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Adolphe Goupil engaged in the business of printing and publishing original prints and interpretation in several countries, most importantly in France, England and
Germany. He married Victoire Brincard (1808–1886), originally from Belfort, in August 1829, and had five children: Léon, Amélie, Albert, Marie and Blanche. After the disappearance of his first partner, Henry Rittner in 1840, Goupil found a new partner Théodore Vibert (1816–1850) the following year in 1841. Between 1845 and 1848, Goupil and Vibert opened a branch in London and then in New York at 289 Broadway. Vibert died in 1850, leaving several children that Jean-Baptiste Adolphe Goupil took care of. In addition to a printer-publisher, Goupil also became a dealer in paintings and drawings. Goupil signed a contract in 1845 with the painter Charles Landelle, who undertook not to dispose of his reproduction rights before having offered it to Maison Goupil. Jean-Baptiste Adolphe Goupil founded the international company Goupil & Cie in 1850, which in a few decades became one of the greatest art dealers of the 19th century. Jean-Baptiste Adolphe Goupil was elected mayor of Saint-Martin-aux-Chartrains (Calvados) from 1875 to 1893 where he owned the "castle of the whole city". He was appointed officer of the Legion of Honor in 1877. Having already lost his eldest son in 1855, Jean-Baptiste Adolphe Goupil decided to gradually retire from business from 1884, when his second son Albert died. Jean-Baptiste Adolphe Goupil died on May 9, 1893, in Saint-Martin-aux-Chartrains.
232:
selling and editing prints. To feed an emerging middle-class market with inexpensive art, Goupil's workshop outside Paris employed skilled craftsmen to produce engraved, etched, photographic and even sculptural copies of paintings in vast quantities. Goupil's reproductions made Jean-LĂ©on GĂ©rĂ´me, in particular, a well known artist. Maison Goupil also promoted via their print reproductions, a significant number of works by
Italian painters who worked for the publishing house during the 1870s, including paintings by Alberto Pasini and Francesco Paolo Michetti among others. When
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228:. After Rittner's death, Goupil formed a partnership with Théodore Vibert, which was formalized in Paris in 1842. In a ground-breaking move, the firm opened in New York in 1848 as Goupil, Vibert et cie. William Schaus became the first director of the New York branch, but was replaced by Adolphe Goupil's son, Léon, and then in 1855 by Michel Knoedler, who eventually bought out Goupil's interest in 1857.
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Uncle Cent moved to Paris in 1858 and took residence at 9 Rue
Chaptal, which housed Goupil's headquarters, too. In 1861, he became partner of Goupil & Cie. As Uncle Cent had no children, his nephews were evidently supposed to follow him up in the firm: Vincent entered in 1869, Theo in 1873. When
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for the winters, but remained a partner until 1878. His duties were taken over by René Valadon. From then on, the firm was completely in the hands of the Goupil family and their sons-in-law Léon
Boussod and René Valadon. Adolphe Goupil (1840–1884) joined his father in 1877. In 1867 Albert had taken
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was born on March 7, 1806 in Paris. He was the son of
Auguste Goupil, pharmacist, and Anne Lutton (1774–1849) and ancestor of Hubert Drouais. He became a leader of the art and publishing industry and one of the most important art dealers and publishers of the 19th century. From 1827, Jean-Baptiste
231:
Adolphe Goupil formed Goupil & Cie in 1850. Over the next 34 years the partners were
Adolphe Goupil 1850–84, Alfred Mainguet 1850–56, Léon Goupil 1854–55, Léon Boussod 1856–84, Vincent van Gogh 1861–72, Albert Goupil 1872–84, René Valadon 1878–84. Until 1861 the firm concentrated on buying,
267:, he was offered to stay in Paris. Between 1881 and 1890, Theo was manager of Goupil & Cie's branch on Boulevard Montmartre, from which he sold about 1,000 paintings, including works by members of the Barbizon School like Corot and Daubigny.
340:
It was in
Boulevard Montmartre (originally nos 12 and 15) that Adolphe Goupil first went into business. No. 19 became a simple sales room when the administration was moved to Rue Chaptal. From 1881 this branch was run by
282:" and edited by Goupil & Cie, 1868–1873. In 1880, he asked his former director Herman Gijsbert Tersteeg, at Goupil's in The Hague, to lend him a copy, which he finally received with the support of his brother Theo.
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in 1829. The business premise was printing and selling prints (engravings and lithographs) in Blvd. Montmartre in Paris. From the outset, the house specialised in the sale of engravings after pictures by
233:
125:
is an international auction house and merchant of contemporary art and collectibles. Jean-Baptiste Adophe Goupil founded Goupil & Cie in 1850. Goupil & Cie became a leading
160:, was instrumental in their expansion from 1869. The leading figure of Goupil & Cie was Jean-Baptiste Adolphe Goupil (1806–1893). His daughter Marie married the French artist
460:
Today, Goupil & Cie specializes in modern and contemporary art as well as luxury and exceptional products. Sales and auctions are mainly organized online.
255:, entered the firm, the business expanded to paintings and drawings, finally in 1872 to industrial images, including photographic and héliographic procedures.
565:
137:. Step by step, Goupil established a worldwide trade in fine art reproductions of paintings and sculptures, with a network of branches and agents in
61:
771:
A CSV dataset that contains 43,750 records transcribed from the 15 stock books of Goupil & Cie/Boussod, Valadon & Cie in Paris (1846–1919).
759:
Goupil & Cie and
Boussod, Valadon & Co. Records, 1846–1919. Research Library at the Getty Research Institute. Los Angeles, California.
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439:
in 1875 when Goupil & Cie took over
Holloway & Sons and their salerooms. Goupil's manager in London was at this time Charles Obach.
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Goupil & Cie/Boussod, Valadon & Cie Stock Books. Getty
Provenance Index at the Getty Research Institute. Los Angeles, California.
396:
Established in the 1830s by Vincent van Gogh on Spuistraat, the gallery was transferred to Plaats 14, in 1861, when combined with Goupil
298:). Both families have been associates to manage the Dutch branch. Vincent and Théodore van Gogh were also employed in London and Paris.
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207:, introduced Rittner to the young Jean-Baptiste Adolphe Goupil, who descended from a celebrated family of painters, the
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Vincent was sacked by Léon Boussod in 1876, the balance between the shareholders suffered – and so
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20:
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Established in 1865 by H. W. van Gogh; after his retirement this branch was run by V. Schmidt.
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8:
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Vincent van Gogh fell ill and retired in 1872 due to his degrading health, to settle in
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81:
225:
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Linda Whiteley, 'Art et commerce d'art en France avant l'Ă©poque impressionniste',
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In these years, Vincent took up his vocation and began to study art, based on the
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Rosalba Dinoia, ' The Maison Goupil and the Triumph of Italian Painters',
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Theo van Gogh (1857–1891), Art dealer, collector and brother of Vincent.
566:"The Perils and Perks of Trading Art Overseas: Goupil's New York Branch"
126:
522:"La maison Goupil ou la notion d'oeuvre originale remise en question"
146:
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and other major art capitals across Continental Europe as well as in
695:, Gazette des Beaux-Arts, January & February 1973, p. 1–107
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9 Rue Chaptal (Administration, gallery of paintings and storerooms)
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got his chance. Called to the Paris office for the time of the
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La maison Goupil, Galerie d'art internationale au XIXe siècle
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and tools are available to assist in formatting, such as
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ART REVIEW; A Return to the Junction Of Art and Commerce
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Plaats 14, since 1861 and moved in 1880 to Plaats 20
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310:Global presence in the 19th and 20th centuries
693:Theo van Gogh, Goupil, and the Impressionists
606:A Return to the Junction Of Art and Commerce
363:Goupil's main sales room established in 1870
45:, which are uninformative and vulnerable to
698:Chris Stolwijk & Richard Thompson, ed.
60:and maintains a consistent citation style.
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715:, Réunion de musées nationaux, Paris 2000
671:, Barbican Art Gallery, London 1992, p. 11
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102:Learn how and when to remove this message
636:http://www.vggallery.com/photos/cent.htm
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713:GĂ©rĂ´me & Goupil: Art and Enterprise
594:– via www.19thc-artworldwide.org.
408:58 Rue Montagne de la Cour / Hofberg 58
305:Goupil & Cie, rue Chaptal (c.1860).
294:over the business oo Vincent van Gogh (
118:Galerie Goupil, place de l'Opéra Paris.
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795:French companies established in 1850
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456:Goupil & Cie in the 21st Century
156:, their workshop north of Paris, in
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775:Collections Online | British Museum
52:Please consider converting them to
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520:Lafont-Couturier, Hélène (1996).
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688:, Paris, Mare & Martin, 2017
570:Nineteenth-Century Art Worldwide
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490:"Goupil & Cie, b. 1829"
470:Vincent van Gogh chronology
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251:by Vincent and his brother
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16:International auction house
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769:Goupil Stock Books Dataset
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583:10.29411/ncaw.2017.16.1.4
538:10.3406/rvart.1996.348269
805:Companies based in Paris
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702:Waanders, Zwolle 1999.
289:for the summers and in
278:"in collaboration with
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19:For other uses, see
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187:(1806–1893)
92:August 2022
784:Categories
552:Romantisme
499:2021-03-04
476:References
296:uncle Cent
249:Uncle Cent
58:verifiable
592:188797433
387:The Hague
147:Australia
43:bare URLs
750:Archived
464:See also
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377:Broadway
369:New York
158:Asnières
47:link rot
209:Drouais
199:Origins
168:History
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218:Ingres
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576:(1).
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