Ham House - Knowledge

2204: 2339: 792: 927: 1419: 2167: 1141: 9395: 1655: 589: 1707: 1817: 70: 2453: 2076: 2259: 2035: 1904: 1255: 1496: 457: 581: 42: 2652:: "The grounds are indescribably overgrown and unkempt. All the rooms are dirty and dusty. The garden and front doors look as they had not been used for decades." Despite the neglect, a report commissioned by Lees-Milne in 1946 concluded that it was "by far the finest, most valuable and most representative building of the period to which it belongs in the United Kingdom". Following lengthy negotiations, Sir Lyonel and his son donated the house and its grounds to the Trust in 1948. The stables and other outlying buildings were sold privately and much of the remaining estate was auctioned in 1949. 2498: 1021:, a French invention which were refined with weights and pulleys in England. The east front of the house retains many of its 17th century windows, as well as the door to the Great Staircase and the door from the Duchess's private apartments to the cherry garden. The west front of the house contains a mixture of 17th and 18th century windows and has long served as the service entrance to the house. Structures such as the bake house, still house, bath house, dairy and ice house were located to the west of the house, although some no longer survive. 836: 1069: 9473: 1219: 9508: 877:, a friend of Elizabeth's, had occupied it at least once. This was the most important room in the house and the focal point towards which one progressed on the first floor. Another benefit of transforming the house from single to double-pile – a "pile" is a row of rooms, single-pile houses have only one row while double-pile houses are two rows deep, often with a corridor between the rows – had been that it allowed the creation of hidden passages and staircases for servants who could now enter rooms via discreet 9402: 9518: 9448: 9528: 9428: 9468: 9458: 9493: 9548: 9538: 9503: 9483: 9558: 9438: 9418: 866:

an honour. Her White Closet was designed for entertaining and had a private door opening onto the Cherry Garden. It was decorated in the most advanced tastes of the day and according to the 1679 inventory that it had "one Indian furnace for tee garnish'd wt silver", a luxury at a time when tea was only beginning to be drunk outside of exclusive royal residences. For this reason, too Elizabeth kept her tea secure in a "Japan box" in her adjoining Private Closet.

1036:. There are three available designations: Grade I, Grade II* and Grade II, with the first being applied to buildings of "exceptional interest". The house is a Grade I listed building. Ham was also given Accredited Museum status in 2015, having demonstrated compliance with UK industry standards for museums and galleries. The Park and Garden has a Grade II* listing. A number of the surrounding features have a Grade II listing: the 2282:" had included a model of Ham House with its gardens shown according to the 1672 plans created by Ms. Lucy (Henderson) Askew. This model illustrated the details of the 17th-century design in terms of both layout and plant selection and was used to garner support for the restoration project. By 1977, the grass plats and the structure of the Wilderness to the south of the house were re-established. The 1675 painting by 1891:(1636–1707). Framed by a plaster garland, following the designs of the previous rooms, the richness of the effect is emphasised by gilding of the roses. Three ceiling paintings, again in the style of Verrio, of cupids sprinkling flowers, are partly hidden from view above the alcove. The elaborate chimney piece, hearth and windowsill, again including the Lauderdale cipher and ducal coronet, are made from 77: 2326:. He only spent short periods at Ham, and apparently did little for the upkeep of the house though he kept the garden well. He did use his wealth to pay off the interest on the outstanding mortgages but was not considered generous, even with his immediate family. His only son, Lionel, predeceased him in 1712 and on his death he was succeeded as Earl of Dysart by his grandson, also named 357:

princely accommodation suites for visitors. The house was furnished to the highest standards of courtly taste and decorated with "a lavishness which transcended even what was fitting to their exalted rank". The Lauderdales accumulated notable collections of paintings, tapestries and furniture, and redesigned the gardens and grounds to reflect their status and that of their guests.

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The Buttery; 12 – The Steward's Hall; 13 – The chapel; 14 – The Back Parlour; 15 – The Queen's Closet; 16 – The Queen's Bedchamber; 17 – The Antechamber to the Queen's Bedchamber; 18 – The Library Closet; 19 – The Library; 20 – The Great Staircase; 21 – The Round Gallery; 22 – The North Drawing Room; 23 – The Long Gallery; 24 – The Museum Room; 25 – The Green Closet

2590:, and while eccentric and difficult, nonetheless was hospitable and supportive of the local community. His cantankerous nature proved too much for his wife who left him in the early 1900s but he lived on with other family members at Ham for many years. In the 1920s and 1930s he employed a staff of up to 20 including a chauffeur for his four cars including a 2432:; "whenever my house becomes a public spectacle, His Majesty shall certainly have the first view". In contrast to his conserving instincts at Ham, he demolished two properties in Northamptonshire and Cheshire, although retaining the productive, and lucrative, estates. He continued the family tradition of acquiring fine furniture, most notably a marquetry 1487:. Tapestries were important in Europe for comfort in draughty manor houses and as status objects because of their expense. Sets with designs showing the seasons or months were popular and had a number of variations depicting appropriate seasonal activities such as milking for April, ploughing and sowing for September, and wine-making for October. 2517:, Louisa inherited the title and estates at Ham in 1821 at the age of 76. The remaining Tollemache estates were bequeathed to the heirs of Lady Jane. Louisa continued the patronage of John Constable who was a frequent and welcome visitor to Ham. Increasingly infirm and blind in old age, Louisa lived to the age of 95, dying in 1840. 2648:, to visit the house. Lees-Milne saw the neglected state of the house and grounds but, even though devoid of its contents, the historical importance of the underlying estate was immediately apparent. He recorded his impressions in his diary for 1947, extracts from which were later reproduced in the volume 1013:(1573–1652). At the time the Lauderdales' remodelling project was considered impressive, the façades giving the impression of two separate houses, while the interior blends them harmoniously. Roger North, a contemporary aristocrat, amateur architect and critic, described the remodelling in his treatise, 1845:

The bed had been removed by 1728 and the rooms were closed and rarely used, contributing to their excellent state of preservation. The change of use to a drawing room took place in the mid‑18th century with the lowering of the dais in line with the rest of the floor, and the purchase of new furniture

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Used for the display of miniature paintings and smaller-scale furniture, in contrast to the Long Gallery, this room is a very rare survival of a room in the style of Charles I's court. In the 1630s the Green Closet was specifically designed by William Murray to display miniatures and small paintings.

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Floral marquetry cabinet: Ham House has a number of tables and cabinets decorated with floral marquetry including this, the earliest inventoried example in England, dating from 1675. The naturalistic representations of flowers and fruit are cut from contrasting woods such as ebony, walnut and stained

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cabinet opens to reveal 14 drawers. An inner door conceals small drawers, further secret drawers and a compartment. It was recorded as being moved to the prestigious Queen's Bedchamber shortly after its appearance in the 1677 inventory and is considered the most impressive piece of furniture designed

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The second phase of reconstruction is the ambitious expansion to the south or garden side of the original house by the Duke and Duchess of Lauderdale in 1672 to display their high status in the court of King Charles II. They infilled the space between the southern wings of the H-plan building, almost

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failed to reconcile them and the matter was finally settled in her favour in the Scottish courts in 1688. Although this may have suppressed Elizabeth's lavish lifestyle, she went on to make further alterations to the house at Ham, opening the Hall ceiling and creating the Round Gallery in about 1690.

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On 23 September 1899, full control of the Tollemache estates at Ham and Buckminster was transferred from trustees to the 9th Earl, then aged about 40, in accordance with his grandfather's will. By the early 1900s the Dysarts had installed electricity and central heating at the house along with other

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This was the Duchess's most private and intimate room where she would read, write and entertain her closest family and friends. The elaborate oil on plaster ceilings in both of the Duchess's closets are by Antonio Verrio. They are among his earliest commissions in England, and his earliest surviving

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The smallest, most intimate of the suite of rooms, the third and final room was designed for private use and could be closed off, away from the business of the State Bedchamber. Rarely used and preserved largely intact, the decoration, textiles and furniture give a unique record of late 17th century

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This room, built on the central axis of the house, was designed for the reception of guests and visiting dignitaries who would have waited to be summoned from the Antechamber. The State Bed stood prominently on a raised dais at the east end of the room facing the door. A balustrade separated the bed

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The government relinquished its lease in 1990, and the compensation was used to form a fund to support maintenance. The collections were fully transferred from the V&A to the National Trust in 2002. Since that time, the National Trust has invested in recreating the period interiors of the house

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as the Keeper of the Furniture Department at the V&A led to a new approach in the management of the collection; efforts focused on arranging pieces within the house according to the documented history of the property, rather than treating individual items as simply part of the museum inventory.

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Much new furniture was commissioned, but the 4th Earl seems to have also been committed to preserving existing artefacts, making repairs to fixtures from the Lauderdale period where necessary. He made three large changes to the interior of the house: the Queen's Bedchamber on the first floor became

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to the west of the house, to restore its use as a supply of fresh fruit, vegetables and flowers. The produce is used in the Orangery cafe, while the flowers are used to decorate the house. The garden itself is also used as an exhibition space, with information about tulip varieties and the range of

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ceiling of this glamorous room, originally decorated with white silk hangings and marble effect walls, emphasises the advanced taste of the Duke and Duchess of Lauderdale in a room intended for their most important visitors. Painted by Verrio in oil on plaster in 1673/74, it is described by the art

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Plan of the interior of Ham House. Key: 1 – The White Closet; 2 – The Duchess's Private Closet; 3 – The Volury; 4 – The Withdrawing Room; 5 – the Marble Dining Room; 6 – The Duke's Dressing Room; 7 – The Duchess's Bedchamber; 8 – The Duke's Closet; 9 – The Great Staircase; 10 – The Great Hall; 11 –

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The glorious years for the Lauderdales began to wane in 1680 when the Duke had a stroke and his influence declined. On his death in 1682 he left the Ham and Petersham property to Elizabeth, thereby securing the estate for the Tollemache dynasty. However, Elizabeth also inherited her husband's debts

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Closets formed an exclusive and very private end to the sequence into which only the most important guests were invited. Visitors knew that they would only progress through the rooms according to their rank or significance in society: being entertained in one of Elizabeth's closets would have been

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recounts a visit to Ham House the following year, contrasting the dilapidation and disrepair of the house and estate with the treasures the house still contained. Shortly afterwards, the 9th Earl, with agreement from the trustees, undertook extensive renovation of the house and its contents and by

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Of the sixteen children of the 4th Earl and Countess, only seven lived to maturity. Three of their five sons died in the pursuit of their naval careers. The Countess died in 1755 aged 42, and the Earl in 1770 aged 61. He was survived by his sons Lionel, Lord Huntingtower, and Wilbraham, as well as

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and double yew hedges. Later archaeological studies completed in the 1980s indicated no evidence of formal gardens in this area prior to the 20th century; despite this finding, the National Trust's Gardens Panel decided not to remove the garden, but rather allow it to remain so long as visitors to

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cabinet: Japanese lacquered furniture was fashionable in the 17th century and this cabinet from 1650 remains in the Long Gallery where it has stood since then. Decorated with hills, trees and birds in raised gold and silver lacquer, the doors open on engraved brass hinges to reveal 10 drawers. The

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After dinner in the adjacent dining room, guests would have retired to the North Drawing Room for conversation. This room was decorated at the same time as the Great Dining Room, and was later hung with tapestries. Kinsman continued his elaborate plasterwork in the white ceiling in this room. Deep

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The Great Staircase, described by the historian Christopher Rowell as "remarkable" and "apparently without a close parallel in the British Isles", was created for William Murray at the east end of the Great Hall in 1638–39 as part of a series of improvements to the house which reflected his rising

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and holder of major positions in Scotland, while the Duchess exercised significant social and political influence. They began an ambitious program of development and embellishment at Ham. The house was almost doubled in size and equipped with private apartments for the Duke and Duchess, as well as

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in yellow. The fashion for leather wall decoration spread from Spain and the Spanish Netherlands in the 17th century and was considered ideal for dining rooms as leather did not become impregnated with the odours of food like the fabric of a tapestry. The Ham House inventory of 1655 indicates the

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This suite of three rooms, now referred to as the Queen's Apartments, was created by the Duke and Duchess of Lauderdale when the house was enlarged in 1673. Intended for use by Catherine of Braganza, they reflect the latest innovations from France, where royalty received important visitors in the

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for privacy and entertainment and he having a staircase connecting his bedroom to the library above, but Elizabeth appears to have changed her mind while the rooms were being built and eventually each came to have a bedchamber within the other's apartment. This alteration may have been due to the

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of rooms created each side of a central axis around a new downstairs Dining Room. Most grand houses at that time had apartments laid out in this way, comprising a suite of rooms approached one through the other. The original plan was to create the Duchess's apartments to the left (east) and the

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cause. Katherine died at Ham on 18 July 1649 (Charles I had been executed on 30 January of the same year). The Parliamentarians sold off much of the Royal Estate, including the Manors of Ham and Petersham. These, including Ham House, were bought for £1,131.18s on 13 May 1650 by William Adams, the

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succeeded to the title in 1770 on his father's death. Despite spending on the house, the 4th Earl had kept his son short of money during his lifetime, causing friction in the relationship; he married without his father's consent. His wife, Charlotte, was the youngest illegitimate daughter of Sir

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Elizabeth and Lionel Tollemache's eldest son and heir, Lionel, became 3rd Earl of Dysart on his mother's death in 1698, inheriting Ham House, the adjoining estates and the manors of Ham and Petersham. Already the owner of his father's estates in Suffolk and Northamptonshire, he had also acquired

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The 3rd and 4th Earls of Dysart who subsequently inherited the estate maintained the formal garden features into the 18th century, while also planting avenues of trees in the wider vicinity. After inheriting the estate in 1799, the 6th Earl opened the north front of the property to the river and

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cabinet: this cabinet (c. 1650–1675) on a possibly 19th century stand features red tortoiseshell decoration on a somewhat austere ebonised pine exterior that does not prepare the viewer for the ornate interior. Two doors open to reveal multiple shallow drawers on either side of an architectural

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of the Duke and Duchess of Lauderdale, their initials J, E and L entwined in cedar and walnut, a feature that repeats in the Queens's Closet. The floor remains in excellent condition. This ceiling has the richest plaster decoration in the house, a large deep oval of bay leaves dotted with roses.

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floor, an innovation from France, continues through to the far side of the Queen's Bedchamber where it is then replaced with a more elaborate marquetry design where the State Bed would have stood. The blue velvet and damask wall hangings, installed during the period 1679–1683, are extremely rare

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fruitwood and laid onto the carcass. The woods and other materials were often dyed to create a greater range of colours and the green leaves on this piece are made from stained ivory or bone. This cabinet, as well as other tables and a mirror in the house, is attributed by the National Trust to

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suggested that, while the exterior of Ham was "not as attractive as other houses of this period", the "high architectural and decorative interest" of its interior should be recognised. John Julius Norwich considered the interiors, a "time machine – enclosing one in the elegant, opulent world of

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The gardens and pleasure grounds at Ham cover approximately 12 hectares (30 acres). They follow an axial plan, with avenues originally leading east, west and south from the house. The fourth, northern, side of the estate fronts the River Thames. The listed avenues leading to the house from the

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Originally the Duke's bedchamber, it is believed it became the Duchess's bedchamber following the installation of the bathroom which is accessed via the door to the left of the bed alcove. The ceiling above the bed in the alcove is painted in the style of Antonio Verrio and shows the partially

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chest: China was another Asian source of lacquered furniture in the 17th century. Decorated with watery landscapes and branches, this chest is lacquered in gold and red on a dark crimson ground. It was a standard form of storage chest for linens and other textiles. The English stand c. 1730 is

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was held to stimulate interest in new research; this led to the publication of a major historical survey overseen by Christopher Rowell in 2013. The Trust continues to acquire items at auction with a historical connection to the house, such as paintings which were formerly in the collection.

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considers it probably "the oldest country house library" still in existence. Although some shelves were moved from what is now the Queen's Antechamber, most of the cedar fixed furniture, including the secretaire, was provided by Henry Harlow. The Duke of Lauderdale added substantially to the

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As Duchess and consort to a very political Duke, Elizabeth had risen to the peak of Restoration society where she could exercise her many talents and interests. Image was paramount and the Lauderdales began a programme of aggrandisement of their properties – Elizabeth consulted her cousin,

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in 1948. During the second half of the 20th century the house and gardens were opened to the public, and were extensively restored and researched. The property has become a popular filming location for cinema and television productions, which make use of its period interiors and gardens.

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Charlotte died, childless, in 1789 and although Lionel remarried he remained without an heir. The families of his surviving sisters, Louisa and Jane, reverted to the family name of Tollemache in anticipation of eventual succession. On his death in 1799 his brother, Wilbraham became the

1523:, dated 1589—two years after her execution. According to the National Trust, this painting "shows that portraits of the queen were being copied and presumably displayed in Scotland around the time of her execution, a highly contentious and potentially dangerous thing to be seen doing". 808:, a gesture Maitland repaid in his will when he left her £1,500 in gold for "preserving my life when I was a prisoner in the year 1651". They became much closer following the death of her husband and he began visiting Ham regularly. Already a favourite of the King, he was appointed 2428:. The 5th Earl seems to have been a reclusive and introverted individual who shunned publicity, preferring to remain on his estates and refusing to allow changes or renovations to Ham House. His aversion to visitors was so marked as to lead him to refuse a request to visit from 2024:

technique and features silver mounts. Made for the Duchess of Lauderdale, it is listed in the 1679 inventory of Ham House and is believed to have been made in London by a French or Dutch craftsman. Kingwood was one of the most expensive woods used in furniture making in the 17th

1746:; in 1904 a visitor, William Younger Fletcher, described the library as containing books of greater value, in proportion to its size, than any other in Europe. Most of the books were sold in 1938, and the bulk of the remainder after the Second World War. A notable exception, a 917:

and she rarely went upstairs, living mainly in what had been the Duke's apartments, but her intellect remained and she liked to be kept informed about events at court and in politics. Elizabeth Maitland continued to live at Ham House until her death in 1698 at the age of 72.

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which runs along the north entrance of the property. Louisa Manners, 7th Countess of Dysart, inherited the estate upon her brother's death and was acquainted with the artist John Constable, who completed a sketch of Ham House from the south gardens during a visit in 1835.

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carrying symbols of time (an hourglass), death (a skull), and eternity (a snake eating its own tail). Verrio linked the ceiling design to the room by enclosing it in a narrow painted grey marble surround, matching the marble fireplace. The room also contains a portrait of

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authorities was the matter of Elizabeth's allegiance. Her parents' activities during the Civil War had raised suspicion among both Royalists and Parliamentarians, and similar speculation attached to Elizabeth, which was heightened when she began a close relationship with

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of Roman emperors which had adorned the now-demolished walls since the 17th century were relocated to niches in the front of the house. Further restoration of the old furniture took place as well as the addition of Jacobean reproductions. The 6th Earl became a patron of

2192:. From the initial survey drawings produced by Robert Smythson and son in 1609, it is clear that the garden design was considered as important as that of the house and that the two were intended to be in harmony. The original design shows the house set within a range of 1757:

After the war Norman Norris, a Brighton book dealer, assembled a collection of books from a range of post-war country house sales. He bequeathed the collection to the National Trust and many eventually came to Ham, primarily those pre-dating the mid-18th century. One,

2354:, and began repairing existing furniture as well as commissioning new pieces for his properties at Ham and at Helmingham Hall in Suffolk. Ham House had been largely neglected since the death of Elizabeth; in 1730 he ordered a structural survey of the building from 1478:

for the Queen's Bedchamber. While these are no longer at the house, the 4th Earl of Dysart acquired a set woven in Lambeth in 1699–1719 by the ex-Mortlake weaver Stephen de May, probably to the Mortlake design. Altered to hang in the North Drawing Room, this set of

2632:, they suffered significant water damage from fire hoses. Thought for some time to have been lost, an additional set of papers was subsequently recovered from the Ham House stables in 1953, though many were in poor condition from inadequate storage conditions. 1163:

flooring is also believed to date from the original construction. By the early 18th century the room had been expanded upwards by opening the ceiling to the room above, now known as the Round Gallery. The room contains a number of large and notable paintings.

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doubling the volume of the house. Jenkins considers the Lauderdales' remodelling one of the earliest examples in England of the creation of a suite of state rooms for the accommodation and entertainment of royalty. Although the Lauderdales initially consulted

2234:) on the south side of the house. Both the private apartments for the Duke and Duchess and the State Apartments added to the south front of the house were designed to overlook the formal gardens, an innovation that was highly commended by contemporaries. 1529:

by Sir Anthony van Dyck and studio. In recognition of their friendship this painting was given by Charles I to William Murray; a 1638–39 memorandum of pictures bought by the King from Van Dyck includes framed pictures, one of which is believed to be this

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staircase rises over three floors above a square stairwell. The balustrade is composed of boldly hand-carved pierced wooden panels depicting trophies of war. Each panel is different, with varying images on each face of arms and armour, including a set of

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where it is flanked by a pair of more modest gatehouses. A third avenue to the west no longer exists, and the view to and from the Thames completes the principal approaches to the house. The gardens and grounds are listed Grade II* on Historic England's

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lands. The grant was made in trust to Robert Murray for the daughters of the, then, late Earl of Dysart, "in consideration of the service done by the late Earl of Dysart and his Daughter, and of the losses sustained by them by the enclosure of the

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was part of the original 1610 house, but was extensively redecorated in 1639 by William Murray. It has been used as an exercise space as well as a gallery to showcase portraits of family and important royal connections. Notable paintings include:

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In 2020, the National Trust published a report on a survey completed to identify links between colonialism and the properties in its portfolio. The entry on Ham House noted that the Duke of Lauderdale was connected to organisations involved in

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installation of a bathroom downstairs which had to be near the kitchen (the source of hot water) in the basement at the Duke's end of the house. Despite the swap of bedchambers, she retained her original closets at the east side of the house.

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on the projections at each end of the house were rebuilt as deeper three-window bays, with corresponding alterations made to the bays on the south front. Major repairs were also made to the roof, where old unfashionable red tiles on the outer

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which extended two storeys to form a porch over the main entrance, had become detached from the wall and was in danger of pulling down the roof. It was removed completely and the stone reused for repairs to the first and second floors. The

1387:, he was employed by William Murray at Ham House during the 1637 renovation and creation of the State Apartments. The ceilings at Ham are the only surviving example of his work, showing the influence of Inigo Jones in their design of deep 2289:

In approaching the restoration of the "cherry garden" on the east side of the house, there was less documentary evidence available to guide the design. A set of diagonally-set parterres outlined by box hedges and cones were planted with

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and the estates at Ham and Buckminster. He and his middle-aged son, Cecil Lyonel Newcomen Tollemache, lived at the house, but the lack of available staff during the Second World War added to the difficulty of maintaining it. The nearby

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Doreen Cripps notes that "some authorities...maintain that the title was not bestowed for another three years when Murray persuaded Charles to antedate it." She further observes that Katherine did not use the title, but remained "Mrs.

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and textile producer William Bradshaw; the Volury on the ground floor became another drawing room with the addition of tapestries and its distinctive X-framed seat furniture; and in the Dining Room the marble floor was replaced with

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of £800 for life and, while many of the Parliamentarian sales of Royal lands were put aside, Elizabeth retained the titles to the Manors of Ham and Petersham. In addition, in about 1665, following William's death, Lionel was granted

8994: 873:(Great Dining Room, North Drawing Room and Long Gallery) were extended with the addition of a State Bedroom apartment. The bedchamber itself was being referred to as "the Queen's Bedchamber" in 1674 which suggests that the 1985:

in the open sky above. Verrio linked the ceiling design to the room by enclosing it in a narrow painted red marble surround, matching the red marble fireplace, as in the Private Closet. The heavily gilded coving includes

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aircraft factory was a target for bombing raids, and the house and grounds suffered some minor damage. Much of the house's contents were removed to the countryside for safety. Most of the family papers were deposited in

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in his diary: "After a great deal of manoeuvre I managed to insert a proviso that the N.T. should be consulted contents. The Government proposal is that they should keep the contents, and hold them through the V &

1854:, and purchased in 1742 for £184 on behalf of the 4th Earl of Dysart, the tapestries needed only slight alterations to fit three of the walls of his newly decorated drawing room. Bradshaw's signature can be seen on The 2196:, each with different formal designs as well as an orchard and vegetable garden. Uncertainty remains as to how much of the original design was actually realised; nevertheless, the plans illustrate the influence of the 2083:

After dining in the adjacent Marble Dining Room, guests would retire to this space for entertainment and conversation. It also served as an antechamber to the adjacent bedchamber. Notable in this room is the ebony and

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who petitioned for her father's release on charges of treason in 1646. She felt sufficient gratitude towards him to claim in later years that she appealed to Cromwell to show clemency following his capture after the

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Restoration is an additional area of major investment, such as that completed for the Queen's Antechamber wallhangings in 2010. In its 2018/2019 Annual Report, the Trust reported that Ham received 127,195 visitors.

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depicts a finely dressed couple (possibly the Duke and Duchess of Lauderdale) in front of the south front and formal gardens, and was set into the chimneypiece in the White Closet shortly after the building was

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status at Court. An ornately carved archway marks the entrance from the Great Hall to the stairs, which were designed as a grand processional route giving access to the State Apartments on the first floor. The

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of Charles I. Murray's initial lease was for 39 years and, in 1631, a further 14 years were added. When Gregory Cole, a neighbouring landowner, had to sell his property in Petersham as part of the enclosure of

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by rehanging the collection and placing furniture according to inventory records as well as commissioning replica textiles based on archival descriptions. To celebrate the 400th anniversary of the property, a

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work following his arrival from France in 1672. As his reputation grew he was commissioned by royal and aristocratic clients for larger projects including for Charles II at Windsor Castle, interiors for the

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leather panels of fruits and flowers such as tulips and roses mixed with birds and butterflies on a white background. These had been embossed and some elements gilded, giving the room a sumptuous look.

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series, record the "not specially impressive" nature of the remaining doorway but are clear that Ham was built to an H-plan. The architect of Vavasour's house is not known although survey drawings by

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in 1637, he made over the remaining leases on his land to Murray. Shortly afterwards William and his wife Katherine (or Catherine) engaged the services of skilled craftsmen, including the artist

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published in 2002, acknowledged that the exterior of Ham was "not as attractive as other houses of this period", but noted the interior's "high architectural and decorative interest". The critic

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State Bedchamber. The rooms are decorated with increasing splendour, beginning with the relatively modest Antechamber, culminating in the small but richly gilded and decorated Queen's Closet.

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at the intersections, enclosing geometric compartments. The white plaster high relief oval swags of luscious fruit, flowers and ribbons, including the odd worm, contrasted with the elaborate

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and sycamore trees. Work to restore the 17th century design to the eastern and southern parts of the garden began in 1975. In 1974, an exhibition at the Victoria and Albert Museum entitled "

6122:"Elizabeth Murray, Countess of Dysart (1626–1698), with her First Husband, Sir Lionel Tollemache (1624–1669), and her Sister, Margaret Murray, Lady Maynard (c. 1638–1682) – Item NT1139727" 2679:

Research on historic interiors emerged as a discipline from the late 1960s, with an important source made available through the publication of the Ham House bills and inventories in 1980.

2586:

modern gadgets including, in the Duchess's basement bathroom, a bath with jets and even a wave machine. The 9th Earl travelled widely, rode despite blindness, invested successfully in the

1587:

are in a similar auricular style with straight sight edges. These frames, referred to as Sunderland frames, are distinguished by their irregular sight edges. They take their name from the

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The room which had been the Duchess's Bedchamber, and later the Duke's, was fitted with a set of birdcages outside the south-facing windows. The name "Volury" is thought to derive from

2674:

By 1950, the house was open to the public and a series of research and restoration works since undertaken, restoring and reproducing much of the house's former grandeur. The arrival of

1862:, London, the four wool and silk tapestries have narrow borders in the style of picture frames and are thought to incorporate several different images from works by the French painters 1323:

A collection of 17th century copies of Old Master paintings in their original carved frames hangs on the staircase wall. Two were copied from originals in the collection of Charles I:

10974: 2046:. Today visitors can see two distinct designs. The earlier design of 1675 complemented the original black and white marble floor, for which the room is named, with brightly coloured 360:

After the Duchess's death, the property passed through the line of her descendants. Occasionally, major alterations were made to the house, such as the reconstruction undertaken by

1111:, noted the extraordinarily high quality of the Lauderdales' furnishing of the house, undertaken with "a lavishness which transcended even what was fitting to their exalted rank". 10193: 186: 2203: 1957:

Adjoining the Private Closet and richly decorated, this room was used by the Duchess for relaxing and entertaining, its double glazed door leading out to the Cherry Garden. The

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was said to be in danger of collapse due to the weight of his substantial book collection), and he owed huge sums to booksellers when he died. Mark Purcell, in his 2017 study

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full freehold rights to the Manors of Ham and Petersham and the 289 acres of leased land. In 1672 Elizabeth and Lauderdale were married, and soon afterwards he was created

643:, but persistent appeals by Katherine regained them in 1646 on payment of a £500 fine. Katherine skilfully defended her ownership of the house throughout the Civil War and 2999:

The National Trust generates substantial income from the hiring of its properties as filming locations. Between 2002 and 2018, income of over £12M was raised in this way.

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Elizabeth Murray, Countess of Dysart (1626–1698), with her First Husband, Sir Lionel Tollemache (1624–1669), and her Sister, Margaret Murray, Lady Maynard (c. 1638–1682)

2464:, extending the Dysarts' property south into Kingston. He had the wall which isolated the property and separated Ham House from the river demolished and replaced by a 5193: 69: 1087:

Ham House is unusual in retaining much of its original 17th-century interior decoration, offering a rare experience of the style of the courts of Charles I and

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Elizabeth may have become acquainted with John Maitland, 1st Duke of Lauderdale at some time in the 1640s, when he was one of the Scottish Commissioners on the

1825:

from the main area of the room where visitors may have gathered for their audience with the Queen. The bed was on an elaborate marquetry floor inlaid with the

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beams enclose rectangles bursting with individually crafted fruit and flowers. The hemispherical rosettes at the intersections are unusual, possibly unique.

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at this time. Wilbraham's wife died in 1804 and, devastated, he moved away, close to the estate in Cheshire. Wilbraham died without heir in 1821, aged 82.

1883:

interior decoration. The marquetry floor incorporating the ducal coronet and cipher continues from the Bedchamber into the Closet. The ceiling painting of

809: 508:'s survey drawing of the house and gardens is a key record of the early structure. Prince Henry died in 1612, and the lands passed to James's second son, 7496: 1363:

Before the upward expansion of the Great Hall this room had served as the Great Dining Room, as created by William Murray in the 1630s. The ornate white

392:

H-plan; the southern, garden frontage was infilled during the Lauderdales' rebuilding. The architect of Vavasour's house is unknown although drawings by

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Ham House is a popular film location. It has also appeared in television and radio programmes. Films that have used the house and its grounds include:

2513:, was still surviving when her brother Wilbraham, the 6th Earl, died. Already heiress to Manners' 30,000 acres (12,000 ha; 47 sq mi) at 341:, Countess of Dysart on her father's death in 1655, successfully navigated the prevailing anti-royalist sentiment and retained control of the estate. 9286: 1005:

on either side of the front door and also includes an array of marble and lead busts, which continue into the flanking courtyard walls. The southern

2358:

which revealed serious problems, especially on the north front. Repairs began in the 1740s. At the front of the house the "Advance", a projecting

10890: 10841: 5194:"Interim Report on the Connections between Colonialism and Properties Now in the Care of the National Trust, Including Links with Historic Slavery" 1553: 9401: 2868:

An H-plan building is one built to a plan resembling the shape of an H. It is a variant of the E-plan, comprising two Es placed back-to-back. Sir

7194: 1226:

Formerly the family's sitting room, this room was converted to a chapel during the major renovations of the 1670s. It was decorated with crimson

2346:

Lionel Tollemache was only 18 years old when he became the 4th Earl of Dysart and head of the family in 1727. Shortly after returning from the

10898: 4857:"John Maitland, Duke of Lauderdale (1616–1682) and Elizabeth Murray, Countess of Dysart and Duchess of Lauderdale (1626–1698) – Item NT1139789" 2480:'s statue of the river god which is placed in front of the north entrance, pictured here, also in Coade stone, dates from this period. Several 2396:

leather panels on the walls. By means of his extensive investment, the house would have become sumptuously furnished by the mid-18th century.

1645:, a technique developed by English and European craftsmen to approximate the hard, smooth and shiny surfaces of popular Asian lacquered goods. 10471: 2460:

Wilbraham was aged 60 when he inherited the title in 1799. One of his first acts was to buy the rights of the Manor of Kingston/Canbury from

2062:

rosette surrounded by four leaves. The parts of the design which are now brown would originally have appeared to be gold, made by varnishing

1727:, notes that the probate inventory undertaken on the Duke's death estimated the value of his books at half of the total worth of the house's 766:) of land in Ham and Petersham including that surrounding the house and a 61-year lease of 289 acres (117 ha; 0.452 sq mi) of 11079: 10954: 2598:. When he died in 1935 he left investments worth £4,800,000 but had no direct heir. He was the last Earl of Dysart to live at the house. 2279: 1474:

in 1619 just three miles from Ham House, from which the Lauderdales had purchased a set of tapestries showing the seasons incorporating

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features and furnishings, most in an unusually fine condition, and is a "rare survival of 17th-century luxury and taste". The house is a

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suggests that the intended visit by Queen Catherine may not in fact have taken place, although other sources indicate a visit in 1674.

1762:, which has the Dysart coat of arms on its cover, is from the Dysart collection. The ceiling and friezes in the room display a lively 11049: 10949: 2506: 653: 11034: 11024: 9840: 9685: 5225: 2607: 2550: 2441: 1731:. Many volumes were sold at auctions between 1688 and 1692, in part due to the Duchess's money difficulties upon the Duke's death. 942:

dressings, representing two distinctively different architectural styles and periods. Michael Wilson, referencing Ham in his work,

905: 7738: 1565:

at Ham House date from the 17th century and its Long Gallery portraits are a showcase of elaborately carved, gilded frames in the

904:

on his former properties in England and Scotland and her latter years were marred by a financial dispute with her brother-in-law,

737:, William, Elizabeth, and Catherine. Elizabeth and Lionel made few substantial changes to the house during this busy time. On the 11004: 10882: 9246: 7229: 6162: 5362:

David Howarth, 'The Southampton Album: A Newly Discovered Collection of Drawings by Francis Cleyn the Elder and His Associates',

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also notes the original configuration of the north front, which he considers "forbidding", and the "damson-coloured" brickwork.

962:, which were removed in subsequent reconstruction, and suggests that Vavasour's original house may have been of an E-plan type. 10203: 9295: 2817: 2764: 2546: 2286:

showing the Duke and Duchess in the south gardens was used to guide the restoration of the furniture and statues now in place.

893: 885: 373: 298: 7404: 3322:"Estates of the Tollemache Family of Ham House in Kingston upon Thames, Ham, Petersham and Elsewhere: Records, 14th cent–1945" 2956:, references the closets at Ham as among the "finest" late-17th century examples, and notes the derivation of the modern term 2533:, inherited the title and became the 8th Earl of Dysart in 1840. Lionel preferred to live in London and invited his brothers, 881:

rather than by moving through one room to get to another. Michael Wilson notes the "positive warren" of such passages at Ham.

664:, Suffolk. Ham House became Elizabeth and Lionel's primary residence, as Murray was in exile abroad, predominantly in France. 561:

staircase to create a processional route for guests as they approached the dining room on the first floor. He remodelled the

9845: 9521: 9517: 9279: 9146: 9098: 9065: 9008: 8972: 8920: 8844: 8760: 8691: 8662: 8555: 8526: 8501: 8471: 8326: 8293: 8265: 8200: 8174: 8145: 8109: 8051: 8015: 7986: 7957: 7892: 7882: 7834: 7773: 7748: 7719: 7690: 7657: 7059: 2530: 2408: 2327: 1851: 1834:

These cluster more densely at the east end, above the area of the Queen's State Bed. The spandrels are also more decorative,

1795:

with the Queen. The ceiling of this waiting room is the first of the three ceilings by the plasterer Henry Wells. A circular

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This was the room in which senior male staff would have eaten their meals and spent any free time. Hanging in this room is:

1156:

tradition. During this time, the hall may have been used for both dining and entertainment. The distinctive black and white

11074: 10531: 2246:…". The Duchess also commissioned a set of iron gates for the north entrance to the property, which remain in place today. 338: 330: 5200: 3035: 10326: 9870: 7167:"A Forgotten Restoration. The 19th Century Restoration of the 17th Century Queen's Antechamber Wallhangings at Ham House" 6413: 2114:. The monogram initials J, E and L (John, Elizabeth, Lauderdale) are entwined in each corner. Notable paintings include: 513: 2541:, to manage the estates and Ham and Buckminster. Lionel became increasingly reclusive and eccentric. Lionel's only son, 10361: 9251: 7474: 7166: 6167: 4501: 4470: 4439: 4408: 4377: 4346: 4315: 4284: 4231: 2656: 2611: 1107:

and furniture amassed and retained by generations of the Murray and Tollemache families. Geoffrey Beard, in his study,

709:

When her father died in 1655 Elizabeth became the 2nd Countess of Dysart in her own right, but at that time during the

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panelling, together with military drums and trumpets. The martial theme of these panels is interspersed with drops of

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against the Tollemache family who ultimately had to pay a sum of £70,000 to avoid forfeiting much of the Ham estate.

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the property were clearly informed of its origins. The focus of garden restoration since 2000 has been the walled

2214:

The 1671 plans for the renovation undertaken by the Duke and Duchess of Lauderdale, which have been attributed to

10721: 9531: 9527: 8573: 2134: 613: 7616: 4053:"Plan of Ham House and Gardens by Robert Smythson, c. 1609". British Architectural Library, ID: no. 12941. RIBA. 10846: 10571: 10526: 7051: 4197: 2664: 1913: 1884: 10760: 1519:. In late 2016 an X-ray revealed that underneath the main painting was another, unfinished portrait likely of 51: 10765: 10609: 10511: 10391: 10160: 9927: 9922: 9431: 9427: 8251: 7569: 3621: 2776: 2222:, demonstrate the continued importance of the garden design, with many features that exist today such as the 1439: 2553:

acting as trustees until 1899. Following the 8th Earl's death, his son's creditors brought an action in the

1032:

is an organisation dedicated to the protection of England's historic environment and is responsible for the

1017:, and considered it as the best work he had seen. The renovation also included a very early installation of 672:

Elizabeth and Lionel Tollemache were married in 1648. He was from a family of Royalists who had estates in

10705: 10501: 10401: 9750: 9740: 9476: 9472: 9467: 9461: 9457: 7525: 1747: 1325: 1120: 979: 813: 428: 125: 8215: 7112: 3321: 832:. With Lauderdale's part in the Cabal Ministry, the family remained close to the heart of court intrigue. 10566: 10506: 9973: 9755: 9496: 9492: 2716: 2570:

1885 it was again in a suitable state to host social activities, notably a garden party to celebrate the

2359: 2227: 2058:. He also commissioned John Hutton of London to make a new set of leather wall hangings with an embossed 1447:, which no longer exists). The cabinet may have been made in the Northern Netherlands based on furniture 995: 849: 484:

to James I. The Thames-side location was ideal for Vavasour, allowing him to move between the palaces at

401: 201: 512:, several years before his coronation in 1625. After Vavasour's death in 1620, the house was granted to 10745: 10689: 10581: 10351: 10346: 10198: 10114: 10036: 10018: 9948: 9551: 9547: 9541: 9537: 8964: 8583: 7449: 2660: 2274:, the south lawn had reverted to a single large expanse of grass and the Wilderness was overgrown with 2054:

In 1756, the 4th Earl removed the marble floor and replaced it with a fine marquetry floor of tropical

1978: 800: 7201: 10591: 10371: 10120: 10097: 10071: 9825: 9647: 9511: 9507: 9502: 7857: 2821: 2722: 1676: 991: 845: 722:

in the early 1650s. Her family and connections provided the perfect cover for an agent, especially a

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John Maitland, Duke of Lauderdale and Elizabeth Murray, Countess of Dysart and Duchess of Lauderdale

1234:

wall hangings, which were changed to black velvet upon the Duke's death in 1682. While designed for

10816: 10551: 10341: 10331: 10321: 10276: 10046: 9486: 9482: 8101: 7826: 2655:

The National Trust at first transferred ownership of Ham House to the state on a long lease to the

2606:

On the 9th Earl's death in 1935, his inheritance passed to the families of his sisters. His niece,

2591: 2166: 2047: 1987: 1338: 549:

and the painter Matthew Goodrich (or Goodricke), to begin improvements on the house as befitting a

248: 8601:"The Ghost of a Royal Visit – The Furnishing of the State Apartment at Lyme Park in the mid-1670s" 5157:"Thomas Clifford, 1st Baron Clifford of Chudleigh KG (1630–1673) in Garter robes – Item NT1139953" 2093:

framed by golden pillars and mirrors. Known as the Antwerp cabinet, it is embellished with ivory,

667: 10791: 10657: 10486: 10286: 9993: 9835: 9617: 9561: 9557: 9441: 9437: 9369: 9000: 8043: 7682: 2250:

installed the Coade stone statue of the River God at the front of the house. He also created the

1471: 852:, respectively amateur and professional architects. Ham was extended on the south front with an 644: 348:, Duke of Lauderdale, in 1672. The Lauderdales held important roles at the court of the restored 8657:. Paul Mellon Centre for Studies in British Art. New Haven, CT / London: Yale University Press. 7511: 3414: 1962:

historians Peter Thornton and Maurice Tomlin as "decorated with one of the earliest examples of

10665: 10601: 10281: 10008: 9988: 9978: 9968: 9667: 9421: 9417: 7281: 3396: 2770: 2355: 2238:

remarked favourably on the garden design observed during his August 1678 visit, noting "...the

1938: 1921: 1612: 1588: 1543:

Of the 15 portraits by Peter Lely in Ham House, 11 are hung in the Long Gallery. These include

1140: 10496: 7591: 5951: 2141:, which remain from the decoration scheme planned for the room's use as the Duke's bedchamber. 1148:

This room forms part of the original 1610 construction and is off-set from the centre, in the

344:

The house achieved its greatest period of prominence following Elizabeth's second marriage—to

10770: 10541: 10536: 10431: 10411: 10396: 10291: 10222: 10013: 9953: 9875: 8518: 8225: 7949: 5269: 5156: 5134: 5112: 3595: 3325: 2873: 2837: 2828:

serves Petersham Road and the 371 bus service serves Sandy Lane. These routes terminate near

2825: 2788: 2782: 2698: 2554: 2425: 1958: 1637: 1616: 1176: 994:, the architect ultimately employed to undertake the reconstruction of their south front was 959: 947: 874: 742: 738: 405: 349: 8397: 6121: 6087: 5905: 5832: 5398: 5376: 5247: 5078: 5056: 5001:"Sir John Maitland, 1st Baron Maitland of Thirlestane (1543–1595), aged 44 – Item NT1139943" 5000: 4856: 4810: 4788: 4635: 4613: 4591: 4569: 4547: 1977:, represented by seven mainly female figures bearing the symbols of Verrio's version of the 1706: 1009:

façade is loosely based on a classical style introduced from the continent by the architect

11044: 10811: 10561: 10556: 10476: 10376: 10301: 10238: 10066: 10003: 9735: 9652: 9632: 9364: 9090: 8836: 8826: 7316: 2957: 2833: 2813: 2534: 2271: 2242:, Flower Gardens, Orangeries, Growves, Avenues, Courts, Statues, Perspectives, Fountaines, 2197: 1734:

Later members of the family rebuilt the collection, notably the 4th Earl who bought at the

1624: 1520: 1053: 950:

style on a traditional H-plan for Thomas Vavasour, Knight Marshal at the court of James I.

829: 729:

Between 1649 and 1661, Elizabeth bore eleven children, five of whom survived to adulthood;

601: 577:, Murray would have been in touch with the latest tastes in art and architecture at court. 509: 489: 417: 318: 7382: 2436:

which can be seen in the Queen's Bedchamber, and the sunburst chairs in the White Closet.

1182:

John Constable, a family friend, was commissioned to make copies of two family portraits:

820:, made him one of the most powerful men in the country. In 1671 Lauderdale was granted by 8: 10481: 10446: 10056: 9963: 9943: 9789: 9720: 9662: 9612: 9264: 8489: 8393: 2752: 2595: 2538: 2364: 1871: 1835: 1714:

The Library dates from the 1672–74 enlargement of the house. The architectural historian

1537: 1376: 1289: 1149: 963: 958:, records that the original entrance had a tower over the porch and flanking, projecting 909: 805: 633: 432: 9236: 2170:

Petersham Road Lodge, the principal gatehouse on the approach to Ham House from the A307

1006: 588: 496:

as his court role required. It originally comprised an H-plan layout consisting of nine

435:

described the house as a "time machine – enclosing one in the elegant, opulent world of

10934: 10441: 10366: 10356: 10248: 10143: 10135: 9983: 9880: 9710: 9700: 9602: 9259: 9218: 9185: 9039: 8894: 8752: 8730: 8620: 8441: 8381: 8373: 8285: 8211: 8033: 7923: 7869: 3622:"MURRAY, William (c.1600–1655), of St. Martin-in-the-Fields, Westminster and Ham, Surr" 3147: 2899: 2740: 2728: 2710: 2704: 2668: 2659:. The contents of the house were purchased by the government who entrusted them to the 2452: 2367: 2283: 2184: 2090: 2002: 1792: 1288:. Dolphins, elephant heads, dragons and other fantastical creatures also appear on the 1153: 1096: 1088: 884:

The eldest daughter of Elizabeth and Lionel, also named Elizabeth (1659–1735), married

825: 726:, and her movements were closely monitored by both Royalist and Parliamentarian spies. 703: 497: 20: 9125: 7046:

Bradley, Victoria (2007). "Ham House to the Present Day". In Pritchard, Evelyn (ed.).

3899: 1928:

was completed around 1675. The central figure floats above the room, circled by three

1926:

The Penitent Magdalene Surrounded by Putti Holding Emblems of Time, Death and Eternity

1654: 1238:

worship, the chapel was used in the late 19th century by the wife of the 8th Earl for

632:

in 1643, although his elevation appears not to have been confirmed at that time. As a

10851: 10750: 10461: 10316: 9901: 9860: 9804: 9627: 9607: 9354: 9210: 9177: 9152: 9142: 9104: 9094: 9071: 9061: 9031: 9004: 8978: 8968: 8945: 8926: 8916: 8886: 8850: 8840: 8814: 8788: 8766: 8756: 8722: 8697: 8687: 8668: 8658: 8639: 8612: 8587: 8561: 8551: 8532: 8522: 8497: 8477: 8467: 8433: 8405: 8385: 8365: 8332: 8322: 8299: 8289: 8261: 8235: 8196: 8180: 8170: 8151: 8141: 8115: 8105: 8079: 8057: 8047: 8021: 8011: 7992: 7982: 7963: 7953: 7915: 7888: 7861: 7830: 7804: 7779: 7769: 7744: 7725: 7715: 7696: 7686: 7663: 7653: 7055: 4497:"Ham House Gatehouse and Attached and Associated Gatepiers (Grade II) (1389381)" 2898:

records that the Duke undertook simultaneous remodelling of his Scottish properties,

2841: 2794: 2510: 2456:

A close-up image of the Father Thames statue in Coade stone at the front of the house

2179:

are formed by more than 250 trees stretching east from the house to the 19th-century

2043: 1982: 1969:

to have been executed in a domestic interior in this country". Putti climb up over a

1966: 1791:

The first of the suite of rooms is the antechamber, where visitors would wait for an

1728: 1687: 1092: 775:". Lionel died in 1669, leaving his Ham and Petersham estate to Elizabeth along with 734: 605: 550: 465: 377: 322: 24: 10986:

Parks, open spaces and nature reserves in the London Borough of Richmond upon Thames

2960:

from Charles II's use of such closets, or cabinets, to discuss confidential matters.

1816: 10641: 10306: 10209: 9885: 9768: 9725: 9695: 9359: 9242: 9051: 8878: 8871:

Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art

8463: 8357: 8275: 7939: 6158: 4492: 4461: 4430: 4399: 4368: 4337: 4306: 4275: 4222: 3910: 3478: 2982: 2903: 2848:'s central embankment. The house is accessible to pedestrians and cyclists via the 2800: 2746: 2645: 2481: 2016:

oysterwork: this elegant oak scriptor (c. 1672–75) is veneered with South American

1991: 1970: 1963: 1751: 1735: 1720: 1392: 1388: 1125: 1068: 1029: 971: 714: 677: 570: 525: 436: 334: 294: 3922: 3490: 2034: 1595:

framed in this style. There are examples of Sunderland frames on the portraits of

1470:

Also notable in the room are a vibrant set of tapestries. James I established the

1406:'s final portrait of Elizabeth, painted c. 1680, and the earlier double portrait, 647:, and it remained in the family's possession despite Murray's close ties with the 10836: 10831: 10806: 10775: 10755: 10729: 10673: 10596: 10516: 10456: 10451: 10258: 10130: 10125: 10061: 10051: 9998: 9760: 9730: 9715: 9642: 9637: 9384: 9329: 9319: 8007:

Elizabeth of the Sealed Knot: a Biography of Elizabeth Murray, Countess of Dysart

7792: 7286: 5226:"Framing in the Reign of Charles II and the Introduction of the Sunderland Frame" 2758: 2620: 2461: 2258: 2130: 2111: 2017: 2013: 1867: 1863: 1575: 1566: 1418: 1372: 1239: 1198: 1172: 1033: 983: 870: 719: 697: 661: 617: 608:

in 1641 he signed over the house to Katherine and his four daughters, appointing

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The house is built of red brick, and was originally constructed to a traditional

376:– the last Earl to live at Ham – in 1935, the house passed to his second cousin, 7822:

In Search of the Perfect House: 500 of the Best Buildings in Britain and Ireland

7740:

Directory of Rare Book and Special Collections in the UK and Republic of Ireland

5248:"John Maitland, Duke of Lauderdale (1616–1682) in Garter Robes – Item NT1139952" 5135:"John Maitland, Duke of Lauderdale (1616–1682) in Garter robes – Item NT1139952" 4342:"Entrance Gate and Railings of Forecourt to Ham House (Grade II) (1358078)" 2832:. There is a free council car park north-west of the house, next to the Thames. 2383:

the principal drawing room with furniture and tapestries supplied by the London

1495: 786: 10861: 10856: 10826: 10697: 10633: 10576: 10466: 10041: 9799: 9784: 9705: 9657: 9309: 8990: 8906: 8862: 8800: 8091: 7935: 7140: 3482: 3143: 3043: 2869: 2734: 2675: 2641: 2486: 2421: 2417: 2413: 2300: 2267: 2009: 1917: 1888: 1763: 1739: 1444: 1384: 1293: 1112: 967: 858: 821: 817: 751: 668:

Elizabeth, Countess of Dysart (1655–98) and Sir Lionel Tollemache Bt. (1640–69)

629: 580: 566: 493: 481: 469: 421: 381: 353: 310: 306: 8982: 8930: 8882: 8792: 8701: 8565: 8536: 8481: 8409: 8083: 8061: 7700: 3914: 2190:

1475: 10998: 10801: 10796: 10625: 10521: 10491: 10406: 10381: 10336: 10216: 10177: 9893: 9214: 9181: 9156: 9075: 9035: 8999:. The Letters of Horace Walpole, fourth Earl of Orford. Vol. 7. Oxford: 8890: 8854: 8818: 8810: 8726: 8672: 8643: 8616: 8591: 8453: 8437: 8417: 8369: 8336: 8318: 8257: 8247: 8239: 8184: 8155: 8137: 8127: 8119: 7996: 7967: 7919: 7865: 7816: 7808: 7783: 7729: 7667: 3152: 2949: 2937: 2895: 2625: 2566: 2379:

and reused for repairs to the inner pitches where they would not be visible.

2193: 2121:

painted by Peter Lely in 1648, the year of her marriage to Lionel Tollemache.

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Miniature model of Ham House and Gardens exhibited at V&A Museum in 1974

795:

Double portrait of the Duke and Duchess of Lauderdale by Peter Lely, c. 1675

227: 10713: 10681: 10617: 10436: 10426: 10416: 10296: 10169: 9855: 9850: 9809: 9339: 9334: 9108: 8958: 8910: 8782: 8770: 8681: 8545: 8512: 8457: 8073: 8037: 8025: 7765: 7676: 7643: 7595: 5270:"Colonel The Hon. John Russell (1620–1681)[Frame] – Item NT1140913" 2610:, daughter of his sister Agnes, inherited the earldom. Wynefrede's cousin, 2587: 2497: 2275: 2155: 1903: 1695: 1504: 1456: 1191: 1160: 1018: 930:

Ham House and gardens from the air, with the River Thames in the foreground

723: 681: 562: 537: 409: 286: 9830: 9136: 9055: 8830: 8804: 8652: 8577: 8312: 8229: 8164: 8131: 8095: 7943: 7759: 7709: 7647: 1628:

giltwood stand has four legs carved as elephant trunks topped with winged

456: 10821: 10649: 10421: 10311: 10081: 9958: 9324: 8939: 8778: 8279: 8069: 7976: 7295: 4592:"Lady Louisa Tollemache, Countess of Dysart (1745–1840) – Item NT1140003" 3900:"Campbell, John, Second Duke of Argyll and Duke of Greenwich (1680–1743)" 2986: 2921: 2849: 2575: 2514: 2469: 2235: 2215: 2094: 1942: 1895:, possibly the earliest documented example of scagliola in this country. 1771: 1513:

Sir John Maitland, 1st Baron Maitland of Thirlestane (1543–1595), aged 44

1464: 1431: 1343: 1309: 1010: 763: 710: 290: 108: 47: 9222: 9198: 9189: 9165: 9084: 9043: 9019: 8898: 8866: 8746: 8633: 8624: 8600: 8445: 8421: 8005: 7927: 7903: 7873: 7845: 4373:"Garden Walls and Gatepiers to South of House (Grade II) (1080833)" 2042:

Since 1675 the walls of the Marble Dining Room have been decorated with

998:. Bruce did design the gates fronting the Thames on the north facade. 639:

Shortly after the outbreak of the Civil War, the house and estates were

10546: 10253: 9690: 9379: 9374: 9314: 8742: 8734: 8710: 8377: 8345: 2845: 2429: 2384: 2372: 2347: 2180: 2063: 1743: 1403: 1301: 1264: 1246:

require that the light levels remain low, in order to minimise damage.

1129: 1041: 558: 554: 440: 369: 11030:

Grade I listed buildings in the London Borough of Richmond upon Thames

4636:"Lady Grace Carteret, Countess of Dysart (1713–1755) – Item NT1139647" 1367:

ceiling was created by Joseph Kinsman, master craftsman and member of

476:. The original construction of Ham House was completed in 1610 by Sir 10076: 9622: 9597: 9592: 9587: 9582: 8133:

Life In The English Country House: A Social and Architectural History

2907: 2684: 2629: 2389: 2176: 2097:(a type of naturally patterned limestone) and gilt bronze and brass. 2059: 2055: 2021: 1892: 1839: 1804: 1460: 1380: 1334: 1277: 1273: 1254: 1100: 1057: 1037: 934:

Ham House is a brick building of three storeys and nine bays, with a

685: 680:

and London, and they celebrated their union at Ham with a display of

621: 380:; he and his son, Major (Cecil) Lyonel Tollemache, donated it to the 8361: 7678:

Invisible Agents: Women and Espionage in Seventeenth-Century Britain

5176: 5174: 4789:"Venus with Mercury and Cupid (The School of Love) – Item NT1139671" 4614:"Lionel Tollemache, 4th Earl of Dysart (1708–1770) – Item NT1139649" 4548:"Charlotte Walpole, Countess of Dysart (1738–1789) – Item NT1139646" 2312: 1799:

of leaves is thickly studded with small flowers, surrounded by four

41: 10586: 9745: 9349: 8422:"Abraham van der Doort's Catalogue of the Collections of Charles I" 7259: 6343:

Jackson-Stops, Gervase (9 October 1975). "A Thames-side Parterre".

4570:"Anna Maria Lewis, Countess of Dysart (1745–1804) – Item NT1140004" 3781: 3779: 3777: 2663:(V&A) after considerable urging by the director of the museum, 2473: 2319: 2291: 2243: 2239: 2231: 2223: 2219: 2200:

of the time, with its emphasis on visual effects and perspectives.

2127: 1847: 1826: 1800: 1719:

contents: he was an avid reader and collector (so much so that his

1642: 1313: 1243: 1218: 1104: 1091:. Ham House's rooms display collections of 17th-century paintings, 1049: 1045: 935: 853: 780: 713:

the title would have held little prestige. Of far more interest to

648: 636:, the earldom could be inherited by daughters, as well as by sons. 609: 533: 9130:(fourth ed.). London: Her Majesty's Stationery Office (HMSO). 7256:

Harlots, Housewives and Heroines: A 17th Century History for Girls

4466:"Service Yard Entrance to West of House (Grade II) (1358096)" 692:

above the Tollemache horse's head and on the right the Tollemache

688:

of the arch above the main entrance to the house: on the left an

6807: 6805: 5677: 5675: 5581: 5332: 5171: 4932: 4930: 4928: 2925: 2615: 2549:, with the 8th Earl's brothers Frederick and Algernon along with 2433: 2295: 1830: 1796: 1664: 1592: 1305: 1285: 1269: 767: 759: 746: 673: 597: 285:

is a 17th-century house set in formal gardens on the bank of the

118: 8683:

Shades of Green: My Life as the National Trust's Head of Gardens

6659: 6657: 6022: 6020: 5995: 5993: 5966: 5852: 5850: 5833:"Catherine Bruce, Mrs William Murray (d. 1649) – Item NT1139682" 5815: 5813: 5662: 5660: 5658: 5656: 5499: 5497: 4903: 4901: 4876: 4874: 4747: 4745: 4743: 4741: 4739: 4737: 4735: 4733: 4691: 4031: 3796: 3794: 3774: 3363: 1430:

A notable piece of furniture in this room is the ivory cabinet:

1300:

posts topped with baskets of fruit designed to carry candles or

596:

In 1640 William was also granted a lease on the nearby Manor of

7714:. Princes Risborough, Buckinghamshire: Shire Publications Ltd. 5617: 5569: 5023:"Revealing Ham House's Hidden Portrait of Mary, Queen of Scots" 3764: 3762: 3760: 3747: 3745: 3743: 3741: 3739: 2812:

The house can be reached by public transport and is located in

2393: 2350:

in 1729 he married Grace Carteret, the 16-year-old daughter of

2342:

Lionel Tollemache, 4th Earl of Dysart, by John Vanderbank, 1730

1946: 1396: 1364: 1352: 1348: 1317: 1281: 1231: 1227: 1157: 1002: 939: 835: 693: 519: 501: 8996:

Letter to Anne Fitzpatrick, Countess of Ossory, January 3 1779

6802: 6790: 5886: 5738: 5672: 5641: 5545: 4925: 4769: 4117: 4115: 3239: 3237: 3235: 3074: 3072: 3070: 3068: 3066: 3064: 3062: 3060: 2183:

gate house at Petersham, and south across the open expanse of

420:

in 2015. Its park and formal gardens are listed at Grade II*.

7904:"Antonio Verrio (c.1636–1707): His Career and Surviving Work" 6654: 6102: 6068: 6044: 6017: 5990: 5978: 5920: 5874: 5862: 5847: 5810: 5711: 5687: 5653: 5629: 5494: 4981: 4898: 4871: 4825: 4730: 4650: 4078: 4076: 4074: 4072: 4021: 4019: 4006: 4004: 4002: 3842: 3791: 2465: 2376: 2251: 1929: 1770:

with rare leather covers (acquired in 1745 and 1746) and two

1767: 1629: 1597:

John Maitland, Duke of Lauderdale (1616–1682) in Garter Robes

1549:

John Maitland, Duke of Lauderdale (1616–1682) in Garter robes

1448: 1435: 1297: 1258:

Panelling and fruit basket newel posts on the Great Staircase

787:

Elizabeth and John Maitland, 1st Duke of Lauderdale (1645–82)

700: 612:

to safeguard the estate for them. The principal of these was

6904: 5750: 5509: 5344: 5079:"Colonel The Hon. John Russell (1620–1681) – Item NT1139947" 4837: 4718: 4528: 4057: 3830: 3818: 3757: 3736: 2067:"two parlers facing the river were hung with gilt leather." 1438:

panels on the exterior and the interior, this large oak and

7015: 6945: 6943: 6894: 6892: 6890: 6888: 6817: 6739: 6729: 6727: 6690: 6688: 6686: 6684: 6644: 6642: 6640: 6579: 6577: 6575: 6490: 6488: 6486: 6484: 6457: 6435: 6433: 6431: 5296: 4112: 3538: 3526: 3297: 3232: 3104: 3102: 3057: 1859: 1846:

and a set of William Bradshaw's popular early 18th century

1499:

The Long Gallery from the windows at the front of the house

914: 878: 812:

in August 1669 which, on top of his political influence as

755: 689: 569:

that was influenced by Charles I's own "Cabbonett Room" at

9294: 6916: 6844: 6536: 6524: 6500: 6182: 5284: 4811:"The Venus Del Pardo (Venus and a Satyr) – Item NT1139666" 4069: 4016: 3999: 3965: 3963: 3961: 3936: 3934: 3932: 3579: 3577: 2266:

By 1972, the gardens had become greatly overgrown – large

1569:(literally 'of the ear'). Two frames date from the 1630s, 9344: 9138:

Our Women all on fire: the women of the English Civil War

8514:

Ham House and its Owners through Five Centuries 1610–2006

8404:. Vol. 3. Westminster: Constable. pp. 533–546. 7881:

Bracken, Susan; Gáldy, Andrea; Turpin, Adrianna (2020) .

7649:

The Tudor and Jacobean Country House – A Building History

7291: 7048:

Ham House and its Owners through Five Centuries 1610–2006

7027: 6967: 6875: 6873: 6871: 6834: 6832: 6287: 6285: 6283: 6281: 5484: 5482: 5480: 5478: 5476: 5093: 4681: 4679: 4677: 4154: 4100: 3184: 1820:

The Queen's Bedchamber, later converted to a sitting room

573:, to which Murray had donated two pieces. As part of the 404:

to undertake their rebuilding. Ham retains many original

7003: 6991: 6979: 6940: 6928: 6885: 6751: 6724: 6712: 6700: 6681: 6637: 6625: 6613: 6572: 6560: 6481: 6469: 6445: 6428: 6032: 5521: 5413: 5308: 5113:"Elizabeth Murray with a Black Servant – Item NT1139940" 4913: 4708: 4706: 4132: 4130: 3123: 3121: 3119: 3117: 3099: 3089: 3087: 1981:. The figure of Wisdom floats on clouds pointing to the 396:

and his son John exist. The Lauderdales first consulted

9260:

Photographs and brief details at hamphotos.blogspot.com

6372: 6370: 6368: 6366: 6136: 5786: 3975: 3958: 3946: 3929: 3878: 3640: 3574: 3516: 3514: 3512: 3440: 2601: 2578:, a niece of the 8th Earl, published her 570-page book 1842:

figure among the foliage or bursting from the flowers.

1341:), while on the first floor landing there is a copy of 8398:"Kingston-upon-Thames: Manors, Churches and Charities" 7887:. Newcastle-upon-Tyne: Cambridge Scholars Publishing. 7068: 6868: 6829: 6778: 6669: 6601: 6589: 6548: 6309: 6297: 6278: 6254: 6242: 6230: 6206: 6163:"Ham House Park and Garden (Grade II*) (1000282)" 6005: 5798: 5728: 5726: 5699: 5557: 5473: 5449: 5437: 5037: 4674: 4280:"Ham House Park and Garden (Grade II*) (1000282)" 3452: 3430: 3428: 3415:"Order to Free Mr. Murray's Estate from Sequestration" 3339: 3249: 2565:

The 9th Earl inherited in 1878. In his autobiography,

2505:

Of the 4th Earl's children, only the eldest daughter,

1838:

leaves swirl to fill the panels, each corner hiding a

1671:

best surviving work. Two preliminary drawings for the

1188:

Lady Louisa Tollemache, Countess of Dysart (1745–1840)

1186:

as Miranda, painted in 1823 after Joshua Reynolds and

652:

steward acting on behalf of Murray's eldest daughter,

11070:

Museums in the London Borough of Richmond upon Thames

11055:

History of the London Borough of Richmond upon Thames

7405:"Ham House Features in New Film Victoria & Abdul" 6955: 6338: 6336: 5906:"Ham House from the South (1675–79) – Item NT1139878" 5605: 5593: 5533: 5425: 4957: 4886: 4757: 4703: 4127: 3806: 3724: 3712: 3700: 3688: 3652: 3114: 3084: 3018: 3016: 2756:(2020). Television programmes filmed at Ham include: 11060:

Houses in the London Borough of Richmond upon Thames

8809:. Pelican History of Art. Harmondsworth, Middlesex: 8711:"Drawings for the "Months of Lucas" Tapestry Series" 7948:. The Buildings of England. New Haven, CT / London: 7092: 6768: 6766: 6394: 6382: 6363: 6351: 6218: 5932: 5774: 4969: 4947: 4945: 4662: 4516: 3987: 3676: 3664: 3601: 3562: 3509: 3351: 3261: 2318:

20,000 acres (8,100 ha; 31 sq mi) in

2270:

at the front blocked the view of the busts in their

1949:

in an ebony travelling case, signed and dated 1638.

1056:, the service yard to the west of the house and the 913:

As she got older her movements became restricted by

6157: 5952:"William and Mary kingwood oyster cabinet on stand" 5762: 5723: 4491: 4460: 4429: 4398: 4367: 4336: 4305: 4274: 4221: 4088: 3854: 3425: 3273: 3220: 3208: 3196: 2836:, to the north-east, links to a playground between 2322:through his marriage in 1680 to Grace, daughter of 1675:of putti by Cleyn and an associate are held by the 1443:or bought for the house (with the exception of the 1207:

Lady Grace Carteret, Countess of Dysart (1713–1755)

892:, was born at Ham House in 1680; their second son, 839:

The south front showing the in-filled "H" extension

616:, a relative of his wife and an important Scottish 400:, a cousin of the Duchess, but ultimately employed 7880: 6333: 5587: 5338: 5186: 5180: 4311:"Forecourt of Ham House (Grade II) (1192685)" 4142: 3898: 3785: 3421:. Institute of Historical Research. 18 April 1646. 3172: 3013: 2447: 2139:Calm: An English Frigate at Anchor Firing a Salute 9060:. New Haven, CT / London: Yale University Press. 8550:. New Haven, CT / London: Yale University Press. 7080: 6856: 6763: 6512: 6321: 6266: 6194: 6056: 5461: 5320: 4942: 3403:. Institute of Historical Research. 14 June 1645. 2492: 2313:Lionel Tollemache, 3rd Earl of Dysart (1698–1727) 2294:, with the whole garden being enclosed by tunnel 1579:. Later frames, for instance on the portraits of 1203:Lionel Tollemache, 4th Earl of Dysart (1708–1770) 1169:Charlotte Walpole, Countess of Dysart (1738–1789) 10996: 10842:Richmond, Petersham and Ham Open Spaces Act 1902 8654:Ham House: 400 Years of Collecting and Patronage 8210:Harwood, H.W. Forsyth; Murray, Keith W. (1906). 5377:"Queen Elizabeth I (1533–1603) – Item NT1140182" 4048: 4046: 3866: 3550: 3497: 3285: 2635: 2560: 1606:This room also displays some notable furniture: 1554:Thomas Clifford, 1st Baron Clifford of Chudleigh 1184:Anna Maria Lewis, Countess of Dysart (1745–1804) 1001:The northern façade retains the Jacobean arched 464:In the early 17th century the manors of Ham and 8598: 6088:"Elizabeth Murray (1626–1698) – Item NT1139764" 5717: 5623: 5575: 4178: 4166: 2520: 2501:John Constable's sketch of Ham House, June 1835 1738:and elsewhere. He acquired 12 books printed by 1337:at the base of the stairs (the original in the 628:in London. Murray was raised to the peerage as 9141:. Stroud, Gloucestershire: Sutton Publishing. 8905: 7652:. Stroud, Gloucestershire: Sutton Publishing. 7224: 7222: 6811: 6796: 6108: 6074: 6050: 6026: 5999: 5984: 5972: 5926: 5892: 5880: 5868: 5856: 5819: 5744: 5693: 5681: 5647: 5635: 5551: 5503: 4987: 4936: 4907: 4880: 4831: 4775: 4724: 4697: 4656: 4534: 4121: 4063: 3848: 3836: 3824: 3800: 3768: 3598:, ref 59/2/4/1, cited in Pritchard 2007, p.12. 1242:services. The sumptuous and rare 17th-century 301:. The original house was completed in 1610 by 9280: 9086:The English Country House and its furnishings 8867:"Furniture from the Netherlands at Ham House" 8224: 8209: 7934: 6663: 6342: 5666: 5350: 5057:"King Charles I (1600–1649) – Item NT1139944" 4843: 4751: 4043: 4037: 3751: 3532: 3369: 3243: 3078: 2529:, had predeceased her in 1833. Her grandson, 2403: 2333: 1975:Divine Wisdom Presiding Over The Liberal Arts 1935:Catherine Bruce, Mrs William Murray (d. 1649) 1399:which was originally coloured blue and gold. 944:The English Country House and its furnishings 908:. Even the intervention of the newly crowned 11040:Grade II* listed parks and gardens in London 11015:Buildings and structures on the River Thames 9124:Edwards, Ralph; Ward-Jackson, Peter (1959). 7843: 7761:The National Trust Book of English Furniture 7252:"How Elizabeth Dysart Transformed Ham House" 7200:. National Trust. p. 78. Archived from 5302: 4246: 3909:(online ed.). Oxford University Press. 3477:(online ed.). Oxford University Press. 1591:, who displayed many pictures at his estate 1109:The National Trust Book of English Furniture 1077: 520:William Murray, 1st Earl of Dysart (1643–55) 11065:Jacobean architecture in the United Kingdom 9237:Ham House information at the National Trust 7219: 5399:"A Man consumed by Flames – Item NT1139627" 3383:Parliamentary Committee Document CMS1140464 2424:who lived near to Ham across the Thames at 2400:three daughters: Jane, Louisa and Frances. 1615:, who was the cabinet maker in ordinary to 557:and added an arch that leads to the ornate 333:regained them on payment of a fine. During 313:. It was then leased, and later bought, by 9287: 9273: 9166:"Some Neo-Carolean armchairs at Ham House" 9050: 8937: 8912:The Furnishing and Decoration of Ham House 8784:Ham House, Belonging to the Earl of Dysart 8599:Rothwell, James; Westman, Annabel (2011). 8310: 8274: 8220:. Vol. III. Edinburgh: David Douglas. 8010:. Kineton, Warwickshire: Roundwood Press. 7497:"Britain's Best Stately Homes – Ham House" 6973: 6910: 6850: 6542: 6530: 5099: 2580:Ham House, Belonging to the Earl of Dysart 1924:at Hampton Court. The ceiling painting of 8799: 8510: 7974: 7361:"Ham House Stars in Disney's John Carter" 7033: 7021: 7009: 6997: 6985: 6949: 6934: 6898: 6757: 6745: 6733: 6718: 6694: 6648: 6631: 6619: 6583: 6566: 6494: 6475: 6463: 6451: 6439: 6142: 3981: 3969: 3952: 3940: 3583: 3458: 3446: 3419:Journal of the House of Lords (1645–1647) 3345: 3255: 3190: 3138: 3136: 3127: 2691: 2667:. His efforts were essential because the 2158:, a friend and neighbour to the Murrays. 1754:, is sometimes on display in the chapel. 1601:Colonel The Hon. John Russell (1620–1681) 1534:Colonel The Hon. John Russell (1620–1681) 888:in Edinburgh in 1678. Their first child, 19:For other places with the same name, see 8938:Tollemache, Major-General E.D.H (1949). 8861: 8635:Ham House, its History and Art Treasures 8631: 8572: 8126: 7674: 7447: 7339:"Our Most Popular Film and TV locations" 6706: 6153: 6151: 6038: 5515: 5419: 5314: 4919: 3646: 3619: 3544: 2985:recorded the tortuous negotiations with 2496: 2451: 2337: 2257: 2202: 2165: 2074: 2033: 1902: 1815: 1803:containing foliage and ribbons. The oak 1705: 1653: 1494: 1417: 1253: 1217: 1139: 1067: 925: 834: 790: 587: 579: 455: 9024:Bulletin of the Cleveland Museum of Art 9020:"Four Seasons Tapestries from Gobelins" 8989: 8777: 8708: 8632:Roundell, Julia (Mrs. Charles) (1904). 8543: 8488: 8246: 8162: 7978:The Country Houses Of England 1948-1998 7790: 7707: 7427:"Explore the Film Locations of Rebecca" 7045: 6823: 6595: 6212: 5756: 5455: 4963: 4082: 4025: 4010: 3906:Oxford Dictionary of National Biography 3896: 3474:Oxford Dictionary of National Biography 3142: 3093: 2644:'s first Historic Buildings Secretary, 2100: 1344:The Venus Del Pardo (Venus and a Satyr) 1024: 536:, a close childhood friend and alleged 416:and received museum accreditation from 10997: 9296:London Borough of Richmond upon Thames 9209:. Furniture History Society: 235–238. 9199:"French furniture makers at Ham House" 9082: 8956: 8825: 8741: 8650: 8452: 8416: 8392: 8090: 8068: 8003: 7815: 7592:"Mary & George: Filming Locations" 7098: 7074: 6961: 6922: 6879: 6838: 6784: 6675: 6607: 6554: 6506: 6315: 6303: 6291: 6260: 6248: 6236: 6188: 6011: 5804: 5705: 5611: 5599: 5563: 5527: 5488: 5443: 5431: 5290: 5043: 4892: 4763: 4712: 4685: 4522: 4160: 4136: 4106: 4094: 3993: 3884: 3812: 3730: 3718: 3706: 3694: 3682: 3670: 3658: 3607: 3568: 3520: 3357: 3316: 3314: 3312: 3303: 3267: 3226: 3214: 3202: 3133: 3108: 2472:pineapples were added to decorate the 1887:is in the style of the Italian artist 894:Archibald Campbell, 3rd Duke of Argyll 886:Archibald Campbell, 1st Duke of Argyll 553:of Ham and Petersham. He extended the 299:London Borough of Richmond upon Thames 9268: 8944:. Ipswich, Suffolk: W.S. Cowell Ltd. 8941:The Tollemaches of Helmingham and Ham 8915:. London: Furniture History Society. 8679: 8195:. Swindon, UK: National Trust. 2009. 7901: 7884:Collecting and the Princely Apartment 7844:Bowett, Adam; Lindey, Laurie (2017). 7757: 7736: 7617:"Plan Your Visit to Ham House Garden" 7164: 6400: 6388: 6376: 6357: 6148: 5938: 5792: 5780: 5768: 5732: 5539: 4435:"Ice House (Grade II) (1358079)" 3022: 2409:Lionel Tollemache, 5th Earl of Dysart 2161: 2029: 1811: 1777: 1682:Today it contains 87 items including 1581:Elizabeth Murray with a Black Servant 1545:Elizabeth Murray with a Black Servant 1453:John Maurice, Prince of Nassau-Siegen 1413: 1144:The Great Hall from the Round Gallery 362:Lionel Tollemache, 4th Earl of Dysart 325:saw the house and much of the estate 16:17th-century house in London, England 10925:Cemeteries, crematoria and memorials 9017: 8787:. London: Publisher not identified. 8494:The Architecture of Southern England 8343: 8314:Some Country Houses and their Owners 8032: 7642: 7509: 4975: 4404:"Tea Room (Grade II) (1192746)" 4227:"Ham House (Grade I) (1080832)" 4148: 3860: 3279: 3178: 2650:Some Country Houses and their Owners 2602:Sir Lyonel Tollemache, Bt. (1935–52) 2280:The Destruction of the Country House 1994:. Notable collection items include: 857:Duke's to the right, she having two 11080:National Trust properties in London 10920:Archives, museums and art galleries 10204:King's Beasts, Hampton Court Palace 9871:Teddington Pools and Fitness Centre 9176:. Furniture History Society: 7–11. 8611:. Furniture History Society: 1–17. 7448:Bramwell, Emerson (26 April 2021). 7282:"Cleaning Stately Homes: Ham House" 7110: 3401:Journal of the House of Lords: 1644 3397:"Mr. Murray's Sequestration Stayed" 3309: 2468:, leaving the gates free-standing. 2137:, signed and dated 1673, including 2070: 1973:balustrade to reach the figures of 1483:was originally commissioned by the 514:John Ramsay, 1st Earl of Holderness 13: 10970:Schools, colleges and universities 9252:National Heritage List for England 9117: 8191: 7174:May Berkouwer Textile Conservation 7086: 6862: 6772: 6518: 6327: 6272: 6224: 6200: 6168:National Heritage List for England 6062: 5467: 5366:, 49:4 (Winter 2011), pp. 435-478. 5326: 4951: 4668: 4502:National Heritage List for England 4471:National Heritage List for England 4440:National Heritage List for England 4409:National Heritage List for England 4378:National Heritage List for England 4347:National Heritage List for England 4316:National Heritage List for England 4285:National Heritage List for England 4232:National Heritage List for England 4184: 4172: 3872: 3628:. Institute of Historical Research 3556: 3503: 3434: 3291: 2614:, at the age of 81, inherited the 1852:Henry O'Brien, 8th Earl of Thomond 1585:Lady Margaret Murray, Lady Maynard 1272:. The wide range of arms includes 1249: 896:was born there a few years later. 372:to visit Ham. On the death of the 317:, a close friend and supporter of 14: 11091: 10807:Darell baronets, of Richmond Hill 9866:Royal Tennis Court, Hampton Court 9230: 9057:Painting in Britain, 1530 to 1790 8806:Architecture in Britain 1530–1830 8748:The Renaissance Garden in England 8651:Rowell, Christopher, ed. (2013). 8426:The Volume of the Walpole Society 8402:A History of the County of Surrey 8039:Oxford Dictionary of Architecture 7981:. London: Constable and Company. 7711:The Renaissance Garden in Britain 7550:. Visit England. 16 February 2021 7230:"Filming at Ham House and Garden" 2876:as the first example of the type. 2476:to the north of the property and 2352:John Carteret, 2nd Earl Granville 2324:Sir Thomas Wilbraham, 3rd Baronet 2110:floating above the tester of the 1898: 1877: 1850:tapestries. Woven in 1734–40 for 1451:in ivory brought back in 1644 by 890:John Campbell, 2nd Duke of Argyll 352:, the duke being a member of the 76: 11050:Historic house museums in London 10244:Hampton Court astronomical clock 9556: 9546: 9536: 9526: 9516: 9506: 9501: 9491: 9481: 9471: 9466: 9456: 9446: 9436: 9426: 9416: 9400: 9393: 8234:. London: Sotheby Parke Burnet. 8169:. London: National Trust Books. 7609: 7584: 7562: 7540: 7526:"Behind the Scenes of Belgravia" 7518: 7510:Medd, James (23 November 2018). 7503: 7499:. Daily Telegraph. 28 July 2018. 7489: 7467: 7441: 7419: 7397: 7375: 7353: 7331: 7309: 7274: 7244: 7187: 7158: 7133: 7104: 7039: 6406: 6114: 6080: 5944: 5898: 5825: 5588:Bracken, Gáldy & Turpin 2020 5391: 5369: 5356: 5339:Bracken, Gáldy & Turpin 2020 5262: 5240: 5218: 5199:. National Trust. Archived from 5181:Bracken, Gáldy & Turpin 2020 5149: 5127: 5105: 5071: 5049: 5015: 4993: 4849: 4803: 4781: 3786:Bracken, Gáldy & Turpin 2020 3620:Thrush, Andrew; Ferris, John P. 2993: 2976: 2963: 2943: 2931: 2913: 2640:In 1943, Sir Lyonel invited the 2572:Golden Jubilee of Queen Victoria 2089:exterior, which then opens to a 1667:on paper, and represent some of 1358: 1276:with cannonballs and barrels of 1205:painted in 1730 and of his wife 474:Henry Frederick, Prince of Wales 75: 68: 40: 11035:Grade I listed museum buildings 11025:Grade I listed houses in London 10817:Hampton Court Conference (1604) 10362:Garrick's Temple to Shakespeare 9578:A205 road (South Circular Road) 8993:(2002) . Toynbee, Helen (ed.). 8346:"The Origin of the Sash-window" 7570:"Antiques Roadshow – Ham House" 7385:. The Gardens Trust. 9 May 2015 4628: 4606: 4584: 4562: 4540: 4485: 4454: 4423: 4392: 4361: 4330: 4299: 4268: 4215: 4190: 3890: 3613: 3589: 3464: 3407: 3389: 3375: 2973:, the French word for birdcage. 2889: 2879: 2862: 2547:William John Manners Tollemache 2448:Wilbraham, 6th Earl (1799–1821) 2307: 2145: 2135:Willem van de Velde the Younger 1952: 1649: 1490: 1082: 921: 816:and participation in Charles's 779:in Suffolk, which had been her 446: 11005:1610 establishments in England 10847:Treaty of Hampton Court (1562) 10812:GHQ Liaison Regiment (Phantom) 10802:Cook baronets of Doughty House 10527:Royal Military School of Music 9795:Duke of Northumberland's River 8519:Richmond Local History Society 8253:England's Thousand Best Houses 7052:Richmond Local History Society 3028: 2531:Lionel William John Tollemache 2493:Louisa, 7th Countess (1821–40) 1786: 1556:KG (1630–1673) in Garter robes 1369:the London Plasterers' Company 1052:(now used as a tea room), the 956:England's Thousand Best Houses 810:High Commissioner for Scotland 451: 305:, an Elizabethan courtier and 1: 10766:Murder of Julia Martha Thomas 10610:Admiralty Research Laboratory 10392:Hampton Water Treatment Works 10161:Richmond and Twickenham Times 9928:Hampton Court Palace Festival 9923:Hampton Court Garden Festival 9805:Sudbrook and Latchmere stream 9677:River Thames bridges, islands 9030:(6). Cleveland, US: 113–119. 8832:Gardens of the National Trust 7548:"Where was The Great Filmed?" 3006: 2636:National Trust (1948–present) 2561:William, 9th Earl (1878–1935) 1684:Queen Elizabeth I (1533–1603) 1296:of bay leaves, richly carved 1135: 10871:Parliamentary constituencies 10706:Richmond Theological College 10502:Park Lane Stables Teddington 10472:National Physical Laboratory 10402:Harrods Furniture Depository 10098:Richmond Theatre (1765–1884| 8638:. London: G. Bell and Sons. 8317:. English Journeys. London: 8166:Houses of the National Trust 7764:. Harmondsworth, Middlesex: 7743:. London: Facet Publishing. 7512:"Where is Bodyguard Filmed?" 4198:"What are Listed Buildings?" 3923:UK public library membership 3491:UK public library membership 2954:How the Read a Country House 2521:Lionel, 8th Earl (1840–1878) 2210:by Henry Danckaerts, c. 1675 2119:Elizabeth Murray (1626–1698) 1907:The Duchess's Private Closet 1326:Venus with Mercury and Cupid 1121:Pevsner Architectural Guides 948:Jacobean English renaissance 875:Queen, Catherine of Braganza 848:, and Maitland commissioned 58:the elder, in the foreground 7: 11075:Museums on the River Thames 10761:Murder of Amélie Delagrange 10572:Victoria Working Men's Club 10567:University Boat Race Stones 9974:Hare and Hounds, East Sheen 9756:Teddington Lifeboat Station 9083:Wilson, Michael I. (1977). 8459:How to Read a Country House 8231:National Trust Studies 1980 7846:"Looking for Gerrit Jensen" 7120:National Trust ABC Bulletin 7113:"Perspectives at Ham House" 5718:Rothwell & Westman 2011 5624:Rothwell & Westman 2011 5576:Rothwell & Westman 2011 5228:. National Portrait Gallery 3897:Murdoch, Alexander (2004). 1190:, painted in 1823–25 after 906:Charles, Earl of Lauderdale 368:refuse a request from King 10: 11096: 10945:Grade II* listed buildings 10857:Warren-Lambert Engineering 10532:Royal Star and Garter Home 10352:East Sheen Filling Station 10199:Diana Fountain, Bushy Park 10107:Film and recording studios 10019:The White Swan, Twickenham 9391: 9018:Ward, Evelyn Svec (1953). 8965:Victoria and Albert Museum 8909:; Tomlin, Maurice (1980). 8584:Metropolitan Museum of Art 8511:Pritchard, Evelyn (2007). 7635: 7141:"Old Masters Evening Sale" 6812:Thornton & Tomlin 1980 6797:Thornton & Tomlin 1980 6109:Thornton & Tomlin 1980 6075:Thornton & Tomlin 1980 6051:Thornton & Tomlin 1980 6027:Thornton & Tomlin 1980 6000:Thornton & Tomlin 1980 5985:Thornton & Tomlin 1980 5973:Thornton & Tomlin 1980 5927:Thornton & Tomlin 1980 5893:Thornton & Tomlin 1980 5881:Thornton & Tomlin 1980 5869:Thornton & Tomlin 1980 5857:Thornton & Tomlin 1980 5820:Thornton & Tomlin 1980 5745:Thornton & Tomlin 1980 5694:Thornton & Tomlin 1980 5682:Thornton & Tomlin 1980 5648:Thornton & Tomlin 1980 5636:Thornton & Tomlin 1980 5552:Thornton & Tomlin 1980 5504:Thornton & Tomlin 1980 4988:Thornton & Tomlin 1980 4937:Thornton & Tomlin 1980 4908:Thornton & Tomlin 1980 4881:Thornton & Tomlin 1980 4832:Thornton & Tomlin 1980 4776:Thornton & Tomlin 1980 4725:Thornton & Tomlin 1980 4698:Thornton & Tomlin 1980 4657:Thornton & Tomlin 1980 4535:Thornton & Tomlin 1980 4122:Thornton & Tomlin 1980 4064:Thornton & Tomlin 1980 3849:Thornton & Tomlin 1980 3837:Thornton & Tomlin 1980 3825:Thornton & Tomlin 1980 3801:Thornton & Tomlin 1980 3769:Thornton & Tomlin 1980 3036:"The History of Ham House" 2661:Victoria and Albert Museum 2404:Lionel, 5th Earl (1770–99) 2334:Lionel, 4th Earl (1727–70) 1701: 1663:The ceiling paintings are 1527:King Charles I (1600–1649) 1402:Notable paintings include 801:Committee of Both Kingdoms 745:rewarded Elizabeth with a 624:supporter and ally of the 18: 10983: 10907: 10870: 10784: 10738: 10372:Great Pagoda, Kew Gardens 10267: 10231: 10186: 10152: 10121:The Boathouse, Twickenham 10106: 10027: 9936: 9910: 9841:Cricket clubs and grounds 9826:Athletic Ground, Richmond 9818: 9777: 9676: 9570: 9409: 9302: 9052:Waterhouse, Ellis Kirkham 8957:Tomlin, Maurice (1985) . 8883:10.1163/22145966-90000524 8547:The Country House Library 8102:Weidenfeld & Nicolson 7858:Furniture History Society 7827:Weidenfeld & Nicolson 7675:Akkerman, Nadine (2018). 7450:"John McGlashan Obituary" 6414:"The Garden at Ham House" 5667:Cherry & Pevsner 2002 4752:Cherry & Pevsner 2002 4038:Cherry & Pevsner 2002 3752:Cherry & Pevsner 2002 3626:The History of Parliament 3370:Harwood & Murray 1906 3079:Cherry & Pevsner 2002 2822:Richmond station (London) 2807: 2628:but, while they survived 2230:and eight grass squares ( 2226:, the Cherry Garden, the 1725:The Country House Library 1677:University of Southampton 1540:is signed and dated 1659. 1455:, the former Governor of 1410:painted by Lely c. 1675. 1213: 1197:Hanging side by side are 1078:Interiors and collections 1040:, the entrance gates and 516:, until he died in 1626. 276: 272: 264: 256: 246: 242: 225: 220: 212: 207: 197: 192: 182: 171: 163: 124: 114: 104: 94: 89: 63: 39: 34: 11020:Country houses in London 11010:Houses completed in 1610 10940:Grade I listed buildings 10277:123 Mortlake High Street 10232:Historical royal palaces 9831:Barn Elms playing fields 9778:Other rivers and streams 9164:Thornton, Peter (1974). 9135:Plowden, Alison (1998). 7975:Cornforth, John (1998). 7791:Beddard, Robert (1995). 7758:Beard, Geoffrey (1985). 7317:"Left, Right and Centre" 5303:Bowett & Lindey 2017 2855: 2539:Algernon Gray Tollemache 2208:Ham House from the South 2108:Flora Attended by Cupids 1999:Ham House from the South 1692:A Man Consumed by Flames 1339:National Gallery, London 1312:. Originally gilded and 1209:, signed and dated 1737. 984:Robert and John Smythson 684:that can be seen in the 614:Thomas Bruce, Lord Elgin 565:and added the adjoining 46:Ham House in 2016, with 10960:Local council elections 10792:Adana Printing Machines 10658:Mortlake Tapestry Works 10552:Sudbrook House and Park 10487:Old Town Hall, Richmond 10287:18 Station Road, Barnes 10009:Watney Combe & Reid 9994:Richmond Brewery Stores 9949:The Bull's Head, Barnes 9836:The Championship Course 9618:George Street, Richmond 9001:Oxford University Press 8709:Standen, Edith (1971). 8163:Greeves, Lydia (2008). 8044:Oxford University Press 8004:Cripps, Doreen (1975). 7908:The British Art Journal 7683:Oxford University Press 7514:. Conde Nast Traveller. 7195:"Annual Report 2018/19" 1472:Mortlake Tapestry Works 1175:, was exhibited at the 1063: 1044:, the Garden walls and 604:, but in the run-up to 524:In 1626, Ham House was 414:Grade I listed building 193:Design and construction 10282:14 The Terrace, Barnes 9989:Park Hotel, Teddington 9979:Jolly Coopers, Hampton 9969:The George, Twickenham 9959:Dysart Arms, Petersham 9846:Golf clubs and courses 9668:The Vineyard, Richmond 8544:Purcell, Mark (2019). 8226:Jackson-Stops, Gervase 7902:Brett, Cécile (2009). 7708:Anthony, John (1991). 4256:. Arts Council England 3483:10.1093/ref:odnb/19601 2692:In film and television 2502: 2457: 2343: 2263: 2211: 2171: 2080: 2039: 2038:The Marble Dining Room 1939:John Hoskins the Elder 1908: 1885:Ganymede and the Eagle 1821: 1711: 1659: 1589:2nd Earl of Sunderland 1500: 1423: 1422:The North Drawing Room 1259: 1223: 1145: 1074: 931: 869:Upstairs the existing 840: 796: 593: 585: 461: 10771:Richmond child murder 10722:Star and Garter Hotel 10542:Strawberry Hill House 10397:Hampton Youth Project 10292:70 Barnes High Street 10014:White Cross, Richmond 9954:The Crown, Twickenham 9876:Thames Young Mariners 9247:"Ham House (1080832)" 9197:Yorke, James (1990). 8827:Thomas, Graham Stuart 8496:. London: Macmillan. 8350:Architectural History 8344:Louw, Hentie (1983). 8136:. Harmondsworth, UK: 7950:Yale University Press 7737:Attar, Karen (2016). 4254:"About Accreditation" 3915:10.1093/ref:odnb/4513 3596:Surrey History Centre 3326:Surrey History Centre 2838:Orleans House Gallery 2765:Sense and Sensibility 2699:Left Right and Centre 2551:Charles Hanbury-Tracy 2525:Louisa's eldest son, 2500: 2455: 2341: 2261: 2206: 2169: 2078: 2037: 1906: 1819: 1748:Book of Common Prayer 1709: 1657: 1617:Catherine of Braganza 1498: 1421: 1351:(the original in the 1308:decorating the outer 1257: 1221: 1143: 1071: 929: 838: 794: 591: 583: 459: 10785:Other history topics 10739:Tragedy and disaster 10557:Thatched House Lodge 10477:Normansfield Theatre 10377:Grove House, Hampton 10302:Barnes power station 10239:Hampton Court Palace 10153:Media and publishing 10090:Eel Pie Island Hotel 10067:Puppet Theatre Barge 10004:Twickenham Fine Ales 9918:Annual sports events 9633:Mortlake High Street 9091:Book Club Associates 8837:Book Club Associates 8680:Sales, John (2018). 8490:Norwich, John Julius 8356:: 49–72 and 144–50. 8217:The Scottish Peerage 8078:. London: F. Warne. 5759:, pp. 153-–155. 3471:"Elizabeth Murray". 3306:, p. 77&96. 3040:Ham House and Garden 2814:Transport for London 2198:French formal garden 2101:Duchess's Bedchamber 2079:The Withdrawing Room 1774:(1743) are notable. 1521:Mary, Queen of Scots 1034:listing of buildings 1025:Listing designations 980:Buildings of England 830:Knight of the Garter 602:Kingston upon Thames 418:Arts Council England 329:, but Murray's wife 148:51.44417°N 0.31417°W 10891:Richmond and Barnes 10746:Barnes child murder 10482:The Old Court House 10447:Langham House Close 10057:Orange Tree Theatre 9964:The Fox, Twickenham 9944:Britannia, Richmond 9663:The Terrace, Barnes 9658:The Green, Richmond 9613:Church Road, Barnes 8753:Thames & Hudson 8686:. London: Unicorn. 8579:Constable's England 8286:Chatto & Windus 8034:Curl, James Stevens 7111:Bradley, Victoria. 6925:, pp. 385–386. 6509:, pp. 265–267. 6191:, pp. 117–120. 5518:, pp. 133–140. 5293:, pp. 199–203. 4163:, pp. 109–110. 4109:, pp. 172–173. 4085:, pp. 153–155. 4040:, pp. 474–477. 4028:, pp. 359–360. 4013:, pp. 494–495. 3547:, pp. 121–122. 3372:, pp. 402–403. 3111:, pp. 501–516. 2509:, by then widow of 2375:were replaced with 2154:painted c. 1648 by 1872:Jean-Baptiste Pater 1858:tapestry. Woven in 1760:Jus Parliamentarium 1694:painted c. 1610 by 1686:painted c. 1590 by 1538:John Michael Wright 1280:, swords, shields, 964:John Julius Norwich 806:Battle of Worcester 783:on their marriage. 433:John Julius Norwich 144: / 95:Architectural style 90:General information 10822:Kew Letters (1795) 10537:St Leonard's Court 10432:King's Observatory 10357:Fulwell bus garage 10327:Chapel in the Wood 10249:Hampton Court Maze 10223:The Queen's Beasts 10144:Teddington Studios 10136:Twickenham Studios 10028:Theatres, cinemas 9984:Old Ship, Richmond 9937:Breweries and pubs 9881:Twickenham Stadium 9701:Corporation Island 9679:and river services 9603:Barnes High Street 9127:Ham House: A Guide 8212:James Balfour Paul 7207:on 6 November 2022 7054:. pp. 66–69. 6664:Jackson-Stops 1979 5351:Jackson-Stops 1979 4844:Jackson-Stops 1979 3533:Jackson-Stops 1979 3244:Jackson-Stops 1979 2958:cabinet government 2900:Thirlestane Castle 2741:Victoria and Abdul 2711:The Young Victoria 2669:National Land Fund 2503: 2458: 2442:6th Earl of Dysart 2344: 2264: 2212: 2172: 2162:Garden and grounds 2131:maritime paintings 2081: 2040: 2030:Marble Dining Room 2003:Hendrick Danckerts 1909: 1822: 1812:Queen's Bedchamber 1778:Queen's Apartments 1712: 1660: 1625:Japanese lacquered 1501: 1485:1st Lord Shelburne 1424: 1414:North Drawing Room 1260: 1224: 1146: 1075: 1048:to the south, the 932: 841: 826:Duke of Lauderdale 814:Secretary of State 797: 594: 586: 551:Lord of the Manors 462: 265:Reference no. 153:51.44417; -0.31417 21:Ham House (Newham) 10992: 10991: 10899:Richmond (Surrey) 10852:Vandeput baronets 10751:Barnes rail crash 10562:Trumpeters' House 10462:Marble Hill House 10317:Cambridge Cottage 9902:Richmond Ice Rink 9861:Pools on the Park 9736:Hammerton's Ferry 9628:Mill Hill, Barnes 9608:Castelnau, Barnes 9571:Streets and roads 9203:Furniture History 9170:Furniture History 9148:978-0-750-91221-1 9100:978-0-713-40897-3 9067:978-0-300-05833-8 9010:978-1-570-85381-4 8974:978-0-948-10749-8 8922:978-0-903-33503-4 8846:978-0-297-77559-1 8762:978-0-500-27214-5 8693:978-1-911-60418-1 8664:978-0-300-18540-9 8605:Furniture History 8557:978-0-300-24868-5 8528:978-1-955-07172-7 8503:978-0-333-22037-5 8473:978-0-091-90076-2 8328:978-0-141-19090-7 8311:— (2009) . 8295:978-0-701-12657-5 8276:Lees-Milne, James 8267:978-0-713-99596-1 8202:978-1-843-59172-6 8193:Ham House, Surrey 8176:978-1-905-40066-9 8147:978-0-140-05406-4 8111:978-0-297-77571-3 8053:978-0-199-67499-2 8017:978-0-900-09343-2 7988:978-0-094-79150-3 7959:978-0-300-09651-4 7940:Pevsner, Nikolaus 7894:978-1-527-55131-2 7850:Furniture History 7836:978-0-297-84455-6 7775:978-0-670-80141-1 7750:978-1-783-30016-7 7721:978-0-747-80130-6 7692:978-0-198-82301-8 7659:978-0-750-91788-9 7290:. 25 April 2006. 7061:978-1-955071-72-7 7024:, pp. 82–83. 6913:, pp. 33–35. 6748:, pp. 48–49. 6466:, pp. 35–36. 6227:, pp. 52–54. 5975:, pp. 43–44. 5795:, pp. 11–12. 5530:, pp. 32–36. 4700:, pp. 97–99. 4671:, pp. 12–13. 3921:(Subscription or 3887:, pp. 51–52. 3489:(Subscription or 3437:, pp. 62–63. 3193:, pp. 36–37. 2842:Marble Hill House 2834:Hammerton's Ferry 2801:Mary & George 2795:Antiques Roadshow 2657:Ministry of Works 2574:in 1887. In 1890 1688:Nicholas Hilliard 1638:Chinese lacquered 1463:, now called the 1371:. Engaged by the 1199:John Vanderbank's 1099:, in addition to 660:, 3rd Baronet of 658:Lionel Tollemache 468:were bestowed by 460:The main entrance 424:, in the revised 323:English Civil War 280: 279: 208:Other information 25:Mathias Ham House 11087: 10955:Local government 10642:Cross Deep House 10307:Brinsworth House 10210:The Naked Ladies 10072:Richmond Theatre 10030:and music venues 9886:Twickenham Stoop 9769:Twickenham Ferry 9560: 9550: 9540: 9530: 9520: 9510: 9505: 9495: 9485: 9475: 9470: 9460: 9450: 9440: 9430: 9420: 9410:Railway stations 9404: 9397: 9289: 9282: 9275: 9266: 9265: 9256: 9243:Historic England 9226: 9193: 9160: 9131: 9112: 9079: 9047: 9014: 8986: 8953: 8934: 8902: 8858: 8822: 8796: 8774: 8738: 8705: 8676: 8647: 8628: 8595: 8574:Reynolds, Graham 8569: 8540: 8507: 8485: 8464:Ebury Publishing 8449: 8413: 8389: 8340: 8307: 8271: 8243: 8221: 8206: 8188: 8159: 8123: 8087: 8065: 8029: 8000: 7971: 7931: 7898: 7877: 7840: 7812: 7787: 7754: 7733: 7704: 7671: 7629: 7628: 7626: 7624: 7619:. National Trust 7613: 7607: 7606: 7604: 7602: 7588: 7582: 7581: 7579: 7577: 7566: 7560: 7559: 7557: 7555: 7544: 7538: 7537: 7535: 7533: 7528:. National Trust 7522: 7516: 7515: 7507: 7501: 7500: 7493: 7487: 7486: 7484: 7482: 7477:. Visit Richmond 7471: 7465: 7464: 7462: 7460: 7445: 7439: 7438: 7436: 7434: 7429:. National Trust 7423: 7417: 7416: 7414: 7412: 7407:. National Trust 7401: 7395: 7394: 7392: 7390: 7383:"A Little Chaos" 7379: 7373: 7372: 7370: 7368: 7363:. National Trust 7357: 7351: 7350: 7348: 7346: 7341:. National Trust 7335: 7329: 7328: 7326: 7324: 7313: 7307: 7306: 7304: 7302: 7278: 7272: 7271: 7269: 7267: 7248: 7242: 7241: 7239: 7237: 7232:. National Trust 7226: 7217: 7216: 7214: 7212: 7206: 7199: 7191: 7185: 7184: 7182: 7180: 7171: 7165:Berkouwer, May. 7162: 7156: 7155: 7153: 7151: 7137: 7131: 7130: 7128: 7126: 7117: 7108: 7102: 7096: 7090: 7084: 7078: 7072: 7066: 7065: 7043: 7037: 7031: 7025: 7019: 7013: 7007: 7001: 6995: 6989: 6983: 6977: 6971: 6965: 6959: 6953: 6947: 6938: 6932: 6926: 6920: 6914: 6908: 6902: 6896: 6883: 6877: 6866: 6860: 6854: 6848: 6842: 6836: 6827: 6821: 6815: 6809: 6800: 6794: 6788: 6782: 6776: 6770: 6761: 6755: 6749: 6743: 6737: 6731: 6722: 6716: 6710: 6704: 6698: 6692: 6679: 6673: 6667: 6661: 6652: 6646: 6635: 6629: 6623: 6617: 6611: 6605: 6599: 6593: 6587: 6581: 6570: 6564: 6558: 6552: 6546: 6540: 6534: 6528: 6522: 6516: 6510: 6504: 6498: 6492: 6479: 6473: 6467: 6461: 6455: 6449: 6443: 6437: 6426: 6425: 6423: 6421: 6416:. National Trust 6410: 6404: 6398: 6392: 6386: 6380: 6374: 6361: 6355: 6349: 6348: 6340: 6331: 6325: 6319: 6313: 6307: 6301: 6295: 6289: 6276: 6270: 6264: 6258: 6252: 6246: 6240: 6234: 6228: 6222: 6216: 6210: 6204: 6198: 6192: 6186: 6180: 6179: 6177: 6175: 6159:Historic England 6155: 6146: 6140: 6134: 6133: 6131: 6129: 6124:. National Trust 6118: 6112: 6106: 6100: 6099: 6097: 6095: 6090:. National Trust 6084: 6078: 6072: 6066: 6060: 6054: 6048: 6042: 6036: 6030: 6024: 6015: 6009: 6003: 5997: 5988: 5982: 5976: 5970: 5964: 5963: 5961: 5959: 5948: 5942: 5936: 5930: 5924: 5918: 5917: 5915: 5913: 5908:. National Trust 5902: 5896: 5890: 5884: 5878: 5872: 5866: 5860: 5854: 5845: 5844: 5842: 5840: 5835:. National Trust 5829: 5823: 5817: 5808: 5802: 5796: 5790: 5784: 5778: 5772: 5766: 5760: 5754: 5748: 5742: 5736: 5730: 5721: 5715: 5709: 5703: 5697: 5691: 5685: 5679: 5670: 5664: 5651: 5645: 5639: 5633: 5627: 5621: 5615: 5609: 5603: 5597: 5591: 5585: 5579: 5573: 5567: 5561: 5555: 5549: 5543: 5537: 5531: 5525: 5519: 5513: 5507: 5501: 5492: 5486: 5471: 5465: 5459: 5453: 5447: 5441: 5435: 5429: 5423: 5417: 5411: 5410: 5408: 5406: 5401:. National Trust 5395: 5389: 5388: 5386: 5384: 5379:. National Trust 5373: 5367: 5360: 5354: 5348: 5342: 5336: 5330: 5324: 5318: 5312: 5306: 5300: 5294: 5288: 5282: 5281: 5279: 5277: 5272:. National Trust 5266: 5260: 5259: 5257: 5255: 5250:. National Trust 5244: 5238: 5237: 5235: 5233: 5222: 5216: 5215: 5213: 5211: 5206:on 18 March 2022 5205: 5198: 5190: 5184: 5178: 5169: 5168: 5166: 5164: 5159:. National Trust 5153: 5147: 5146: 5144: 5142: 5137:. National Trust 5131: 5125: 5124: 5122: 5120: 5115:. National Trust 5109: 5103: 5097: 5091: 5090: 5088: 5086: 5081:. National Trust 5075: 5069: 5068: 5066: 5064: 5059:. National Trust 5053: 5047: 5041: 5035: 5034: 5032: 5030: 5025:. National Trust 5019: 5013: 5012: 5010: 5008: 5003:. National Trust 4997: 4991: 4985: 4979: 4973: 4967: 4961: 4955: 4949: 4940: 4934: 4923: 4917: 4911: 4905: 4896: 4890: 4884: 4878: 4869: 4868: 4866: 4864: 4859:. National Trust 4853: 4847: 4841: 4835: 4829: 4823: 4822: 4820: 4818: 4813:. National Trust 4807: 4801: 4800: 4798: 4796: 4791:. National Trust 4785: 4779: 4773: 4767: 4761: 4755: 4749: 4728: 4722: 4716: 4710: 4701: 4695: 4689: 4683: 4672: 4666: 4660: 4654: 4648: 4647: 4645: 4643: 4638:. National Trust 4632: 4626: 4625: 4623: 4621: 4616:. National Trust 4610: 4604: 4603: 4601: 4599: 4594:. National Trust 4588: 4582: 4581: 4579: 4577: 4572:. National Trust 4566: 4560: 4559: 4557: 4555: 4550:. National Trust 4544: 4538: 4532: 4526: 4520: 4514: 4513: 4511: 4509: 4493:Historic England 4489: 4483: 4482: 4480: 4478: 4462:Historic England 4458: 4452: 4451: 4449: 4447: 4431:Historic England 4427: 4421: 4420: 4418: 4416: 4400:Historic England 4396: 4390: 4389: 4387: 4385: 4369:Historic England 4365: 4359: 4358: 4356: 4354: 4338:Historic England 4334: 4328: 4327: 4325: 4323: 4307:Historic England 4303: 4297: 4296: 4294: 4292: 4276:Historic England 4272: 4266: 4265: 4263: 4261: 4250: 4244: 4243: 4241: 4239: 4223:Historic England 4219: 4213: 4212: 4210: 4208: 4202:Historic England 4194: 4188: 4182: 4176: 4170: 4164: 4158: 4152: 4146: 4140: 4134: 4125: 4119: 4110: 4104: 4098: 4092: 4086: 4080: 4067: 4061: 4055: 4054: 4050: 4041: 4035: 4029: 4023: 4014: 4008: 3997: 3991: 3985: 3979: 3973: 3967: 3956: 3950: 3944: 3938: 3927: 3926: 3918: 3902: 3894: 3888: 3882: 3876: 3870: 3864: 3858: 3852: 3846: 3840: 3834: 3828: 3822: 3816: 3810: 3804: 3798: 3789: 3783: 3772: 3766: 3755: 3749: 3734: 3728: 3722: 3716: 3710: 3704: 3698: 3692: 3686: 3680: 3674: 3668: 3662: 3656: 3650: 3644: 3638: 3637: 3635: 3633: 3617: 3611: 3605: 3599: 3593: 3587: 3581: 3572: 3566: 3560: 3554: 3548: 3542: 3536: 3530: 3524: 3518: 3507: 3501: 3495: 3494: 3486: 3468: 3462: 3456: 3450: 3444: 3438: 3432: 3423: 3422: 3411: 3405: 3404: 3393: 3387: 3386: 3379: 3373: 3367: 3361: 3355: 3349: 3343: 3337: 3336: 3334: 3332: 3318: 3307: 3301: 3295: 3289: 3283: 3277: 3271: 3265: 3259: 3253: 3247: 3241: 3230: 3224: 3218: 3212: 3206: 3200: 3194: 3188: 3182: 3176: 3170: 3169: 3167: 3165: 3146:(January 1995). 3140: 3131: 3125: 3112: 3106: 3097: 3091: 3082: 3076: 3055: 3054: 3052: 3050: 3032: 3026: 3020: 3000: 2997: 2991: 2983:James Lees-Milne 2980: 2974: 2967: 2961: 2947: 2941: 2935: 2929: 2917: 2911: 2904:Lennoxlove House 2893: 2887: 2883: 2877: 2866: 2852:national trail. 2830:Kingston station 2747:The Last Vermeer 2665:Sir Leigh Ashton 2646:James Lees-Milne 2515:Buckminster Park 2416:, second son of 2392:, with matching 2304:edible flowers. 2284:Henry Danckaerts 2071:Withdrawing Room 1992:Cardinal virtues 1752:Whitehall Palace 1736:Harleian auction 1658:The Green Closet 1459:for his home in 1377:Goldsmith's Hall 1304:, and miniature 1030:Historic England 972:Nikolaus Pevsner 954:, in his study, 871:State Apartments 715:The Protectorate 678:Northamptonshire 656:and her husband 571:Whitehall Palace 335:the Protectorate 238: 235: 233: 231: 229: 159: 158: 156: 155: 154: 149: 145: 142: 141: 140: 137: 79: 78: 72: 44: 32: 31: 11095: 11094: 11090: 11089: 11088: 11086: 11085: 11084: 10995: 10994: 10993: 10988: 10979: 10903: 10866: 10837:Richmond Flyers 10832:Pocock baronets 10780: 10776:Towpath murders 10756:Ham bank murder 10734: 10730:Twickenham Park 10597:Yelverton Lodge 10457:Lichfield Court 10452:Latchmere House 10367:Garrick's Villa 10269: 10263: 10259:Richmond Palace 10227: 10182: 10148: 10131:Olympic Studios 10126:Eel Pie Studios 10102: 10062:OSO Arts Centre 10052:Olympic Studios 10037:The Bull's Head 10029: 10023: 9999:Sun Inn, Barnes 9932: 9906: 9814: 9773: 9761:Teddington Lock 9731:Trowlock Island 9711:Glover's Island 9678: 9672: 9643:Old Palace Yard 9638:Old Palace Lane 9566: 9532:Strawberry Hill 9405: 9399: 9398: 9389: 9370:Strawberry Hill 9298: 9293: 9241: 9233: 9196: 9163: 9149: 9134: 9123: 9120: 9118:Further reading 9115: 9101: 9068: 9011: 8991:Walpole, Horace 8975: 8923: 8907:Thornton, Peter 8863:Thornton, Peter 8847: 8801:Summerson, John 8763: 8715:Master Drawings 8694: 8665: 8558: 8529: 8504: 8474: 8362:10.2307/1568434 8329: 8296: 8268: 8203: 8177: 8148: 8112: 8097:King Charles II 8092:Fraser, Antonia 8054: 8018: 7989: 7960: 7945:London 2: South 7936:Cherry, Bridget 7895: 7837: 7776: 7751: 7722: 7693: 7660: 7638: 7633: 7632: 7622: 7620: 7615: 7614: 7610: 7600: 7598: 7590: 7589: 7585: 7575: 7573: 7568: 7567: 7563: 7553: 7551: 7546: 7545: 7541: 7531: 7529: 7524: 7523: 7519: 7508: 7504: 7495: 7494: 7490: 7480: 7478: 7473: 7472: 7468: 7458: 7456: 7446: 7442: 7432: 7430: 7425: 7424: 7420: 7410: 7408: 7403: 7402: 7398: 7388: 7386: 7381: 7380: 7376: 7366: 7364: 7359: 7358: 7354: 7344: 7342: 7337: 7336: 7332: 7322: 7320: 7315: 7314: 7310: 7300: 7298: 7280: 7279: 7275: 7265: 7263: 7250: 7249: 7245: 7235: 7233: 7228: 7227: 7220: 7210: 7208: 7204: 7197: 7193: 7192: 7188: 7178: 7176: 7169: 7163: 7159: 7149: 7147: 7139: 7138: 7134: 7124: 7122: 7115: 7109: 7105: 7097: 7093: 7085: 7081: 7073: 7069: 7062: 7044: 7040: 7032: 7028: 7020: 7016: 7008: 7004: 6996: 6992: 6984: 6980: 6974:Lees-Milne 1983 6972: 6968: 6960: 6956: 6948: 6941: 6933: 6929: 6921: 6917: 6911:Lees-Milne 2009 6909: 6905: 6897: 6886: 6878: 6869: 6861: 6857: 6851:Tollemache 1949 6849: 6845: 6837: 6830: 6822: 6818: 6810: 6803: 6795: 6791: 6783: 6779: 6771: 6764: 6756: 6752: 6744: 6740: 6732: 6725: 6717: 6713: 6705: 6701: 6693: 6682: 6674: 6670: 6662: 6655: 6647: 6638: 6630: 6626: 6618: 6614: 6606: 6602: 6594: 6590: 6582: 6573: 6565: 6561: 6553: 6549: 6543:Tollemache 1949 6541: 6537: 6531:Tollemache 1949 6529: 6525: 6517: 6513: 6505: 6501: 6493: 6482: 6474: 6470: 6462: 6458: 6450: 6446: 6438: 6429: 6419: 6417: 6412: 6411: 6407: 6399: 6395: 6387: 6383: 6375: 6364: 6356: 6352: 6341: 6334: 6326: 6322: 6314: 6310: 6302: 6298: 6290: 6279: 6271: 6267: 6259: 6255: 6247: 6243: 6235: 6231: 6223: 6219: 6211: 6207: 6199: 6195: 6187: 6183: 6173: 6171: 6156: 6149: 6141: 6137: 6127: 6125: 6120: 6119: 6115: 6107: 6103: 6093: 6091: 6086: 6085: 6081: 6073: 6069: 6061: 6057: 6049: 6045: 6037: 6033: 6025: 6018: 6010: 6006: 5998: 5991: 5983: 5979: 5971: 5967: 5957: 5955: 5950: 5949: 5945: 5937: 5933: 5925: 5921: 5911: 5909: 5904: 5903: 5899: 5891: 5887: 5879: 5875: 5867: 5863: 5855: 5848: 5838: 5836: 5831: 5830: 5826: 5818: 5811: 5803: 5799: 5791: 5787: 5779: 5775: 5767: 5763: 5755: 5751: 5743: 5739: 5731: 5724: 5716: 5712: 5704: 5700: 5692: 5688: 5680: 5673: 5665: 5654: 5646: 5642: 5634: 5630: 5626:, pp. 3–4. 5622: 5618: 5610: 5606: 5598: 5594: 5586: 5582: 5578:, pp. 7–8. 5574: 5570: 5562: 5558: 5550: 5546: 5538: 5534: 5526: 5522: 5514: 5510: 5502: 5495: 5487: 5474: 5466: 5462: 5454: 5450: 5442: 5438: 5430: 5426: 5418: 5414: 5404: 5402: 5397: 5396: 5392: 5382: 5380: 5375: 5374: 5370: 5364:Master Drawings 5361: 5357: 5349: 5345: 5337: 5333: 5325: 5321: 5313: 5309: 5301: 5297: 5289: 5285: 5275: 5273: 5268: 5267: 5263: 5253: 5251: 5246: 5245: 5241: 5231: 5229: 5224: 5223: 5219: 5209: 5207: 5203: 5196: 5192: 5191: 5187: 5179: 5172: 5162: 5160: 5155: 5154: 5150: 5140: 5138: 5133: 5132: 5128: 5118: 5116: 5111: 5110: 5106: 5100:Waterhouse 1994 5098: 5094: 5084: 5082: 5077: 5076: 5072: 5062: 5060: 5055: 5054: 5050: 5042: 5038: 5028: 5026: 5021: 5020: 5016: 5006: 5004: 4999: 4998: 4994: 4986: 4982: 4974: 4970: 4962: 4958: 4950: 4943: 4935: 4926: 4918: 4914: 4906: 4899: 4891: 4887: 4879: 4872: 4862: 4860: 4855: 4854: 4850: 4842: 4838: 4830: 4826: 4816: 4814: 4809: 4808: 4804: 4794: 4792: 4787: 4786: 4782: 4774: 4770: 4762: 4758: 4750: 4731: 4723: 4719: 4711: 4704: 4696: 4692: 4684: 4675: 4667: 4663: 4655: 4651: 4641: 4639: 4634: 4633: 4629: 4619: 4617: 4612: 4611: 4607: 4597: 4595: 4590: 4589: 4585: 4575: 4573: 4568: 4567: 4563: 4553: 4551: 4546: 4545: 4541: 4533: 4529: 4521: 4517: 4507: 4505: 4490: 4486: 4476: 4474: 4459: 4455: 4445: 4443: 4428: 4424: 4414: 4412: 4397: 4393: 4383: 4381: 4366: 4362: 4352: 4350: 4335: 4331: 4321: 4319: 4304: 4300: 4290: 4288: 4273: 4269: 4259: 4257: 4252: 4251: 4247: 4237: 4235: 4220: 4216: 4206: 4204: 4196: 4195: 4191: 4183: 4179: 4171: 4167: 4159: 4155: 4147: 4143: 4135: 4128: 4120: 4113: 4105: 4101: 4093: 4089: 4081: 4070: 4062: 4058: 4052: 4051: 4044: 4036: 4032: 4024: 4017: 4009: 4000: 3992: 3988: 3980: 3976: 3968: 3959: 3951: 3947: 3939: 3930: 3920: 3895: 3891: 3883: 3879: 3871: 3867: 3859: 3855: 3847: 3843: 3835: 3831: 3823: 3819: 3811: 3807: 3799: 3792: 3784: 3775: 3767: 3758: 3750: 3737: 3729: 3725: 3717: 3713: 3705: 3701: 3693: 3689: 3681: 3677: 3669: 3665: 3657: 3653: 3645: 3641: 3631: 3629: 3618: 3614: 3606: 3602: 3594: 3590: 3582: 3575: 3567: 3563: 3555: 3551: 3543: 3539: 3531: 3527: 3519: 3510: 3502: 3498: 3488: 3470: 3469: 3465: 3457: 3453: 3445: 3441: 3433: 3426: 3413: 3412: 3408: 3395: 3394: 3390: 3385:. Ham House NT. 3381: 3380: 3376: 3368: 3364: 3356: 3352: 3344: 3340: 3330: 3328: 3320: 3319: 3310: 3302: 3298: 3290: 3286: 3278: 3274: 3266: 3262: 3254: 3250: 3242: 3233: 3225: 3221: 3213: 3209: 3201: 3197: 3189: 3185: 3177: 3173: 3163: 3161: 3144:Beddard, Robert 3141: 3134: 3126: 3115: 3107: 3100: 3092: 3085: 3077: 3058: 3048: 3046: 3034: 3033: 3029: 3021: 3014: 3009: 3004: 3003: 2998: 2994: 2981: 2977: 2968: 2964: 2952:, in his study 2948: 2944: 2936: 2932: 2918: 2914: 2894: 2890: 2884: 2880: 2874:Wimbledon House 2867: 2863: 2858: 2810: 2759:Steptoe and Son 2717:Never Let Me Go 2694: 2638: 2621:Hawker Siddeley 2604: 2563: 2523: 2511:John Manners MP 2495: 2462:George Hardinge 2450: 2426:Strawberry Hill 2420:, and niece of 2406: 2336: 2315: 2310: 2164: 2148: 2112:four poster bed 2103: 2073: 2032: 1955: 1901: 1880: 1868:Nicolas Lancret 1864:Antoine Watteau 1814: 1789: 1780: 1742:and many other 1704: 1652: 1576:Henrietta Maria 1567:auricular style 1493: 1416: 1361: 1294:relief carvings 1252: 1250:Great Staircase 1216: 1173:Joshua Reynolds 1138: 1085: 1080: 1066: 1027: 996:William Samwell 924: 850:William Samwell 789: 720:Oliver Cromwell 670: 662:Helmingham Hall 622:Parliamentarian 584:The north front 575:Whitehall Group 522: 506:Robert Smythson 478:Thomas Vavasour 454: 449: 402:William Samwell 394:Robert Smythson 390:Elizabethan era 303:Thomas Vavasour 260:10 January 1950 252: 249:Listed Building 226: 202:William Samwell 177:Thomas Vavasour 152: 150: 146: 143: 138: 135: 133: 131: 130: 85: 84: 83: 82: 81: 80: 59: 28: 17: 12: 11: 5: 11093: 11083: 11082: 11077: 11072: 11067: 11062: 11057: 11052: 11047: 11042: 11037: 11032: 11027: 11022: 11017: 11012: 11007: 10990: 10989: 10984: 10981: 10980: 10978: 10977: 10972: 10967: 10962: 10957: 10952: 10947: 10942: 10937: 10932: 10927: 10922: 10917: 10911: 10909: 10905: 10904: 10902: 10901: 10893: 10885: 10880: 10874: 10872: 10868: 10867: 10865: 10864: 10862:Wigan baronets 10859: 10854: 10849: 10844: 10839: 10834: 10829: 10827:Petersham Hole 10824: 10819: 10814: 10809: 10804: 10799: 10794: 10788: 10786: 10782: 10781: 10779: 10778: 10773: 10768: 10763: 10758: 10753: 10748: 10742: 10740: 10736: 10735: 10733: 10732: 10724: 10716: 10708: 10700: 10698:Richmond Lodge 10692: 10690:Richmond House 10684: 10676: 10668: 10660: 10652: 10644: 10636: 10634:Cardigan House 10628: 10620: 10612: 10604: 10599: 10594: 10589: 10584: 10579: 10574: 10569: 10564: 10559: 10554: 10549: 10544: 10539: 10534: 10529: 10524: 10519: 10514: 10512:Pembroke Lodge 10509: 10504: 10499: 10494: 10489: 10484: 10479: 10474: 10469: 10467:Montrose House 10464: 10459: 10454: 10449: 10444: 10439: 10434: 10429: 10424: 10419: 10414: 10409: 10404: 10399: 10394: 10389: 10384: 10379: 10374: 10369: 10364: 10359: 10354: 10349: 10344: 10339: 10334: 10332:Clarence House 10329: 10324: 10319: 10314: 10309: 10304: 10299: 10294: 10289: 10284: 10279: 10273: 10271: 10265: 10264: 10262: 10261: 10256: 10251: 10246: 10241: 10235: 10233: 10229: 10228: 10226: 10225: 10220: 10213: 10206: 10201: 10196: 10190: 10188: 10184: 10183: 10181: 10180: 10172: 10164: 10156: 10154: 10150: 10149: 10147: 10146: 10138: 10133: 10128: 10123: 10118: 10110: 10108: 10104: 10103: 10101: 10100: 10092: 10084: 10079: 10074: 10069: 10064: 10059: 10054: 10049: 10044: 10042:Crawdaddy Club 10039: 10033: 10031: 10025: 10024: 10022: 10021: 10016: 10011: 10006: 10001: 9996: 9991: 9986: 9981: 9976: 9971: 9966: 9961: 9956: 9951: 9946: 9940: 9938: 9934: 9933: 9931: 9930: 9925: 9920: 9914: 9912: 9908: 9907: 9905: 9904: 9896: 9888: 9883: 9878: 9873: 9868: 9863: 9858: 9853: 9848: 9843: 9838: 9833: 9828: 9822: 9820: 9816: 9815: 9813: 9812: 9807: 9802: 9800:Longford River 9797: 9792: 9787: 9785:Beverley Brook 9781: 9779: 9775: 9774: 9772: 9771: 9763: 9758: 9753: 9748: 9743: 9738: 9733: 9728: 9723: 9718: 9713: 9708: 9706:Eel Pie Island 9703: 9698: 9693: 9688: 9682: 9680: 9674: 9673: 9671: 9670: 9665: 9660: 9655: 9650: 9645: 9640: 9635: 9630: 9625: 9620: 9615: 9610: 9605: 9600: 9595: 9590: 9585: 9580: 9574: 9572: 9568: 9567: 9565: 9564: 9554: 9544: 9534: 9524: 9514: 9499: 9489: 9479: 9464: 9454: 9444: 9434: 9424: 9413: 9411: 9407: 9406: 9392: 9390: 9388: 9387: 9382: 9377: 9372: 9367: 9362: 9357: 9352: 9347: 9342: 9337: 9332: 9327: 9322: 9317: 9312: 9306: 9304: 9300: 9299: 9292: 9291: 9284: 9277: 9269: 9263: 9262: 9257: 9239: 9232: 9231:External links 9229: 9228: 9227: 9194: 9161: 9147: 9132: 9119: 9116: 9114: 9113: 9099: 9080: 9066: 9048: 9015: 9009: 8987: 8973: 8954: 8935: 8921: 8903: 8859: 8845: 8823: 8797: 8775: 8761: 8743:Strong, Roy C. 8739: 8706: 8692: 8677: 8663: 8648: 8629: 8596: 8570: 8556: 8541: 8527: 8508: 8502: 8486: 8472: 8454:Musson, Jeremy 8450: 8418:Millar, Oliver 8414: 8396:, ed. (1911). 8390: 8341: 8327: 8308: 8294: 8272: 8266: 8248:Jenkins, Simon 8244: 8222: 8207: 8201: 8189: 8175: 8160: 8146: 8128:Girouard, Mark 8124: 8110: 8088: 8066: 8052: 8030: 8016: 8001: 7987: 7972: 7958: 7932: 7899: 7893: 7878: 7841: 7835: 7817:Binney, Marcus 7813: 7788: 7774: 7755: 7749: 7734: 7720: 7705: 7691: 7672: 7658: 7639: 7637: 7634: 7631: 7630: 7608: 7583: 7561: 7539: 7517: 7502: 7488: 7466: 7440: 7418: 7396: 7374: 7352: 7330: 7308: 7273: 7243: 7218: 7186: 7157: 7132: 7103: 7091: 7079: 7077:, p. 393. 7067: 7060: 7038: 7036:, p. 142. 7034:Cornforth 1998 7026: 7022:Cornforth 1998 7014: 7010:Cornforth 1998 7002: 6998:Cornforth 1998 6990: 6986:Cornforth 1998 6978: 6966: 6954: 6950:Pritchard 2007 6939: 6935:Pritchard 2007 6927: 6915: 6903: 6899:Pritchard 2007 6884: 6882:, p. 384. 6867: 6855: 6853:, p. 130. 6843: 6841:, p. 375. 6828: 6816: 6814:, p. 191. 6801: 6799:, p. 189. 6789: 6787:, p. 371. 6777: 6762: 6758:Pritchard 2007 6750: 6746:Pritchard 2007 6738: 6734:Pritchard 2007 6723: 6719:Pritchard 2007 6711: 6709:, p. 168. 6699: 6695:Pritchard 2007 6680: 6678:, p. 172. 6668: 6666:, p. 100. 6653: 6649:Pritchard 2007 6636: 6632:Pritchard 2007 6624: 6620:Pritchard 2007 6612: 6610:, p. 296. 6600: 6588: 6584:Pritchard 2007 6571: 6567:Pritchard 2007 6559: 6557:, p. 510. 6547: 6545:, p. 105. 6535: 6533:, p. 104. 6523: 6511: 6499: 6495:Pritchard 2007 6480: 6476:Pritchard 2007 6468: 6464:Pritchard 2007 6456: 6452:Pritchard 2007 6444: 6440:Pritchard 2007 6427: 6405: 6393: 6381: 6362: 6350: 6332: 6320: 6318:, p. 149. 6308: 6306:, p. 366. 6296: 6294:, p. 360. 6277: 6265: 6263:, p. 232. 6253: 6251:, p. 402. 6241: 6239:, p. 113. 6229: 6217: 6205: 6193: 6181: 6147: 6143:Pritchard 2007 6135: 6113: 6101: 6079: 6067: 6055: 6043: 6041:, p. 242. 6031: 6016: 6014:, p. 249. 6004: 5989: 5977: 5965: 5943: 5931: 5919: 5897: 5895:, p. 158. 5885: 5873: 5861: 5846: 5824: 5809: 5807:, p. 127. 5797: 5785: 5773: 5761: 5749: 5747:, p. 152. 5737: 5722: 5710: 5708:, p. 160. 5698: 5686: 5684:, p. 181. 5671: 5669:, p. 477. 5652: 5650:, p. 143. 5640: 5628: 5616: 5604: 5592: 5580: 5568: 5566:, p. 292. 5556: 5554:, p. 135. 5544: 5542:, p. 170. 5532: 5520: 5508: 5493: 5491:, p. 290. 5472: 5460: 5448: 5446:, p. 140. 5436: 5424: 5422:, p. 170. 5412: 5390: 5368: 5355: 5343: 5331: 5319: 5317:, p. 240. 5307: 5295: 5283: 5261: 5239: 5217: 5185: 5170: 5148: 5126: 5104: 5092: 5070: 5048: 5046:, p. 145. 5036: 5014: 4992: 4980: 4978:, p. 114. 4968: 4956: 4941: 4939:, p. 183. 4924: 4922:, p. 241. 4912: 4897: 4885: 4870: 4848: 4836: 4824: 4802: 4780: 4778:, p. 101. 4768: 4756: 4754:, p. 476. 4729: 4717: 4702: 4690: 4688:, p. 370. 4673: 4661: 4649: 4627: 4605: 4583: 4561: 4539: 4527: 4515: 4484: 4453: 4422: 4391: 4360: 4329: 4298: 4267: 4245: 4214: 4189: 4177: 4165: 4153: 4141: 4139:, p. 122. 4126: 4111: 4099: 4087: 4068: 4056: 4042: 4030: 4015: 3998: 3986: 3982:Pritchard 2007 3974: 3970:Pritchard 2007 3957: 3953:Pritchard 2007 3945: 3941:Pritchard 2007 3928: 3889: 3877: 3865: 3863:, p. 244. 3853: 3851:, p. 141. 3841: 3829: 3817: 3815:, p. 445. 3805: 3803:, p. 118. 3790: 3773: 3756: 3754:, p. 475. 3735: 3733:, p. 100. 3723: 3721:, p. 785. 3711: 3709:, p. 397. 3699: 3697:, p. 113. 3687: 3675: 3663: 3661:, p. 119. 3651: 3649:, p. 124. 3639: 3612: 3600: 3588: 3584:Pritchard 2007 3573: 3561: 3549: 3537: 3525: 3508: 3496: 3463: 3459:Pritchard 2007 3451: 3447:Pritchard 2007 3439: 3424: 3406: 3388: 3374: 3362: 3350: 3346:Pritchard 2007 3338: 3308: 3296: 3284: 3282:, p. 152. 3272: 3260: 3256:Pritchard 2007 3248: 3231: 3219: 3207: 3195: 3191:Summerson 1955 3183: 3181:, p. 372. 3171: 3132: 3128:Pritchard 2007 3113: 3098: 3096:, p. 360. 3083: 3081:, p. 474. 3056: 3044:National Trust 3027: 3011: 3010: 3008: 3005: 3002: 3001: 2992: 2975: 2962: 2942: 2930: 2912: 2888: 2878: 2870:John Summerson 2860: 2859: 2857: 2854: 2826:65 bus service 2809: 2806: 2735:A Little Chaos 2693: 2690: 2676:Peter Thornton 2642:National Trust 2637: 2634: 2603: 2600: 2562: 2559: 2522: 2519: 2494: 2491: 2487:John Constable 2449: 2446: 2422:Horace Walpole 2418:Robert Walpole 2414:Edward Walpole 2405: 2402: 2335: 2332: 2314: 2311: 2309: 2306: 2301:kitchen garden 2194:walled gardens 2163: 2160: 2147: 2144: 2143: 2142: 2126:A set of four 2124: 2122: 2102: 2099: 2095:pietra paesina 2091:theatrical set 2072: 2069: 2044:leather panels 2031: 2028: 2027: 2026: 2007: 1983:all-seeing eye 1954: 1951: 1918:Burghley House 1914:Earl of Exeter 1900: 1899:Private Closet 1897: 1889:Antonio Verrio 1879: 1878:Queen's Closet 1876: 1813: 1810: 1788: 1785: 1779: 1776: 1740:William Caxton 1721:Highgate house 1703: 1700: 1651: 1648: 1647: 1646: 1635: 1633: 1622: 1620: 1563:Picture frames 1560: 1559: 1541: 1531: 1524: 1515:attributed to 1492: 1489: 1415: 1412: 1385:Somerset House 1360: 1357: 1331:School of Love 1284:of arrows and 1251: 1248: 1240:Roman Catholic 1215: 1212: 1211: 1210: 1195: 1180: 1150:English Gothic 1137: 1134: 1119:volume of the 1113:Bridget Cherry 1084: 1081: 1079: 1076: 1065: 1062: 1026: 1023: 978:volume of the 968:Bridget Cherry 923: 920: 822:Letters patent 818:Cabal ministry 788: 785: 690:earl's coronet 669: 666: 634:Scottish title 630:Earl of Dysart 592:The east front 530:William Murray 521: 518: 482:Knight Marshal 453: 450: 448: 445: 422:Bridget Cherry 382:National Trust 354:Cabal ministry 315:William Murray 307:Knight Marshal 278: 277: 274: 273: 270: 269: 266: 262: 261: 258: 254: 253: 247: 244: 243: 240: 239: 230:.nationaltrust 223: 222: 218: 217: 214: 210: 209: 205: 204: 199: 195: 194: 190: 189: 187:National Trust 184: 180: 179: 173: 169: 168: 165: 161: 160: 128: 122: 121: 116: 112: 111: 106: 102: 101: 96: 92: 91: 87: 86: 74: 73: 67: 66: 65: 64: 61: 60: 45: 37: 36: 15: 9: 6: 4: 3: 2: 11092: 11081: 11078: 11076: 11073: 11071: 11068: 11066: 11063: 11061: 11058: 11056: 11053: 11051: 11048: 11046: 11043: 11041: 11038: 11036: 11033: 11031: 11028: 11026: 11023: 11021: 11018: 11016: 11013: 11011: 11008: 11006: 11003: 11002: 11000: 10987: 10982: 10976: 10973: 10971: 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10611: 10608: 10605: 10603: 10600: 10598: 10595: 10593: 10590: 10588: 10585: 10583: 10580: 10578: 10575: 10573: 10570: 10568: 10565: 10563: 10560: 10558: 10555: 10553: 10550: 10548: 10545: 10543: 10540: 10538: 10535: 10533: 10530: 10528: 10525: 10523: 10522:Poppy Factory 10520: 10518: 10517:Pope's Grotto 10515: 10513: 10510: 10508: 10505: 10503: 10500: 10498: 10495: 10493: 10492:Ormeley Lodge 10490: 10488: 10485: 10483: 10480: 10478: 10475: 10473: 10470: 10468: 10465: 10463: 10460: 10458: 10455: 10453: 10450: 10448: 10445: 10443: 10442:Langham House 10440: 10438: 10435: 10433: 10430: 10428: 10425: 10423: 10420: 10418: 10415: 10413: 10412:The Homestead 10410: 10408: 10407:Hogarth House 10405: 10403: 10400: 10398: 10395: 10393: 10390: 10388: 10385: 10383: 10382:Halford House 10380: 10378: 10375: 10373: 10370: 10368: 10365: 10363: 10360: 10358: 10355: 10353: 10350: 10348: 10345: 10343: 10342:Douglas House 10340: 10338: 10337:Doughty House 10335: 10333: 10330: 10328: 10325: 10323: 10320: 10318: 10315: 10313: 10310: 10308: 10305: 10303: 10300: 10298: 10295: 10293: 10290: 10288: 10285: 10283: 10280: 10278: 10275: 10274: 10272: 10266: 10260: 10257: 10255: 10252: 10250: 10247: 10245: 10242: 10240: 10237: 10236: 10234: 10230: 10224: 10221: 10219: 10218: 10214: 10212: 10211: 10207: 10205: 10202: 10200: 10197: 10195: 10192: 10191: 10189: 10185: 10179: 10178:Hogarth Press 10176: 10173: 10171: 10168: 10165: 10163: 10162: 10158: 10157: 10155: 10151: 10145: 10142: 10139: 10137: 10134: 10132: 10129: 10127: 10124: 10122: 10119: 10117: 10116: 10112: 10111: 10109: 10105: 10099: 10096: 10093: 10091: 10088: 10085: 10083: 10080: 10078: 10075: 10073: 10070: 10068: 10065: 10063: 10060: 10058: 10055: 10053: 10050: 10048: 10045: 10043: 10040: 10038: 10035: 10034: 10032: 10026: 10020: 10017: 10015: 10012: 10010: 10007: 10005: 10002: 10000: 9997: 9995: 9992: 9990: 9987: 9985: 9982: 9980: 9977: 9975: 9972: 9970: 9967: 9965: 9962: 9960: 9957: 9955: 9952: 9950: 9947: 9945: 9942: 9941: 9939: 9935: 9929: 9926: 9924: 9921: 9919: 9916: 9915: 9913: 9909: 9903: 9900: 9897: 9895: 9894:Ranelagh Club 9892: 9889: 9887: 9884: 9882: 9879: 9877: 9874: 9872: 9869: 9867: 9864: 9862: 9859: 9857: 9854: 9852: 9849: 9847: 9844: 9842: 9839: 9837: 9834: 9832: 9829: 9827: 9824: 9823: 9821: 9819:Sports venues 9817: 9811: 9808: 9806: 9803: 9801: 9798: 9796: 9793: 9791: 9788: 9786: 9783: 9782: 9780: 9776: 9770: 9767: 9764: 9762: 9759: 9757: 9754: 9752: 9751:Richmond Lock 9749: 9747: 9744: 9742: 9741:Hampton Ferry 9739: 9737: 9734: 9732: 9729: 9727: 9726:Tagg's Island 9724: 9722: 9719: 9717: 9714: 9712: 9709: 9707: 9704: 9702: 9699: 9697: 9696:Benn's Island 9694: 9692: 9689: 9687: 9684: 9683: 9681: 9675: 9669: 9666: 9664: 9661: 9659: 9656: 9654: 9651: 9649: 9646: 9644: 9641: 9639: 9636: 9634: 9631: 9629: 9626: 9624: 9621: 9619: 9616: 9614: 9611: 9609: 9606: 9604: 9601: 9599: 9596: 9594: 9591: 9589: 9586: 9584: 9581: 9579: 9576: 9575: 9573: 9569: 9563: 9559: 9555: 9553: 9549: 9545: 9543: 9539: 9535: 9533: 9529: 9525: 9523: 9519: 9515: 9513: 9509: 9504: 9500: 9498: 9494: 9490: 9488: 9484: 9480: 9478: 9474: 9469: 9465: 9463: 9459: 9455: 9453: 9449: 9445: 9443: 9439: 9435: 9433: 9432:Barnes Bridge 9429: 9425: 9423: 9419: 9415: 9414: 9412: 9408: 9403: 9396: 9386: 9383: 9381: 9378: 9376: 9373: 9371: 9368: 9366: 9363: 9361: 9358: 9356: 9353: 9351: 9348: 9346: 9343: 9341: 9338: 9336: 9333: 9331: 9328: 9326: 9323: 9321: 9318: 9316: 9313: 9311: 9308: 9307: 9305: 9301: 9297: 9290: 9285: 9283: 9278: 9276: 9271: 9270: 9267: 9261: 9258: 9254: 9253: 9248: 9244: 9240: 9238: 9235: 9234: 9224: 9220: 9216: 9212: 9208: 9204: 9200: 9195: 9191: 9187: 9183: 9179: 9175: 9171: 9167: 9162: 9158: 9154: 9150: 9144: 9140: 9139: 9133: 9129: 9128: 9122: 9121: 9110: 9106: 9102: 9096: 9092: 9088: 9087: 9081: 9077: 9073: 9069: 9063: 9059: 9058: 9053: 9049: 9045: 9041: 9037: 9033: 9029: 9025: 9021: 9016: 9012: 9006: 9002: 8998: 8997: 8992: 8988: 8984: 8980: 8976: 8970: 8966: 8962: 8961: 8955: 8951: 8947: 8943: 8942: 8936: 8932: 8928: 8924: 8918: 8914: 8913: 8908: 8904: 8900: 8896: 8892: 8888: 8884: 8880: 8876: 8872: 8868: 8864: 8860: 8856: 8852: 8848: 8842: 8838: 8834: 8833: 8828: 8824: 8820: 8816: 8812: 8811:Penguin Books 8808: 8807: 8802: 8798: 8794: 8790: 8786: 8785: 8780: 8776: 8772: 8768: 8764: 8758: 8754: 8750: 8749: 8744: 8740: 8736: 8732: 8728: 8724: 8720: 8716: 8712: 8707: 8703: 8699: 8695: 8689: 8685: 8684: 8678: 8674: 8670: 8666: 8660: 8656: 8655: 8649: 8645: 8641: 8637: 8636: 8630: 8626: 8622: 8618: 8614: 8610: 8606: 8602: 8597: 8593: 8589: 8585: 8581: 8580: 8575: 8571: 8567: 8563: 8559: 8553: 8549: 8548: 8542: 8538: 8534: 8530: 8524: 8520: 8516: 8515: 8509: 8505: 8499: 8495: 8491: 8487: 8483: 8479: 8475: 8469: 8465: 8461: 8460: 8455: 8451: 8447: 8443: 8439: 8435: 8431: 8427: 8423: 8419: 8415: 8411: 8407: 8403: 8399: 8395: 8391: 8387: 8383: 8379: 8375: 8371: 8367: 8363: 8359: 8355: 8351: 8347: 8342: 8338: 8334: 8330: 8324: 8320: 8319:Penguin Books 8316: 8315: 8309: 8305: 8301: 8297: 8291: 8287: 8283: 8282: 8277: 8273: 8269: 8263: 8259: 8258:Penguin Books 8255: 8254: 8249: 8245: 8241: 8237: 8233: 8232: 8227: 8223: 8219: 8218: 8213: 8208: 8204: 8198: 8194: 8190: 8186: 8182: 8178: 8172: 8168: 8167: 8161: 8157: 8153: 8149: 8143: 8139: 8138:Penguin Books 8135: 8134: 8129: 8125: 8121: 8117: 8113: 8107: 8103: 8099: 8098: 8093: 8089: 8085: 8081: 8077: 8076: 8071: 8067: 8063: 8059: 8055: 8049: 8045: 8041: 8040: 8035: 8031: 8027: 8023: 8019: 8013: 8009: 8008: 8002: 7998: 7994: 7990: 7984: 7980: 7979: 7973: 7969: 7965: 7961: 7955: 7951: 7947: 7946: 7941: 7937: 7933: 7929: 7925: 7921: 7917: 7913: 7909: 7905: 7900: 7896: 7890: 7886: 7885: 7879: 7875: 7871: 7867: 7863: 7859: 7855: 7851: 7847: 7842: 7838: 7832: 7828: 7824: 7823: 7818: 7814: 7810: 7806: 7802: 7798: 7797:History Today 7794: 7789: 7785: 7781: 7777: 7771: 7767: 7763: 7762: 7756: 7752: 7746: 7742: 7741: 7735: 7731: 7727: 7723: 7717: 7713: 7712: 7706: 7702: 7698: 7694: 7688: 7684: 7680: 7679: 7673: 7669: 7665: 7661: 7655: 7651: 7650: 7645: 7644:Airs, Malcolm 7641: 7640: 7618: 7612: 7597: 7593: 7587: 7571: 7565: 7549: 7543: 7527: 7521: 7513: 7506: 7498: 7492: 7476: 7470: 7455: 7451: 7444: 7428: 7422: 7406: 7400: 7384: 7378: 7362: 7356: 7340: 7334: 7319:. Reelstreets 7318: 7312: 7297: 7293: 7289: 7288: 7283: 7277: 7262:. 31 May 2012 7261: 7257: 7253: 7247: 7231: 7225: 7223: 7203: 7196: 7190: 7175: 7168: 7161: 7146: 7142: 7136: 7121: 7114: 7107: 7100: 7095: 7089:, p. 76. 7088: 7083: 7076: 7071: 7063: 7057: 7053: 7049: 7042: 7035: 7030: 7023: 7018: 7012:, p. 44. 7011: 7006: 7000:, p. 43. 6999: 6994: 6988:, p. 36. 6987: 6982: 6976:, p. 67. 6975: 6970: 6964:, p. 75. 6963: 6958: 6952:, p. 66. 6951: 6946: 6944: 6937:, p. 65. 6936: 6931: 6924: 6919: 6912: 6907: 6901:, p. 63. 6900: 6895: 6893: 6891: 6889: 6881: 6876: 6874: 6872: 6865:, p. 75. 6864: 6859: 6852: 6847: 6840: 6835: 6833: 6825: 6820: 6813: 6808: 6806: 6798: 6793: 6786: 6781: 6775:, p. 74. 6774: 6769: 6767: 6760:, p. 50. 6759: 6754: 6747: 6742: 6736:, p. 47. 6735: 6730: 6728: 6721:, p. 45. 6720: 6715: 6708: 6707:Reynolds 1983 6703: 6697:, p. 44. 6696: 6691: 6689: 6687: 6685: 6677: 6672: 6665: 6660: 6658: 6651:, p. 43. 6650: 6645: 6643: 6641: 6634:, p. 42. 6633: 6628: 6622:, p. 41. 6621: 6616: 6609: 6604: 6598:, p. 19. 6597: 6592: 6586:, p. 40. 6585: 6580: 6578: 6576: 6569:, p. 38. 6568: 6563: 6556: 6551: 6544: 6539: 6532: 6527: 6521:, p. 38. 6520: 6515: 6508: 6503: 6497:, p. 37. 6496: 6491: 6489: 6487: 6485: 6478:, p. 36. 6477: 6472: 6465: 6460: 6454:, p. 35. 6453: 6448: 6442:, p. 34. 6441: 6436: 6434: 6432: 6415: 6409: 6403:, p. 58. 6402: 6397: 6391:, p. 57. 6390: 6385: 6379:, p. 56. 6378: 6373: 6371: 6369: 6367: 6360:, p. 55. 6359: 6354: 6346: 6339: 6337: 6330:, p. 56. 6329: 6324: 6317: 6312: 6305: 6300: 6293: 6288: 6286: 6284: 6282: 6275:, p. 55. 6274: 6269: 6262: 6257: 6250: 6245: 6238: 6233: 6226: 6221: 6215:, p. 31. 6214: 6209: 6203:, p. 52. 6202: 6197: 6190: 6185: 6170: 6169: 6164: 6160: 6154: 6152: 6144: 6139: 6123: 6117: 6111:, p. 53. 6110: 6105: 6089: 6083: 6077:, p. 61. 6076: 6071: 6065:, p. 40. 6064: 6059: 6053:, p. 13. 6052: 6047: 6040: 6039:Thornton 1980 6035: 6029:, p. 67. 6028: 6023: 6021: 6013: 6008: 6002:, p. 44. 6001: 5996: 5994: 5987:, p. 43. 5986: 5981: 5974: 5969: 5953: 5947: 5941:, p. 46. 5940: 5935: 5929:, p. 65. 5928: 5923: 5907: 5901: 5894: 5889: 5883:, p. 81. 5882: 5877: 5871:, p. 77. 5870: 5865: 5859:, p. 78. 5858: 5853: 5851: 5834: 5828: 5822:, p. 82. 5821: 5816: 5814: 5806: 5801: 5794: 5789: 5783:, p. 10. 5782: 5777: 5770: 5765: 5758: 5753: 5746: 5741: 5734: 5729: 5727: 5719: 5714: 5707: 5702: 5696:, p. 18. 5695: 5690: 5683: 5678: 5676: 5668: 5663: 5661: 5659: 5657: 5649: 5644: 5638:, p. 14. 5637: 5632: 5625: 5620: 5614:, p. 61. 5613: 5608: 5602:, p. 64. 5601: 5596: 5590:, p. 29. 5589: 5584: 5577: 5572: 5565: 5560: 5553: 5548: 5541: 5536: 5529: 5524: 5517: 5516:Roundell 1904 5512: 5506:, p. 15. 5505: 5500: 5498: 5490: 5485: 5483: 5481: 5479: 5477: 5470:, p. 29. 5469: 5464: 5458:, p. 14. 5457: 5452: 5445: 5440: 5434:, p. 68. 5433: 5428: 5421: 5420:Girouard 1980 5416: 5400: 5394: 5378: 5372: 5365: 5359: 5353:, p. 25. 5352: 5347: 5341:, p. 26. 5340: 5335: 5329:, p. 25. 5328: 5323: 5316: 5315:Thornton 1980 5311: 5305:, p. 41. 5304: 5299: 5292: 5287: 5271: 5265: 5249: 5243: 5227: 5221: 5202: 5195: 5189: 5183:, p. 30. 5182: 5177: 5175: 5158: 5152: 5136: 5130: 5114: 5108: 5102:, p. 65. 5101: 5096: 5080: 5074: 5058: 5052: 5045: 5040: 5024: 5018: 5002: 4996: 4990:, p. 26. 4989: 4984: 4977: 4972: 4965: 4960: 4954:, p. 20. 4953: 4948: 4946: 4938: 4933: 4931: 4929: 4921: 4920:Thornton 1980 4916: 4910:, p. 34. 4909: 4904: 4902: 4895:, p. 56. 4894: 4889: 4883:, p. 24. 4882: 4877: 4875: 4858: 4852: 4846:, p. 23. 4845: 4840: 4834:, p. 22. 4833: 4828: 4812: 4806: 4790: 4784: 4777: 4772: 4766:, p. 75. 4765: 4760: 4753: 4748: 4746: 4744: 4742: 4740: 4738: 4736: 4734: 4726: 4721: 4715:, p. 73. 4714: 4709: 4707: 4699: 4694: 4687: 4682: 4680: 4678: 4670: 4665: 4659:, p. 96. 4658: 4653: 4637: 4631: 4615: 4609: 4593: 4587: 4571: 4565: 4549: 4543: 4537:, p. 38. 4536: 4531: 4525:, p. IX. 4524: 4519: 4504: 4503: 4498: 4494: 4488: 4473: 4472: 4467: 4463: 4457: 4442: 4441: 4436: 4432: 4426: 4411: 4410: 4405: 4401: 4395: 4380: 4379: 4374: 4370: 4364: 4349: 4348: 4343: 4339: 4333: 4318: 4317: 4312: 4308: 4302: 4287: 4286: 4281: 4277: 4271: 4255: 4249: 4234: 4233: 4228: 4224: 4218: 4203: 4199: 4193: 4186: 4181: 4174: 4169: 4162: 4157: 4151:, p. 49. 4150: 4145: 4138: 4133: 4131: 4123: 4118: 4116: 4108: 4103: 4096: 4091: 4084: 4079: 4077: 4075: 4073: 4066:, p. 36. 4065: 4060: 4049: 4047: 4039: 4034: 4027: 4022: 4020: 4012: 4007: 4005: 4003: 3996:, p. 40. 3995: 3990: 3984:, p. 24. 3983: 3978: 3972:, p. 23. 3971: 3966: 3964: 3962: 3955:, p. 21. 3954: 3949: 3943:, p. 22. 3942: 3937: 3935: 3933: 3924: 3916: 3912: 3908: 3907: 3901: 3893: 3886: 3881: 3875:, p. 43. 3874: 3869: 3862: 3857: 3850: 3845: 3839:, p. 37. 3838: 3833: 3827:, p. 84. 3826: 3821: 3814: 3809: 3802: 3797: 3795: 3788:, p. 36. 3787: 3782: 3780: 3778: 3771:, p. 48. 3770: 3765: 3763: 3761: 3753: 3748: 3746: 3744: 3742: 3740: 3732: 3727: 3720: 3715: 3708: 3703: 3696: 3691: 3685:, p. 79. 3684: 3679: 3673:, p. 82. 3672: 3667: 3660: 3655: 3648: 3647:Akkerman 2018 3643: 3627: 3623: 3616: 3610:, p. 14. 3609: 3604: 3597: 3592: 3586:, p. 12. 3585: 3580: 3578: 3571:, p. 67. 3570: 3565: 3559:, p. 77. 3558: 3553: 3546: 3545:Akkerman 2018 3541: 3535:, p. 32. 3534: 3529: 3523:, p. 95. 3522: 3517: 3515: 3513: 3506:, p. 63. 3505: 3500: 3492: 3484: 3480: 3476: 3475: 3467: 3460: 3455: 3449:, p. 10. 3448: 3443: 3436: 3431: 3429: 3420: 3416: 3410: 3402: 3398: 3392: 3384: 3378: 3371: 3366: 3360:, p. 10. 3359: 3354: 3347: 3342: 3327: 3323: 3317: 3315: 3313: 3305: 3300: 3294:, p. 13. 3293: 3288: 3281: 3276: 3270:, p. 15. 3269: 3264: 3257: 3252: 3246:, p. 21. 3245: 3240: 3238: 3236: 3228: 3223: 3216: 3211: 3204: 3199: 3192: 3187: 3180: 3175: 3159: 3155: 3154: 3153:History Today 3149: 3145: 3139: 3137: 3129: 3124: 3122: 3120: 3118: 3110: 3105: 3103: 3095: 3090: 3088: 3080: 3075: 3073: 3071: 3069: 3067: 3065: 3063: 3061: 3045: 3041: 3037: 3031: 3025:, p. 96. 3024: 3019: 3017: 3012: 2996: 2988: 2984: 2979: 2972: 2966: 2959: 2955: 2951: 2950:Jeremy Musson 2946: 2939: 2938:Simon Jenkins 2934: 2927: 2923: 2916: 2909: 2905: 2901: 2897: 2896:Marcus Binney 2892: 2882: 2875: 2871: 2865: 2861: 2853: 2851: 2847: 2843: 2839: 2835: 2831: 2827: 2823: 2819: 2815: 2805: 2803: 2802: 2797: 2796: 2791: 2790: 2785: 2784: 2779: 2778: 2773: 2772: 2767: 2766: 2761: 2760: 2755: 2754: 2749: 2748: 2743: 2742: 2737: 2736: 2731: 2730: 2725: 2724: 2723:Anna Karenina 2719: 2718: 2713: 2712: 2707: 2706: 2701: 2700: 2689: 2686: 2680: 2677: 2672: 2670: 2666: 2662: 2658: 2653: 2651: 2647: 2643: 2633: 2631: 2627: 2626:Chancery Lane 2622: 2617: 2613: 2609: 2599: 2597: 2593: 2589: 2583: 2581: 2577: 2573: 2568: 2567:Augustus Hare 2558: 2556: 2552: 2548: 2544: 2540: 2536: 2532: 2528: 2518: 2516: 2512: 2508: 2499: 2490: 2488: 2483: 2479: 2475: 2471: 2467: 2463: 2454: 2445: 2443: 2437: 2435: 2431: 2427: 2423: 2419: 2415: 2410: 2401: 2397: 2395: 2391: 2386: 2380: 2378: 2374: 2369: 2366: 2361: 2357: 2353: 2349: 2340: 2331: 2329: 2325: 2321: 2305: 2302: 2297: 2293: 2287: 2285: 2281: 2277: 2276:rhododendrons 2273: 2269: 2260: 2256: 2253: 2247: 2245: 2241: 2237: 2233: 2229: 2225: 2221: 2217: 2209: 2205: 2201: 2199: 2195: 2191: 2186: 2182: 2178: 2168: 2159: 2157: 2153: 2140: 2136: 2132: 2129: 2125: 2123: 2120: 2117: 2116: 2115: 2113: 2109: 2098: 2096: 2092: 2087: 2086:tortoiseshell 2077: 2068: 2065: 2061: 2057: 2052: 2049: 2045: 2036: 2023: 2019: 2015: 2011: 2008: 2004: 2001:(1675–79) by 2000: 1997: 1996: 1995: 1993: 1989: 1984: 1980: 1976: 1972: 1971:trompe l'oeil 1968: 1965: 1960: 1950: 1948: 1944: 1940: 1936: 1931: 1927: 1923: 1919: 1915: 1905: 1896: 1894: 1890: 1886: 1875: 1873: 1869: 1865: 1861: 1857: 1853: 1849: 1843: 1841: 1837: 1832: 1828: 1818: 1809: 1806: 1802: 1798: 1794: 1784: 1775: 1773: 1769: 1765: 1761: 1755: 1753: 1749: 1745: 1741: 1737: 1732: 1730: 1726: 1722: 1717: 1716:Mark Girouard 1708: 1699: 1697: 1693: 1689: 1685: 1680: 1678: 1674: 1670: 1669:Franz Cleyn's 1666: 1656: 1644: 1639: 1636: 1634: 1631: 1626: 1623: 1621: 1618: 1614: 1613:Gerrit Jensen 1609: 1608: 1607: 1604: 1602: 1598: 1594: 1590: 1586: 1582: 1578: 1577: 1572: 1568: 1564: 1557: 1555: 1550: 1546: 1542: 1539: 1535: 1532: 1528: 1525: 1522: 1518: 1517:Adrian Vanson 1514: 1511: 1510: 1509: 1506: 1497: 1488: 1486: 1482: 1477: 1473: 1468: 1466: 1462: 1458: 1454: 1450: 1446: 1441: 1437: 1433: 1428: 1420: 1411: 1409: 1405: 1400: 1398: 1394: 1390: 1386: 1382: 1378: 1374: 1370: 1366: 1359:Round Gallery 1356: 1354: 1353:Louvre, Paris 1350: 1346: 1345: 1340: 1336: 1332: 1328: 1327: 1321: 1319: 1315: 1311: 1307: 1303: 1299: 1295: 1291: 1287: 1283: 1279: 1275: 1271: 1266: 1256: 1247: 1245: 1241: 1237: 1233: 1229: 1220: 1208: 1204: 1201:portraits of 1200: 1196: 1193: 1189: 1185: 1181: 1178: 1177:Royal Academy 1174: 1170: 1167: 1166: 1165: 1162: 1159: 1155: 1151: 1142: 1133: 1131: 1127: 1122: 1118: 1117:London: South 1114: 1110: 1106: 1102: 1098: 1094: 1090: 1070: 1061: 1059: 1055: 1051: 1047: 1043: 1039: 1035: 1031: 1022: 1020: 1016: 1012: 1008: 1004: 999: 997: 993: 992:William Bruce 987: 985: 981: 977: 976:London: South 973: 969: 965: 961: 957: 953: 952:Simon Jenkins 949: 945: 941: 937: 928: 919: 916: 911: 907: 903: 897: 895: 891: 887: 882: 880: 876: 872: 867: 863: 860: 855: 851: 847: 846:William Bruce 837: 833: 831: 827: 823: 819: 815: 811: 807: 802: 793: 784: 782: 778: 777:Framsden Hall 774: 769: 765: 762:; 0.117 761: 757: 753: 748: 744: 740: 736: 732: 727: 725: 721: 716: 712: 707: 705: 702: 699: 695: 691: 687: 683: 679: 675: 665: 663: 659: 655: 650: 646: 642: 637: 635: 631: 627: 626:Puritan party 623: 619: 615: 611: 607: 603: 599: 590: 582: 578: 576: 572: 568: 564: 560: 556: 552: 548: 544: 543:Richmond Park 539: 535: 531: 527: 517: 515: 511: 507: 503: 499: 495: 492:, London and 491: 487: 483: 479: 475: 471: 467: 458: 444: 442: 438: 434: 430: 427: 426:London: South 423: 419: 415: 411: 407: 403: 399: 398:William Bruce 395: 391: 386: 383: 379: 375: 371: 367: 363: 358: 355: 351: 347: 346:John Maitland 342: 340: 337:his daughter 336: 332: 328: 324: 320: 316: 312: 308: 304: 300: 296: 292: 288: 284: 275: 271: 267: 263: 259: 255: 250: 245: 241: 237: 224: 219: 215: 211: 206: 203: 200: 196: 191: 188: 185: 181: 178: 174: 170: 166: 162: 157: 129: 127: 123: 120: 117: 113: 110: 107: 103: 100: 97: 93: 88: 71: 62: 57: 53: 52:Father Thames 49: 43: 38: 33: 30: 26: 22: 10975:Sports clubs 10908:Other topics 10895: 10887: 10726: 10718: 10714:Sheen Priory 10710: 10702: 10694: 10686: 10682:Radnor House 10678: 10674:Pope's villa 10670: 10666:Mount Ararat 10662: 10654: 10646: 10638: 10630: 10622: 10618:Alcott House 10614: 10606: 10507:The Pavilion 10437:Kneller Hall 10427:Kew Mortuary 10417:Hotham House 10386: 10322:Chapel House 10297:Asgill House 10268:Other places 10215: 10208: 10174: 10170:Gaydar Radio 10166: 10159: 10140: 10113: 10094: 10086: 10047:The Exchange 9898: 9890: 9856:The Lensbury 9851:Hampton Pool 9810:River Thames 9765: 9716:Platt's Eyot 9648:Queen's Road 9522:St Margarets 9462:Hampton Wick 9365:St Margarets 9340:Hampton Wick 9335:Hampton Hill 9250: 9206: 9202: 9173: 9169: 9137: 9126: 9085: 9056: 9027: 9023: 8995: 8959: 8940: 8911: 8874: 8870: 8831: 8805: 8783: 8779:Sudeley, Ada 8747: 8718: 8714: 8682: 8653: 8634: 8608: 8604: 8582:. New York: 8578: 8546: 8513: 8493: 8458: 8429: 8425: 8401: 8394:Malden, H.E. 8353: 8349: 8313: 8281:Caves of Ice 8280: 8252: 8230: 8216: 8192: 8165: 8132: 8096: 8074: 8070:Evelyn, John 8038: 8006: 7977: 7944: 7911: 7907: 7883: 7853: 7849: 7821: 7800: 7796: 7766:Viking Press 7760: 7739: 7710: 7677: 7648: 7621:. Retrieved 7611: 7599:. Retrieved 7596:Sky Atlantic 7586: 7576:18 September 7574:. Retrieved 7564: 7554:18 September 7552:. Retrieved 7542: 7532:18 September 7530:. Retrieved 7520: 7505: 7491: 7481:18 September 7479:. Retrieved 7469: 7459:18 September 7457:. Retrieved 7454:The Guardian 7453: 7443: 7433:18 September 7431:. Retrieved 7421: 7411:18 September 7409:. Retrieved 7399: 7387:. Retrieved 7377: 7367:18 September 7365:. Retrieved 7355: 7345:18 September 7343:. Retrieved 7333: 7323:18 September 7321:. Retrieved 7311: 7301:19 September 7299:. Retrieved 7287:Woman's Hour 7285: 7276: 7264:. Retrieved 7255: 7246: 7236:18 September 7234:. Retrieved 7209:. Retrieved 7202:the original 7189: 7177:. Retrieved 7173: 7160: 7148:. Retrieved 7144: 7135: 7123:. Retrieved 7119: 7106: 7101:, p. X. 7094: 7082: 7070: 7047: 7041: 7029: 7017: 7005: 6993: 6981: 6969: 6957: 6930: 6918: 6906: 6858: 6846: 6824:Sudeley 1890 6819: 6792: 6780: 6753: 6741: 6714: 6702: 6671: 6627: 6615: 6603: 6596:Walpole 2002 6591: 6562: 6550: 6538: 6526: 6514: 6502: 6471: 6459: 6447: 6418:. Retrieved 6408: 6396: 6384: 6353: 6345:Country Life 6344: 6323: 6311: 6299: 6268: 6256: 6244: 6232: 6220: 6213:Anthony 1991 6208: 6196: 6184: 6172:. Retrieved 6166: 6145:, p. 6. 6138: 6126:. Retrieved 6116: 6104: 6092:. Retrieved 6082: 6070: 6058: 6046: 6034: 6007: 5980: 5968: 5956:. Retrieved 5946: 5934: 5922: 5910:. Retrieved 5900: 5888: 5876: 5864: 5837:. Retrieved 5827: 5800: 5788: 5776: 5771:, p. 7. 5764: 5757:Greeves 2008 5752: 5740: 5735:, p. 6. 5720:, p. 3. 5713: 5701: 5689: 5643: 5631: 5619: 5607: 5595: 5583: 5571: 5559: 5547: 5535: 5523: 5511: 5463: 5456:Purcell 2019 5451: 5439: 5427: 5415: 5403:. Retrieved 5393: 5381:. Retrieved 5371: 5363: 5358: 5346: 5334: 5322: 5310: 5298: 5286: 5274:. Retrieved 5264: 5252:. Retrieved 5242: 5230:. Retrieved 5220: 5210:18 September 5208:. Retrieved 5201:the original 5188: 5161:. Retrieved 5151: 5139:. Retrieved 5129: 5117:. Retrieved 5107: 5095: 5083:. Retrieved 5073: 5061:. Retrieved 5051: 5039: 5027:. Retrieved 5017: 5005:. Retrieved 4995: 4983: 4971: 4966:, p. 5. 4964:Standen 1971 4959: 4915: 4888: 4861:. Retrieved 4851: 4839: 4827: 4815:. Retrieved 4805: 4793:. Retrieved 4783: 4771: 4759: 4727:, p. 5. 4720: 4693: 4664: 4652: 4640:. Retrieved 4630: 4618:. Retrieved 4608: 4596:. Retrieved 4586: 4574:. Retrieved 4564: 4552:. Retrieved 4542: 4530: 4518: 4508:17 September 4506:. 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