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the progressive aesthetical approach of his early years has been transformed and secretly kept in a politically more accessible, yet maintaining a highly socio-critical music language. His melodic and instrumental invention was sharp, deeply rooted in
Russian folk music. Even pieces adapted from propagandist movies, such as his Symphony No. 2, recorded by
96:
Following his own censorship episode and the anonymous denouncing of
Shostakovich in 1936, Popov began writing in a more conservative idiom in order to avoid further charges of formalism. Despite his alcoholism, Popov produced many works for orchestra, including six completed symphonies. Many of his
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heroes as prescribed by state authority. Examples include his
Symphony No. 4 subtitled "Honor of the Motherland," and a poem-cantata titled "Honor to our Party." In spite of this, the few works which have been recorded bear witness to an almost intact creative strength. Recent research claims that
89:, a terrible stigma at the time. Together with Shostakovich, Popov successfully appealed the ban in Moscow, but nevertheless the symphony was not performed again until 1972. The influence of Popov's first symphony on Shostakovich's
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for large string orchestra, are equally outstanding. Symphony No. 6 "Festive" betrays a kind of convulsive and disturbing vigor. Popov also wrote several film scores. He was awarded the
194:
577:; Symphonic Aria for Cello and Orchestra, Op. 43 – Dmitry Khrychov/St. Petersburg State Academic Symphony Orchestra/Alexander Titov (Northern Flowers NFPMA9972)
598:; Chamber Symphony for Seven Instruments, Op. 2 – USSR Radio Symphony Orchestra/Edvard Chivzhel; Moscow Chamber Ensemble/Alexander Korneyev (Olympia OCD 588)
548:
540:
Chamber
Symphony (Septet); Symphony No. 1, Op. 7 – St. Petersburg State Academic Symphony Orchestra/Alexander Titov (Northern Flowers NFPMA9996)
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LP), can be profoundly stirring. His sense of the orchestra, brilliant and buoyant, his grasp of large formal patterns, as found in the huge
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591:– Moscow Radio and TV Symphony Orchestra/Edvard Chivzhel; USSR State Symphony Orchestra/Gurgen Karapetian (Olympia OCD 598)
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537:– Moscow State Symphony Orchestra, USSR Radio and TV Symphony Orchestra/Gennady Provotarov (Olympia OCD 588)
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570:– St. Petersburg State Academic Symphony Orchestra/Alexander Titov (Northern Flowers NFPMA9977)
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compositions, written under the strictures of the Soviet system, are paeans to Soviet life and
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81:(Op. 7) are impressively powerful and forward-looking. The symphony had its premiere by the
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77:(Op. 2, 1927) for flute, trumpet, clarinet, bassoon, violin, cello and bass, and his
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656:"Avantgardist im Verborgenen. Zum 50. Todesjahr von Gawriil Nikolajewitsch Popow"
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66:. He was considered to have the raw talent of his slightly younger contemporary
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342:"Glory to the Fatherland" for vocal quartet and mixed chorus, Op. 47 (1949)
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in 1935 and was immediately banned by a local censor; Popov was accused of
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Quintet for Flute, Clarinet, Trumpet, Cello and Double bass (1958)
530:) – London Symphony Orchestra/Leon Botstein (Telarc SACD 60642)
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351:
Heroic Poem for Lenin, cantata after
Konashkov Op. 58 (1950)
255:
String
Quartet in C Major, Op . 61 ”Quartet-Symphony” (1951)
333:
Our
Homeland, suite for children's chorus Op. 50 (1948)
625:"Music; Found: Shostakovich's Long-Lost Twin Brother"
200:
Symphonic Aria for Cello and
Orchestra, Op. 43 (1946)
366:
The
Communist, Someone Like You and Me, after Rustam
566:; The Turning Point, Op. 44; Symphonic Poster from
176:Concert-Poem for Violin and Strings, Op. 17 (1937)
682:"David Fanning Surveys the Soviet Symphony on CD"
391:Three Vocalises for Voice and Piano, Op. 3 (1927)
348:O You Fields, for Voice and Female Chorus, Op. 56
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394:Two Lyrical Settings from Pushkin, Op. 22 (1938)
580:Symphonic Suite No. 1 (from music to the film
533:Symphony No. 1, Op. 7; Symphony No. 2, Op. 39
38:; 12 September 1904 – 17 February 1972) was a
758:
240:Concertino for Violin and Piano, Op. 4 (1927)
345:Everything that is Beautiful in Life, Op. 54
381:Five Choruses after Pushkin, Op. 101 (1970)
179:Violin Concerto (started 1937 – unfinished)
765:
751:
582:"Komsomol is the Chief of Electrification"
397:Two Romances after Levashov, Op. 48 (1948)
252:Melody for Violin and Piano, Op. 35 (1946)
224:Symphony No. 7 (started 1970 – unfinished)
653:
204:Symphony No. 3 "Heroic", a.k.a. "Spanish"
243:Song for Violin and Piano, Op. 6A (1927)
215:Symphony No. 6 "Festival", Op. 99 (1969)
212:Symphony No. 5 "Pastoral", Op. 77 (1956)
18:
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1199:
746:
551:) – Leipzig Radio Symphony Orchestra/
369:The Birch and the Pine, Op. 92 (1960)
182:Symphonic Divertimento, Op. 23 (1938)
1227:Saint Petersburg Conservatory alumni
618:
616:
614:
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372:Five Cossack Choruses, Op. 93 (1961)
363:Honour to the Party, after Mashistov
283:Two Children's Pieces, Op. 46 (1946)
125:
772:
622:
280:Two Mazurka-Caprices, Op. 44 (1944)
185:Piano Concerto, Op. 24 (unfinished)
73:His early works, in particular the
13:
354:Peace to the People, after Filatov
45:
14:
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704:
609:
1180:
1171:
1170:
654:Polzhofer, Kai Johannes (2022).
357:Tsimlyanskoye Sea, Op. 64 (1951)
292:Three Lyric Poems, Op. 80 (1957)
228:
191:Heroic Intermezzo, Op. 25 (1941)
129:
1242:Soviet male classical composers
623:Fay, Laurel E. (6 April 2003).
121:
1044:Modes of limited transposition
670:
647:
404:
330:To the Victory, cantata (1944)
56:Leonid Vladimirovich Nikolayev
23:Gavriil Popov composing (1941)
1:
602:
516:
360:Three Choruses, Op. 66 (1952)
289:Two Fairytales, Op. 51 (1948)
221:Overture for Orchestra (1970)
209:Cello Concerto, Op. 71 (1953)
188:Hispania Suite, Op. 28 (1940)
161:
734:"Gavriel Nikolayevich Popov"
730:"Gavriil Nikolayevich Popov"
524:Theme and Variations, Op. 3
522:Symphony No. 1, Op. 7 (with
167:Symphonic Suite No. 1 (1933)
75:Septet (or Chamber Symphony)
7:
1237:Soviet film score composers
1094:Quartal and quintal harmony
783:List of modernist composers
317:(started 1941 – unfinished)
195:Symphony No. 2 "Motherland"
36:Гаврии́л Никола́евич Попо́в
16:Soviet composer (1904–1972)
10:
1258:
1232:Soviet classical composers
489:Chronicle of Flaming Years
444:She Defends the Motherland
375:The Eagle's Family, Op. 94
336:Comic Cossack Song, Op. 52
249:Serenade for Brass, Op. 26
54:from 1922 until 1930 with
28:Gavriil Nikolayevich Popov
1222:People from Novocherkassk
1217:Male film score composers
1158:
1137:
1007:
967:
796:
789:
780:
410:The New Motherland (1932)
321:
277:Grand Suite, Op. 6 (1928)
235:Chamber Symphony (Septet)
35:
385:
327:The Red Cavalry Campaign
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268:Two Pieces, Op. 1 (1925)
262:
594:Symphony No. 6, Op. 99
587:Symphony No. 5, Op. 77
573:Symphony No. 3, Op. 45
562:Symphony No. 2, Op. 39
543:Symphony No. 2, Op. 39
504:The Tale of Tsar Saltan
1145:Second Viennese School
1138:Schools of composition
686:musicweb-international
568:"Red Cavalry Campaign"
461:The Great Force (1951)
437:The First Horse (1941)
83:Leningrad Philharmonic
52:Leningrad Conservatory
24:
1129:Twelve-tone technique
413:Island of Doom (1933)
400:Moskva, Op. 49 (1948)
218:Organ Concerto (1970)
60:Vladimir Shcherbachov
50:Popov studied at the
22:
440:Once at Night (1941)
143:adding missing items
64:Maximilian Steinberg
635:on 1 September 2023
528:Dmitri Shostakovich
510:The Enchanted Desna
479:Baltic Glory (1957)
464:Zvanyy Uzhin (1953)
428:Call to Arms (1936)
246:Octet, Op. 9 (1927)
68:Dmitri Shostakovich
660:Musik und Ästhetik
629:The New York Times
500:Dinner Time (1962)
417:A Severe Young Man
378:Spring Day, Op. 95
141:; you can help by
25:
1194:
1193:
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553:Hermann Abendroth
468:Partisan Children
456:The Turning Point
303:The Iron Horseman
286:Two Pieces (1947)
274:Jazz Suite, Op. 5
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104:Hermann Abendroth
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1150:Darmstadt School
1084:Post-romanticism
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631:. Archived from
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474:Unfinished Story
315:Alexander Nevsky
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1059:New Objectivity
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547:(with works by
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483:Poem of the Sea
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206:, Op. 45 (1946)
197:, Op. 39 (1943)
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46:Life and career
40:Soviet composer
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1069:Pandiatonicism
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705:External links
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678:Fanning, David
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91:Symphony No. 4
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720:Gavriil Popov
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711:Gavriil Popov
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666:(104): 10–21.
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662:(in German).
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549:Farhad Amirov
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432:Bezhin Meadow
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137:This list is
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93:is apparent.
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1124:Tone cluster
1079:Polytonality
1024:Experimental
690:. Retrieved
688:. Gramophone
685:
680:(May 1996).
672:
663:
659:
649:
637:. Retrieved
633:the original
628:
595:
588:
581:
574:
567:
564:"Motherland"
563:
545:"Motherland"
544:
535:"Motherland"
534:
523:
495:The Cossacks
314:
308:
302:
147:
122:Compositions
116:Stalin Prize
95:
72:
49:
27:
26:
1212:1972 deaths
1207:1904 births
1074:Polyrhythms
1049:Neotonality
937:Szymanowski
639:2 September
405:Film scores
1201:Categories
1119:Surrealism
1114:Stochastic
1104:Sound mass
1039:Microtonal
1011:techniques
1009:Genres and
957:Stravinsky
917:Skalkottas
822:Schoenberg
603:References
589:"Pastoral"
517:Recordings
162:Orchestral
139:incomplete
1099:Serialism
1019:Atonality
947:Prokofiev
790:Composers
596:"Festive"
309:King Lear
150:June 2011
118:in 1946.
99:Communist
87:formalism
1176:Category
1109:Spectral
1034:Futurism
968:Americas
952:Scriabin
923:Hungary
898:Germany
882:Messiaen
877:Koechlin
853:Finland
843:Czechia
837:Pousseur
833:Belgium
803:Austria
738:AllMusic
724:AllMovie
692:29 March
575:"Heroic"
1161: ←
1089:Process
978:Antheil
943:Russia
933:Poland
913:Greece
907:Strauss
887:Milhaud
872:Jolivet
863:France
857:Bergman
423:Chapaev
32:Russian
1186:Portal
988:Cowell
983:Carter
927:Bartók
892:Varèse
827:Webern
817:Mahler
812:Krenek
797:Europe
557:Urania
512:(1968)
506:(1966)
497:(1961)
491:(1961)
485:(1959)
476:(1956)
470:(1954)
458:(1945)
452:(1943)
446:(1943)
434:(1937)
425:(1934)
419:(1934)
322:Choral
311:(1942)
305:(1937)
271:Images
108:Urania
62:, and
1064:Noise
902:Reger
867:Henry
450:Front
386:Vocal
297:Opera
263:Piano
993:Ives
847:Hába
807:Berg
715:IMDb
694:2022
641:2023
722:at
713:at
526:by
145:.
70:.
1203::
736:,
684:.
664:26
658:.
627:.
611:^
584:);
58:,
42:.
34::
766:e
759:t
752:v
732:/
696:.
643:.
555:(
152:)
148:(
106:(
30:(
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