, Chaohua (May 17, 2005).
3716:On the Phenomenology of Spirit
3235:, I/146: 53–92, archived from
2976:. Princeton University Press.
2453:
2337:
2210:
2201:
2113:(2019), "the second volume of
2086:According to Douglas Kellner:
1729:. Ed. Octavian Esanu. London:
1399:
1390:
1343:Sartre: The Origins of a Style
1101:(2011), an analysis of Marx's
695:in the United States, such as
618:analyzed literary form within
608:Sartre: The Origins of a Style
597:
590:In 1985 he was elected to the
489:, where he was elected to the
1:
4983:Northwestern University Press
4748:"The Work of Fredric Jameson"
4684:32.8 (April 22, 2010). 12–16.
3859:"Farewell to Fredric Jameson"
2765:The Origins of Sartre's Style
2278:
2073:and was later popularised by
1229:massacre on June Fourth, 1989
1112:Fredric Jameson: Live Theory,
1013:
879:
714:movements, as well as by the
534:The Origins of Sartre's Style
222:The Origins of Sartre's Style
4885:10.1080/08935690410001676212
4646:. New York: Routledge. 1998.
4596:Marxism and Literary History
4506:10.4000/transatlantica.20951
4455:10.13110/criticism.58.2.0177
4297:The Origins of Postmodernity
4235:Jacques Derrida: A Biography
4179:Fredric Jameson: Live Theory
4065:(6). New Left Review: 69–99.
3766:Carp, Alex (March 5, 2014),
3753:10.1080/03017605.2013.776223
3417:University of Illinois Press
3093:, no. 9, archived from
2941:"A Short History of the MLG"
2283:
1932:10.1632/pmla.2009.124.5.1532
1857:"The Dialectics of Disaster"
1233:Chinese intellectual history
1026:. This project attempts, in
7:
5602:Writers about globalization
4565:(reprinted in T. Eagleton,
4329:Architectural Theory Review
4189:Leitch, Vincent B. (2010),
3822:Modern Language Association
3664:Archaeologies of the Future
3199:"Unpacking late capitalism"
2170:The Poetics of Social Forms
2166:Archaeologies of the Future
2159:The Poetics of Social Forms
2137:The Poetics of Social Forms
2126:The Poetics of Social Forms
2115:The Poetics of Social Forms
1955:
1498:Reissued: 2009. (anthology)
1205:Society for Utopian Studies
1145:Modern Language Association
1038:Archaeologies of the Future
1024:The Poetics of Social Forms
637:philosophy. The occasional
460:Gloucester City, New Jersey
416:Modern Language Association
255:Other notable students
10:
5633:
5532:Harvard University faculty
5136:Criticism of postmodernism
4855:10.3366/para.2000.23.2.207
4746:Nimis, Steve, ed. (1983),
4576:(September–October 2009).
4352:"The coming contradiction"
4350:(November–December 2010),
4207:Mohanty, Satya P. (1997),
4132:"Books by Fredric Jameson"
4051:(November–December 2000).
2720:Haverford College Bulletin
2698:Haverford College Bulletin
2679:The Antinomies of Realism.
2253:For more information see:
2150:as a kind of source-book."
2067:Pavel Nikolaevich Medvedev
1878:10.1215/00382876-101-2-297
1291:Robert T. Tally Jr., in a
1215:, and most significantly,
1149:William Riley Parker Prize
872:
468:Haddon Heights, New Jersey
381:Marxist political theorist
285:Marxist literary criticism
5492:American literary critics
5482:American anti-capitalists
5403:
5336:
5218:
5142:
5082:"With Hegel Beyond Hegel"
4825:10.1080/08854309808428212
4341:10.1080/13264820902741011
4316:Columbia University Press
4053:"Fire at the castle gate"
3985:– via Google Books.
3628:The Antinomies of Realism
3531:Jameson, Fredric (2002),
3465:Jameson, Fredric (1973),
3375:Jameson, Fredric (1984),
3222:Jameson, Fredric (1984),
2970:Jameson, Fredric (1974).
2816:Demers & Jameson 2023
2122:The Antinomies of Realism
1855:Jameson, Fredric (2002),
1641:The Antinomies of Realism
1596:Valences of the Dialectic
1451:Signatures of the Visible
1438:. Derry: Field Day, 1988.
1297:review of his 2024 work,
1273:
1128:Killingworth, Connecticut
1118:, was published in 2007.
1077:Valences of the Dialectic
1062:The Antinomies of Realism
869:Analysis of postmodernism
863:The Political Unconscious
819:The Political Unconscious
811:The Political Unconscious
472:Moorestown Friends School
404:The Political Unconscious
366:
332:
274:Marxist cultural analysis
264:
254:
240:
228:
215:
174:
151:
141:
131:
127:
119:
111:
91:
84:Killingworth, Connecticut
72:
42:
30:
23:
5597:Utopian studies scholars
5537:Haverford College alumni
5411:Grievance studies affair
5377:Explaining Postmodernism
4600:Harvard University Press
4529:Cornell University Press
3590:About Fredric R. Jameson
3045:Cornell University Press
2039:
2028:Psychoanalytic sociology
1865:South Atlantic Quarterly
1783:, 10–11 (10/11): 52–68,
1580:The Ideologies of Theory
1335:
1191:, on November 26, 2008.
805:with the publication of
520:, including the rise of
5617:Yale University faculty
5582:Science fiction critics
5542:Holberg Prize laureates
5522:Duke University faculty
5416:Postmodernism Generator
4812:Socialism and Democracy
4680:. "Into the Big Tent".
4239:Continuum International
4183:Continuum International
4002:Postmodernism and China
3392:: 53–92, archived from
2372:Beverley, John (1980),
2018:Political consciousness
1968:Dialectical materialism
1122:Personal life and death
1094:Phenomenology of Spirit
1032:Inventions of a Present
681:Marxist literary theory
606:, published in 1961 as
567:. He was then hired by
551:He was employed by the
136:Contemporary philosophy
5612:Yale University alumni
5607:Writers from Cleveland
5512:Connecticut socialists
5205:Stuckism International
4965:The Politics of Theory
4727:Theorising the Gothic.
4682:London Review of Books
4663:Kellner, Douglas, ed.
4233:Powell, Jason (2006),
3714:The Hegel Variations:
3129:on September 26, 2024.
2413:Historical Materialism
2346:"Swedish Academy news"
2244:
2091:
1950:, II/102: 99–117, 2016
1905:"Politics of Utopia",
1371:Reissued: Verso, 2008.
1308:
1289:
1247:and the newly founded
756:Marxist Literary Group
518:continental philosophy
5098:10.1353/crt.2011.0011
4606:Gatto, Marco (2008),
4435:Duke University Press
4379:10.4324/9780429321153
4217:10.7591/9781501728938
4093:on September 3, 2024.
4079:(September 3, 2024).
4028:One China, many paths
3972:One China, Many Paths
3933:Duke University Press
3793:"For Fredric Jameson"
3573:on September 28, 2024
3567:Žižek Goads and Prods
3211:on December 20, 2022.
2884:on September 25, 2024
2853:on September 14, 2024
2651:Petro, Diane (2012),
2551:on September 24, 2024
2326:on September 20, 2024
2239:
2111:Allegory and Ideology
2087:
1887:on September 29, 2024
1701:Allegory and Ideology
1303:
1284:
1139:MLA awards and honors
1048:that was launched at
789:Narrative and history
675:Research into Marxism
604:doctoral dissertation
353:Political unconscious
5369:Fashionable Nonsense
4696:, pp. 697–709,
4620:On the Way to Theory
4365:Bailes, Jon (2020),
3768:"On Fredric Jameson"
3729:Eres, Benan (2013).
3652:The Modernist Papers
3640:A Singular Modernity
3497:Ideologies of Theory
3419:, pp. 347–357,
3270:on December 23, 2014
3204:University of Sydney
2872:"Fredric R. Jameson"
2783:– via ProQuest
2615:United States census
2593:United States census
2358:on December 22, 2014
2148:A Singular Modernity
2144:The Modernist Papers
2133:A Singular Modernity
1911:, II/25: 35–56, 2004
1548:The Modernist Papers
1089:The Hegel Variations
914:corporate capitalism
575:in 1976, and by the
561:Kim Stanley Robinson
506:A Singular Modernity
470:. He graduated from
373:Fredric Ruff Jameson
245:Kim Stanley Robinson
166:Marxist hermeneutics
47:Fredric Ruff Jameson
5353:Higher Superstition
4772:New German Critique
4733:11.1 (2009): 70–85.
4635:Helmling, Stephen.
4616:Grossberg, Lawrence
4521:Dowling, William C.
4348:Balakrishnan, Gopal
4262:, London: Routledge
3475:New German Critique
3409:Grossberg, Lawrence
3017:Jameson, Fredric.
2589:"Frederick Jameson"
2351:The Literary Saloon
1249:Shenzhen University
1201:Lyman Tower Sargent
984:class consciousness
947:" and a "crisis in
927:'s analysis of the
341:Alternate modernity
5517:Critical theorists
5190:Post-postmodernism
4973:Wegner, Phillip E.
4933:, pp. 399–416
4872:Rethinking Marxism
4578:"Jameson and Form"
4479:Day, Gail (2011),
4318:, pp. 261–279
3731:"Fredric Jameson:
3718:by Fredric Jameson
3601:on October 2, 2011
3563:"Larger Than Life"
3432:The Jameson Reader
3258:Kellner, Douglas,
3097:on August 19, 2024
2796:"Fredrick Jameson"
2746:The Jameson Reader
2675:Bellano, Anthony.
2611:"Frederic Jameson"
2534:The New York Times
2497:. December 4, 2011
2316:"Jameson, Fredric"
2298:, pp. 93–115.
1841:10.1007/BF00158482
1828:Theory and Society
1714:The Benjamin Files
1502:The Jameson Reader
1223:Influence in China
1073:dialectical theory
996:vanishing mediator
907:Jameson’s argument
859:mode of production
803:Marxist philosophy
669:Harvard University
665:literary criticism
652:in philosophy and
650:logical positivism
582:In 1985 he joined
546:Harvard University
379:, philosopher and
358:Vanishing mediator
182:Harvard University
146:Western philosophy
76:September 22, 2024
5577:Postmodern theory
5547:Marxist theorists
5507:Anti-consumerists
5477:American Marxists
5434:
5433:
5063:Wise, Christopher
4892:Sprinker, Michael
4755:Critical Exchange
4739:The Other Journal
4709:LaCapra, Dominick
4629:978-1-47-802663-1
4598:, Cambridge, MA:
4464:(May–June 1985).
4388:978-0-429-32115-3
4287:, pp. 95–122
4167:978-0-19-953291-9
4038:978-1-84467-535-7
3982:978-1-84467-535-7
3797:The Rest is Noise
3688:on August 3, 2023
3360:Fredric Jameson,
3260:"Fredric Jameson"
3090:Harper's Magazine
3039:Fredric Jameson,
2983:978-0-691-01311-4
2716:"Honor Societies"
2461:"Fredric Jameson"
1993:Marxist theorists
1895:Frank Lentricchia
1771:Selected articles
1485:Brecht and Method
1245:Peking University
1050:Monash University
830:cultural analysis
783:immanent critique
769:" was completely
487:Haverford College
370:
369:
349:National allegory
345:Cognitive mapping
241:Doctoral students
96:Haverford College
5624:
5393:Cynical Theories
5361:Dead White Males
5200:Remodernist film
5129:
5122:
5115:
5106:
5105:
5100:
5073:
5049:
5018:
5002:(1–2): 177–200,
4985:
4981:, Evanston, IL:
4968:
4956:
4934:
4918:
4901:
4887:
4865:
4835:
4834:on June 12, 2024
4833:
4827:, archived from
4808:
4795:
4762:
4752:
4716:
4704:
4678:Kunkel, Benjamin
4632:
4611:
4602:
4587:
4564:
4531:
4516:
4484:
4475:
4457:
4437:
4422:
4412:10.2307/20719903
4391:
4361:
4343:
4319:
4303:
4288:
4263:
4251:
4229:
4203:
4185:
4170:
4140:
4139:
4128:
4095:
4094:
4089:. Archived from
4073:
4067:
4066:
4042:
4015:
4009:
3998:
3987:
3986:
3966:
3953:
3952:
3918:
3912:
3911:
3909:
3907:
3891:
3885:
3884:
3882:
3880:
3869:
3863:
3862:
3854:
3845:
3844:
3843:. April 6, 2013.
3837:
3826:
3825:
3814:
3808:
3807:
3805:
3803:
3788:
3782:
3781:
3780:on June 28, 2022
3776:, archived from
3763:
3757:
3756:
3726:
3720:
3711:
3705:
3696:
3690:
3689:
3684:, archived from
3673:
3667:
3661:
3655:
3649:
3643:
3637:
3631:
3625:
3619:
3613:
3604:
3602:
3597:, archived from
3581:
3575:
3574:
3569:, archived from
3555:
3549:
3543:
3537:
3536:
3527:
3521:
3515:
3506:
3500:
3494:
3471:
3461:
3455:
3449:
3443:
3429:
3400:
3399:on June 19, 2024
3398:
3381:
3371:
3365:
3358:
3352:
3351:
3349:
3342:
3333:
3327:
3326:
3303:
3297:
3288:
3279:
3278:
3277:
3275:
3266:, archived from
3255:
3244:
3243:
3242:on June 19, 2024
3241:
3228:
3219:
3213:
3212:
3207:. Archived from
3194:
3185:
3175:
3169:
3168:
3137:
3131:
3130:
3125:. Archived from
3112:
3099:
3098:
3077:
3060:
3054:
3048:
3037:
3031:
3028:
3022:
3015:
3009:
3008:
3001:
2995:
2994:
2992:
2990:
2973:Marxism and Form
2967:
2961:
2960:
2958:
2956:
2951:on March 8, 2012
2947:. Archived from
2936:
2930:
2923:
2917:
2911:
2905:
2904:, p. 29–30.
2899:
2893:
2892:
2891:
2889:
2880:, archived from
2868:
2862:
2861:
2860:
2858:
2849:, archived from
2837:
2831:
2825:
2819:
2813:
2807:
2806:
2804:
2802:
2791:
2785:
2784:
2782:
2780:
2760:
2754:
2753:
2734:
2728:
2727:
2712:
2706:
2705:
2690:
2684:
2673:
2667:
2666:
2647:
2641:
2640:
2625:
2619:
2618:
2606:
2597:
2596:
2584:
2573:
2567:
2561:
2560:
2558:
2556:
2550:
2545:. Archived from
2524:
2507:
2506:
2504:
2502:
2487:
2476:
2475:
2473:
2471:
2457:
2451:
2450:
2423:
2417:
2416:
2404:
2393:
2392:
2382:, p. xiii,
2369:
2360:
2359:
2354:, archived from
2341:
2335:
2334:
2333:
2331:
2312:
2299:
2293:
2272:
2267:A collection of
2265:
2259:
2251:
2245:
2232:
2226:
2223:
2217:
2214:
2203:
2194:
2188:
2181:
2175:
2098:
2092:
2084:
2078:
2059:
2053:
2050:
1988:Literary realism
1951:
1943:
1934:
1926:(5): 1532–1547,
1912:
1899:Stanley Hauerwas
1888:
1886:
1880:, archived from
1861:
1851:
1821:
1791:
1659:
1644:
1629:
1614:
1599:
1583:
1551:
1543:(semi-anthology)
1535:
1519:
1497:
1488:
1480:
1472:
1464:
1454:
1446:
1422:
1413:
1403:
1392:
1379:
1370:
1362:
1354:
1346:
1174:
929:culture industry
838:cultural studies
834:Raymond Williams
763:Orthodox Marxist
724:Frankfurt School
716:Cuban Revolution
701:Western Marxists
693:Second World War
628:Jean-Paul Sartre
414:. In 2012, the
305:cultural studies
291:
280:
230:Doctoral advisor
79:
56:
54:
35:
21:
20:
5632:
5631:
5627:
5626:
5625:
5623:
5622:
5621:
5557:Ohio socialists
5437:
5436:
5435:
5430:
5399:
5332:
5214:
5138:
5133:
5103:
5054:, in H. White,
4900:, Londyn: Verso
4831:
4806:
4800:Sheehan, Helena
4779:(56): 171–192,
4750:
4630:
4583:New Left Review
4574:Eagleton, Terry
4536:Eagleton, Terry
4471:New Left Review
4400:Utopian Studies
4389:
4357:New Left Review
4293:Anderson, Perry
4271:
4269:Further reading
4266:
4260:Fredric Jameson
4249:
4227:
4201:
4168:
4148:
4143:
4136:www.lib.uci.edu
4130:
4129:
4098:
4074:
4070:
4058:New Left Review
4039:
4016:
4012:
3999:
3990:
3983:
3967:
3956:
3919:
3915:
3905:
3903:
3893:
3892:
3888:
3878:
3876:
3871:
3870:
3866:
3855:
3848:
3839:
3838:
3829:
3816:
3815:
3811:
3801:
3799:
3789:
3785:
3764:
3760:
3727:
3723:
3712:
3708:
3697:
3693:
3674:
3670:
3662:
3658:
3650:
3646:
3638:
3634:
3626:
3622:
3614:
3607:
3582:
3578:
3556:
3552:
3544:
3540:
3528:
3524:
3516:, reprinted in
3507:
3503:
3469:
3462:
3458:
3450:
3446:
3430:, reprinted in
3427:
3396:
3385:New Left Review
3379:
3372:
3368:
3359:
3355:
3347:
3340:
3334:
3330:
3323:
3304:
3300:
3289:
3282:
3273:
3271:
3256:
3247:
3239:
3232:New Left Review
3226:
3220:
3216:
3195:
3188:
3176:
3172:
3157:
3139:
3138:
3134:
3113:
3102:
3078:
3063:
3055:
3051:
3038:
3034:
3029:
3025:
3016:
3012:
3003:
3002:
2998:
2988:
2986:
2984:
2968:
2964:
2954:
2952:
2937:
2933:
2924:
2920:
2912:
2908:
2900:
2896:
2887:
2885:
2870:
2869:
2865:
2856:
2854:
2847:Duke University
2842:Fredric Jameson
2839:
2838:
2834:
2826:
2822:
2814:
2810:
2800:
2798:
2792:
2788:
2778:
2776:
2762:
2761:
2757:
2735:
2731:
2714:
2713:
2709:
2692:
2691:
2687:
2674:
2670:
2648:
2644:
2633:Barnard Alumnae
2627:
2626:
2622:
2608:
2607:
2600:
2586:
2585:
2576:
2568:
2564:
2554:
2552:
2525:
2510:
2500:
2498:
2489:
2488:
2479:
2469:
2467:
2459:
2458:
2454:
2439:
2425:
2424:
2420:
2405:
2396:
2390:
2370:
2363:
2342:
2338:
2329:
2327:
2314:
2313:
2302:
2294:
2290:
2286:
2281:
2276:
2275:
2266:
2262:
2252:
2248:
2233:
2229:
2224:
2220:
2195:
2191:
2182:
2178:
2099:
2095:
2085:
2081:
2063:Mikhail Bakhtin
2060:
2056:
2051:
2047:
2042:
2037:
1998:Literary theory
1983:Late capitalism
1958:
1947:New Left Review
1941:
1937:
1908:New Left Review
1904:
1884:
1859:
1798:College English
1773:
1654:
1639:
1624:
1609:
1594:
1578:
1546:
1530:
1514:
1492:
1489:Reissued: 2011.
1483:
1475:
1467:
1457:
1449:
1441:
1417:
1408:
1374:
1365:
1357:
1349:
1341:
1338:
1333:
1276:
1241:literary theory
1237:critical theory
1225:
1213:Herbert Marcuse
1209:Walter Benjamin
1197:
1165:
1141:
1136:
1124:
1046:science fiction
1016:
988:popular culture
937:
909:
900:New Left Review
891:Late capitalism
882:
877:
871:
815:Jonathan Culler
791:
775:economic "base"
752:Louis Althusser
748:Herbert Marcuse
744:Walter Benjamin
720:critical theory
677:
600:
584:Duke University
569:Yale University
557:Herbert Marcuse
542:
526:Yale University
510:Aix-en-Provence
481:in French with
477:He completed a
456:Barnard College
424:
412:Duke University
377:literary critic
362:
335:
310:science fiction
283:
272:
267:
247:
211:
206:Duke University
194:Yale University
170:
161:Western Marxism
105:Yale University
103:
92:Alma mater
87:
81:
77:
68:
58:
52:
50:
49:
48:
38:
37:Jameson in 2004
26:
25:Fredric Jameson
17:
12:
11:
5:
5630:
5620:
5619:
5614:
5609:
5604:
5599:
5594:
5589:
5584:
5579:
5574:
5569:
5564:
5559:
5554:
5549:
5544:
5539:
5534:
5529:
5524:
5519:
5514:
5509:
5504:
5499:
5494:
5489:
5484:
5479:
5474:
5469:
5464:
5459:
5454:
5449:
5432:
5431:
5429:
5428:
5423:
5418:
5413:
5407:
5405:
5401:
5400:
5398:
5397:
5389:
5381:
5373:
5365:
5357:
5349:
5340:
5338:
5334:
5333:
5331:
5330:
5325:
5320:
5315:
5310:
5305:
5300:
5295:
5290:
5285:
5280:
5275:
5270:
5265:
5260:
5255:
5250:
5245:
5240:
5235:
5230:
5224:
5222:
5216:
5215:
5213:
5212:
5210:Transmodernism
5207:
5202:
5197:
5192:
5187:
5182:
5177:
5172:
5167:
5162:
5160:Hypermodernity
5157:
5152:
5146:
5144:
5140:
5139:
5132:
5131:
5124:
5117:
5109:
5102:
5101:
5092:(2): 295–313,
5074:
5059:
5050:(reprinted as
5039:10.2307/464939
5019:
5008:10.2307/303025
4986:
4969:
4957:
4954:10.1086/726475
4948:(4): 720–744,
4935:
4919:
4902:
4888:
4879:(2): 155–171,
4866:
4849:(2): 207–221,
4836:
4796:
4785:10.2307/488333
4767:Osborne, Peter
4763:
4743:
4734:
4731:Gothic Studies
4717:
4705:
4685:
4675:
4668:
4661:
4654:
4647:
4640:
4633:
4628:
4612:
4603:
4588:
4570:
4554:10.2307/464940
4532:
4527:, Ithaca, NY:
4517:
4485:
4476:
4458:
4449:(2): 177-204,
4438:
4433:, Durham, NC:
4427:Burnham, Clint
4423:
4406:(2): 285–312,
4392:
4387:
4362:
4344:
4320:
4308:Arac, Jonathan
4304:
4289:
4272:
4270:
4267:
4265:
4264:
4252:
4247:
4230:
4225:
4204:
4199:
4186:
4171:
4166:
4149:
4147:
4144:
4142:
4141:
4096:
4068:
4037:
4010:
3988:
3981:
3954:
3941:10.2307/466367
3913:
3886:
3864:
3846:
3827:
3809:
3783:
3758:
3721:
3706:
3691:
3668:
3656:
3644:
3642:copyright page
3632:
3620:
3605:
3576:
3550:
3538:
3522:
3501:
3484:10.2307/487630
3456:
3444:
3425:
3415:, Urbana, IL:
3366:
3353:
3343:. p. 69.
3328:
3321:
3309:, ed. (1998).
3298:
3280:
3245:
3214:
3186:
3177:Felluga, Dino.
3170:
3155:
3132:
3100:
3061:
3059:, p. 325.
3049:
3043:, Ithaca, NY:
3032:
3023:
3010:
2996:
2982:
2962:
2931:
2918:
2916:, p. 120.
2906:
2894:
2863:
2832:
2830:, p. 120.
2820:
2808:
2786:
2755:
2738:Hardt, Michael
2729:
2707:
2685:
2668:
2642:
2620:
2598:
2574:
2562:
2508:
2495:Today.duke.edu
2477:
2452:
2437:
2418:
2394:
2388:
2380:John Benjamins
2361:
2336:
2300:
2287:
2285:
2282:
2280:
2277:
2274:
2273:
2260:
2246:
2227:
2218:
2189:
2176:
2174:
2173:
2162:
2151:
2140:
2129:
2118:
2107:
2093:
2079:
2075:Julia Kristeva
2069:in their work
2054:
2044:
2043:
2041:
2038:
2036:
2035:
2030:
2025:
2020:
2015:
2010:
2005:
2000:
1995:
1990:
1985:
1980:
1975:
1970:
1965:
1959:
1957:
1954:
1953:
1952:
1935:
1913:
1902:
1889:(reprinted in
1872:(2): 297–304,
1852:
1835:(1): 119–133,
1822:
1811:10.2307/375277
1805:(2): 180–197,
1792:
1772:
1769:
1768:
1767:
1754:
1741:
1724:
1711:
1698:
1685:
1669:(with others)
1667:
1652:
1637:
1622:
1607:
1592:
1576:
1559:
1544:
1528:
1525:978-1781680223
1512:
1510:978-0631202707
1499:
1490:
1481:
1473:
1465:
1455:
1447:
1439:
1428:Terry Eagleton
1424:
1415:
1406:
1380:
1372:
1363:
1355:
1347:
1337:
1334:
1332:
1329:
1275:
1272:
1231:)—a period in
1224:
1221:
1196:
1193:
1164:
1161:
1140:
1137:
1135:
1132:
1123:
1120:
1085:Gilles Deleuze
1040:is a study of
1015:
1012:
980:Kevin A. Lynch
936:
933:
908:
905:
881:
878:
873:Main article:
870:
867:
817:has observed,
795:literary texts
790:
787:
767:superstructure
740:Theodor Adorno
697:Theodor Adorno
689:social science
683:. Even though
676:
673:
635:existentialist
620:social history
599:
596:
565:Philip K. Dick
541:
540:Career summary
538:
530:Erich Auerbach
512:, Munich, and
491:Phi Beta Kappa
483:highest honors
450:1904–1966), a
423:
422:Life and works
420:
368:
367:
364:
363:
361:
360:
355:
350:
347:
342:
338:
336:
333:
330:
329:
328:
327:
322:
317:
312:
307:
302:
297:
292:
281:
268:
266:Main interests
265:
262:
261:
256:
252:
251:
242:
238:
237:
235:Erich Auerbach
232:
226:
225:
219:
213:
212:
210:
209:
203:
197:
191:
185:
178:
176:
172:
171:
169:
168:
163:
157:
155:
149:
148:
143:
139:
138:
133:
129:
128:
125:
124:
121:
117:
116:
113:
109:
108:
93:
89:
88:
82:
80:(aged 90)
74:
70:
69:
59:
57:April 14, 1934
46:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
5629:
5618:
5615:
5613:
5610:
5608:
5605:
5603:
5600:
5598:
5595:
5593:
5590:
5588:
5585:
5583:
5580:
5578:
5575:
5573:
5570:
5568:
5565:
5563:
5560:
5558:
5555:
5553:
5550:
5548:
5545:
5543:
5540:
5538:
5535:
5533:
5530:
5528:
5525:
5523:
5520:
5518:
5515:
5513:
5510:
5508:
5505:
5503:
5500:
5498:
5495:
5493:
5490:
5488:
5485:
5483:
5480:
5478:
5475:
5473:
5470:
5468:
5465:
5463:
5460:
5458:
5455:
5453:
5450:
5448:
5445:
5444:
5442:
5427:
5424:
5422:
5419:
5417:
5414:
5412:
5409:
5408:
5406:
5402:
5395:
5394:
5390:
5387:
5386:
5382:
5379:
5378:
5374:
5371:
5370:
5366:
5363:
5362:
5358:
5355:
5354:
5350:
5347:
5346:
5342:
5341:
5339:
5335:
5329:
5326:
5324:
5321:
5319:
5316:
5314:
5311:
5309:
5306:
5304:
5301:
5299:
5296:
5294:
5291:
5289:
5286:
5284:
5281:
5279:
5276:
5274:
5271:
5269:
5266:
5264:
5261:
5259:
5256:
5254:
5251:
5249:
5246:
5244:
5241:
5239:
5236:
5234:
5231:
5229:
5226:
5225:
5223:
5221:
5217:
5211:
5208:
5206:
5203:
5201:
5198:
5196:
5193:
5191:
5188:
5186:
5183:
5181:
5180:New sincerity
5178:
5176:
5173:
5171:
5168:
5166:
5165:Metamodernism
5163:
5161:
5158:
5156:
5155:Anti-anti-art
5153:
5151:
5148:
5147:
5145:
5141:
5137:
5130:
5125:
5123:
5118:
5116:
5111:
5110:
5107:
5099:
5095:
5091:
5087:
5083:
5079:
5078:Žižek, Slavoj
5075:
5072:
5068:
5064:
5060:
5057:
5053:
5048:
5044:
5040:
5036:
5032:
5028:
5024:
5023:White, Hayden
5020:
5017:
5013:
5009:
5005:
5001:
4997:
4996:
4991:
4987:
4984:
4980:
4979:
4974:
4970:
4966:
4962:
4961:Weber, Samuel
4958:
4955:
4951:
4947:
4943:
4942:
4936:
4932:
4928:
4924:
4923:Tally, Robert
4920:
4917:
4913:
4912:
4907:
4906:Tally, Robert
4903:
4899:
4898:
4893:
4889:
4886:
4882:
4878:
4874:
4873:
4867:
4864:
4860:
4856:
4852:
4848:
4844:
4843:
4837:
4830:
4826:
4822:
4818:
4814:
4813:
4805:
4801:
4797:
4794:
4790:
4786:
4782:
4778:
4774:
4773:
4768:
4764:
4760:
4756:
4749:
4744:
4741:
4740:
4735:
4732:
4728:
4724:
4723:
4722:Postmodernism
4718:
4714:
4710:
4706:
4703:
4699:
4695:
4691:
4686:
4683:
4679:
4676:
4673:
4669:
4666:
4662:
4659:
4655:
4652:
4648:
4645:
4642:Homer, Sean.
4641:
4638:
4634:
4631:
4625:
4621:
4617:
4613:
4609:
4604:
4601:
4597:
4593:
4589:
4585:
4584:
4579:
4575:
4571:
4568:
4563:
4559:
4555:
4551:
4547:
4543:
4542:
4537:
4533:
4530:
4526:
4522:
4518:
4515:
4511:
4507:
4503:
4499:
4495:
4491:
4486:
4482:
4477:
4473:
4472:
4467:
4463:
4459:
4456:
4452:
4448:
4444:
4439:
4436:
4432:
4428:
4424:
4421:
4417:
4413:
4409:
4405:
4401:
4397:
4393:
4390:
4384:
4380:
4376:
4372:
4368:
4363:
4359:
4358:
4353:
4349:
4345:
4342:
4338:
4334:
4330:
4326:
4321:
4317:
4313:
4309:
4305:
4302:
4298:
4294:
4290:
4286:
4282:
4278:
4274:
4273:
4261:
4257:
4256:Roberts, Adam
4253:
4250:
4248:0-8264-9001-8
4244:
4240:
4236:
4231:
4228:
4226:0-8014-2902-1
4222:
4218:
4214:
4210:
4205:
4202:
4200:9780415778176
4196:
4192:
4187:
4184:
4180:
4176:
4175:Buchanan, Ian
4172:
4169:
4163:
4159:
4155:
4154:Buchanan, Ian
4151:
4150:
4137:
4133:
4127:
4125:
4123:
4121:
4119:
4117:
4115:
4113:
4111:
4109:
4107:
4105:
4103:
4101:
4092:
4088:
4087:
4082:
4078:
4077:Tally, Robert
4072:
4064:
4060:
4059:
4054:
4050:
4045:
4040:
4034:
4030:
4029:
4024:
4023:Wang, Chaohua
4020:
4014:
4007:
4003:
3997:
3995:
3993:
3984:
3978:
3974:
3973:
3965:
3963:
3961:
3959:
3950:
3946:
3942:
3938:
3934:
3930:
3926:
3925:
3917:
3902:
3901:
3896:
3890:
3874:
3868:
3860:
3853:
3851:
3842:
3836:
3834:
3832:
3823:
3819:
3813:
3802:September 22,
3798:
3794:
3787:
3779:
3775:
3774:
3769:
3762:
3754:
3750:
3746:
3742:
3741:
3736:
3734:
3725:
3719:
3717:
3710:
3704:
3700:
3695:
3687:
3683:
3679:
3672:
3665:
3660:
3653:
3648:
3641:
3636:
3629:
3624:
3617:
3616:Postmodernism
3612:
3610:
3600:
3596:
3595:Holberg Prize
3592:
3591:
3586:
3580:
3572:
3568:
3564:
3560:
3559:Žižek, Slavoj
3554:
3548:, p. 12.
3547:
3546:Buchanan 2010
3542:
3534:
3526:
3519:
3513:
3505:
3498:
3493:
3489:
3485:
3481:
3477:
3476:
3468:
3460:
3454:, p. 91.
3453:
3452:Buchanan 2010
3448:
3441:
3437:
3436:Michael Hardt
3433:
3428:
3426:9780252011085
3422:
3418:
3414:
3410:
3406:
3395:
3391:
3387:
3386:
3378:
3370:
3363:
3357:
3346:
3339:
3332:
3324:
3322:9781874166658
3318:
3314:
3313:
3308:
3302:
3295:
3292:
3287:
3285:
3274:September 29,
3269:
3265:
3261:
3254:
3252:
3250:
3238:
3234:
3233:
3225:
3218:
3210:
3206:
3205:
3200:
3193:
3191:
3183:
3180:
3174:
3166:
3162:
3158:
3152:
3148:
3144:
3143:
3136:
3128:
3124:
3123:
3118:
3111:
3109:
3107:
3105:
3096:
3092:
3091:
3086:
3082:
3076:
3074:
3072:
3070:
3068:
3066:
3058:
3053:
3047:, 1981, p. 10
3046:
3042:
3036:
3027:
3020:
3014:
3006:
3000:
2985:
2979:
2975:
2974:
2966:
2950:
2946:
2942:
2939:Homer, Sean.
2935:
2928:
2922:
2915:
2914:Buchanan 2006
2910:
2903:
2902:Buchanan 2006
2898:
2888:September 25,
2883:
2879:
2878:
2873:
2867:
2857:September 24,
2852:
2848:
2844:
2843:
2836:
2829:
2824:
2817:
2812:
2797:
2790:
2779:September 24,
2775:
2771:
2767:
2766:
2759:
2751:
2747:
2743:
2739:
2733:
2726:(4): 67, 1954
2725:
2721:
2717:
2711:
2704:(4): 73, 1955
2703:
2699:
2695:
2689:
2682:
2680:
2672:
2664:
2660:
2659:
2654:
2646:
2639:(1): 22, 1969
2638:
2634:
2630:
2624:
2616:
2612:
2605:
2603:
2594:
2590:
2583:
2581:
2579:
2571:
2566:
2555:September 23,
2549:
2544:
2540:
2536:
2535:
2530:
2523:
2521:
2519:
2517:
2515:
2513:
2496:
2492:
2486:
2484:
2482:
2466:
2462:
2456:
2448:
2444:
2440:
2438:81-903403-2-8
2434:
2430:
2429:
2422:
2414:
2410:
2403:
2401:
2399:
2391:
2389:90-272-1711-4
2385:
2381:
2378:, Amsterdam:
2377:
2376:
2368:
2366:
2357:
2353:
2352:
2347:
2340:
2330:September 24,
2325:
2321:
2317:
2311:
2309:
2307:
2305:
2297:
2292:
2288:
2270:
2264:
2258:
2257:
2250:
2243:
2237:
2231:
2222:
2215:
2213:
2207:
2199:
2193:
2186:
2180:
2171:
2167:
2163:
2160:
2156:
2155:Postmodernism
2152:
2149:
2145:
2141:
2138:
2134:
2130:
2127:
2123:
2119:
2116:
2112:
2108:
2105:
2101:
2100:
2097:
2090:
2083:
2076:
2072:
2068:
2064:
2058:
2049:
2045:
2034:
2031:
2029:
2026:
2024:
2023:Postmodernism
2021:
2019:
2016:
2014:
2011:
2009:
2006:
2004:
2001:
1999:
1996:
1994:
1991:
1989:
1986:
1984:
1981:
1979:
1976:
1974:
1971:
1969:
1966:
1964:
1961:
1960:
1949:
1948:
1940:
1936:
1933:
1929:
1925:
1921:
1920:
1914:
1910:
1909:
1903:
1900:
1896:
1892:
1883:
1879:
1875:
1871:
1867:
1866:
1858:
1853:
1850:
1846:
1842:
1838:
1834:
1830:
1829:
1823:
1820:
1816:
1812:
1808:
1804:
1800:
1799:
1793:
1790:
1786:
1782:
1781:
1775:
1774:
1766:
1762:
1758:
1755:
1753:
1749:
1745:
1742:
1740:
1736:
1732:
1728:
1725:
1723:
1719:
1715:
1712:
1710:
1706:
1702:
1699:
1697:
1693:
1689:
1686:
1684:
1680:
1676:
1672:
1668:
1666:
1662:
1657:
1653:
1651:
1647:
1642:
1638:
1636:
1632:
1627:
1623:
1621:
1617:
1612:
1608:
1606:
1602:
1597:
1593:
1591:
1587:
1581:
1577:
1575:
1571:
1567:
1563:
1560:
1558:
1554:
1549:
1545:
1542:
1538:
1533:
1529:
1526:
1522:
1517:
1513:
1511:
1507:
1503:
1500:
1495:
1491:
1486:
1482:
1478:
1474:
1470:
1466:
1462:
1461:
1456:
1452:
1448:
1444:
1440:
1437:
1433:
1429:
1425:
1420:
1416:
1411:
1407:
1404:
1402:
1396:
1388:
1384:
1381:
1377:
1373:
1368:
1364:
1360:
1356:
1352:
1348:
1344:
1340:
1339:
1328:
1325:
1324:
1318:
1315:
1314:
1307:
1302:
1300:
1296:
1295:
1288:
1283:
1281:
1271:
1269:
1263:
1261:
1257:
1252:
1250:
1246:
1242:
1238:
1234:
1230:
1220:
1218:
1214:
1210:
1206:
1202:
1192:
1190:
1186:
1182:
1178:
1170:
1160:
1156:
1154:
1150:
1146:
1131:
1129:
1119:
1117:
1113:
1108:
1106:
1105:
1100:
1096:
1095:
1090:
1086:
1082:
1078:
1074:
1069:
1067:
1064:won the 2014
1063:
1059:
1055:
1051:
1047:
1043:
1039:
1035:
1033:
1029:
1025:
1021:
1020:Postmodernism
1011:
1009:
1005:
1001:
997:
993:
992:globalization
989:
985:
981:
976:
972:
970:
964:
962:
958:
954:
950:
946:
942:
932:
930:
926:
922:
917:
915:
904:
902:
901:
894:
892:
887:
886:postmodernism
876:
866:
864:
860:
854:
852:
847:
843:
839:
835:
831:
827:
822:
820:
816:
812:
808:
804:
800:
796:
786:
784:
780:
776:
772:
768:
764:
759:
757:
753:
749:
745:
741:
737:
733:
732:György Lukács
729:
728:Kenneth Burke
725:
721:
717:
713:
709:
704:
702:
698:
694:
690:
686:
682:
672:
670:
666:
662:
659:
655:
651:
647:
642:
640:
636:
631:
629:
625:
621:
617:
613:
609:
605:
595:
593:
588:
585:
580:
578:
574:
570:
566:
563:'s thesis on
562:
558:
554:
549:
547:
537:
535:
531:
527:
523:
522:structuralism
519:
515:
511:
507:
503:
499:
495:
492:
488:
484:
480:
475:
473:
469:
465:
461:
457:
453:
449:
445:
441:
437:
433:
429:
419:
417:
413:
408:
406:
405:
400:
399:
394:
390:
389:postmodernity
386:
382:
378:
374:
365:
359:
356:
354:
351:
348:
346:
343:
340:
339:
337:
334:Notable ideas
331:
326:
323:
321:
318:
316:
313:
311:
308:
306:
303:
301:
300:structuralism
298:
296:
295:postmodernism
293:
290:
286:
282:
279:
275:
271:
270:
269:
263:
260:
259:John Beverley
257:
253:
250:
246:
243:
239:
236:
233:
231:
227:
223:
220:
218:
214:
207:
204:
201:
200:UC Santa Cruz
198:
195:
192:
189:
186:
183:
180:
179:
177:
173:
167:
164:
162:
159:
158:
156:
154:
150:
147:
144:
140:
137:
134:
130:
126:
122:
118:
114:
110:
106:
101:
97:
94:
90:
85:
75:
71:
66:
62:
45:
41:
34:
29:
22:
19:
5426:Sokal affair
5421:Science wars
5391:
5383:
5375:
5367:
5359:
5351:
5343:
5328:Windschuttle
5292:
5175:Neomodernism
5089:
5085:
5069:, New York:
5066:
5055:
5051:
5030:
5026:
4999:
4993:
4990:West, Cornel
4977:
4964:
4945:
4939:
4929:, New York:
4926:
4910:
4896:
4876:
4870:
4846:
4840:
4829:the original
4819:(1): 75–87,
4816:
4810:
4776:
4770:
4758:
4754:
4737:
4730:
4726:
4720:
4712:
4689:
4681:
4671:
4664:
4657:
4650:
4643:
4636:
4619:
4607:
4595:
4581:
4566:
4548:(3): 14–22,
4545:
4539:
4524:
4497:
4493:
4480:
4469:
4446:
4442:
4430:
4403:
4399:
4396:Boer, Roland
4366:
4355:
4335:(1): 79–94,
4332:
4328:
4314:, New York:
4311:
4296:
4280:
4277:Ahmad, Aijaz
4259:
4234:
4208:
4190:
4178:
4157:
4146:Bibliography
4135:
4091:the original
4084:
4071:
4062:
4056:
4027:
4013:
4001:
3971:
3928:
3922:
3916:
3904:. Retrieved
3898:
3889:
3877:. Retrieved
3867:
3821:
3812:
3800:. Retrieved
3796:
3786:
3778:the original
3771:
3761:
3744:
3738:
3732:
3724:
3715:
3709:
3694:
3686:the original
3681:
3671:
3663:
3659:
3651:
3647:
3639:
3635:
3627:
3623:
3615:
3599:the original
3589:
3585:Danius, Sara
3579:
3571:the original
3566:
3553:
3541:
3532:
3525:
3517:
3511:
3504:
3496:
3478:(1): 52–89,
3473:
3459:
3447:
3431:
3412:
3405:Nelson, Cary
3394:the original
3389:
3383:
3369:
3361:
3356:
3331:
3311:
3301:
3293:
3272:, retrieved
3268:the original
3263:
3237:the original
3230:
3217:
3209:the original
3202:
3181:
3173:
3141:
3135:
3127:the original
3120:
3095:the original
3088:
3052:
3040:
3035:
3026:
3018:
3013:
2999:
2987:. Retrieved
2972:
2965:
2953:. Retrieved
2949:the original
2944:
2934:
2926:
2921:
2909:
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4500:(1): 1–10,
4462:Davis, Mike
4006:Arif Dirlik
3935:: 129–156.
3924:Social Text
3747:: 129–135.
3440:Kathi Weeks
3307:Sim, Stuart
3081:Greif, Mark
3057:Leitch 2010
2989:October 23,
2955:February 9,
2828:Powell 2006
2752:, p. 5
1973:Mark Fisher
1527:(anthology)
1432:Edward Said
1423:(anthology)
1414:(anthology)
1217:Ernst Bloch
1104:Das Kapital
1028:Sara Danius
949:historicity
836:'s work in
781:concept of
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654:linguistics
598:Early works
573:Paul de Man
502:Wayne Booth
498:junior year
438:1890–?), a
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4742:22 (2013).
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4592:Frow, John
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2748:, Oxford:
2501:October 2,
2279:References
2202:后现代主义与文化理论
2185:Zhang Yiwu
1780:Salmagundi
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1014:Later work
1008:antagonism
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880:Background
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3906:August 4,
3879:August 4,
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3165:948832273
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1963:Dialectic
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