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has a center named after him that houses its Middle
Eastern studies department and library. The Hagop Kevorkian Center for Near Eastern Studies at New York University was created in 1966 to foster the interdisciplinary study of the modern and contemporary Middle East and to enhance public
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In a study of the commodification of
Islamic antiques and their entry into museum collections, Mercedes Volait identified Hagop Kevorkian as one of a set of "renowned Armenian art dealers in Paris" which also included Dikran Khan Kelekian (1868-1951), and Antoine Brimo of
255:, a site in northwest Iran inhabited from the 6th millennium BC, which Dr. Robert J. Dyson Jr., excavated. After his death the Kevorkian Fund also supported a visiting lectureship in Iranian art and archaeology and an international speaker series at the Penn Museum.
153:. He organized the exhibition of Islamic ceramics in London in 1911. The works excavated under his supervision were shown in New York in 1914. Major sales of Islamic pieces from his collection, including lacquer doors and tile panels from
247:. Ninety-nine objects in the Penn Museum collections came from Kevorkian, either through purchase or, later, donation. He established a fund, the Kevorkian Fund, in the 1950s, which funded the expeditions of the
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inscription surrounds the rim; found at Rhages, the ancient Median city of Rhei; probably 11th century AD; purchased from H. Kevorkian, 1915; courtesy of the Penn Museum, image no. 296835, object no.
200:(1872-1862). She argued that Kevorkian and others shifted the trade in Islamic antiquities from Damascus and Cairo to Paris, London and New York, while enabling the entry of objects into collections at the
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Antique dealing and creative reuse in Cairo and
Damascus 1850-1890 : intercultural engagements with architecture and craft in the age of travel and reform
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in the late 19th century, and was responsible for drawing greater attention to Near
Eastern and Islamic artifacts in the United States.
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now hold elements of the
Kevorkian Album in their collections. An auction of some of his collection occurred in 1970 at the
180:(rather confusingly, as there is at least one other album called this). The Metropolitan Museum of Art in New York and the
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109:; 1872 – 1962) was an Armenian-American archeologist, connoisseur of art, and collector. Originally from
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After
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Property of the
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Kevorkian, Hagop in The Grove
Encyclopedia of Islamic Art and Architecture
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University of
Pennsylvania Museum of Archaeology and Anthropology
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University of
Pennsylvania Museum of Archaeology and Anthropology
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Armenian-American archeologist, connoisseur of art and collector
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painted vessel with marching camels and lion handles; a
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from around 1907, and assembled an outstanding collection of
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Emigrants from the Ottoman Empire to the United States
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The Hagop Kevorkian Center, National Resource Centers
271:Bloom, Jonathan M.; Blair, Sheila S., eds. (2009).
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423:"Ralph Minasian and the Hagop Kevorkian Fund".
471:The Emperors' album: images of Mughal India
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401:"Kevorkian, Hagop",
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174:Shah Jahan
87:Polychrome
62:1962-02-10
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164:album of
386:Archived
119:Istanbul
103:Armenian
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449:. 1968
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