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Goupil & Cie

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Adolphe Goupil engaged in the business of printing and publishing original prints and interpretation in several countries, most importantly in France, England and Germany. He married Victoire Brincard (1808–1886), originally from Belfort, in August 1829, and had five children: Léon, Amélie, Albert, Marie and Blanche. After the disappearance of his first partner, Henry Rittner in 1840, Goupil found a new partner Théodore Vibert (1816–1850) the following year in 1841. Between 1845 and 1848, Goupil and Vibert opened a branch in London and then in New York at 289 Broadway. Vibert died in 1850, leaving several children that Jean-Baptiste Adolphe Goupil took care of. In addition to a printer-publisher, Goupil also became a dealer in paintings and drawings. Goupil signed a contract in 1845 with the painter Charles Landelle, who undertook not to dispose of his reproduction rights before having offered it to Maison Goupil. Jean-Baptiste Adolphe Goupil founded the international company Goupil & Cie in 1850, which in a few decades became one of the greatest art dealers of the 19th century. Jean-Baptiste Adolphe Goupil was elected mayor of Saint-Martin-aux-Chartrains (Calvados) from 1875 to 1893 where he owned the "castle of the whole city". He was appointed officer of the Legion of Honor in 1877. Having already lost his eldest son in 1855, Jean-Baptiste Adolphe Goupil decided to gradually retire from business from 1884, when his second son Albert died. Jean-Baptiste Adolphe Goupil died on May 9, 1893, in Saint-Martin-aux-Chartrains.
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selling and editing prints. To feed an emerging middle-class market with inexpensive art, Goupil's workshop outside Paris employed skilled craftsmen to produce engraved, etched, photographic and even sculptural copies of paintings in vast quantities. Goupil's reproductions made Jean-LĂ©on GĂ©rĂ´me, in particular, a well known artist. Maison Goupil also promoted via their print reproductions, a significant number of works by Italian painters who worked for the publishing house during the 1870s, including paintings by Alberto Pasini and Francesco Paolo Michetti among others. When
32: 741: 302: 115: 228:. After Rittner's death, Goupil formed a partnership with Théodore Vibert, which was formalized in Paris in 1842. In a ground-breaking move, the firm opened in New York in 1848 as Goupil, Vibert et cie. William Schaus became the first director of the New York branch, but was replaced by Adolphe Goupil's son, Léon, and then in 1855 by Michel Knoedler, who eventually bought out Goupil's interest in 1857. 178: 258:
Uncle Cent moved to Paris in 1858 and took residence at 9 Rue Chaptal, which housed Goupil's headquarters, too. In 1861, he became partner of Goupil & Cie. As Uncle Cent had no children, his nephews were evidently supposed to follow him up in the firm: Vincent entered in 1869, Theo in 1873. When
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for the winters, but remained a partner until 1878. His duties were taken over by René Valadon. From then on, the firm was completely in the hands of the Goupil family and their sons-in-law Léon Boussod and René Valadon. Adolphe Goupil (1840–1884) joined his father in 1877. In 1867 Albert had taken
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was born on March 7, 1806 in Paris. He was the son of Auguste Goupil, pharmacist, and Anne Lutton (1774–1849) and ancestor of Hubert Drouais. He became a leader of the art and publishing industry and one of the most important art dealers and publishers of the 19th century. From 1827, Jean-Baptiste
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Adolphe Goupil formed Goupil & Cie in 1850. Over the next 34 years the partners were Adolphe Goupil 1850–84, Alfred Mainguet 1850–56, Léon Goupil 1854–55, Léon Boussod 1856–84, Vincent van Gogh 1861–72, Albert Goupil 1872–84, René Valadon 1878–84. Until 1861 the firm concentrated on buying,
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It was in Boulevard Montmartre (originally nos 12 and 15) that Adolphe Goupil first went into business. No. 19 became a simple sales room when the administration was moved to Rue Chaptal. From 1881 this branch was run by
282:" and edited by Goupil & Cie, 1868–1873. In 1880, he asked his former director Herman Gijsbert Tersteeg, at Goupil's in The Hague, to lend him a copy, which he finally received with the support of his brother Theo. 215:
in 1829. The business premise was printing and selling prints (engravings and lithographs) in Blvd. Montmartre in Paris. From the outset, the house specialised in the sale of engravings after pictures by
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is an international auction house and merchant of contemporary art and collectibles. Jean-Baptiste Adophe Goupil founded Goupil & Cie in 1850. Goupil & Cie became a leading
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Today, Goupil & Cie specializes in modern and contemporary art as well as luxury and exceptional products. Sales and auctions are mainly organized online.
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A CSV dataset that contains 43,750 records transcribed from the 15 stock books of Goupil & Cie/Boussod, Valadon & Cie in Paris (1846–1919).
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Goupil & Cie and Boussod, Valadon & Co. Records, 1846–1919. Research Library at the Getty Research Institute. Los Angeles, California.
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in 1875 when Goupil & Cie took over Holloway & Sons and their salerooms. Goupil's manager in London was at this time Charles Obach.
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Goupil & Cie/Boussod, Valadon & Cie Stock Books. Getty Provenance Index at the Getty Research Institute. Los Angeles, California.
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Established in the 1830s by Vincent van Gogh on Spuistraat, the gallery was transferred to Plaats 14, in 1861, when combined with Goupil
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Vincent was sacked by Léon Boussod in 1876, the balance between the shareholders suffered – and so
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Established in 1865 by H. W. van Gogh; after his retirement this branch was run by V. Schmidt.
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Vincent van Gogh fell ill and retired in 1872 due to his degrading health, to settle in
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Linda Whiteley, 'Art et commerce d'art en France avant l'Ă©poque impressionniste',
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In these years, Vincent took up his vocation and began to study art, based on the
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Rosalba Dinoia, ' The Maison Goupil and the Triumph of Italian Painters',
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Theo van Gogh (1857–1891), Art dealer, collector and brother of Vincent.
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and other major art capitals across Continental Europe as well as in
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9 Rue Chaptal (Administration, gallery of paintings and storerooms)
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got his chance. Called to the Paris office for the time of the
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La maison Goupil, Galerie d'art internationale au XIXe siècle
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and tools are available to assist in formatting, such as
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ART REVIEW; A Return to the Junction Of Art and Commerce
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Plaats 14, since 1861 and moved in 1880 to Plaats 20
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Together, they created the 192:Jean-Baptiste Adolphe Goupil, 626:, XXXI, 2014, 2, pp.195–198. 234:Vincent van Gogh (1820–1888) 173:Jean-Baptiste Adolphe Goupil 7: 490:"Goupil & Cie, b. 1829" 470:Vincent van Gogh chronology 463: 251:by Vincent and his brother 133:, with its headquarters in 16:International auction house 10: 821: 769:Goupil Stock Books Dataset 198: 167: 18: 583:10.29411/ncaw.2017.16.1.4 538:10.3406/rvart.1996.348269 805:Companies based in Paris 154:Ateliers Photographiques 702:Waanders, Zwolle 1999. 289:for the summers and in 278:"in collaboration with 243:, the uncle of painter 21:Goupil (disambiguation) 747:MusĂ©e Goupil, Bordeaux 554:, 40, 1983, pp. 73–74. 306: 203:The seascape painter, 188: 119: 304: 180: 117: 647:Judith H. Dobrzynski 451:Charlottenstrasse 63 381:Established in 1848. 336:Boulevard Montmartre 19:For other uses, see 669:Van Gogh in England 649:, (June 13, 1999), 222:Hippolyte Delaroche 205:Charles Louis Mozin 790:French art dealers 752:2018-02-25 at the 429:Southampton Street 307: 189: 120: 112: 111: 104: 62:Several templates 812: 743: 738: 737: 735:Official website 672: 665: 659: 644: 638: 633: 627: 620: 614: 602: 596: 595: 585: 561: 555: 548: 542: 541: 517: 504: 503: 501: 500: 486: 359:Place de l'OpĂ©ra 245:Vincent van Gogh 242: 162:Jean-LĂ©on GĂ©rĂ´me 129:in 19th-century 123:Goupil & Cie 107: 100: 96: 93: 87: 85: 74: 34: 33: 26: 820: 819: 815: 814: 813: 811: 810: 809: 780: 779: 754:Wayback Machine 733: 732: 729: 681: 679:Further reading 676: 675: 667:Martin Bailey, 666: 662: 645: 641: 634: 630: 624:Print Quarterly 621: 617: 603: 599: 562: 558: 549: 545: 518: 507: 498: 496: 488: 487: 483: 478: 466: 458: 423:Established by 312: 272:Cours de dessin 265:World Fair 1878 236: 201: 175: 170: 108: 97: 91: 88: 76: 65: 51: 35: 31: 24: 17: 12: 11: 5: 818: 808: 807: 802: 797: 792: 778: 777: 772: 766: 761: 756: 744: 728: 727:External links 725: 724: 723: 710: 696: 689: 680: 677: 674: 673: 660: 655:New York Times 639: 628: 615: 610:New York Times 597: 556: 543: 526:Revue de l'Art 505: 480: 479: 477: 474: 473: 472: 465: 462: 457: 454: 453: 452: 448: 447: 441: 440: 433:Bedford Street 431:. Moved to 25 425:Ernest Gambart 420: 419: 413: 412: 409: 405: 404: 398: 397: 394: 390: 389: 383: 382: 379: 372: 371: 365: 364: 361: 354: 353: 347: 346: 338: 331: 330: 324: 323: 319: 318: 311: 308: 276:Charles Bargue 274:, compiled by 226:LĂ©opold Robert 200: 197: 185:Adolphe Goupil 174: 171: 169: 166: 127:art dealership 110: 109: 54:full citations 38: 36: 29: 15: 9: 6: 4: 3: 2: 817: 806: 803: 801: 798: 796: 793: 791: 788: 787: 785: 776: 773: 770: 767: 765: 762: 760: 757: 755: 751: 748: 745: 742: 736: 731: 730: 722: 721:2-7118-4152-9 718: 714: 711: 709: 708:90-400-9359-8 705: 701: 697: 694: 691:John Rewald, 690: 687: 684:Agnès Penot, 683: 682: 670: 664: 657: 656: 652: 648: 643: 637: 632: 625: 619: 612: 611: 607: 601: 593: 589: 584: 579: 575: 571: 567: 560: 553: 547: 539: 535: 531: 527: 523: 516: 514: 512: 510: 495: 491: 485: 481: 471: 468: 467: 461: 450: 449: 446: 443: 442: 438: 434: 430: 426: 422: 421: 418: 415: 414: 410: 407: 406: 403: 400: 399: 395: 392: 391: 388: 385: 384: 380: 378: 374: 373: 370: 367: 366: 362: 360: 356: 355: 352: 349: 348: 344: 343:Theo van Gogh 339: 337: 333: 332: 329: 326: 325: 321: 320: 317: 314: 313: 303: 299: 297: 292: 288: 283: 281: 277: 273: 268: 266: 262: 256: 254: 250: 246: 240: 235: 229: 227: 223: 219: 214: 213:maison Goupil 210: 206: 196: 193: 186: 183: 182:Jean-Baptiste 179: 165: 163: 159: 155: 152: 148: 144: 143:New York City 140: 136: 132: 128: 124: 116: 106: 103: 95: 83: 82:documentation 79: 72: 71:documentation 68: 63: 59: 55: 50: 48: 44: 39:This article 37: 28: 27: 22: 712: 699: 692: 685: 668: 663: 653: 642: 631: 623: 618: 608: 600: 573: 569: 559: 551: 546: 532:(1): 59–69. 529: 525: 497:. Retrieved 493: 484: 459: 444: 416: 401: 386: 368: 350: 327: 315: 295: 284: 280:J.-L. GĂ©rĂ´me 271: 269: 257: 248: 230: 212: 202: 191: 190: 184: 181: 153: 150: 122: 121: 98: 89: 78:Citation bot 40: 800:1850 in art 287:Princenhage 247:, known as 237: [ 187:(1806–1893) 92:August 2022 784:Categories 552:Romantisme 499:2021-03-04 476:References 296:uncle Cent 249:Uncle Cent 58:verifiable 592:188797433 387:The Hague 147:Australia 43:bare URLs 750:Archived 464:See also 402:Brussels 377:Broadway 369:New York 158:Asnières 47:link rot 209:Drouais 199:Origins 168:History 719:  706:  590:  445:Berlin 437:Strand 417:London 291:Menton 218:Ingres 139:London 131:France 67:reFill 588:S2CID 576:(1). 427:. 17 351:Paris 328:Paris 316:Paris 241:] 135:Paris 41:uses 717:ISBN 704:ISBN 375:289 261:Theo 253:Theo 224:and 145:and 75:and 578:doi 534:doi 530:112 334:19 151:Les 786:: 586:. 574:16 572:. 568:. 528:. 524:. 508:^ 492:. 435:, 357:2 239:nl 220:, 164:. 149:. 658:. 613:. 580:: 540:. 536:: 502:. 345:. 105:) 99:( 94:) 90:( 86:. 84:) 80:( 73:) 69:( 49:. 23:.

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Goupil (disambiguation)
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art dealership
France
Paris
London
New York City
Australia
Asnières
Jean-LĂ©on GĂ©rĂ´me

Charles Louis Mozin
Drouais
Ingres
Hippolyte Delaroche
LĂ©opold Robert
Vincent van Gogh (1820–1888)
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Vincent van Gogh
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