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Germaine Krull

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137: 119: 101: 82: 66: 49: 149:(20 November 1897 – 31 July 1985) was a photographer, political activist, and hotel owner. Her nationality has been categorized as German, French, and Dutch, but she spent years in Brazil, Republic of the Congo, Thailand, and India. Described as "an especially outspoken example" of a group of early 20th-century female photographers who "could lead lives free from convention", she is best known for photographically illustrated books such as her 1928 portfolio 1269:"Contortions of Technique: Germaine Krull’s Experimental Photography," by Kim Sichel. In Mitra Abbaspour, Lee Ann Daffner, and Maria Morris Hambourg, eds. Object:Photo. Modern Photographs: The Thomas Walther Collection 1909–1949. An Online Project of The Museum of Modern Art. New York: The Museum of Modern Art, 2014. 31: 177:
from her father, an accomplished engineer and a free thinker (whom some characterized as a "ne'er-do-well"). Her father let her dress as a boy when she was young, which may have contributed to her ideas about women's roles later in her life. In addition, her father's views on social justice "seem to
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emissary's attempted escape to Austria. She was expelled from Bavaria in 1920 for her Communist activities, and traveled to Russia with lover Samuel Levit. After Levit abandoned her in 1921, Krull was imprisoned as an "anti-Bolshevik" and expelled from Russia.
282:(1928) which concerned "the essentially masculine subject of the industrial landscape." Krull shot the portfolio's 64 black-and-white photographs in Paris, Marseille, and Holland during approximately the same period as Ivens was creating his film 228:(later to be known as Kurt Hutton) worked together in a Berlin studio between 1922 and 1924. Among other photographs Krull produced in Berlin were a series of nudes included in a 2000 retrospective of her work at the 292:), and ships to bicycle wheels; it can be read as either a celebration of machines or a criticism of them. Many of the photographs were taken from dramatic angles, and overall the work has been compared to that of 372:, a role that she undertook until 1966. She published three books with photographs during this period, and also collaborated with Malraux on a project concerning the sculpture and architecture of Southeast Asia. 334:
where she had a photographic studio. Among her subjects during this period were buildings (such as casinos and palaces), automobiles, celebrities, and common people. She may have been a member of the
319:(most of her ground-breaking reportage work from this period remains immured in press archives; according to Ian Jeffrey, she has never received the credit which is her due for this work). Her book 1264:"In plain sight: Germaine Krull in Paris, The work of the maverick photographer gains new exposure in an exhibition in the French capital," by Claire Holland, The Financial Times, June 13-14, 2015 349:
in Africa. Due to her Dutch passport and her need to obtain proper visas, her journey to Africa included over a year (1941–1942) in Brazil where she photographed the city of
763: 173:, Poland), of an affluent German family. In her early years, the family moved around Europe frequently; she did not receive a formal education, but instead received 247:
between 1927 and 1943 so that Krull could hold a Dutch passport and could have a "veneer of married respectability without sacrificing her autonomy."
288:("The Bridge") in Rotterdam, and the two artists may have influenced each other. The portfolio's subjects range from bridges, buildings (e.g., the 323:("Studies of Nudes") published in 1930 is still well-known today. Between 1930 and 1935 she contributed photographs for a number of travel and 790: 182: 278:
and others; her commercial work consisted of fashion photography, nudes, and portraits. During this period she published the portfolio
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art critic Kenneth Baker generally praised her work, he considered the nudes to be "almost like satires of lesbian pornography".
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After retiring from the hotel business in 1966, she briefly lived near Paris, then moved to Northern India and converted to the
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Krull was politically active between 1918 and 1921. In 1919 she switched from the Independent Socialist Party of Bavaria to the
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photojournalism agency which had been founded in 1935, but "no trace of her work appears in the press with that label."
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After World War II, she traveled to Southeast Asia as a war correspondent, but by 1946 had become a co-owner of the
1328: 1303: 311:. Between 1928 and 1933, her photographic work consisted primarily of photojournalism, such as her photographs for 1343: 376: 193:
in 1907–1913 had been influential. She opened a studio in Munich in approximately 1918, took portraits of
1035:. London : New York, New York: Thames & Hudson Ltd. ; Thames & Hudson Inc. 2021. p. 170. 1163: 243:
in 1923, she moved to Amsterdam in 1925. After Krull returned to Paris in 1926, Ivens and Krull entered into a
1293: 315:, a French magazine. In the early 1930s, she made a pioneering study of employment black spots in Britain for 1323: 1084: 1263: 1196: 1268: 1338: 1333: 369: 213: 1257: 1313: 1178:
Bangkok - Heidi Specker Germaine Krull im Sprengel-Museum Hannover, 9. Oktober 2005 bis 25. Juni 2006
335: 300:. In 1999–2004 the portfolio was selected as one of the most important photobooks in history. 358: 764:"New National Museum of Monaco Exhibition: Three Questions to Jean-Michel Bouhours, Chief Curator" 293: 244: 233: 136: 100: 81: 48: 118: 65: 430: 224:
She lived in Berlin between 1922 and 1925 where she resumed her photographic career. She and
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Dumas, Marie Hélène. "Lumières d'Exil". Paris: Gallimard and Éditions Joëlle Losfeld, 2009.
1288: 1283: 655:. (Catalog of the exhibition "Germaine Krull (1897-1985), Jeu de Paume museum, Paris 2015). 8: 1246: 297: 500: 1061:
https://digitalcollections.detroitpubliclibrary.org/islandora/object/islandora%3A198931
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By 1928 Krull was considered one of the best photographers in Paris, along with
610: 251: 206: 1277: 1056: 434: 174: 59: 275: 1143:, edited by Eleanor M. Hight and Gary D. Sampson. London: Routledge, 2002. 963: 880:"Germaine Krull's Radical Vision / Photographer's Work Featured at SFMOMA." 508: 480: 442: 383:. Her final major photographic project was the publication of a 1968 book 342: 289: 271: 190: 186: 94: 989:
The Open Book: a History of the Photographic Book from 1878 to the Present
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or "Life Leads the Dance", translated into Italian by Giovanna Chiti.)
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The Book of 101 Books: Seminal Photographic Books of the 20th Century
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Germaine Krull Ă  Monte-Carlo = Germaine Krull: the Monte Carlo Years
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From Icon to Irony: German and American Industrial Photography
574:. Paris: Jacques Haumont, 1945. (With photographs by Krull.) 446: 424: 178:
have predisposed her to involvement with radical politics."
918:. Madrid: Museo Nacional Centro de Arte Reina SofĂ­a, 1999. 250:
In Paris between 1926 and 1928, Krull became friends with
518:. Paris: Firmin-Didot, 1930. (With photographs by Krull.) 916:
FotografĂ­a PĂşblica: Photography in Print 1919–1939
791:"Krull, Germaine (French Photographer, 1897–1985)" 490:. Paris: B. Grasset, 1930. (With photographs by Krull.) 788: 581:. Bangkok: Assumption Printing Press, 1950–1959? 766:. Government of Monaco. 3 August 2007. Archived from 1025: 197:
and others, and befriended prominent people such as
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Colonialist Photography: Imag(in)ing Race and Place
970:. Volume I. London & New York: Phaidon, 2004. 1012: 1010: 437:by Germaine Krull dated 1929, photographed during 341:In World War II, she became disenchanted with the 216:, and was arrested and imprisoned for assisting a 1253:Germaine Krull: the woman Man Ray named his equal 1117:. Seattle: University of Washington Press, 1995. 402:Krull's work was included in the 2021 exhibition 1275: 1139:: World War II and French Colonialist Film." In 850:, 2nd edition. New York: Abbeville Press, 2000. 1180:. ZĂĽlpich: Albert-Renger-Patzsch-Archiv, 2005. 1017:"Portrait of Hedonism with Glasses Half Empty." 1007: 898:. Amsterdam: Amsterdam University Press, 2000. 433:Digital Collection houses a portrait of singer 181:Between 1915 and 1917 or 1918 she attended the 896:Living Dangerously: a Biography of Joris Ivens 737: 735: 733: 731: 729: 727: 725: 723: 721: 719: 717: 715: 713: 711: 709: 707: 1247:Germaine Krull: Jeu de Paume exhibition, 2015 1132:, volume 17, issue 7, pages 9–10, April 2000. 1102:Bouqueret, Christian, and Michèle Moutashar. 955: 953: 745:. Cambridge, Massachusetts: MIT Press, 1999. 705: 703: 701: 699: 697: 695: 693: 691: 689: 687: 572:La Bataille d'Alsace (Novembre-DĂ©cembre 1944) 497:. Paris: Librairie des Arts DĂ©coratifs, 1930. 1104:Germaine Krull: Photographie 1924–1936 991:. Göteborg, Sweden: Hasselblad Center, 2004. 1089:Germaine Krull: Fotografien 1922–1966 839: 837: 835: 833: 950: 684: 361:, after which she spent several months in 183:Lehr- und Versuchsanstalt fĂĽr Photographie 135: 117: 99: 80: 64: 47: 29: 1236:. (A novel in French about Krull's life.) 1156:Germaine Krull: Photographer of Modernity 743:Germaine Krull: Photographer of Modernity 470:. Berlin-Westend: Verlag der Reihe, 1929. 239:Having met Dutch filmmaker and communist 885:, 15 April 2000. Retrieved 4 April 2010. 830: 591:Krull, Germaine, and Dorothea Melchers. 584:Krull, Germaine, and Dorothea Melchers. 929: 874: 872: 870: 868: 866: 864: 632:. Paris : Textuel editions, 2015. 1276: 538:Simenon, Georges, and Germaine Krull. 1258:"Germaine Krull, German Photographer" 1079:Germaine Krull: Photographes Nouveaux 621:. (Autobiography of Krull in French, 521:Krull, Germaine, and Claude Farrère. 1128:Kosta, Barbara. "She was a Camera." 861: 647:Paris : Hazan editions, 2015. 483:, 1930. (With photographs by Krull.) 353:. Between 1942 and 1944 she was in 399:, Germany, where she died in 1985. 370:Oriental Hotel in Bangkok, Thailand 345:government, and sought to join the 330:In 1935–1940, Krull lived in 13: 1068: 602:. Bombay: Allied Publishers, 1968. 567:. Lisboa: Edições Atlântico, 1943. 230:San Francisco Museum of Modern Art 14: 1355: 1299:People from the Province of Posen 1240: 1135:Sichel, Kim. "Germaine Krull and 419:Krull's archives are kept at the 413: 395:, she moved to a nursing home in 1197:MusĂ©e des Beaux-Arts de MontrĂ©al 1091:. Köln: Rheinland-Verlag, 1977. 1059:by Germaine Krull, Paris, 1929": 848:A History of Women Photographers 533:Route de Paris Ă  la MĂ©diterranĂ©e 387:that included a portrait of the 1049: 1004:. London: Phaidon, 2000. p.255. 994: 981: 542:. Paris: Jacques Haumont, 1931. 525:. Paris: Jacques Haumont, 1931. 1000:Ian Jeffrey, text written by. 909: 888: 805: 782: 756: 586:Bangkok: Siam's City of Angels 553:. Paris: Librairie Plon, 1935. 1: 1085:Rheinisches Landesmuseum Bonn 1022:(Montreal), 30 December 2006. 678: 672:Il Partit pour un Long Voyage 562:Uma Cidade Antiga do Brasil, 365:and then returned to France. 1260:(slide show with 42 images). 789:Union List of Artist Names. 535:. Paris: Firmin-Didot, 1931. 156: 7: 10: 1360: 1319:German women photographers 1217:. New York: Abrams, 2007. 560:, and Ruy Ribeiro Couto. 214:Communist Party of Germany 1309:Photographers from Munich 1081:. Paris: Gallimard, 1931. 126: 108: 90: 74: 41: 37: 28: 21: 968:The Photobook: a History 659: 607:La Vita Conduce la Danza 595:. London: R. Hale, 1966. 588:. London: R. Hale, 1964. 453: 359:French Equatorial Africa 1329:Photography in Thailand 1304:French photojournalists 1158:, The MIT Press, 1999; 1130:Women's Review of Books 935:Roth, Andrew, editor. 883:San Francisco Chronicle 523:La Route Paris-Biarritz 245:marriage of convenience 234:San Francisco Chronicle 45:November 29, 1897  1344:Women photojournalists 1211:Bertolotti, Alessandro 987:Roth, Andrew, editor. 628:Krull, Germaine.  531:, and Germaine Krull. 503:, and Germaine Krull. 431:Detroit Public Library 169:(then in Germany; now 793:. J. Paul Getty Trust 545:Krull, Germaine, and 1324:Photography in India 1033:Women in abstraction 770:on February 24, 2010 630:La vie mène la danse 623:La vie mène la danse 540:La Folle d'Itteville 474:Bucovich, Mario von. 404:Women in Abstraction 147:Germaine Luise Krull 1055:Portrait of singer 666:Six pour Dix Francs 298:Alexander Rodchenko 78:July 31, 1985  16:German photographer 1294:People from PoznaĹ„ 347:Free French Forces 317:Weekly Illustrated 294:LászlĂł Moholy-Nagy 199:Rainer Maria Rilke 161:Krull was born in 1339:Tibetan Buddhists 1334:War photographers 1234:978-2-07-078770-8 1223:978-0-8109-9444-7 653:978-2-7541-0816-4 638:978-2-84597-522-4 605:Krull, Germaine. 600:Tibetans in India 598:Krull, Germaine. 577:Krull, Germaine. 570:Vailland, Roger. 556:Krull, Germaine, 501:Nerval, GĂ©rard de 493:Krull, Germaine. 466:Krull, Germaine. 459:Krull, Germaine. 441:residency at the 385:Tibetans in India 325:detective fiction 203:Friedrich Pollock 144: 143: 1351: 1314:German Buddhists 1176:Specker, Heidi. 1075:MacOrlan, Pierre 1063: 1053: 1047: 1046: 1029: 1023: 1014: 1005: 998: 992: 985: 979: 957: 948: 933: 927: 913: 907: 892: 886: 878:Baker, Kenneth. 876: 859: 844:Rosenblum, Naomi 841: 828: 827: 825: 823: 817: 809: 803: 802: 800: 798: 786: 780: 779: 777: 775: 760: 754: 739: 643:Frizot, Michel. 516:Visages de Paris 381:Tibetan Buddhism 165:, a district of 140: 139: 122: 121: 104: 103: 85: 84: 70: 69: 68: 52: 51: 33: 19: 18: 1359: 1358: 1354: 1353: 1352: 1350: 1349: 1348: 1274: 1273: 1243: 1071: 1069:Further reading 1066: 1054: 1050: 1043: 1031: 1030: 1026: 1015: 1008: 999: 995: 986: 982: 958: 951: 934: 930: 914: 910: 894:Schoots, Hans. 893: 889: 877: 862: 842: 831: 821: 819: 815: 811: 810: 806: 796: 794: 787: 783: 773: 771: 762: 761: 757: 740: 685: 681: 662: 645:Germaine Krull. 593:Tales from Siam 514:Warnod, AndrĂ©. 456: 421:Museum Folkwang 416: 408:Centre Pompidou 256:Robert Delaunay 226:Kurt HĂĽbschmann 189:'s teaching of 159: 134: 116: 98: 79: 63: 54: 53: 46: 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Although 195:Kurt Eisner 163:Posen-Wilda 113:Joris Ivens 1278:Categories 1164:0262194015 679:References 564:Ouro Preto 439:Blackbirds 427:, Germany. 391:. After a 389:Dalai Lama 379:school of 351:Ouro Preto 336:Black Star 276:AndrĂ© Gide 127:Partner(s) 91:Occupation 1106:. Arles: 579:Chiengmai 558:RaĂşl Lino 551:Marseille 507:. Paris: 505:Le Valois 488:La Chatte 486:Colette. 260:Eli Lotar 218:Bolshevik 157:Biography 131:Eli Lotar 109:Spouse(s) 86:(aged 87) 1199:, 2006. 822:16 April 797:16 April 774:16 April 613:, 1992. 1110:, 1988. 511:, 1930. 406:at the 397:Wetzlar 363:Algiers 327:books. 309:Man Ray 285:De Brug 268:Colette 62:)  1232:  1221:  1203:  1184:  1170:  1162:  1147:  1121:  1095:  1039:  974:  962:, and 943:  922:  902:  854:  749:  651:  636:  617:  393:stroke 205:, and 171:PoznaĹ„ 133:  115:  97:  56:PoznaĹ„ 816:(PDF) 660:Films 477:Paris 461:MĂ©tal 454:Books 447:Paris 425:Essen 377:Sakya 280:MĂ©tal 167:Posen 151:MĂ©tal 1230:ISBN 1219:ISBN 1201:ISBN 1182:ISBN 1168:ISBN 1160:ISBN 1145:ISBN 1119:ISBN 1093:ISBN 1037:ISBN 972:ISBN 941:ISBN 920:ISBN 900:ISBN 852:ISBN 824:2010 799:2010 776:2010 747:ISBN 649:ISBN 634:ISBN 615:ISBN 307:and 296:and 75:Died 42:Born 423:in 357:in 1280:: 1213:. 1166:; 1087:. 1077:. 1009:^ 966:. 952:^ 863:^ 846:. 832:^ 686:^ 549:. 445:, 410:. 313:Vu 274:, 270:, 266:, 262:, 258:, 254:, 209:. 201:, 153:. 1225:. 1207:. 1188:. 1151:. 1125:. 1099:. 1045:. 978:. 947:. 926:. 906:. 858:. 826:. 801:. 778:. 753:. 640:. 449:. 58:(

Index


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Poznań
German Empire
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Photographer
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Joris Ivens
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Eli Lotar
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Posen-Wilda
Posen
Poznań
homeschooling
Lehr- und Versuchsanstalt fĂĽr Photographie
Frank Eugene
pictorialism
Kurt Eisner
Rainer Maria Rilke
Friedrich Pollock
Max Horkheimer
Communist Party of Germany
Bolshevik
Kurt HĂĽbschmann
San Francisco Museum of Modern Art
San Francisco Chronicle
Joris Ivens
marriage of convenience

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