166:, and the concept of destruction plays a significant role in his life and work. These biographical circumstances are recurring aspects of his entire oeuvre. In this context, the artist stated in an interview: "I was born into a destroyed order, a destroyed landscape, a destroyed people, a destroyed society. And I didn't want to reestablish an order: I had seen enough of so-called order. I was forced to question everything, to be 'naive', to start again." By disrupting any given orders and breaking the common conventions of
563:
586:, Dieter Koepplin staged the first retrospective of drawings and graphic works by Baselitz. At the Galeriehaus in Cologne's Lindenstraße, Franz Dahlem put on the first exhibition of pictures with upside-down motifs. In 1971, the Baselitz family once again moved, relocating to Forst an der Weinstraße. He used the old village school as studio and started painting pictures featuring bird motifs. He exhibited several times in the next few years around Germany and also participated in the 1972
392:) (1962), were seized two days after the opening of the show by the public prosecutor on the ground of their lewd and obscene content, after likely a friend of the Galerist Michael Werner had already reported their being seized via German News Agency in the local newspaper B.Z. – a self-fulfilling prophecy and intentional scandal. The ensuing court case did not end until October 1965.
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Throughout his career, Baselitz has varied his style, ranging from layering substances to his style, since the 1990s, which focuses more on lucidity and smooth changes. His drawings and paintings of the past ten years show the artist revisiting, correcting, and varying his earlier work. Self-reflection goes hand in hand with an insouciant and surprisingly unfettered graphic style.
33:
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594:, where again his work would generate harsh cristism. This same year he began using a fingerpainting technique. He painted landscapes until 1975, often based on motifs he would find in publications such as the ″Mitteilungen des Landesvereins Sächsischer Heimatschutz e. V.″. In 1975, the family moved to Derneburg, near
554:) (1969). By inverting his paintings, the artist is able to emphasize the organisation of colours and form and confront the viewer with the picture's surface rather than the personal content of the image. In this sense, the paintings are empty and not subject to interpretation. Instead, one can only look at them.
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In a 2013 interview, Baselitz was quoted as saying, "women don't paint very well. It's a fact. There are, of course, exceptions." Citing the comparative lack of commercial success of work by women painters in the most expensive markets as proof, he stated, "Women simply don't pass the test. (...) The
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To this day, Baselitz is still an active, yet controversial artist and highly critical of German politics. Over the past years, Baselitz has been working on a series of quiet portraits of both him and his wife, Elke, painted with dark washes of blue and black, somber tones that point to a mediation
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typically appear alone in a barren landscape with naked arms and legs, and hands opened in a summoning gestures. At times they bear attributes associated with the biography of the artist, who refers to his own childhood in the countryside and identifies himself with all of them. Through early 1969,
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In the 1970s, Baselitz became famous for his upside-down images. He is seen as a revolutionary painter as he draws the viewer's attention to his works by making them think and sparking their interest. The subjects of the paintings do not seem to be as significant as the work's visual insight.
820:, who countered, "he market gets it wrong all the time. To see the market as a mark of quality is going down a delusional path. I'm shocked Baselitz does. His work doesn't go for so much." The record then for a painting by Baselitz was £3.2 million, while the record for a painting by
678:, which he used until 1987. His work was exhibited in New York for the first time in 1981. By 1982, he began devoting more time to sculpture, in addition to several exhibitions. In 1983, he began using Christian motifs in much of his artwork, and completed the major composition
735:) sculpture, accompanied by oversized drawings. In 1994, Baselitz designed a stamp for the French postal service. He also produced his first ground gold picture that year. In 1995, the first major retrospective of Baselitz's work in the US was staged at the
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In 1990, at the
Nationalgalerie im Alten Museum in Berlin, the first major exhibition of Baselitz's works in East Germany was staged. In 1992, he resigned from the Akademie der Künste in Berlin. In 1993, he designed the set for
399:, a medium which he describes as having "symbolic power which has nothing to do with a painting", has since become an intrinsic part of his artistic repertoire. The next year, he won a six-month scholarship to study at the
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170:, Baselitz has formed his personal circumstances into his guiding artistic principles. To this day, he still inverts all his paintings, which has become the unique and most defining feature of his work.
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in
Washington, D.C. With over 100 works highlighting six decades, the Hirshhorn's exhibition was the first major U.S. retrospective of Baselitz in more than twenty years.
751:. Throughout the 1990s, his work was exhibited frequently throughout Europe. In 2002, a retrospective of Baselitz's work was shown in Art Gallery of Yapı Kredi Bank in
244:(later known as A. R. Penck). After two semesters, however, he was expelled for "sociopolitical immaturity" because he did not comply with the socialist ideas of the
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881:, the first exhibition by a living artist in the museum gallery. He also curated a special exhibition celebrating the life and work of his friend and fellow artist,
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686:). In the same year, he took up a new professorship at the Hochschule der Künste Berlin. In 1986, in recognition of Baselitz's achievements, he was awarded the
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and both obtained also
Austrian citizenship in 2015. He married Kretzschmar in 1962 and is the father of two sons, Daniel Blau and Anton Kern, both gallerists.
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including paintings, sculptures, drawings and prints, as well display cases with archival and documentary material. The exhibition was the last one curated by
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Baselitz spent the spring of 1964 at Schloß Wolfsburg and produced his first etchings in the printing shop there, which were exhibited later that year.
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1621:"What's the biggest problem with women artists? None of them can actually paint, says Georg Baselitz, Nick Clark, The Independent, February 6, 2013"
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866:, an exhibition of paintings and works on paper by Baselitz inspired by self-portraits of artists he admires or is influenced by, was exhibited at
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263:'s master class and completed his studies the following year. Trier's classes were described as a creative environment largely dominated by the
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Georg
Baselitz works are still widely at present in various shows and permanent collections in museums or galleries throughout the world.
1574:"German Artist Georg Baselitz: "My Paintings are Battles", interviewed by Susanne Beyer and Ulrike Knöfel, Der Spiegel, January 25, 2013"
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in New York in early 2019. The same year, Alan
Cristea Gallery also published a series of 32 etchings by the artist of the same title.
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132:, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of
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image of a man who, having neither nationality nor an affiliation to a place, throws the illusory and megalomaniacal ideals of the
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598:. Baselitz visited New York for the first time and worked there for two weeks. He also visited Brazil, participating in the 13th
550:), ca 1959, from his childhood at his elementary-school as a model, in order to paint his first picture with an inverted motif:
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At the turn of 1959 to 1960, Baselitz began to produce his first original works in a distinct style of his own, among them the
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painting technique (combinations of motifs), multipart pictures (series of motifs), and large-format individual works such as
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In 1976, Baselitz rented a studio in
Florence, which he used until 1981. In 1977, he began working on large-format
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Due to his 80th birthday on 23 January 2018, several retrospectives were held in his honor; for instance at
797:'s Staatliche Kunsthalle exhibited a comprehensive survey of the artist, featuring approximately 140 works.
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but was rejected. In 1956, he successfully enrolled at the
Hochschule für Bildende und Angewandte Kunst in
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1975:
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Gohr, Siegfried. "Georg
Baselitz. Kunst als Akt des Schaffens und Zerstörens. In: Detlef Bluemler".
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1541:"Ausstellung in Hannover: Georg Baselitz – Skulpturen und Zeichnungen: Die Barbaren kehren zurück"
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Fondation
Beyeler : die Sammlung : mit Werken und Texten von Künstlerinnen und Künstlern
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190:. His father was an elementary school teacher, and the family lived in the local school building.
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295:. Art historian Andreas Franzke describes Baselitz's primary artistic influences at this time as
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Calvocoressi, Richard (1985). "A Source for the
Inverted Imagery in Georg Baselitz's Painting".
259:, where he settled down and met his future wife, Johanna Elke Kretzschmar. In 1961, he attended
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in Amsterdam. He also took part in the International Pavilion at the Venice Biennale with the
419:) pictures. In general, Baselitz' greatest inspiration stems from writers and artists such as
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was a formative influence on Baselitz. Baselitz also became interested in the writings of
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Baselitz's statements elicited rebuttals from art critics like Sarah Thornton, author of
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was presented at the two neighbouring museums, with the Museum Frieder Burda displaying
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and East Germany overboard with his desolate, broken, ragged appearance (for example,
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1759:"Georg Baselitz: Devotion, West 24th Street, New York, January 24 – March 23, 2019"
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In 1981, Georg Baselitz set up an additional study in Castiglion Florentino, near
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2009: Cologne-Fine-Art Award of the Association of German Galleries and Editions
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After returning from Florence to West Berlin, Baselitz created the series of
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In 1961, he adopted the name Georg Baselitz as a tribute to his home town.
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Baselitz was born on 23 January 1938, in Deutschbaselitz (now a part of
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1676:"Georg Baselitz – Hirshhorn Museum and Sculpture Garden | Smithsonian"
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968:) (1990), a work of tempera on ash wood, who sold by $ 11,240,000, at
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From 21 November 2009, to 14 March 2010, the Museum Frieder Burda and
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In 2019 a retrospective curated by Kosme de Barañano was held at the
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1595:"What's the biggest problem with women artists? None of them can"
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1968: ars viva prize of the Cultural Committee of German Business
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1282:(in German) (Deutsche Museumsausgabe ed.), Riehen / Basel,
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1787:"Baselitz – Academy | Gallerie dell'Accademia di Venezia"
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Interview with Georg Baselitz, in art magazin 3/2006, S. 36–43
162:, Germany. He grew up amongst the suffering and demolition of
1801:"Emilio Vedova di/By Georg Baselitz | Fondazione Vedova"
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Ed. by Vischer, Theodora, Fondation Beyeler, Riehen / Basel.
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Das Motiv ohne Inhalt. Malerei bei Georg Baselitz 1959–1969
197:. In its assembly hall hung a reproduction of the painting
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Recipients of the Austrian Decoration for Science and Art
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Georg Baselitz at the DASMAXIMUM KunstGegenwart, Germany
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1899:"Update: Georg Baselitz Still Thinks Women Can't Paint"
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was conferred upon Baselitz by French Minister of Arts
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Sotheby’s Torrid Evening Sale, Judd Tully, 9 July 2017
1829:"Georg Baselitz at Lausanne's Fondation de lHermitage"
893:. In October 2021 a major retrospective opened at the
2300:
Academic staff of the Academy of Fine Arts, Karlsruhe
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In 1955, he applied to study at the Kunstakademie in
144:, he developed his own, distinct artistic language.
2003:"Women can't paint, and neither can Georg Baselitz"
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Hirshhorn Museum and Sculpture Garden | Smithsonian
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Hirshhorn Museum and Sculpture Garden | Smithsonian
1278:Vischer, Theodora; Fondation Beyeler, eds. (2017),
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2002: Commandeur de l'Ordre des Arts et des Lettres
950:) (1965), who sold by £7,471,250 ($ 9,099,982), at
518:he produced further large-format pictures, such as
2148:actual exhibitions with Georg Baselitz on Artfacts
1495:Künstler – Kritisches Lexikon der Gegenwartskunst
1433:"Georg Baselitz. Heads (Köpfe). 1964 | MoMA"
1151:, edited by Siegfried Gohr. Hirmer, Munich 1992.
1120:Georg Baselitz: Collected Writings and Interviews
1011:1992: Officier de l'Ordre des Arts et des Lettres
758:During this time, Baselitz lived and worked near
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2265:Commandeurs of the Ordre des Arts et des Lettres
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1976:"Georg Baselitz Belittles Women Painters, Again"
960:The highest selling sculpture by the artist was
1643:"Georg Baselitz: "Ich bin völlig unvernünftig""
1701:"Kunst: Große Werkschau für Baselitz in Basel"
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1130:Georg Baselitz. Bilder, die den Kopf verdrehen
696:Chevalier dans l'Ordre des Arts et des Lettres
574:In the 1970s, Baselitz regularly exhibited at
374:caused a public scandal. Two of the pictures,
366:In 1963, Baselitz's first solo exhibition in
37:Georg Baselitz in a photograph by Oliver Mark
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124:. In the 1960s he became well known for his
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743:. This retrospective was also exhibited in
552:The Wood on Its Head (Der Wald auf dem Kopf
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1309:: CS1 maint: location missing publisher (
526:) as part of a group of pictures known as
309:Since 2013, he and his wife have lived in
287:. During this time he became friends with
1951:"Women Get "Fresh" with Art World Sexism"
1381:"Maler Georg Baselitz jetzt Österreicher"
1355:""Am Strand" zu Ulbrichts 70. Geburtstag"
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620:Staatliche Akademie der Bildenden Künste
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1149:Georg Baselitz. Retrospektive 1964–1991
1061:Austrian Decoration for Science and Art
877:in Venice, Italy, to coincide with the
251:In 1957, he resumed his studies at the
2260:Members of the Academy of Arts, Berlin
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1948:
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1333:. Munich: Prestel-Verlag. p. 17.
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1065:2006: Honorary Citizen of the city of
1021:1999: Art Prize Rhenus Mönchengladbach
942:Baselitz highest selling painting was
762:(Schloß Derneburg), from 2006 on near
193:Baselitz attended the local school in
2290:Honorary members of the Royal Academy
2000:
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1641:Rauterberg, Hanno (23 January 2018).
1539:Schmied, Wieland (21 November 2012).
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918:Baselitz's disparaging remarks about
887:Fondazione Emilio e Annabianca Vedova
824:, a female artist, was £3.8 million.
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2270:Recipients of the Praemium Imperiale
2187:, Edinburgh, works in the collection
1873:"Georg Baselitz – Kunstmuseum Basel"
1258:1995 interview. In: "Goth to Dance:
1235:"Georg Baselitz – Skarstedt Gallery"
966:Women of Dresden – Visit from Prague
228:. There he studied under professors
2061:"Reply to a parliamentary question"
1949:Cheung, Ysabelle (7 October 2015).
1171:. Bielefeld 2008. Kerber Artbooks.
1143:Georg Baselitz. Paintings 1962–2001
1034:2001: Julio González Prize Valencia
112:(born 23 January 1938) is a German
85:Painting, sculpture, graphic design
13:
2091:Museum für Moderne Kunst Frankfurt
1924:"Georg Baselitz Is a Sexist Grump"
1465:Fondation Beyeler. The Collection.
922:have earned him a reputation as a
147:He was born as Hans-Georg Kern in
14:
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2168:, London, works in the collection
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962:Dresdner Frauen – Besuch aus Prag
548:Wermsdorf Woods (Wermsdorfer Wald
2250:21st-century German male artists
2235:20th-century German male artists
2001:Nardi, Sarah (5 February 2013).
1773:"Georg Baselitz | Devotion"
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1162:Ich will es noch einmal schaffen
1089:Chevalier de la Légion d'Honneur
1054:Accademia delle Arti del Disegno
1052:2004: Honorary Professor at the
1026:Jan Matejko Academy of Fine Arts
1024:2000: Honorary professor at the
856:, as well as in the U.S. at the
719:, staged under the direction of
566:Georg Baselitz (photographed by
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2285:20th-century German printmakers
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1262:Talks with Georg Baselitz", in
1122:, edited by Detlev Gretenkort.
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1108:List of works by Georg Baselitz
1093:2019: Foreign associate member
2185:National Galleries of Scotland
1815:"Baselitz – The retrospective"
1707:(in German). 19 January 2018.
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813:market test, the value test".
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1897:Miller, M. H. (20 May 2015).
1407:"Skandal um jeden Preis? (1)"
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1080:Bavarian Academy of Fine Arts
1014:1999: Honorary member at the
1007:Ordre des Arts et des Lettres
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495:). These figures represent a
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2230:20th-century German painters
1078:2009-21: Full member of the
805:, the Staatliche Kunsthalle
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376:The Big Night Down The Drain
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2280:German contemporary artists
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995:Academy of the Arts, Berlin
901:as director of the museum.
818:Seven Days in the Art World
618:. He began teaching at the
205:, an artist whose grasp of
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773:His work was exhibited in
411:graphics and produced the
407:. While there, he studied
372:Galerie Werner & Katz,
355:) series and the painting
203:Louis-Ferdinand von Rayski
2295:Neo-expressionist artists
2178:, works in the collection
2153:16 September 2017 at the
2066:(in German). p. 1707
1451:kulturelles-erbe-koeln.de
1361:(in German). 18 June 2015
1329:Franzke, Andreas (1989).
1132:. Seemann, Leipzig 2004.
799:Baselitz. A Retrospective
781:in late 2007, and in the
336:Die Grosse Nacht im Eimer
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16:German artist (born 1938)
2131:22 February 2016 at the
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1042:Lower Saxony State Prize
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833:on mortality and aging.
580:Galerie Heiner Friedrich
381:Die große Nacht im Eimer
103:Johanna Elke Kretzschmar
2110:Galerie Thaddaeus Ropac
1734:"Baselitz: Six Decades"
1514:The Burlington Magazine
1189:List of German painters
1095:Académie des Beaux-Arts
993:1984–92: Member of the
875:Gallerie dell'Accademia
320:
234:Herbert Behrens-Hangler
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2255:German modern painters
1852:Cite journal requires
1831:. ARTINFO. 5 July 2006
838:Pinakothek der Moderne
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443:, as well as from the
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136:illustration art, the
2097:Royal Academy, London
1447:"Die grossen Freunde"
1016:Royal Academy of Arts
1005:1987: Chevalier de l'
891:Vedova di/by Baselitz
807:30 years of sculpture
779:Royal Academy of Arts
684:Nachtessen in Dresden
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333:
253:Hochschule der Künste
186:), in what was later
2240:German male painters
2143:Museum of Modern Art
2135:Galerie Sabine Knust
2106:6 April 2016 at the
879:58th Venice Biennale
803:50 years of painting
542:On the basis of his
265:gestural abstraction
1877:kunstmuseumbasel.ch
1167:Christian Malycha,
1001:Goslarer Kaiserring
957:, on 8 March 2017.
713:Harrison Birtwistle
688:Goslarer Kaiserring
658:) and Boy Reading (
486:Die großen Freunde,
447:artist association
2225:People from Kamenz
1761:. 31 October 2018.
1453:. 30 January 2018.
1048:Praemium Imperiale
986:Villa Romana Prize
979:Honours and awards
975:, on 19 May 2022.
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538:Inverted paintings
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142:African sculptures
2194:Fondation Beyeler
1930:. 30 January 2013
1601:. 6 February 2013
1177:978-3-86678-131-3
846:Fondation Beyeler
785:gallery in 2009.
680:Dinner in Dresden
660:Der lesende Knabe
584:Kunstmuseum Basel
528:Fracture Pictures
482:The Great Friends
437:Willem de Kooning
281:Wassily Kandinsky
277:Ernst Wilhelm Nay
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94:Neo-expressionism
59:Deutschbaselitz,
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2010:. Retrieved
2006:
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1984:. Retrieved
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1954:
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1932:. Retrieved
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429:Edvard Munch
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242:Ralf Winkler
219:
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192:
188:East Germany
177:
164:World War II
146:
109:
108:
18:
2215:1938 births
1980:artnet News
1871:zephir.ch.
1413:(in German)
1411:Kunststreit
1124:Ridinghouse
1056:in Florence
928:gender bias
914:Controversy
889:, entitled
850:Kunstmuseum
795:Baden-Baden
749:Los Angeles
725:Dutch Opera
721:Pierre Audi
648:Trümmerfrau
636:The Gleaner
588:documenta 5
511:Tate Modern
501:Third Reich
397:Printmaking
368:West Berlin
353:Rayski-Kopf
349:Rayski-Head
339:, 1962/63,
257:West Berlin
226:East Berlin
211:Jakob Böhme
152: [
68:Nationality
2209:Categories
2116:White Cube
2070:4 December
1882:30 January
1743:25 October
1718:30 January
1685:30 January
1660:30 January
1605:30 January
1558:30 January
1481:1010067077
1417:30 January
1359:DDR Museum
1298:1010067077
1244:30 January
1218:30 January
1195:References
938:Art market
828:Since 2014
783:White Cube
770:in Italy.
760:Hildesheim
737:Guggenheim
729:Male Torso
630:using the
596:Hildesheim
478:Neue Typen
457:Series of
450:Die Brücke
261:Hann Trier
238:Peter Graf
215:futuristic
201:(1859) by
168:perception
134:Soviet era
126:figurative
49:1938-01-23
2049:Heni News
2038:Art.Salon
1713:0044-2070
1655:0044-2070
1553:0044-2070
970:Sotheby's
952:Sotheby's
932:art world
885:, at the
789:2010–2013
777:, at the
766:, and in
715:'s opera
706:1990–2009
700:Jack Lang
670:1981–1989
624:Karlsruhe
610:1976–1980
604:São Paulo
558:1970–1975
544:Fractures
463:Fractures
417:Tierstück
409:Mannerist
343:, Cologne
326:1957–1969
2151:Archived
2129:Archived
2104:Archived
2012:10 April
1986:10 April
1960:10 April
1955:Creators
1934:10 April
1908:10 April
1835:21 April
1705:Die Zeit
1647:Die Zeit
1626:25 March
1579:25 March
1545:Die Zeit
1305:citation
1265:Artforum
1183:See also
1018:, London
973:New York
864:Devotion
753:Istanbul
628:diptychs
616:linocuts
600:Biennale
520:Woodsmen
405:Florence
311:Salzburg
118:sculptor
90:Movement
76:Austrian
2141:at the
1903:ARTnews
1391:14 July
1067:Imperia
930:in the
768:Imperia
723:at the
632:tempera
570:, 1971)
493:Cologne
361:G. Kopf
357:G. Head
315:Austria
269:Tachism
222:Dresden
217:style.
207:Realism
114:painter
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764:Munich
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692:Goslar
676:Arezzo
592:Kassel
576:Munich
515:Helden
474:Helden
470:Heroes
459:Heroes
283:, and
195:Kamenz
184:Saxony
180:Kamenz
100:Spouse
72:German
2064:(PDF)
1522:JSTOR
1101:Works
905:Style
854:Basel
656:Adler
652:Eagle
506:Rebel
370:, at
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2174:The
2166:Tate
2072:2012
2014:2019
1988:2019
1962:2019
1936:2019
1910:2019
1884:2018
1858:help
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1745:2019
1720:2018
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1628:2013
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1478:OCLC
1470:ISBN
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